Understanding Pina: The Legacy of Pina Bausch -excerpts

Excerpts from "Understanding Pina, the Legacy of Pina Bausch" (2010, 39 min.) Dancers talk about their personal experiences working with Pina.
www.insight-media.com
Educational documentary by Kathryn Sullivan and Howard Silver

[@Miguel53de]

Thank you for uploading this great speach. Funny she speaks about "Fritz", the only work of Pina I have never seen.

[@mahdiarab11228]

Immortal…♥️

[@laconja1]

Is there any more to this video ?
Would love to see the whole thing.

[@chiaratalenti142]

Pina Bausch was a tremendous beautiful body mouvment interpreter, so beautiful so intense so rafinate so deep and light and smooth, that she would have been a light a very bright light by interpreting on stage her choreography production. By the way the transmission of her personal body language and its hidden deep vibration, was a very tuff duty. Hours, months, years of rehearsals would never represent property the personal interpretation deep and delightful interpretation of Pina Bausch and the way her body talk.
At the same time her beautiful and precious dancers are the essential contributions to the achievement of Pina Bausch creation and even more her dancers create with her.
Nevertheless, Pina Bausch deeply suffered inside her soul, and year by year she began, from her early life, to forget herself, the needs of herself. From nutrition desease in her young age, throughout her thousands of swallowed cigarettes in face or around or in the back of her dancers during rehearsals, her severe lack of sleep, bring the spectator to a very sad portrait of Pina Bausch. A portrait where Life is not respected. Her dreadful interpretation of café muller is a hytom of death. How can a human being forget at that point herself to learn the presence of a cancer spread out without being acquainted before?
TALENTI Chiara
Expert in non verbal communication pedagogy
Choreography and international traditional dance
Territorial cooperation Policies

[@aitchayess]

You have seen the WIm Wenders film no doubt? I think the older works are the best - Bluebeard, Kontakthof, Cafe Müller, Rite of Spring, 1980. There is also a wonderful documentary, Dancing Dreams, of Pina making Kontakthof with a group of high school students and another version with men and women over sixty. Hope you you achieve your goal.

[@dutra_heitor]

did you see all the works of Pina? Woow i dream the chance to see one! I live in Brasil and the company never stays near to my city. Sorry for my terrible english!
I really need to see Vollmond, Nur Du, Masurca Fogo, Água, (of course), Como el Musguito en la piedra... I really want to go to Wuppertal next year!