Raga Basant Mukhari - Bahadur Khan

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  • Опубліковано 8 вер 2024
  • Bahadur Khan - Sarod
    Mahapurush Mishra - Tabla
    Raga Basant Mukhari
    Recorded on 17th February 1974 in Cooch Behar, West-Bengal, by Peter Hess
    Produced by Günter Wick
    This music was made available with the kind permission of Peter Hess
    From Wikipedia
    Ustad Bahadur Khan (born Bahadur Hossain Khan, 19 January 1931 - 3 October 1989) was an Indian sarod player and film score composer
    Ustad] Bahadur Khan, a Bengali, was born in 19 January 1931 in Shibpur, Comilla, Bangladesh, (then British India). From a musical family, he was the son of the Indian classical musician Ayet Ali Khan and related to sitar player Pandit Ravi Shankar. Khan first learnt to play the sarode from his father and his uncle Alauddin Khan in Maihar, before he finally settled in Calcutta. He also practiced vocal music and later collaborated with his cousins Ali Akbar Khan and Shrimati Annapurna Devi.
    Khan's brothers Abed Hossain Khan and Mobarak Hossain Khan were also musicians and based in Bangladesh, and were the recipients from the Government of Bangladesh for their contributions to classical music. Bahadur Khan is the father of sitar player Kirit Khan, who died in 2006. One of his better-known students is the sarod player Tejendra Narayan Majumdar.
    He died on 3 October 1989 in Calcutta, India. His eldest son Bidyut Khan continues to perform the sarod around the world.
    Khan was a regular performer at the All India Radio, Radio Pakistan and Radio Bangladesh. He composed and directed music for many films by the legendary Indian filmmaker Ritwik Ghatak and featured in the following:
    • Subarnarekha (The Golden Line).
    • Meghe Dhaka Tara (The Cloud-clapped Star)
    • Komal Gandhar (E Flat)
    • Jukti Takko Aar Gappo (Reason, Debate and A Story)
    • Titash Ekti Nadir Naam (A River Named Titash)
    • Nagarik (The Citizen)
    • Shwet Mayur (White Peacock)
    • Yekhane Dariye (Where I Am Standing)
    • Trisandhyay (Three Twilights)
    • Notun Pata (New Leaf)
    • Garm Hava (Hot Winds, 1973)
    Khan was a reputed teacher, and a faculty member for six months at the Ali Akbar College of Music in California, USA, where he taught Indian classical music. His students include his son Bidyut Khan, nephew Shahadat Hossain Khan, Tejendranarayan Majumdar, Kalyan Mukherjee, Monoj Shankar and his nephew Khurshid Khan.
    Every year, a one-day music festival takes place commemorating the death anniversary of the Khan in Calcutta, organized by the "Ustad Bahadur Khan Music Circle". In Bangladesh, his legacy is continued through the "Ustad Ayet Ali Khan Sangeet Niketon" (Ustad Ayet Ali Khan Memorial School of Music) - a music school in memory of his father Ayet Ali Khan - at their native village Shibpur.
    Mahapurush Mishra (1932-1987) was a disciple of Pandit Anokhelal Mishra, a revered master of tabla. Mahapurush was a famous tabla accompanist to many topmost musicians and a professor at the Ali Akbar College of Music in Calcutta (now Kolkata). He spent most of his time during the late 1960s in USA teaching, recording, and appearing widely in numerous classical music concerts. There are far too few of his tabla solos in circulation.
    Longtime tabla master, sideman to the stars, and Ustad Ali Akbar Khan’s main accompanist throughout the better part of three decades until his death, Pandit Mahapurush Mishra has also appeared on the Beatles b-side of Lady Madonna, George Harrison’s The Inner Light (recorded in Bombay in January 1968 with the vocal tracks added in London the next month) as well as on Harrison’s Wonderwall soundtrack.

КОМЕНТАРІ • 32

  • @PriyoGoswami
    @PriyoGoswami 3 місяці тому +2

    Beyond belief. Incomparable lyricism and ethereal beauty. He certainly was possessed that morning. Otherwise, his sarod cannot be singing this musically. What a Basant Mukhari. My God. RIP Beloved Ustadji

  • @associazionemusadistefanog2058
    @associazionemusadistefanog2058 6 місяців тому +2

    Just great ! Both artists

  • @somnathbanerjee3090
    @somnathbanerjee3090 Місяць тому

    🙏ওস্তাদজী কে ও পন্ডিতজী আমার শত শতকোটি প্রনাম, আমরা ওঁনাদের যন্ত্রসংগীতে নিজেদের গর্বিত মনে করি, আপনাদের আমরা কোনদিন ভুলতে পারবনা🙏🙏🙏🙏🙏

  • @RudradeepMukherjee
    @RudradeepMukherjee 8 місяців тому +2

    There are strings in this Sarod which I never heard before in other recordings. Maihar Gharana was thus experimenting with music. Hearing few seconds of the Sarod made me easily guess that Ustad Bahadur was from Maihar and indeed he was the nephew of Baba Alauddin

  • @urmila16
    @urmila16 2 роки тому +3

    Genius not known or heard enough. What mastery of his craft and what soul! My music teacher the late Mrs Stuti Dey's Guru. Recall how she - herself nearly 70 at the time - wept inconsolably at his passing. Such is the Guru disciple bond. Thank you. Exquisite

  • @akhil7996
    @akhil7996 10 місяців тому +1

    One of the greatest sarodiya of the country such a systemetic presentation with melody is amazing.

  • @pradyotsarkar7074
    @pradyotsarkar7074 11 місяців тому +1

    পুরনো জমানা অতুলনীয় ঘরাণা
    জমজমাট মেজাজ নেইকো তুলনা।
    শোনার সৌভাগ্য হয়েছে, মনে হয় ফিরে যাই সেই সুরের জগতে।

  • @PrithvirajGuha
    @PrithvirajGuha 2 роки тому +3

    wow! 74+ mins and still clipped!!

  • @dominiqueduru2136
    @dominiqueduru2136 2 роки тому +4

    Merci milles fois fantastique merci

  • @boney16nxt
    @boney16nxt 2 роки тому +4

    Amazing masterclass 🙏🙏🙏

  • @abhikbhattacharya2998
    @abhikbhattacharya2998 2 роки тому +4

    Such a pleasure to listen to this doyen of Maihar Gharana... Pity that a sarodia of such high calibre remained somewhat eclipsed by the more illustrious maestros like Pandit Ji and Ali Akbar...

    • @urmila16
      @urmila16 2 роки тому +1

      True. Such mastery and brilliance but the nature of the Rag is never overshadowed.

    • @shibajimajumder7742
      @shibajimajumder7742 10 місяців тому

      A masterpiece rendition of the raaga

  • @rliesky56
    @rliesky56 2 роки тому +3

    ❤ !!!!!!!!! 🙏 thank you

  • @theodorepaul8211
    @theodorepaul8211 Рік тому +2

    Ustad Bahadur khan sahab ke sarod ka koi jabab nahi hai,
    Is sadi me to aisa sarod phir sun ne ko nahi milega.
    Agar ustad AAK sahab ki baat kare to dono ka DNA to ek hi hai
    Meri khayal me jo pathos ya dard ustad Bahadur khan ke sarod me hai,
    Wah ek gift hai jo virasat me Maihar/ Shibpur gharane se dono ko mili hai,
    Dono hi amar hai.

  • @soumensen4362
    @soumensen4362 2 роки тому +4

    Gem

  • @sumansaurav71
    @sumansaurav71 2 роки тому +3

    Thank u very much.

  • @ghosalbasuray8817
    @ghosalbasuray8817 11 місяців тому +1

    In the jod ang he was quite simply the best - unsurpassed and unsurpassable. And I am not unmindful of the legends of sitar and sarod when I say this.

  • @sumitbasu5313
    @sumitbasu5313 2 роки тому +2

    A real pleasure!

  • @TheTilopa
    @TheTilopa 2 роки тому +2

    Thank you so much for uploading 🙏🏽🙏🏽Günther🙏🏽 awesome!🌈

  • @dominiqueduru2136
    @dominiqueduru2136 2 роки тому +3

    Une perle !!!!!!!!

  • @ranjanmajumdar9253
    @ranjanmajumdar9253 2 роки тому +4

    👍👍👏👏🙏🙏🙏🙏🙏🙏🐶🐶

  • @atanughosal01
    @atanughosal01 Рік тому +2

    First and foremost thanks Gunter ... these recordings are things that many of us would have never gotten an opportunity to admire, had it not been for your kindness and youtube's abundant disk space. I sometimes wonder why this one Pandit Mahapurush Mishra ji is so ignored in the youtube space. In my mind, he is one of those underrated great stalwarts, who is not getting enough exposure in today's UA-cam. I am not finding many recordings of his concerts .. thanks for uploading one of his ...

    • @shibajimajumder7742
      @shibajimajumder7742 3 місяці тому +1

      These genius never need any publicity.. people like u and me are still listening to them long after they have left the mortal world is testimony of their greatness and finnese

    • @atanughosal01
      @atanughosal01 3 місяці тому

      @@shibajimajumder7742 Agreed !! ..and to be honest neither these legends cared about publicity, nor did they care about any materialistic gains. All they cared about was pursuit of excellence. My comment was not so much for their publicity, it was more in lines with an audience perspective. Absence of videos like this in the public domain only make audience like us more poor. I was driving more towards that. Incidentally, I remembered Swapan Choudhury lamented once in an interview, that his "Dhirkit" is not as good as Anokhelal Mishra Ji. The ignorant me didnt even know that an artist of the caliber of Anokhelal Ji existed in this world. He passed away in 1958, and that is 10 years even before I was born. Luckily, there was a BBC documentary available on youtube that opened my eyes on what Anokhelal ji was. Had it not been for that video, I probably would have happily lived my life thinking Swapan Ji played the best "Dhirkit" in this world. At least now I know, what SwapanJi was lamenting about ...

  • @DALJITSINGHGABRI
    @DALJITSINGHGABRI 10 місяців тому

    v.nice

  • @bangaloredragon8
    @bangaloredragon8 10 місяців тому

    Just beautiful

  • @siddharthapattnaik9892
    @siddharthapattnaik9892 Рік тому

    💖

  • @DrSDKhan
    @DrSDKhan 2 роки тому +1

    There seems 2 Sarodes playing here at times. Any comments?

    • @sayakbarua
      @sayakbarua 2 роки тому +2

      Not 2 sarodes,octave jumping phrases.