I can't wait to see what you do with feeling this, my favorite version is the 2003 TRL preformance and Tom sings one of Mark's verses (look to the past and remember a smile..), but I also like the breakdown they do in recent preformances, it would be cool if you could bring together all those sweet live preformances
Amazing like always! I feel like you are able to capture that 2004 blink energy very well. Do you have any plans on also posting the instrumentals for these by any chance?
@@binmonkey that would be pretty cool! I’ve been listening on repeat tour studio version covers. What gear/software do you use to record these? (If you don’t mind sharing that information of course).
@@davidkwon1233 not at all. DAW is Ableton, guitar tones through Amplitube and instrument-wise it’s mainly been a Delonge 333 and a Delonge Strat, p-bass and addictive drums.
@@binmonkey Impressive! How did you learn how to do it? Where can I learn it too? I'm using Addictive Drums 2 as well, but most of the pre-made beats I either don't like or they don't fit with what I'm trying to do with some of my songs. So, is there any tutorial anywhere on how it's done?
@@cnalbelsevy. honestly my best advice to get more comfortable programming would be to remake drum parts of songs you like. You get to learn how a drummer thinks, and learning to work within the four limb restriction will get you much more realistic sounding parts. I personally learned through experience and doing things just like that, and with this project in particular you start to study the drummer’s mannerisms and rhythmic tendencies. With that, you can write parts that have a similar essence to those that inspire you. It’s a similar practice to learning an instrument, really.
So amazing..i need to listen to NOT NOW
this is cinema
I can't wait to see what you do with feeling this, my favorite version is the 2003 TRL preformance and Tom sings one of Mark's verses (look to the past and remember a smile..), but I also like the breakdown they do in recent preformances, it would be cool if you could bring together all those sweet live preformances
Could you do the version you play now with Travis' solo?
this is sickkkk
This is awesome!
these r fucken cool
All those tracks are ON FIRE! Do you have a tracklist in mind? (the full album? or a mix of untitled with older songs?)
It's what you might expect from the 2004 setlist.
Amazing like always! I feel like you are able to capture that 2004 blink energy very well. Do you have any plans on also posting the instrumentals for these by any chance?
I hadn’t considered it, but I very well may do now that you mention it. No reason not to.
@@binmonkey that would be pretty cool! I’ve been listening on repeat tour studio version covers. What gear/software do you use to record these? (If you don’t mind sharing that information of course).
@@davidkwon1233 not at all. DAW is Ableton, guitar tones through Amplitube and instrument-wise it’s mainly been a Delonge 333 and a Delonge Strat, p-bass and addictive drums.
@@binmonkey cool, thank you for those details! The dirty fingers and invader pickups really shine here
would you makes these available to download?
They’re available as free or pay what you want on Bandcamp.
Can you tell me or screen shot me the guitar amp and effects it's perfect please. We wanna play this at band practice
It's all done through Amplitube, they have a good approximation of what Tom used on this tour.
Can u release this as a instrumental
Yeah, I'm working on getting instrumentals bounced for all of them.
You program all these drums yourself, right?
Yep!
@@binmonkey Impressive! How did you learn how to do it? Where can I learn it too? I'm using Addictive Drums 2 as well, but most of the pre-made beats I either don't like or they don't fit with what I'm trying to do with some of my songs. So, is there any tutorial anywhere on how it's done?
@@cnalbelsevy. honestly my best advice to get more comfortable programming would be to remake drum parts of songs you like. You get to learn how a drummer thinks, and learning to work within the four limb restriction will get you much more realistic sounding parts. I personally learned through experience and doing things just like that, and with this project in particular you start to study the drummer’s mannerisms and rhythmic tendencies. With that, you can write parts that have a similar essence to those that inspire you. It’s a similar practice to learning an instrument, really.
@@binmonkey Makes a lot of sense. Thanks!