GOD bless you Gohar! I learned to play with Fredrick Noad back in 1968 when he had a complete course for Classical Guitar on public Tv! At that time, John Williams, J. Bream and Segovia were the big names. Saw Segovia live in 1969 in Los Angeles, Dorothy Chandler. Stopped playing years ago, but I'm blown away by the number of fantastic performers now including you! :D
Semi-useless trivia: the title is given as "Lady Laiton's Almain", #48 in Diana Poulton's collection of Dowland's solo lute music. Even in the alternative sources she lists, a "Lady Hammond" isn't referenced. No way at this point in time to know how or where Noad got this other naming for the piece. A fine composition, regardless.
Knowing the piece quite well, I did wonder when I saw this under a different title in Noad's book. He does reference the source as Cambridge manuscript D.D.2.11 , but I haven't checked it yet.
GOD bless you Gohar!
I learned to play with Fredrick Noad back in 1968 when he had a complete course for
Classical Guitar on public Tv!
At that time, John Williams, J. Bream and Segovia were the big names. Saw Segovia live in
1969 in Los Angeles, Dorothy Chandler.
Stopped playing years ago, but I'm blown away by the number of fantastic performers now including you! :D
brava, rendi onore alla renaissance, many thanks
what model of guitar is that?
Semi-useless trivia: the title is given as "Lady Laiton's Almain", #48 in Diana Poulton's collection of Dowland's solo lute music. Even in the alternative sources she lists, a "Lady Hammond" isn't referenced. No way at this point in time to know how or where Noad got this other naming for the piece. A fine composition, regardless.
Knowing the piece quite well, I did wonder when I saw this under a different title in Noad's book. He does reference the source as Cambridge manuscript D.D.2.11 , but I haven't checked it yet.