I did it with Ikaris as well! R2 with 6* Kamala relic (places energy vulnerability). Nice video. Mine took 12 mins....incinerates kept falling off, she was passive.
In the beginning of the play, the description associated with Macbeth allows the audience to paint a picture of his traits and characteristics. Aspects such as ‘brave’ ‘valiant’ and ‘noble’ are all present, suggesting Macbeths loyalty to his country, and more notably his king, both of which serve as his initial ambition. Furthermore, the lexical sphere of dominance and presentation of a fearless warrior in the captains speech immediately intrigues the audience, as Shakespeare induces an atmosphere of indestructibility around Macbeth. To add to that, Shakespeare artfully constructs Macbeth to reveal an underlining truth about him when he ‘Unseamed him from the nave to the chaps, and fixed his head upon our battlements’ demonstrates powerful images which subtly hints at Macbeths capability to destroy anything in his path. The graphic verb ‘unseamed’ is interesting, as it creates an image of Macbeths animalistic nature, as he rips people apart as though they are completely inferior compared to him. This conveys his ability to become emotionless when committing evil deeds such as murder. Shakespeare effectively displays how Macbeth achieves his current ambition in order to foreshadow how the protagonist will use the mind of a warrior/animal rather than a kings, to achieve his future ambitions. Furthermore, Shakespeare repeatedly uses the motif of jumping throughout Macbeths speech. This is exemplified in the several instances where he says “that is a step on which I must fall down, or else over leap”, another “we’d jump the life to come” and “vaulting ambition.” The verb “vaulting” suggests that Macbeth is willing to jump over anyone in his way, regardless of status or royal blood, in order to achieve his ambition. Furthermore, the constant notion of jumping alludes to Macbeths intention to “cheat” his way up the “chain of being”, to become king not only by regicide, but also by deception, framing Duncan’s servants for the kings death. As the play progresses, the consequences of subtly displaying such characteristics such as blood-thirst and murderous intent become evident, when Macbeth commits the regicide of King Duncan. During his soliloquy, The Protagonist admits that ‘to know my deed, twere best not know myself’ demonstrating that this act of murder has confirmed to Macbeth the evident flaws within his characteristics. The protagonist has given in to his innate desires to kill and murder, he is completely filled with bloodlust and demonstrates a psychopathic attraction to destruction and spilling blood. This is interesting to the audience, as at the beginning of the play, Macbeth is also subtly hinted to show a brutal and animalistic intent to kill when he ‘unseams’ his enemies ‘from the naves to the chaps.’ By Shakespeare constructing this individual to show a lack of character development within his actions and characteristics, the writer exemplifies the dangers of holding such ambitions and disobeying god by cheating the chain of being, as it can lead to madness and psychopathic behaviour. ||| for the paragraph above, it can also serve as a reaction from Macbeth to the supernatural, as it is the supernatural, that causes him to give in to his innate desires to murder and kill. Like are the start, they are a lot of religious references the simplest one being Macbeth works for the king, the king is from God. Macbeth works for God. Contrast to the end of they play where Seyton is homophonus (sounds the same as another word) to Satan. The symbolic being of hell, this shows his changed as he metaphorically is working with the devil yet also is the devil's master. And Macbeths arrogance is shown when he doesn't listen to his advice demanding "mine Armour" while Seyton replies "tis not needed yet", as he doesn't listen to him which envitibly (I'm not getting spag marks) leads to his death. Shows his arrogant ways a trait linked directly with masculinity.
He’s like a worse shuri
U r like noob
Finally, content worth bringing Ikaris in for
You think a 5* ascended ikarus will do? Don't have a 6* sadly.
yeah he can he still does a crap ton of damage
Cool will try when i get the energy 😉.
Honestly super possible. Used a 6* r1 ikarus and I used two revives. Totally possible to solo w/ a 5*.
@@horroranimelover1421 Yep just did it with a 5* ascended ikarus with boost. Cost me like 2 revives. Not too bad.
Finally an Ikaris vid lets goooo
I did it with Ikaris as well! R2 with 6* Kamala relic (places energy vulnerability). Nice video. Mine took 12 mins....incinerates kept falling off, she was passive.
Kamala relic does not exist, and he places energy vulnerability himself when awakened
did with a R2 unduped one and could barely solo this fight (mostly because i messed up at the end of it, but could be a solo)
Yes! This is who I used!! My rank 3 was still fun
Soloed with an R3 Ikaris. Pretty cool fight. I just realized that I didn't give him a relic lol. I knew smth was missing haha))
song's a banger! May I know the name of it pls? Amazing solo too!
I muted the vid cuz of the song :/
The song is Onaji Hoshi by RONDO
I knew it you will post a video on ikaris 😂
Did it with my r3 Ikaris as well - this was such a fun fight and challenging unlike that bs abs man
Shocker is so good for this as well
Im making it my mission to do this fight with 6* r1 ikaris
Would Ikaris be a good 7 star?
Did it with non-ascended rank 2 Ikaris.
In the beginning of the play, the description associated with Macbeth allows the audience to paint a picture of his traits and characteristics. Aspects such as ‘brave’ ‘valiant’ and ‘noble’ are all present, suggesting Macbeths loyalty to his country, and more notably his king, both of which serve as his initial ambition. Furthermore, the lexical sphere of dominance and presentation of a fearless warrior in the captains speech immediately intrigues the audience, as Shakespeare induces an atmosphere of indestructibility around Macbeth. To add to that, Shakespeare artfully constructs Macbeth to reveal an underlining truth about him when he ‘Unseamed him from the nave to the chaps, and fixed his head upon our battlements’ demonstrates powerful images which subtly hints at Macbeths capability to destroy anything in his path. The graphic verb ‘unseamed’ is interesting, as it creates an image of Macbeths animalistic nature, as he rips people apart as though they are completely inferior compared to him. This conveys his ability to become emotionless when committing evil deeds such as murder. Shakespeare effectively displays how Macbeth achieves his current ambition in order to foreshadow how the protagonist will use the mind of a warrior/animal rather than a kings, to achieve his future ambitions.
Furthermore, Shakespeare repeatedly uses the motif of jumping throughout Macbeths speech. This is exemplified in the several instances where he says “that is a step on which I must fall down, or else over leap”, another “we’d jump the life to come” and “vaulting ambition.” The verb “vaulting” suggests that Macbeth is willing to jump over anyone in his way, regardless of status or royal blood, in order to achieve his ambition. Furthermore, the constant notion of jumping alludes to Macbeths intention to “cheat” his way up the “chain of being”, to become king not only by regicide, but also by deception, framing Duncan’s servants for the kings death.
As the play progresses, the consequences of subtly displaying such characteristics such as blood-thirst and murderous intent become evident, when Macbeth commits the regicide of King Duncan. During his soliloquy, The Protagonist admits that ‘to know my deed, twere best not know myself’ demonstrating that this act of murder has confirmed to Macbeth the evident flaws within his characteristics. The protagonist has given in to his innate desires to kill and murder, he is completely filled with bloodlust and demonstrates a psychopathic attraction to destruction and spilling blood. This is interesting to the audience, as at the beginning of the play, Macbeth is also subtly hinted to show a brutal and animalistic intent to kill when he ‘unseams’ his enemies ‘from the naves to the chaps.’ By Shakespeare constructing this individual to show a lack of character development within his actions and characteristics, the writer exemplifies the dangers of holding such ambitions and disobeying god by cheating the chain of being, as it can lead to madness and psychopathic behaviour.
||| for the paragraph above, it can also serve as a reaction from Macbeth to the supernatural, as it is the supernatural, that causes him to give in to his innate desires to murder and kill.
Like are the start, they are a lot of religious references the simplest one being Macbeth works for the king, the king is from God. Macbeth works for God. Contrast to the end of they play where Seyton is homophonus (sounds the same as another word) to Satan. The symbolic being of hell, this shows his changed as he
metaphorically is working with the devil yet also is the devil's master. And Macbeths
arrogance is shown when he doesn't listen to his advice demanding "mine Armour" while Seyton replies "tis not needed yet", as he doesn't listen to him which envitibly (I'm not getting spag marks) leads to his death. Shows his arrogant ways a trait linked directly with masculinity.
What the frick is this piece of crap?
I think you pasted your copied essay in the wrong place.
Nice i did this with an r1 ikaris with boosts
Cosmic champions dont have heal block, ikaris-
Is he worth upgrading?
I did it with an r2 easy counter for this fight
It'd be faster if used sp3
Hey love from Nepal where is new account video 😊😊
I used ikaris too
Could do easily without heavy as well
Vox done it faster and cleaner