@@RonCavagnaro Incidentally, I have exactly the same setup as you! An electribe MX next to my newly-arrived Lyra 8. I'm happy to see there are still people who appreciate the EMX.
"We can turn these to make weird sounds".. that is probably the best summary of the Lyra. Great video.. but you got the explanation of the Hyper LFO slightly wrong: the AND setting is for multiplying the frequencies, the OR setting is for adding the frequencies. Anyway, it's an amazing machine.. well worth the asking price.
Thanks Ron, I’m wanting to run mine thru my Blackhole reverb but I don’t dare yet because I’m still trying to get s feel for what is doing what to what when I do this and that.. It seemed like once you let go of having to “splain” stuff to us that you conjured the ghost in the machine and it gave you a bit of the magic carpet ride..
i struggle to really understand the 34>56 78>12 FM structure switch. "The 34>56 78>12 FM structure switch sets the overall structure for FM synthesis. If voices are selected for all the FM modulation sources, the downward position of the switch turns Lyra into two separate structures of cross-modulation, each group locked into itself. The sources correspond to the numbers by the switch. With the switch up, pair 34 becomes the mod source for pair 56, and pair 78 the mod source for pair 12 (pairs 12 and 78 themselves are still modulated as indicated by their controls)."
pretty sure it means the normal setup is that there are 2 sets of voices that modulate the other 2 sets, but if you turn on that switch, it creates modulation feedback loops instead of unidirectional modulation flow.
Hey, THANKS for sharing and giving a decent demo of this unique piece of gear! I’m really digging it’s on board effects, and the feedback loops seem to give a lot of flexibility, and likely bendability! I’m really anxious to hear the external jack on the back of it. I want to hear just what it sounds like, how it can modify and/or transform the external signal being routed through it... as long as I can make some cash, this baby is on my list of gear to buy. At first I thought that the ‘no Volt/Octave pitch tracking’ (or lack of) feature was a serious deal breaker, but now I’m seeing it as a deal maker. After all, who owns an in tune set of bagpipes? Tuning it by ear means that much opportunity for micro-tuning, and subtle deviations that normally do well with sounds. EXCELLENT demo, it builds enthusiasm as the time goes on progressing, and the sounds literally evolve from mehdium on up, finishing with professional! Thanks again, I’m gonna let Soma know that youve sold me on this thing😉!
Hi Ron thanks for a very useful overview to the lyra-8. The led light on my hyper LFO section behaves normally but the light is red not green. Do you know whether this is just a colour variation or is it an indication of something else? Thanks for any advice re this.
Your voiceover sounds really unique to me- are you using a particular mic or effect? Thanks for this, the Lyra is Beauty and the Beast in one.... im having so much fun with it.
How to create ambient drones ua-cam.com/video/VcLW85PrKE4/v-deo.html
I really like those deep, low rumbling drones more than the high end screeches. Absolutely amazing sonic possibilities. Excellent demo.
Ron, really great work - thank you!
awesome overview and the jam in the end! !thank you, Ron
Amazing! Just tried this yesterday and played around with this for 2hrs straight and grabbing this tonight! FInally! hahah!
Very helpful and inspiring!!!!
Thanks for posting.
A great introduction to a wonderful instrument!
Great demo thank you it's next on my list, an amazing synth.
Minor point: in the Hyper LFO, AND = multiply and OR = add (which makes sense from logic gates).
Yes slight mistake :)
@@RonCavagnaro Incidentally, I have exactly the same setup as you! An electribe MX next to my newly-arrived Lyra 8. I'm happy to see there are still people who appreciate the EMX.
Wow 👏👏
Amazing, ended up listening the whole song just for kicks.
Excellent -- thank you!
Insane
"We can turn these to make weird sounds".. that is probably the best summary of the Lyra. Great video.. but you got the explanation of the Hyper LFO slightly wrong: the AND setting is for multiplying the frequencies, the OR setting is for adding the frequencies. Anyway, it's an amazing machine.. well worth the asking price.
Thanks Ron, I’m wanting to run mine thru my Blackhole reverb but I don’t dare yet because I’m still trying to get s feel for what is doing what to what when I do this and that.. It seemed like once you let go of having to “splain” stuff to us that you conjured the ghost in the machine and it gave you a bit of the magic carpet ride..
i struggle to really understand the 34>56 78>12 FM structure switch.
"The 34>56 78>12 FM structure switch sets the overall structure for FM synthesis. If
voices are selected for all the FM modulation sources, the downward position of the switch
turns Lyra into two separate structures of cross-modulation, each group locked into itself.
The sources correspond to the numbers by the switch.
With the switch up, pair 34 becomes the mod source for pair 56, and pair 78 the mod source
for pair 12 (pairs 12 and 78 themselves are still modulated as indicated by their controls)."
pretty sure it means the normal setup is that there are 2 sets of voices that modulate the other 2 sets, but if you turn on that switch, it creates modulation feedback loops instead of unidirectional modulation flow.
18:28 i'm going to get it for that sound alone, sounds so much alive
yes! make sure you are aware i stacked reverbs on top of the signal, so you might want the same.
Hey, THANKS for sharing and giving a decent demo of this unique piece of gear! I’m really digging it’s on board effects, and the feedback loops seem to give a lot of flexibility, and likely bendability! I’m really anxious to hear the external jack on the back of it. I want to hear just what it sounds like, how it can modify and/or transform the external signal being routed through it... as long as I can make some cash, this baby is on my list of gear to buy. At first I thought that the ‘no Volt/Octave pitch tracking’ (or lack of) feature was a serious deal breaker, but now I’m seeing it as a deal maker. After all, who owns an in tune set of bagpipes? Tuning it by ear means that much opportunity for micro-tuning, and subtle deviations that normally do well with sounds. EXCELLENT demo, it builds enthusiasm as the time goes on progressing, and the sounds literally evolve from mehdium on up, finishing with professional! Thanks again, I’m gonna let Soma know that youve sold me on this thing😉!
Hi Ron thanks for a very useful overview to the lyra-8. The led light on my hyper LFO section behaves normally but the light is red not green. Do you know whether this is just a colour variation or is it an indication of something else? Thanks for any advice re this.
Not sure maybe you have a different model or mine was modded? Not sure I bought mine from local used
It’s just a different model I’ve seen others since I messaged you
@@barnabycross yes I have also seen people with different knobs than mine
Your voiceover sounds really unique to me- are you using a particular mic or effect? Thanks for this, the Lyra is Beauty and the Beast in one.... im having so much fun with it.
Thanks! I'm using a voicelive play and an Aston spirit :)
fascinating piece of kit, looking forwar to you recording a jam with it (:
There's a playlist of me using it standalone and I have an Instagram where I have used it in jams
@@RonCavagnaro gonna look it up, thx!
So there’s no way to control volume for individual oscillators or oscillator groups?
No, it is it's own synthesizer, there's no filter either. You have to play by it's rules :)
question: does it have separate oscillator or voice outputs?
No mono out. Just add reverb
things can go horribly, wonderfully wrong..