The transition from page 6 to page 7 is remarkable. Page 9 through to 15 are somptuous, with lots of going's on to nibble on. 15 onwards, wow, great ! Great symphonic theme in page 19n to 21, sort of reminds me of something Ravel wrote. Page 21 onwards transition to the theme is remarkable, one of the best “simple” melodies you've written thus far, in my book at least ! The mariage saxo-orchestra est un exploit, at first one wonders what instrument it is, horn?.... anyhow, this whole section is quite exceptional... the utilisation of the choral is well done, but it seems to play more as an orchestral effect. I would have used the voices to display more of a central thematic, like you do in certain places with the strings. All in all, for me it's a giant step forward Ezi, you've really moved along ! It would take too long to enumerate more on the other movements, but perhaps you've got some remarks to make on Messenger.
The transition from page 6 to page 7 is remarkable. Page 9 through to 15 are somptuous, with lots of going's on to nibble on. 15 onwards, wow, great ! Great symphonic theme in page 19n to 21, sort of reminds me of something Ravel wrote. Page 21 onwards transition to the theme is remarkable, one of the best “simple” melodies you've written thus far, in my book at least ! The mariage saxo-orchestra est un exploit, at first one wonders what instrument it is, horn?.... anyhow, this whole section is quite exceptional... the utilisation of the choral is well done, but it seems to play more as an orchestral effect. I would have used the voices to display more of a central thematic, like you do in certain places with the strings. All in all, for me it's a giant step forward Ezi, you've really moved along ! It would take too long to enumerate more on the other movements, but perhaps you've got some remarks to make on Messenger.
foirst