Painting Oils a Still Life in Procreate. Time-Lapse workflow.
Вставка
- Опубліковано 21 лют 2022
- Dear friends, this is the painting process of "Teapot and 3 tangerines" still life in Procreate.
Working with my "The Perfect Oils" brushes in Procreate, version of the brush pack 1.0 used here (nowadays available the updated versions 3.0 and 2.1 both versions in a single product). Cool? 💥 These brushes allow the reaching a feeling of oil painting and the raised, thick "impasto" brush strokes.
💥 Discount info 🎁: Dear friends, I've recently launched this set on the Design Cuts, the first-days 30% discount is on the air! Grab it here:
👉 DesignCuts.com/vendor/Ldarros-...
👉 Available places are also listed at EldarZakirov.com/Shop
There's also the PDF file with quick help, hints, and a short tutorial on how to make the strokes even much more impasto. 87 brushes divided into 8 thematic groups - from pre-drawing, underpainting to volume modeling and final detailing. 🥂 A number of ways to purchase - choose the most convenient one and download the set instantly.
🎧 Music: Ldarro Continental - Confettis et Champagne, ©Eldar Zakirov, All Rights Reserved, available on streaming platforms.
• ⠀
@procreatestuffs @procreate.app #2d #brushes #digitalart #ipad #painting #brushpack #digitalpainting #oilpainting #oils #procreate #stockresource #applepencil #procreateapp #ipadprocreate #procreatepainting #procreatebrushes #procreateartist #portraitartist #portraits_perfection #digitalartoninstagram #digitalartoftheday #applepencilart #ipadproart #ipadpro #digital_artist #digital_artwork #digitallyart #procreatestuffs #procreateapp
These are great set of brushes.
But as a complete beginner (and so many brushes to choose from) - I struggle to know which/when to use.
It would be great if the video included an indication of what brushes were used (maybe as a caption or in the summary)
Hi Nick! Sorry for the late response. And it seems I need to create a sheet with the brushes specified here. ;)
For a while I'm going to describe this, although I painted this about a year ago, so not all the brushes I can remember exactly for now. So, this is the version 2.01 used here.
So, I started with a brownish underpainting, using 🟠On-Canvas|Liquid Filbert Pressed (with Hard Light layer blending mode). All the next steps were made on a new layer(s) in Normal mode. Then I started blocking out the main volumes with 🟠On-Canvas|Wide Fast Wet Bristle, 🟠On-Canvas|Dry/Wet by Pressure, 🟠On-Canvas|Kolinsky Dillutive Pointed, etc.
Painted the background base using the brushes from 🟣RELIEVO category, just trying them one by one.
And then went to more soft brushes, working on the wall and white table (1:00 - 2:00), here I used 🟡VOLUMES|Soft Stiff Round Bristle, 🟡VOLUMES|Uni-Purpose Fan/Filbert, and lower till 🟡VOLUMES|Poor Thick Weasel.
That thick impasto brush strokes on the tangerines (2:30) are made with 🟡VOLUMES|Soft Stiff Round Bristle. In the version 3.0 there appeared one more similar effect brush, just under this one. And the highlights on the tangerines are applied with 🔥IMPASTO|Fechine's Hyper Detailing (the last one in the 🔥IMPASTO group).
This nice volumetric yellow stroke near the teapot corner (at 2:39) is laid using the 🟡VOLUMES|Bumped Angular Contraster brush.
So, hope it will help! Anyway, I'd advice to try out all these brushes to get about all of their properties, to successfull use them while working on various artistic tasks.
Sincerely,
Eldar
@@Ldarro I'm sorry man but this isn't really helping. I've gotten the brushes for months now and still can't figure out how to use them properly.
A video showing what brush is being used and possibly how it's being used would help greatly since there are a lot of them on the set of which beginners like myself would definitely struggle with from picking from.
@@NelsonXP Thank you, Nelson! Some time ago I shoot such a video, from the points of view shooten by the camera from aside. I need to finish edit these movie and publish it the nearest time.
@@Ldarro thanks Eldar - this is the kind of detail I needed to get me going 👍
I can't wait for your next video with more of your brush information. Your brushes and Procreate just blow me away!
best brushset ever!!
Amazing. I will buy this set when I'm less broke!
Brilliant! Thank you for sharing, this is very inspiring
Thank you, Negin!
Just wanted to say I adore this brush pack, it is my favorite! I hope you continue to share your art and process videos with them, it is very inspiring ❤️
Thank you so much, Alma! This is always inspiring when getting such responses! ❤
very cool as always
Thank you! :)
Hello Eldar,
Sorry for my english, im french and i dont speak very well... But i'ill try to do my best! 😅
Thank you for your amazing work and brush. I just bought them and in my opinion, it would be very nice if one day you could make a tuto about how to use all the brush.
Thank you for your time!
Have a good day,
Clément
Thank you, Clément! I'll keep working on the further videos and take into account all the wishes to make them informative and helpful as possible.
Man!! I need to clear up space in my iPad now for your 3 GB of brushes!! This painting is just excellent! How many different brushes did you use in this one?
Yeah it would be nice to do a vide and tell on screen which brushes are being used it helps to learn how to use them
Hi, and yes, it seems I need to create a sheet with the brushes specified here.
For a while I'm going to describe this, although I painted this about a year ago, so not all the brushes I can remember exactly for now.
So, I started with a brownish underpainting, using 🟠On-Canvas|Liquid Filbert Pressed (with Hard Light layer blending mode). All the next steps were made on a new layer(s) in Normal mode. Then I started blocking out the main volumes with 🟠On-Canvas|Wide Fast Wet Bristle, 🟠On-Canvas|Dry/Wet by Pressure, 🟠On-Canvas|Kolinsky Dillutive Pointed, etc.
Painted the background base using the brushes from 🟣RELIEVO category, just trying them one by one.
And then went to more soft brushes, working on the wall and white table (1:00 - 2:00), here I used 🟡VOLUMES|Soft Stiff Round Bristle, 🟡VOLUMES|Uni-Purpose Fan/Filbert, and lower till 🟡VOLUMES|Poor Thick Weasel.
That thick impasto brush strokes on the tangerines (2:30) are made with 🟡VOLUMES|Soft Stiff Round Bristle. In the version 3.0 there appeared one more similar effect brush, just under this one. And the highlights on the tangerines are applied with 🔥IMPASTO|Fechine's Hyper Detailing (the last one in the 🔥IMPASTO group).
This nice volumetric yellow stroke near the teapot corner (at 2:39) is laid using the 🟡VOLUMES|Bumped Angular Contraster brush.
So, hope it will help! Anyway, I'd advice to try out all these brushes to get about all of their properties, to successfull use them while working on various artistic tasks.
Sincerely,
Eldar
Umm..ok I need this in my life!
Awesome to see more stuff from you, Eldar! Would still love to see a longer time-lapse workflow with you working in photoshop on a piece with humans in it :D
Thank you, Ric. It's coming the extended video of working on humans, but in Procreate :)
I don’t own any Apple stuff I’m more surface pro user do you think you can make these brushes into Clip paint studio files ???
Hello are these brushes compatible with clip paint studio or photoshop ?
Hey there :]
been using the perfect oils in photoshop for years now and I was wondering if I should also get them for procreate. Thing is, this app doesn't have Mixer brush as is photoshop, and I mainly work with that. I mean the "real" mixer brush not the blending thing to smudge colors together.
I was just wondering how would these brushes behave and if there was a possibility to achieve something as close as the MBrush.
Thanks :]
Could you share the types of brushes you used in this workflow? I have your PDF with the different brushes and how they are used, but I'm not sure how to build on them to achieve the desired results. How do you blend colors? what brushes do you use first and and how do you build on them? Thanks!
i’m interested in this too! please we need it!
Agreed!!
Thank you for the question, and so sorry for such a late response!
The nearest time I'm going to publish a new video with the painting process captured as from the screen as by the camera from aside, all the brushes I used will be subscribed, as well as the short explanations.
Regarding mixing the color, most of the brushes of this set have more opaque strokes when you paint with a larger pressure and can blend and mix the 'paint' when you press the pencil slightly. Please try this.
@@daisies667 Hello! Most of the brushes of this set have more opaque strokes when you paint with a larger pressure and can blend and mix the 'paint' when you press the pencil slightly. Please try this.
The detailed video is on the way here ;). Hope I'll post it this month.
@@Mallorywhite1212 Hello Mallory! Most of the brushes of this set have more opaque strokes when you paint with a larger pressure and can blend and mix the 'paint' when you press the pencil slightly.
The detailed video is on the way here ;). Hope I can post it this month.
i know your a busy bee. But is this tutorial you curemtly in the works going to explain what brushes to use and when. Kind of like a step to step process.
No tutorial?
this is awesome. I have question. Do you paint all on the same layer or you separate the different step?
Thank you! When working on such a sketchy painting, I prefer to use about 2-3 layers - one for imprimatur and underpainting or pencil/charcoal sketch and the second one for painting, and sometimes, working on a detail, for example, a face or some important object, I can add one more layer. However, I usually aim for a useful minimum of layers, especially when imitating oils. So this provides more opportunities for obtaining better results because when working with real paints on canvas, we have only one surface with which any of our strokes interact.
please release a tutorial as i have them but cant do anything without a tutorial
oh man, wish it was photoshop =(
this is everything I wanted
Hi there...can you please help us get the idea of how to create such a realistic brush So that we can make it our own.
This is very simple. Firstly you have to work for several years with traditional media, then spend a lot of time in digital. Then you can get down to create the brushes for yourself, just to make your work more comfortable and pleasant. In some years you'll have enough of what you found and created.
Just bought these brushes- they’re quite nice but I’m seeing a lot of white pixels around the stroke. Maybe my image size is too small- what resolution do you recommend working in? I’d love to see an in-depth tutorial on how you use them to achieve your results :)
Thank you for your purchase! In general, in version 3.0, these artifacts - which for me personally act as small highlights on the glossy surface of the paint - are significantly leveled compared to version 2.01, which is also included in the set. The canvas size I usually use is about 4000-6000px on the long side, assuming a subsequent reduction of 1.5-2 times. Thank you!
@@Ldarro what do you use to resize the image smaller once finished?
@@popeskill As usual, Photoshop (desktop version), Bicubic Sharper resampling mode.
@@Ldarro one more question if you don't mind. Do any of these brushes get thicker or thinner based on pressure? I can't find any brushes that behave this way?
@@popeskill Sure, many brushes of OnCanvas, Volumes, Impasto, and other categories have such a dependence: when low pressure, they blend paints, and with higher pressure, they have an opaque stroke. Some of the brushes don't have such a property; it depends on the current brush behavior. Indeed, this won't work on iPhones, because only iPad (pencil, of course) has pressure sensitivity.
Just wish you can make video how to use the brush like real time drawing with you when you choose the brushes , i bought it but i dont know how to use it :( sad
Thank you! Such a video I'm going to publish shortly, as I finish editing, etc., there will be two views: from aside camera and captured from the screen. All the brushes, etc. will be visible and shown. Guess, I can publish it this month or in the first decade of August.
@@Ldarro thank you so much, this will help alot !
@@nguyentai464 still didn't publish it
@@growwithus6215 i dont know , maybe he is busy
Hi, I want to buy oil brushes will it work in Procreate version 5.3.4 ? Please reply ASAP.
Hi! Surely, this set works with the current version of Procreate :)
@@Ldarro You have no activity since few months, was worried a bit, hope all well with you. Your brushes and artwork look awesome. I'm going to buy today and it should work, if it doesn't then I'll let you know. Thanks.
Yay, it's awesome, thanks a lot, best substitute to real life oil paintings.
I don't know if you'll ever read this, but I wonder if you could make these brushes for CSP. I'd definitely buy them. I've tried many "traditional" brushes for CSP but they just don't get the job done.
Hi! Surely I read every comment :). Thank you so much! I started work on the CSP set but paused some time ago. Now I'm going to get back to this, In CSP there are some limitations due to its brush engine, and I see it as a challenge to overcome this))
@@Ldarro Thank you for replying ❤️. CSP seems to get little to no love, but I figured it had something to do with its brush engine.
Some of the best brushes were made for Photoshop and Procreate and while you can import some Photoshop brushes into CSP they don't seem to work really well.
I'm glad you're working on some traditional brushes for CSP. I can't wait to buy them 😎
@@fuyusen6562 Thank you! I really love CSP, some of the handwritten fonts I'm working on now I made there. Regarding oil-like brushes, there were some problems with them in CSP, and I'd like to try solving them :)
@@Ldarro Yes! CSP is awesome. I got your brush set for inking and I love it 😎. It's okay, take as much time as you need 😎
@@fuyusen6562 Thank you very very much!
Hi, will u post the video with more information about brushes? I’ve been looking forward since June 😭 I bought the brush set tho
Hi! Yes, sure) I was going to publish the new video a month ago, but finishing it just now. Guess, it will be during the nearest week or two. Just shared on Instagram (@eldarzakirov_art) some shots of it. So please stay tuned. :)
Thank you I’ll check it right away
@@Ldarro Please post it already. If you dont make your costumer’s a priority then how do you expect us to keep buying your products?
Ильдар, здравствуйте.
Подскажите, пожалуйста, есть ли возможность приобрести ваш пакет Ink Brushes для ClipStudioPaint сейчас из России с учётом невозможности оплаты через paypal и visa?
Может, можно переслать вам деньги на Сбер?
Здравствуйте, Данил. Сейчас пока непонятно, как принимать платежи из России (сам я не в РФ). Я бы предложил подождать до относительного прояснения ситуации с банковскими переводами, попытаюсь найти способ.
Hi Eldar, could you please tell me which brushes were used in the process of making this still life from start to finish? I bought the brushes but I'm kind of overwhelmed by all the options and was hoping to use the brushes you used in this vid (and the other one as well), that would be incredibly helpful.
Thank you for your time, Eldar, wishing you the best!
Hi Gypsy, sorry for the late respones, and yes, it seems I need to create a sheet with the brushes specified here.
For a while I'm going to describe this, although I painted this about a year ago, so not all the brushes I can remember exactly for now. So, this is the version 2.01 used here.
So, I started with a brownish underpainting, using 🟠On-Canvas|Liquid Filbert Pressed (with Hard Light layer blending mode). All the next steps were made on a new layer(s) in Normal mode. Then I started blocking out the main volumes with 🟠On-Canvas|Wide Fast Wet Bristle, 🟠On-Canvas|Dry/Wet by Pressure, 🟠On-Canvas|Kolinsky Dillutive Pointed, etc.
Painted the background base using the brushes from 🟣RELIEVO category, just trying them one by one.
And then went to more soft brushes, working on the wall and white table (1:00 - 2:00), here I used 🟡VOLUMES|Soft Stiff Round Bristle, 🟡VOLUMES|Uni-Purpose Fan/Filbert, and lower till 🟡VOLUMES|Poor Thick Weasel.
That thick impasto brush strokes on the tangerines (2:30) are made with 🟡VOLUMES|Soft Stiff Round Bristle. In the version 3.0 there appeared one more similar effect brush, just under this one. And the highlights on the tangerines are applied with 🔥IMPASTO|Fechine's Hyper Detailing (the last one in the 🔥IMPASTO group).
This nice volumetric yellow stroke near the teapot corner (at 2:39) is laid using the 🟡VOLUMES|Bumped Angular Contraster brush.
So, hope it will help! Anyway, I'd advice to try out all these brushes to get about all of their properties, to successfull use them while working on various artistic tasks.
Sincerely,
Eldar
@@Ldarro Thank you so much for the comment, Eldar, now I can remove the majority of the brushes and focus on some and not get overwhelmed. Cheers!
Best oils brushes on the market hands down, the only problem is that there's no tutorial on how to use them (understandably, you sell brushes not tutorials)
I would be willing to pay for some videos where you show the whole process and what brushes you use in your paintings. If i could go back I would not purchase it again, one guy said it’s like having a Ferrari without a driver license, I’m sorry but it’s true. Respectfully.
Thank you! Such videos showing all the processes, including even my hand, I'm going to start publishing soon. I'm working on them. Sorry for so long.
@@Ldarro thank so much, hopefully the comment didn’t sound disrespectful. With time I’m starting to get better and I’m impressed by how the process is similar to real painting, you did an outstanding job.
@@Ldarro yeah i bought your brush but no idea how to use it , really sad
Please post tutorial already. If you dont make your costumer’s a priority then how do you expect us to keep buying your products?
Thanks, friend. Sorry for this delay, had some tech problems last month. Hoping to finish it faster now.