One of my favourite subjects. I also love the work of Henry Raeburn. I think his palette consisted of earth pigments with vermilion, crimson and Prussian blue. Thanks for sharing 👍
Your video is very deep informative, great teaching in depth and also very relaxing to watch. I learned a lot about traditional painting especially old master in your channel since you post on UA-cam. Thank you for this great work!
What a wonderful presentation today Luis. Titian is a majestic artist, no wonder his paintings are so admired all over the world. My first direct contact with his work was at the Frick Collection in New Yok. It was Portrait of a Man in a Red Hat. An impeccable composition, in every sense. Thanks for sharing all the technical aspects of his process. Great job. Looking forward to watching the October “surprise” you promised today. Thanks a lot.
Brilliant information, thank you for your explanation and guiding in already more of these lectures : The Dutch master Johannes Vermeer is quite in the picture now these days in Holland: 2023 is 400 years? away from his funeral. I think his use of lenses and Camera Obscure is a very interesting approach in the way of: the leap to photography later in 18 hundreds.
I was just wondering the correct procedure of applying a glaze of yellow ochre and a velatura of yellow ochre and white mixed together. One being a warming transparent technique, the other in cooling semi-transparent technique. Would it be best to first glaze first before applying a velatura? In other words create a warm skin tone to correct an overpainting then apply a cooler velatura over the glaze? Or the other way around? Is this what Rubens or Rembrandt did? I am new to oil painting, being an acrylic painter for many years, and enjoy watching your videos.
That's great! For me, it’s a problem that the paint dries so quickly on the surface. I can't manage to create soft shades. 🥺 Do you mix the oil paint with any thinner before applying the first layer?
I am a first year Art History student. Would you (or someone) please tell me what is meant by the "ground"? Is this the 1st layer or base of the piece? My professor has not not discussed this. I just discovered this video and am so happy I did! I give my first presentation on Titian's, "Pastoral Concert" next week.Thank you!!!
Thank you for your comment and welcome to my channel. Your assessment of the term "ground" is correct. This word describes the priming layer used to render the surface smooth or to cover its texture in preparation for applying the first layers of paint.
Hi, love the video, just wanted to ask if Titian would use black oil as binder or as a medium to help paint flow? Also I know he used a “Gesso de Bologne” which is actually available to buy but nowhere does it say what kind of calcium it is, calcium carbonate? Calcium sulphate? Or something else, just wandering if you might know?
Hello Matthew: I have asked myself the same question many times. I have tried both methods of mulling the paint with black oil and adding it as a medium to paint that has been mulled with washed linseed oil and the results are very similar. The paint flows nicely in both cases and the paint acquires a wonderful texture, but it does yellow slightly with time.
hello, i don't understand much english. I would like to know, do you say you have a background with rabbit skin and calcium carbonate? Will this crack on a canvas? can I take a recipe from Xavier De Langlais? THANKS
I love the way you teach the classical methods it’s very detailed yet simplified, I want to improve my classical drawing to the next level so I was wondering if you are doing any classical or old masters drawings courses!
Hello Divine dia: Thank you for writing. I appreciate your interest in my teaching. I have a classical drawing online course coming up starting January 22. The semester long course focuses entirely on drawing skills such as value, light/shade theory, proportion, perspective and composition. I teach this course with a structured curriculum designed to pace the student step by step with personalized critiques every step of the way. These are not recorded courses, but online live one on one teaching on a professional teaching app call Go to Meeting. Registration for the course is very easy through the link below, if you’re interested. Your location is not an issue as long as our time zones are close enough and your internet connection is good. My class meets at 9am (Atlantic standard time). I am going to share the link here, so you can read all the details including the full detailed curriculum and registration. ateliersanjuan.org/registration-1/registration-online-2020. If you have any other questions, feel free to write. Best wishes, Happy New Year!!
@@LuisBorreroVisualArtist i actually purchased your classical drawing on udemy! I’m currently watching the sphere video I like it so far and will definitely be doing the exercises and work myself soon! It was such a great price as well thank you for sharing your skills and talents with us
@@divinedia Thank you for purchasing my Udemy course. The pre-recorded courses are great to get started and work independently. My live courses are designed to work with critiques of your work as you progress through the curriculum. I have both options available for students that prefer the one one mentoring vs the independent work. I hope you enjoy the course! Thanks for following my channel. 🙏🏻🙏🏻
Hello @@divinedia: You can register or find the course curriculum in this link👉🏻ateliersanjuan.org/registration-1/registration-online-2020 You can contact us via WhatsApp if you have any further questions about the curriculum or the course in general. wa.me/message/NCHUWF27O4CNB1. Best wishes!🙏🏻
Hallo Luis, after the First layer , after the Main flesh Tones you glazed with a yellowish transparent layer.what did you use for that? After that IT all looked so harmonized and deep and warm.thanks Very much Form Germany
Hello Sabine: Thank you for visiting my channel. In the final layer I used Italian raw sienna to unify and create a warm under-layer to lay the subtle velaturas on top.
Hi Maestro! I'd like to know how many sessions did this painting did take you and if you use any kind d of turpentine to dilute your colors? It would be nice if one day you talk about your brushes, I notice you use no plain brushes. Thanks for this amazing content, I think there's no other channel on UA-cam with this quality.
Hello TT: I worked this demo as a part of my online painting workshop. This a full reconstruction of Titian’s early technique that includes 24 videos about an hour long. I shared a quick summary of the portrait only but I copied the entire painting for my online class over a period of a month. The colors were diluted with heat bodied oil thinned with spike oil to various proportions depending on the sequence of the layers. My brushes are indeed high end mop quills from Da Vinci or Escoda bristles. Thank you for sharing your feedback. 🙏🏻
I have subscribed to your channel & found it very useful, informative and your presentation is excellent. you have mentioned in this video about the soft brush you are using, this brush looks like a watercolours brush, can you use such soft brush on oil painting? Thanks
Thank you for subscribing! Welcome to my channel. The brush that I am using in this demo is called a Squirrel hair mop. This type of brush is mentioned by various treatises on the art of painting. The brush is commonly used for watercolor nowadays, but it’s has superb handling qualities with oils. You cannot lay in paintings with this type of brush. I use it only for Velaturas and very soft transitions of paint in the top layers only.
Stand oil is heated but i believe its heated in an environment either under pressure or without oxygen. Either way it actually takes longer to dry than normal linseed oil. What the video refers to is thickened oil or sun thickened oil. Its an orange thick linseed oil. Its quicker to dry than normal linseed oil.
Hello Broken heart: Thank you for commenting. You can see the entire preparation of the surface of this painting in the following video 👉🏻ua-cam.com/video/aziancUFnsM/v-deo.html.
And thank you so much for having us and your invitation into your art world most formative, most enjoyable keep them coming
An excellent demo, maestro!! Thanks!
When Titian was asked how he creates his painttings, he replied, "Velature, trenta o quaranta!"
Brilliant! Wonderful to see this while I am in Venezia looking at Titian.
Have fun, Christine!! Disfruta Tiziano e Italia. Un abrazo!!!
One of my favourite subjects. I also love the work of Henry Raeburn. I think his palette consisted of earth pigments with vermilion, crimson and Prussian blue. Thanks for sharing 👍
Wonderful man! You killed it! This is one of the best of the best art vids.
So beautiful I love the way his paintings are
I love your videos and demonstrations. Please keep making these excellent presentations. Thank you so very much. All the best from North Carolina.
Your video is very deep informative, great teaching in depth and also very relaxing to watch. I learned a lot about traditional painting especially old master in your channel since you post on UA-cam. Thank you for this great work!
Thank you for sharing your passion and knowledge!
What a wonderful presentation today Luis. Titian is a majestic artist, no wonder his paintings are so admired all over the world. My first direct contact with his work was at the Frick Collection in New Yok. It was Portrait of a Man in a Red Hat. An impeccable composition, in every sense. Thanks for sharing all the technical aspects of his process. Great job. Looking forward to watching the October “surprise” you promised today. Thanks a lot.
Hello from Fort Myers, Florida!
Hello from Philippines..
Brilliant information, thank you for your explanation and guiding in already more of these lectures : The Dutch master Johannes Vermeer is quite in the picture now these days in Holland: 2023 is 400 years? away from his funeral. I think his use of lenses and Camera Obscure is a very interesting approach in the way of: the leap to photography later in 18 hundreds.
I was just wondering the correct procedure of applying a glaze of yellow ochre and a velatura of yellow ochre and white mixed together. One being a warming transparent technique, the other in cooling semi-transparent technique. Would it be best to first glaze first before applying a velatura? In other words create a warm skin tone to correct an overpainting then apply a cooler velatura over the glaze? Or the other way around? Is this what Rubens or Rembrandt did? I am new to oil painting, being an acrylic painter for many years, and enjoy watching your videos.
Is the reinforcement of the drawing, using paint and sizing, done before the application of the imprimetura or after? Thank you for all your work.
I watch all Your videos allthough I am a songer:-) All pf them are my favorite painters: Breugel, Veronese, Vermeer, Rembrandt.
That's great!
For me, it’s a problem that the paint dries so quickly on the surface. I can't manage to create soft shades. 🥺
Do you mix the oil paint with any thinner before applying the first layer?
Una pregunta maestro .Veo que está usted utilizando pinceles que usualmente se venden como para acuarelas .Usted los utiliza para las veladuras ?
Thank you for making this informative video! We'll done!
Magnífico parabéns. 👏👏👏
I love your channel so much
I am a first year Art History student. Would you (or someone) please tell me what is meant by the "ground"? Is this the 1st layer or base of the piece? My professor has not not discussed this. I just discovered this video and am so happy I did! I give my first presentation on Titian's, "Pastoral Concert" next week.Thank you!!!
Thank you for your comment and welcome to my channel. Your assessment of the term "ground" is correct. This word describes the priming layer used to render the surface smooth or to cover its texture in preparation for applying the first layers of paint.
thanks for sharing your knowledge
Hi, love the video, just wanted to ask if Titian would use black oil as binder or as a medium to help paint flow?
Also I know he used a “Gesso de Bologne” which is actually available to buy but nowhere does it say what kind of calcium it is, calcium carbonate? Calcium sulphate? Or something else, just wandering if you might know?
Hello Matthew: I have asked myself the same question many times. I have tried both methods of mulling the paint with black oil and adding it as a medium to paint that has been mulled with washed linseed oil and the results are very similar. The paint flows nicely in both cases and the paint acquires a wonderful texture, but it does yellow slightly with time.
Where are you getting Gesso de Boulogne from? Any Gesso coming from Italy is usually Calcium Sulphate.
Great presentation!
Wonderful information!
Thank you for sharing! Amazing!
there is a way to see also bouguereau and the other masters recordings?
hello, i don't understand much english. I would like to know, do you say you have a background with rabbit skin and calcium carbonate? Will this crack on a canvas? can I take a recipe from Xavier De Langlais? THANKS
I love the way you teach the classical methods it’s very detailed yet simplified, I want to improve my classical drawing to the next level so I was wondering if you are doing any classical or old masters drawings courses!
Hello Divine dia: Thank you for writing. I appreciate your interest in my teaching. I have a classical drawing online course coming up starting January 22. The semester long course focuses entirely on drawing skills such as value, light/shade theory, proportion, perspective and composition. I teach this course with a structured curriculum designed to pace the student step by step with personalized critiques every step of the way. These are not recorded courses, but online live one on one teaching on a professional teaching app call Go to Meeting. Registration for the course is very easy through the link below, if you’re interested. Your location is not an issue as long as our time zones are close enough and your internet connection is good. My class meets at 9am (Atlantic standard time). I am going to share the link here, so you can read all the details including the full detailed curriculum and registration. ateliersanjuan.org/registration-1/registration-online-2020.
If you have any other questions, feel free to write. Best wishes, Happy New Year!!
@@LuisBorreroVisualArtist i actually purchased your classical drawing on udemy! I’m currently watching the sphere video I like it so far and will definitely be doing the exercises and work myself soon! It was such a great price as well thank you for sharing your skills and talents with us
@@divinedia Thank you for purchasing my Udemy course. The pre-recorded courses are great to get started and work independently. My live courses are designed to work with critiques of your work as you progress through the curriculum. I have both options available for students that prefer the one one mentoring vs the independent work. I hope you enjoy the course! Thanks for following my channel. 🙏🏻🙏🏻
@@LuisBorreroVisualArtist i would love to attend the live one, it’s the one on the website right?
Hello @@divinedia: You can register or find the course curriculum in this link👉🏻ateliersanjuan.org/registration-1/registration-online-2020
You can contact us via WhatsApp if you have any further questions about the curriculum or the course in general. wa.me/message/NCHUWF27O4CNB1. Best wishes!🙏🏻
Where are you doing the workshop?
Hallo Luis, after the First layer , after the Main flesh Tones you glazed with a yellowish transparent layer.what did you use for that? After that IT all looked so harmonized and deep and warm.thanks Very much Form Germany
Hello Sabine: Thank you for visiting my channel. In the final layer I used Italian raw sienna to unify and create a warm under-layer to lay the subtle velaturas on top.
Hi Maestro! I'd like to know how many sessions did this painting did take you and if you use any kind d of turpentine to dilute your colors? It would be nice if one day you talk about your brushes, I notice you use no plain brushes. Thanks for this amazing content, I think there's no other channel on UA-cam with this quality.
Hello TT: I worked this demo as a part of my online painting workshop. This a full reconstruction of Titian’s early technique that includes 24 videos about an hour long. I shared a quick summary of the portrait only but I copied the entire painting for my online class over a period of a month. The colors were diluted with heat bodied oil thinned with spike oil to various proportions depending on the sequence of the layers. My brushes are indeed high end mop quills from Da Vinci or Escoda bristles. Thank you for sharing your feedback. 🙏🏻
I have subscribed to your channel & found it very useful, informative and your presentation is excellent.
you have mentioned in this video about the soft brush you are using, this brush looks like a watercolours brush, can you use such soft brush on oil painting?
Thanks
Thank you for subscribing! Welcome to my channel. The brush that I am using in this demo is called a Squirrel hair mop. This type of brush is mentioned by various treatises on the art of painting. The brush is commonly used for watercolor nowadays, but it’s has superb handling qualities with oils. You cannot lay in paintings with this type of brush. I use it only for Velaturas and very soft transitions of paint in the top layers only.
Can you make a video explaining how to make spike lavender oil. I can’t find a recipe
again, it's an incredible teaching!
Is stand oil consider "heat bodied"?
Thanks
Stand oil is heated but i believe its heated in an environment either under pressure or without oxygen. Either way it actually takes longer to dry than normal linseed oil. What the video refers to is thickened oil or sun thickened oil. Its an orange thick linseed oil. Its quicker to dry than normal linseed oil.
@@harrysimons8119 awesome, thanks
whats used for the grey ground?
Hello Broken heart: Thank you for commenting. You can see the entire preparation of the surface of this painting in the following video 👉🏻ua-cam.com/video/aziancUFnsM/v-deo.html.
@@LuisBorreroVisualArtist thank you so much
I like it very good
Great👏👏❤❤
talk about ribera, thank you
Can you do this with acrylic?
Please paıtıng the Mona Lisa
Questo video è molto interessante ma non lo casco, potresti per piacere farlo in lingua spagnola? Grazie , obrigada maestro, saludos
Il video ha sottotitoli in italiano
Hola Luis, ¿Qué hay de estas técnicas? ua-cam.com/video/eKM6GZrIRZU/v-deo.html
Sir, There is a lot of seriousness in your face. Which resembles some negative characteristics. Try to be happy and smile. All the very best.