I must admit I do not know the technical aspects of Hindustani music (shame on me), but I am always in a state of divine bliss whenever I hear it. My late father was an ardent fan of the senior Dagar brothers, and used to listen to their Dhrupad recitals on cassette, heralding the monsoon rains during warm summer evenings in New Delhi in the 80's...what an enchanted life it was back then. :)
Dhurpad ko kabhi bhi kata nahi gaya hai. Uska faayda aur advantage lekar aage usi se satranngi Khayal Gayaki ka nirmaan kiya gaya jo aaj bhi zinda hai aur rahega. Dhurpad aur Khayal Gayaki ka comparison karna badi naa samjhi hai. Dhurpad gayaki ka mahatava aur gehraayi apni jagaah hai. Dhurpad Gayaki ki unpopularity ka kaaran kahin na kahin uski rigidity aur monotonous attitude rho sakta hai. Phir bhi khaas vishes roop se Famous Agra Gharana, Atrauli(Jaipur) Khurja Gharana, Hapur Gharana Delhi Tanras Gharanas me Khayal Gayaki ke saath uske Gayakon Naayakon ne use zinda rakha aur concerts level par khub khub pesh bhi kiya. Yeh bhi sahi hai ke Dagar Bani ke Ustadon ne Dhurpad Gayaki ko aaj tak bhi prachalit rakha hai. Iske liye unka bhot abhinandan hai.
I think the nom tom aalap is not just some combination of swar s. I think its a presentation of '....Om anant tam .... tararn tarini tom... ananta hari narayana om....' more or less something like that. Please let me know if i am wrong.
Perhaps yes, Bahauddin Dagar had once remarked that Baijyanath Mishra ( Baba Bhairam Khan) after studying the respective texts and Sanskrit grammar modified the erstwhile format of dhrupad. For eg. Hari became Ri( ह्रि), Narayan became Na (ना रे ना).. etc. So maybe yes what you are saying is correct..
I must admit I do not know the technical aspects of Hindustani music (shame on me), but I am always in a state of divine bliss whenever I hear it. My late father was an ardent fan of the senior Dagar brothers, and used to listen to their Dhrupad recitals on cassette, heralding the monsoon rains during warm summer evenings in New Delhi in the 80's...what an enchanted life it was back then. :)
I wish I could understand what that was like
Bharath culture dies Bharath race dies
Hat's off to senior dagar brothers. Grateful to their contributions to hindustani classic music.
अद्भुत अविस्मरणीय
Is it sahini or sohini?
शंकर गिरिजापति, पार्वती , गले मुण्डमाला, जटा त्रिलोचन कैलाशपति.... शंकरगिरिजापति......💐💐💐💐💐
Rundmala, not Mundmala
Immortal singing!
If any person know lyrics of composition please send
Such a valvet voice. Amazing.
I love the commentary of the anchors too
Murari Bahl
Actually, the male anchor doesn't know anything. He forgets that the nom tom alaap has "Om shri anantara hari narayana" embedded in it.
Beyond Words. :)
Pristine rendition of an ancient classical form, Dhrupad in raaga Malkauns.
Dhurpad ko kabhi bhi kata nahi gaya hai. Uska faayda aur advantage lekar aage usi se satranngi Khayal Gayaki ka nirmaan kiya gaya jo aaj bhi zinda hai aur rahega.
Dhurpad aur Khayal Gayaki ka comparison karna badi naa samjhi hai. Dhurpad gayaki ka mahatava aur gehraayi apni jagaah hai.
Dhurpad Gayaki ki unpopularity ka kaaran kahin na kahin uski rigidity aur monotonous attitude rho sakta hai.
Phir bhi khaas vishes roop se Famous Agra Gharana, Atrauli(Jaipur) Khurja Gharana, Hapur Gharana
Delhi Tanras Gharanas me Khayal Gayaki ke saath uske Gayakon Naayakon ne use zinda rakha aur concerts level par khub khub pesh bhi kiya.
Yeh bhi sahi hai ke Dagar Bani ke Ustadon ne Dhurpad Gayaki ko aaj tak bhi prachalit rakha hai. Iske liye unka bhot abhinandan hai.
Aap ne sahi pharamaya hai. Dhrupad Gayaki dil ki gaharayi tak pahoonch jaati hai. It is a spiritual experience.
wah, Bahut badhian
grand!
Very soothing rendition
Originated from Bihara Tradition Dhrupad Gaan Mahan
I think the nom tom aalap is not just some combination of swar s. I think its a presentation of '....Om anant tam .... tararn tarini tom... ananta hari narayana om....' more or less something like that. Please let me know if i am wrong.
Perhaps yes,
Bahauddin Dagar had once remarked that Baijyanath Mishra ( Baba Bhairam Khan) after studying the respective texts and Sanskrit grammar modified the erstwhile format of dhrupad. For eg. Hari became Ri( ह्रि), Narayan became Na (ना रे ना).. etc. So maybe yes what you are saying is correct..
I also read something similar to what you said, can't remember where. But I think they have meanings.
Does anyone have the lyrics of the compositions being sung?
Any help will be greatly appreciated.
🙏
🙏🙏🙏🙏🙏
Beautiful!
namastė !