Hello everyone I'm really excited to share this one with you all. It's amazing to be able to talk about this music and I hope you find it useful and interesting.
Can't stop watching this, your breakdown is so good Jack, you really understand his music and what he's doing! Apart from a mechanical breakdown, it's also great to see you appreciating his music above all. I had the fortune of learning from him recently at his academy in Arizona, I'll share some pictures with you
Oh thank you so much I really enjoyed doing this. It's great that you got to study with him. Have you moved down there from Canada? Please send photos on whatsapp. Speak soon Brother
It's very impressive and interesting to listen a detailed analysis from a knowledgeable person. Well done. I Used To Listen this analysis quite often, pleases me.
Oh wonderful that you so much for filling in that gap for me. As I said I have learned many phrases or patterns like this from his son Shakir but I didn't catch what the name of the concept was. Thanks for telling us what he said right after playing as well. 🙏
I was studying yaman for few months and I was quite sick of yaman as that the only raag I was listening to and practicing for months. And then I listened to this and I was blown away. I realised that how big raag yaman is ❤️
You should try listening to and doing a video on Jayanti Kumaresh (playing the Saraswati Veena) with Ust Zakir Hussain (on Tabla).. Though it's short its beautiful
Hi Jack, attempting to explain the last tihayi which you deliberated on (123, 1234) It's actualy simply levaraging the doubles of each beat (double-time) and syncopating it to give the idea that it's actually 123 and 1234 when actually it's not. Starting from 10 and splitting each beat into two (sing - number, blank - A) The first section from 10 to 15 read it as count(beat#): 12(10) 3A(11) 12(12) 3A(13) 12(14) 3A(15) The second section from beat 16 and goes on till the 10th beat of the next cycle: A1(16) A2(next cycle-1) A3(2) 4A(3) 1A(4) 2A(5) 34(6) A1(7) A2(8) A3(9) 4(10)-back to motif. First section: 123A + 123A + 123A = 6 beats (tihayi of two beats) Second section: A + 1A2A34A + 1A2A34A + 1A2A3 = 0.5 + 3.5 +3.5+2.5 = 10 beats (tihayi of 3.5 beats) Total: 16 beats Thank for your work. Brilliant analysis!!
@@JackJenningsGuitarist Love everything you dissect in your channel. Liked your Polyphia ego death breaking down also... esp Steve Vai part which was out of this world.
Oh my god this is such a joke everything I'm talking about here is based on things I've been taught directly by Indian classical musicians 😂😂😂. Do you really think I could work this stuff out just by doing my own independent analysis? I can only do this because I've been taught about these concepts and how to listen to the music, by real practitioners such as Shakir Parvez Khan....... the son of Shahid Parvez. 😂 When you think about it all I'm really doing is counting and looking at the rhythmic ideas. I'm sorry to break it to you but Indian classical musicians are often very mathematically minded when playing in taal and they do sometimes calculate and create formulated rhythmic ideas. To many this is perceived as an art........ nothing wrong with counting numbers. Anyway thank you this was really quite an incredible UA-cam comment to receive when I'm just trying to help people enjoy and appreciate Shahid Parvez and his genius ❤️ 🙏❤️
Beginning tabla player here! To my ears, through the majority of the song, Ojas Adhiya is playing what's called a "teka" [tay-kuh], just an alternating teentaal beat that allows for little embellishments as warranted by the performance atmosphere. @TaalMandir for a more expert commentary 🙂
Hello everyone I'm really excited to share this one with you all. It's amazing to be able to talk about this music and I hope you find it useful and interesting.
I found it both useful and interesting. :)
Can't stop watching this, your breakdown is so good Jack, you really understand his music and what he's doing! Apart from a mechanical breakdown, it's also great to see you appreciating his music above all. I had the fortune of learning from him recently at his academy in Arizona, I'll share some pictures with you
Oh thank you so much I really enjoyed doing this. It's great that you got to study with him. Have you moved down there from Canada? Please send photos on whatsapp. Speak soon Brother
This breakdown playlist is helping us a lot!!! Thanks so much, Sir 🙏🏻
You are very welcome
This is one of my favourite sitar pieces of all time, and I really enjoyed your analysis of it... Thank you! :)
Glad you enjoyed it!
It's very impressive and interesting to listen a detailed analysis from a knowledgeable person.
Well done.
I Used To Listen this analysis quite often, pleases me.
22:11 it's a tipalli, you can say a tihai played in 3different speeds. And he was saying 'this is a tipalli' to the audience
Oh wonderful that you so much for filling in that gap for me. As I said I have learned many phrases or patterns like this from his son Shakir but I didn't catch what the name of the concept was.
Thanks for telling us what he said right after playing as well. 🙏
Impressed by your explaining , thanks and good job 🙏
Thanks and welcome
tHE MORE i AM LISTENING TO YOU THE MORE AM I SURPRISED...... EXCELLENT
ati sundar......ati ati sundar....bhaai maja aa gaya aapka video dekh kar!!!
wah!
Really enjoying these breakdowns! Thank you Jack
My pleasure!
You have got a lot of depth buddy...and Ustadji is just amazing....
Thank you it's such a pleasure to get really stuck into his music.
You were counting the matras of teen taal on your fingers. Amazing. Great analysis. Deep knowledge.
Yes it's amazing how you hear more things about the music when you count the taal on your hand ✋️ ✨️ 🎶 ♥️
You have done an excellent job of breaking down this video 🙏 very helpful for us students 🙏
It's my pleasure. His music is such a gift from God.
I was studying yaman for few months and I was quite sick of yaman as that the only raag I was listening to and practicing for months. And then I listened to this and I was blown away. I realised that how big raag yaman is ❤️
Yes it is a vast Raag and can create such an array of amazing phrases. The alap from this performance is literally to good to be true.
i AM VERY IMPRESSED WITH YOU
Thank you for analysing so well. I have listened to the sitar master but didn't have the understanding.
Glad it was helpful!
this is one of my all time most favorite piece of music
Me too ✋️
Excellent video Jack!
Glad you liked it!
You should try listening to and doing a video on Jayanti Kumaresh (playing the Saraswati Veena) with Ust Zakir Hussain (on Tabla).. Though it's short its beautiful
Hi Jack, attempting to explain the last tihayi which you deliberated on (123, 1234)
It's actualy simply levaraging the doubles of each beat (double-time) and syncopating it to give the idea that it's actually 123 and 1234 when actually it's not.
Starting from 10 and splitting each beat into two (sing - number, blank - A)
The first section from 10 to 15 read it as count(beat#): 12(10) 3A(11) 12(12) 3A(13) 12(14) 3A(15)
The second section from beat 16 and goes on till the 10th beat of the next cycle: A1(16) A2(next cycle-1) A3(2) 4A(3) 1A(4) 2A(5) 34(6) A1(7) A2(8) A3(9) 4(10)-back to motif.
First section: 123A + 123A + 123A = 6 beats (tihayi of two beats)
Second section: A + 1A2A34A + 1A2A34A + 1A2A3 = 0.5 + 3.5 +3.5+2.5 = 10 beats (tihayi of 3.5 beats)
Total: 16 beats
Thank for your work. Brilliant analysis!!
Thank you this was the most complex comment ever. I don't this system but it looks very detailed. Respect to you sir.
Excellent analysis 🙏.
Glad you liked it
@@JackJenningsGuitarist Love everything you dissect in your channel. Liked your Polyphia ego death breaking down also... esp Steve Vai part which was out of this world.
@@souptikkk thanks alot I'm loving these videos too, so fun to make them.
the tihai at 24.31 composed of 7 beats ! very very diffcult
Bro really very nice
Please react to hindustani classical singing also🙏
भाई आपने कहाँ से सीखा शास्त्रीय संगीत ?
और किस उम्र से सीखना शुरू किया ?
कृपया बता दीजियेगा। ..
Would you be able to explain that counting thing you're doing with your hand please?
Yes its basically four beats on each finger making up the 16 beats of Teental.
Gamak is the real deal
Niladri kumar is another legend of our timr
Yeah I saw him it was amazing. I will do one of his video soon 👍
At last some one reacted to Pandit ji.
It won't be the last, more coming soon.
You talk and interrupt so much that it's no fun, no flow
Unfortunately, this is a colonial mentality. No one in Shastriya Sangeet EVER does such "analysis."
Terrible video. A total disgrace.
Oh my god this is such a joke everything I'm talking about here is based on things I've been taught directly by Indian classical musicians 😂😂😂.
Do you really think I could work this stuff out just by doing my own independent analysis? I can only do this because I've been taught about these concepts and how to listen to the music, by real practitioners such as Shakir Parvez Khan....... the son of Shahid Parvez. 😂
When you think about it all I'm really doing is counting and looking at the rhythmic ideas. I'm sorry to break it to you but Indian classical musicians are often very mathematically minded when playing in taal and they do sometimes calculate and create formulated rhythmic ideas. To many this is perceived as an art........ nothing wrong with counting numbers.
Anyway thank you this was really quite an incredible UA-cam comment to receive when I'm just trying to help people enjoy and appreciate Shahid Parvez and his genius ❤️ 🙏❤️
Huh?
What an idiot
@@shambhaviiiiee indeed
Beginning tabla player here! To my ears, through the majority of the song, Ojas Adhiya is playing what's called a "teka" [tay-kuh], just an alternating teentaal beat that allows for little embellishments as warranted by the performance atmosphere.
@TaalMandir for a more expert commentary 🙂