Nice! You can get some interesting sounds by pushing the frequency higher into the audio range by using an oscillator rather than an LFO to modulate the pulse width. : )
Thanks. Glad to be back Martin. Studio is almost back together, but have about 4 months of work to catch up on so…i hope to be posting regularly again by the new year.
Thank you. The scope I used in that video was the scope that came with the DAW I was using (Studio One) the spectrometer was Fabfilter Q3. But any Eq with a decent spectrometer will work. I sometimes use the scope from VCV rack as well …it’s free and better suited for LFOs. (It can be a little bit of a pain to set up…but I like it better than the scope in the DAW
Excellent 👏 thank you for video
Nice!
You can get some interesting sounds by pushing the frequency higher into the audio range by using an oscillator rather than an LFO to modulate the pulse width.
: )
Thanks for the tips!
Awesome, mate - so great to have you back again!
Inspiring tutorial on PWFM, and I'm looking forward to new Matriarch vids.
Thanks. Glad to be back Martin.
Studio is almost back together, but have about 4 months of work to catch up on so…i hope to be posting regularly again by the new year.
@@RobeMusic Wishing you all the best, Johnny!
Finally, a new video 😉
Yes. I’m glad to be back.
Great video!!!
11:44 sounds like a housefly struggling against a window
Yeah you’re right…the attack kind of sounds like a bug in a bug zapper
Great video. You are an excellent educator. By the way, what was the plugin you were using throughout the video, with the scope and spectrometer?
Thank you. The scope I used in that video was the scope that came with the DAW I was using (Studio One) the spectrometer was Fabfilter Q3. But any Eq with a decent spectrometer will work. I sometimes use the scope from VCV rack as well …it’s free and better suited for LFOs. (It can be a little bit of a pain to set up…but I like it better than the scope in the DAW
Great stuff 👍