Thank you so much for your kind words! They mean so much to me, and I am thrilled that the content I make encourages you to chase your dreams and make your story MATTER!
I love seeing a clue in a story and it just being so vague and ominous I just literally screech *“WHAT DOES IT MEAN!?!?!”* and then pace around the room for a minute to brainstorm what on earth is gonna happen, and come back to the story fully immersed with a chuck load of snacks so i can read it into the night.
I hate feeling smarter than the characters, then I'm just frustrated that they don't figure things out. I love it when characters are brilliantly intelligent and surprise me :)
Ugh, I used to think I was “naturally” a good writer, but because of your channel I know otherwise now. There is clearly so much I have to learn. I literally plan on taking notes on your videos. Thank you lmao
Me too. I always thought I am a great writer since middle school. Now that I'm in high school and watch videos from this channel, I feel that 13-chapter story I made back then is meaningless.
you probably are a naturally good writer. even good writers still can learn how to perfect their craft. i was always naturally talented with words and i still have learned plenty of stuff over the years.
I think I am a naturally gifted writer, but gifted doesnt mean immediately pro. Had a lot to learn, and Abbie plus my own struggles at starting a 6 book series taught me how
A Quiet Place has a good example of vicarious suspense. In particular, that scene when the deaf girl has no idea that the monster is already behind her because she can't hear it.
*Watches your video about outlining, then the videos about all three acts, then every one about character because I don’t understand it enough, then finally gets to outlining and watches all of your videos on scene cards then starts your 3-Act template and realizes that I have no idea how to write whatever this pinch point thing is so now I have to watch this*
Personally, the best suspense is the suspense that gets the readers to keep asking questions. I actually feel more engaged with the story if it emphasizes something obscure rather than making me feel smart and narcissistic HAHAHA idk that's just me :(
I've been devouring this series, which I just happened to come across a day or two ago, and in just a handful of videos you helped me get to the bottom of my, 30K+ words in, my story suddenly ground a halt. I've been writing forever, got a few books out there, and yet your presentations helped me really get to the bottom of the problem (which was created in the very foundations of the entire story: unclear goals for the protagonist). I used to follow a lot of authors for their "how to" vids but to be honest I walked away from that because it was so often kind of generic advice that didn't resonate. Your content is different. It's useful, applicable, and it digs a lot deeper into the craft of storytelling than anything else I've found on YT. It's refreshing in an era when so many new stories are barely readable or watchable because their structure makes no sense and the stories (and characters) are incomprehensible to find such a focus on the craft of telling a quality story. I know I'm late to the party but this entry in the series seemed as good as any to say: great work. Thank you. You've made a regular out of me.
I'm reading Story Genius by Lisa Cron and whenever I open it up, I see you in it. I see how much the book influenced you and why it is such a useful tool for writers. It is different from anything I've read so far pertaining to novel writing. Every story beat now is seen through the veil of "WHY DOES IT MATTER TO MY CHARACTER?" Single best advice ever. Thank you for expanding this concept in your videos Abbie. It truly does make writing better
“Kiss of Deception” is a book that does vicarious suspense PERFECTLY (and great pinch points). I highly recommend it to anyone who would like an example of what she’s talking about.
Honestly, you are such a good teacher, I feel like your content shouldn't be free, hahaha. You explain things so simply and to the point, don't ramble or use explanations that leave me confused, you're god sent! I've learned more in this last hour than I have in my all my years of school and reading writing articles that just say "write! brainstorm! Figure out the problem!". You're amazing
A good example is Romeo and Juliet where it's stated in the first paragraph that they are going to take their lives and so for the entire play your on the edge of your seat waiting for it to happen.
i LOVEE vicarious suspense. especially when the killer in mysteries/thrillers has their own pov chapters and they literally show you what they’re going to do to the protagonist
Each time I watch one of you videos I’m like, “Eh, maybe this will be helpful,” and then I come up with like 5 new cool plot points and twists by the end of each video. Thank you so much!!
I really like the subtle clues type of Pinch Points. I almost always try to give my characters names that translate to something that is a big part of their personality, history, or role. For example a book I’m writing now I actually have the Traitor of the team with a name that means two faced because she’s not actually who she seems and is the enemy spy, and she also wears a necklace with the comedy and tragedy masks as another subtle hint at her true nature. I do enjoy the vicarious suspense as well but I find that better suited for the anime series me and my friends are working on. I might use it in future stories, but right now I’m just trying to finish my first book, technically second but given my first ever published book I wrote as at age 12 and self published as an ebook at age 16 and hasn’t sold any copies outside of maybe three family members I don’t really consider it an actual book anymore.
The Snow White with the Red Hair anime does a great job of building suspense in season 2. It starts off with vicarious suspense, with the character in danger who doesn't know how everything's going to go down till right before the big thing happens, making it shared suspense for a few moments, and then there's an epic scene that sets off the big conflict/problem of the season. It's great. Highly recommend the anime, it's a lot of fun and I love the characters. One of the most re-watchable animes I've watched.
Maybe you could go on when you do the second pinch point? Also, Abbie, have you ever thought about doing character breakdowns/analysis? You talk a lot about why it should matter to the character, but I was curious about different kinds of characters. I hope I make some kind of sense.
She has videos on characters, including a breakdown sheet we can download. Just click on her name, above, to go to her channel and click on the "videos" tab near the top.
I've been watching several channels about writing books (though it's fanfiction in my case), but you're the first person to describe this process of fleshing out a story in a way that I feel I can work with. You're giving me way more ideas than anyone else. I think after I've finished this series I'm going to see how all these things apply to some of my favourite books. I learn best from examples and you use them in a great way. Thank you for your wonderful and helpful videos!
After leaning so much about character conflict, world building, pinch points and so on, I am totally on board with anything thing else Abbie would suggest when it comes to writing! I know there may be some people who disagree with the science behind writing a story but Abbs you have made me a believer! Rock on!
Abbie, you would make the most amazing English Teacher I have to say. I imagine you being that one teacher every kid remembers and loved and had some sort of moment with where you taught them something. I'm thinking - now hear me out - that you would shine as a secondary school teacher, or as they say in USA, high school teacher xxx
I am a Dedicated follower from U.K. Fantastic thoughts: throwing potatoes, goldfish attention span. I have just clicked on link and bought your book. I too, have held my pencil in my hand all my life !!! Andrew U.K.
Abbie, you're amazing!!! After fumbling and struggling with my first novel, essentially pantsing it for years, I'm so happy to have found your channel. Writing my sequel is so much more productive and gratifying with your support. Thank you so much!!!!
My first little allusion to a plot twist was that [Character], lets call him V; V leaves the scene every now and again to make some mysterious phone calls. At first you'd assume it was something minor, like him being a spy for the mc, taking a call related to that. But then the calls continue after he looses that role. Then he suddenly stops getting random calls. Its a minute detail that can only be suspenseful if you're paying attention to every little thing. Like a little gift for observant readers. Its eventually revealed he was working for the main antagonist, but stopped feeding them information after hes ordered to let his sister die. I'm debating if i want to draw extra attention to it right now, because its so small, but i don't want to spell it out.
This is enough to make me consider cutting briefly to a different pov to tell the audience something the mc doesn't know. I hate doing that and my brain is already scheming ways around it but it might be worth it.
You know, I don’t know if I was supposed to get this kind of vibe, but I think that’s how I feel when I go into a story and I’m thrown into the middle of a scene. (I’m talking about the “the character knows more than me” comment you made). The characters know what’s up, but I have no idea. I think that must be why I don’t like stories starting like that. I know I just talked about the hook/inciting incident and this is about the first pinch point, but I feel it still applies.
This at the 8:00 mark you reminded me of advice a teacher told me about being spoiled about stories and how it’s not really spoiled unless you know how it all happens
Your videos are amazing! I am watching the whole playlist right now and I am so grateful 🧡 I have been struggling for YEARS to write a book and get my story on paper. And I have failed so many times without knowing how to improve and here you are, giving the perfect guideline. BIG THANKS ❣
somehow i’d managed to avoid major jane eyre spoilers when i never cared to read the book but i recently decided to read Alexa Donne’s re imagination of it as a scifi novel... and didn’t think to skip your spoilers 🥴 i guess i’ll be in vicarious suspense now 😂
Love that this series is back! Just listening to it helps me work out the parts of my plot I’ve gotten stuck on- I really appreciate you! Hope you’re doing well during this crisis. xx
I love how positive your videos are especially in comparison to other channels that are generally more negative than positive. Thank you for motivating so many of us with your positivity and making us feel like our story really matters on a deep level!!
That means a new chapter where the first person POV changes to that of the antagonist, identifiable with highly different traits and very different circumstance. And motives. You can tell that's not the protagonist speaking.
With vicarious suspense, you must show the reader something the protagonist can't see - I've done this within first person POV by simply switching POV to the antagonist, or someone on the "other side" of the external conflict. :)
@@umagonz just sneaking in to suggest that it IS the closed aspect of the first person POV that makes thing suspenseful. Your MC could be so unreliable that the audience experiences the suspense even though the MC is naive to it. Just a thought.
Yeah, I've seen it done a lot. It can be like foreshadowing, or something that the POV character simply forgets or overlooks. So let's say they make a promise to meet someone that night, and then something crazy happens and the MC gets so wrapped up in that and forgets to meet the person. Or maybe there is a test coming up that the MC thinks will be easy and doesn't have to study for, and if you kind of zone in on that overconfidence, it sets up just enough expectation that the reader can guess they are going to fail (:
I'm currently writing a story for a video game I'm making for my university graduation. Your videos are helping me so much making sense of the structure. Thank you for these awesome videos!!
I love Francoise Sagan's beautiful YA novel, Bonjour Tristesse. The suspense begins with this amazing first sentence: "A strange melancholy prevades me to which I hesitate to give the grave and beautiful name of sorrow."
Wow! Your video just made me understand why multiple POV is my favorite to read (and write)! Multiple POV is a great way to allow the reader to know things that some characters don’t... thus creating suspense. Great video!! Thanks!!
I was still having some trouble visualizing this. If you have seen Rise of the Guardians, this link will help show the 3 act story stucture and pinch points. Happy writing! www.helpingwritersbecomeauthors.com/movie-storystructure/rise-of-the-guardians/
On the point of war movies, another great method is the showing of the mortal toll as the innocent is going off to war. I’ve seen this in a lot of WWI films, where the protagonist sees soldiers from the front bandaged and often missing limbs. It gives a great feeling of the stakes of the conflict.
I just wanted to say thank you so much for making these wonderful videos and going in depth with the reasons and psychology behind them. It's been so helpful for my writing and I was even able to recommend your videos to my friend who just started writing!
I'm so glad! Thank you so much for your kind words! They mean so much to me, and I am thrilled that the content I make encourages you to chase your dreams and make your story MATTER!
First Pinch Point Example: One of my favorite films is "The President's Analyst." Early on, the hero meets the director of "the CEA" (CIA) and the "FBR" (FBI). The "FBR" director, Henry Lux, HATES the hero. No surprise, then, when the hero flees his job, he orders his agents to find and liquidate the hero.
I am so late to discovering this channel but I love it! Something I’m wondering is whether it’s possible to create full vicarious suspense in a first person POV story?
Thank you so much for taking the time to do this. Your videos are a great help! Not only at teaching how to write, but also at keeping me motivated to finish my first novel😊
I'm not sure if Revenge of the Sith follows the 3-act structure or not, haha, but I thought about it when you were talking about suspense. It seems to use both vicarious and shared: both Anakin and the viewer know about his dreams and how important they are and they want to save Padme's life and keep his dreams from coming true. But the viewer also already knows what happens to Anakin, thus vicarious suspense to find out exactly how it happens and why. Even though I've seen the movie a dozen times, I can never watch it without hoping that something turns out differently. That's how powerful the suspense is for me.
Again, you give me a brand new perspective, Abbie! I would find myself getting frustrated if I knew something the character didn't for *too* long, but I am starting to see what you mean. I think it's also a lesson in patience -- I'm always rushing through stories to speed through the anxiety of some parts. Thank you for the new content, as usual! You've given me tons to consider now.
Oh hot dayum! This just spiced up my screenplay so much! The point about revealing the villain at the pinch point just added so much suspense and intrigue to my story!!! Thank you!
On the topic of having one protagonist know everything and one know nothing, I have an interesting pov style. The main story is written through a diary, parts are edited memoirs, and there are notes from the main character as he reflects on his past. Mentally, I've separated him into "present-protagonist" and "past-protagonist" as he explains his life story to his son. However, the protagonist dies before he can finish editing the diaries, so there are additional entries signed as "M" which the readers think is in reference to the supporting character, but after he dies, it becomes clear that the reader doesn't actually know who "M" is and how they relate to the story. I feel like this is a super compelling style to read, but it feels really complex to write and balance multiple styles without it getting overly confusing. I would love to hear tips or suggestions about how to write the story!
Loving this series, it’s SO incredibly helpful!!! I’m wondering how you recommend doing suspense for 1st person POV where the POV never changes. Does that mean you have to use subtle clues or shared surprise and you can’t use full vicarious? Thanks❤
I think number 3 : Shared Suspense actually often used in sekuel or the next series, for sample on IT 2 (2019), the grown up childrens know what they will dealing with when they come back to the place where the horor begin. It's just a thought, maybe right, maybe wrong. Greetings from Indonesia Abbie.
I needed this so much, thank you I've been struggling with a pinch point I thought was way too weak, but some juicy vicarious suspense should do the trick ^^
Hi Abbie, I really like your videos and I've learnt alot and that really help me with my writing but I was wondering what if I want to use other storytelling structure and if it possible how ? Thanks so much for your wholesome videos 💜
I have embellished my story everytime I watch your videos or I identify something I did that matches with the beat without even realising that I was doing that.
Abbie, in your blog about backstory-a great read so bravo to you! Using your example of the sister anxiously asking for the time, is this is a good example of giving relevant backstory? "What time is it?" Crystal never bothered to know the time, especially when shopping for newly released video games. But her furrowed eyes brows and rapid breathing made me pay attention.
Hi! I’m new to the channel. As much as I love the author tubers I already watch (which is about 2/3 ppl) I thought I’d watch some others as well This was such a cool video! You’ve definetly earned a new subscriber!
Hi Abbie! Could you please make a video about tips for making a diary type of novel, or like a book full of letters to someone? With those type of fiction books, I’m curious as to how to still show instead of tell.
Vicarious Suspense reminds me of Alfred Hitchcock's The *“Bomb Under the Table”* analogy. *“Four people are sitting around a table, talking about baseball or whatever you’d like. Five minutes of it. Very dull. Suddenly a bomb goes off. Blows the people to smithereens. What does the audience have? Ten seconds of shock. Now, take the same scene and tell the audience there is a bomb under that table and [it] will go off in five minutes. Well, the whole emotion of the audience is totally different, because you’ve given them that information.”* Edit: nvm you mentioned it in the vid, lol
I recently found her because of the "how to make a riveting outline." That video was an eye-opener to me, I even felt dumb for creating my first book with just an outline. I did not know there could be a lot more. It's a total iceberg.
The way I am about to tare apart what I have so far for my story to follow the tips I’ve learned so far lol This is really helping me create the story I want to make! Thanks a bunch Abbie! 🙏🏽
Another argument for vicious suspense: Why do kids watch the same movie over and over and over again? Because knowing what's going to happen next gives them a sense of power in their utterly powerless lives. Same thing here. It gives the reader a sense of power by knowing what will happen, and we get a bit of a high when it does happen.
I’ve learned more from Abbie’s channel in a week than I did in two years of grad school.
Thank you so much for your kind words! They mean so much to me, and I am thrilled that the content I make encourages you to chase your dreams and make your story MATTER!
Same here.
When you really love doing something, your inspired to learn more about it❤️
I'm learning so much!
so real
I love seeing a clue in a story and it just being so vague and ominous I just literally screech *“WHAT DOES IT MEAN!?!?!”* and then pace around the room for a minute to brainstorm what on earth is gonna happen, and come back to the story fully immersed with a chuck load of snacks so i can read it into the night.
omg same!!
Good way to set yourself up for massive disappointment
Does anyone have good story examples that do this? I'm always worried I either make it too ominous or not ominous enough.
I hate feeling smarter than the characters, then I'm just frustrated that they don't figure things out. I love it when characters are brilliantly intelligent and surprise me :)
watch death note
@@kaidne i did. it was my favourite anime when i was in middle school :)
@@IzadoraKatarina nice!
Yes!
Agreed! Makes me respect them much more.
Ugh, I used to think I was “naturally” a good writer, but because of your channel I know otherwise now. There is clearly so much I have to learn. I literally plan on taking notes on your videos. Thank you lmao
Haha I've been there. People used to give me complements all the time, but I've since learned I knew nothing back then 🤣
Me too. I always thought I am a great writer since middle school. Now that I'm in high school and watch videos from this channel, I feel that 13-chapter story I made back then is meaningless.
you probably are a naturally good writer. even good writers still can learn how to perfect their craft. i was always naturally talented with words and i still have learned plenty of stuff over the years.
Bro me too 😭
I think I am a naturally gifted writer, but gifted doesnt mean immediately pro. Had a lot to learn, and Abbie plus my own struggles at starting a 6 book series taught me how
I just wanna let you know that you're one of those channels that are super amazing and need to be watched by many more.
Thank you so much!! That means a lot to me :D
@@AbbieEmmons ☺💗
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It's literally been 2 years since this comment, and still, I completely agree!
A Quiet Place has a good example of vicarious suspense. In particular, that scene when the deaf girl has no idea that the monster is already behind her because she can't hear it.
*Watches your video about outlining, then the videos about all three acts, then every one about character because I don’t understand it enough, then finally gets to outlining and watches all of your videos on scene cards then starts your 3-Act template and realizes that I have no idea how to write whatever this pinch point thing is so now I have to watch this*
Personally, the best suspense is the suspense that gets the readers to keep asking questions. I actually feel more engaged with the story if it emphasizes something obscure rather than making me feel smart and narcissistic HAHAHA idk that's just me :(
it's not just u! i also like really vague hints and being in the unknown when reading
Is this still suspense or rather a mystery?
Luke: "I'm not afraid!"
Yoda: "Good. You will be! You will be."
Is this the Mark Forster who wrote "Do It Tomorrow", by any chance?
@@Cafe655a No. Sorry.
I've been devouring this series, which I just happened to come across a day or two ago, and in just a handful of videos you helped me get to the bottom of my, 30K+ words in, my story suddenly ground a halt. I've been writing forever, got a few books out there, and yet your presentations helped me really get to the bottom of the problem (which was created in the very foundations of the entire story: unclear goals for the protagonist). I used to follow a lot of authors for their "how to" vids but to be honest I walked away from that because it was so often kind of generic advice that didn't resonate. Your content is different. It's useful, applicable, and it digs a lot deeper into the craft of storytelling than anything else I've found on YT. It's refreshing in an era when so many new stories are barely readable or watchable because their structure makes no sense and the stories (and characters) are incomprehensible to find such a focus on the craft of telling a quality story. I know I'm late to the party but this entry in the series seemed as good as any to say: great work. Thank you. You've made a regular out of me.
I'm reading Story Genius by Lisa Cron and whenever I open it up, I see you in it. I see how much the book influenced you and why it is such a useful tool for writers. It is different from anything I've read so far pertaining to novel writing. Every story beat now is seen through the veil of "WHY DOES IT MATTER TO MY CHARACTER?" Single best advice ever. Thank you for expanding this concept in your videos Abbie. It truly does make writing better
It's so good! Thrilled you are enjoying it! And thank you SO MUCH for your kind words!
“Kiss of Deception” is a book that does vicarious suspense PERFECTLY (and great pinch points). I highly recommend it to anyone who would like an example of what she’s talking about.
This is seriously some of the best content on UA-cam for writing stories.
Honestly, you are such a good teacher, I feel like your content shouldn't be free, hahaha. You explain things so simply and to the point, don't ramble or use explanations that leave me confused, you're god sent! I've learned more in this last hour than I have in my all my years of school and reading writing articles that just say "write! brainstorm! Figure out the problem!". You're amazing
A good example is Romeo and Juliet where it's stated in the first paragraph that they are going to take their lives and so for the entire play your on the edge of your seat waiting for it to happen.
i LOVEE vicarious suspense. especially when the killer in mysteries/thrillers has their own pov chapters and they literally show you what they’re going to do to the protagonist
Each time I watch one of you videos I’m like, “Eh, maybe this will be helpful,” and then I come up with like 5 new cool plot points and twists by the end of each video. Thank you so much!!
I really like the subtle clues type of Pinch Points. I almost always try to give my characters names that translate to something that is a big part of their personality, history, or role. For example a book I’m writing now I actually have the Traitor of the team with a name that means two faced because she’s not actually who she seems and is the enemy spy, and she also wears a necklace with the comedy and tragedy masks as another subtle hint at her true nature. I do enjoy the vicarious suspense as well but I find that better suited for the anime series me and my friends are working on. I might use it in future stories, but right now I’m just trying to finish my first book, technically second but given my first ever published book I wrote as at age 12 and self published as an ebook at age 16 and hasn’t sold any copies outside of maybe three family members I don’t really consider it an actual book anymore.
I'm in love with subtle clues.
The Snow White with the Red Hair anime does a great job of building suspense in season 2. It starts off with vicarious suspense, with the character in danger who doesn't know how everything's going to go down till right before the big thing happens, making it shared suspense for a few moments, and then there's an epic scene that sets off the big conflict/problem of the season. It's great. Highly recommend the anime, it's a lot of fun and I love the characters. One of the most re-watchable animes I've watched.
Love that anime!! It was so fun to watch!
@@aubreycarter7624 The manga continues the story! I recommend it if you would like to find out what happened next!
Maybe you could go on when you do the second pinch point?
Also, Abbie, have you ever thought about doing character breakdowns/analysis? You talk a lot about why it should matter to the character, but I was curious about different kinds of characters. I hope I make some kind of sense.
She has videos on characters, including a breakdown sheet we can download. Just click on her name, above, to go to her channel and click on the "videos" tab near the top.
I've been watching several channels about writing books (though it's fanfiction in my case), but you're the first person to describe this process of fleshing out a story in a way that I feel I can work with. You're giving me way more ideas than anyone else. I think after I've finished this series I'm going to see how all these things apply to some of my favourite books. I learn best from examples and you use them in a great way. Thank you for your wonderful and helpful videos!
What a pleasant surprise! To get this video just at the best time!
Abbie, you are the undisputed queen of suspense! Holy moly. 100 days of sunlight is like an absolute rollercoaster!
After leaning so much about character conflict, world building, pinch points and so on, I am totally on board with anything thing else Abbie would suggest when it comes to writing! I know there may be some people who disagree with the science behind writing a story but Abbs you have made me a believer! Rock on!
Abbie, you would make the most amazing English Teacher I have to say. I imagine you being that one teacher every kid remembers and loved and had some sort of moment with where you taught them something. I'm thinking - now hear me out - that you would shine as a secondary school teacher, or as they say in USA, high school teacher xxx
I am a Dedicated follower from U.K. Fantastic thoughts: throwing potatoes, goldfish attention span. I have just clicked on link and bought your book. I too, have held my pencil in my hand all my life !!! Andrew U.K.
Abbie, you're amazing!!! After fumbling and struggling with my first novel, essentially pantsing it for years, I'm so happy to have found your channel. Writing my sequel is so much more productive and gratifying with your support. Thank you so much!!!!
My first little allusion to a plot twist was that [Character], lets call him V; V leaves the scene every now and again to make some mysterious phone calls. At first you'd assume it was something minor, like him being a spy for the mc, taking a call related to that. But then the calls continue after he looses that role. Then he suddenly stops getting random calls. Its a minute detail that can only be suspenseful if you're paying attention to every little thing. Like a little gift for observant readers. Its eventually revealed he was working for the main antagonist, but stopped feeding them information after hes ordered to let his sister die. I'm debating if i want to draw extra attention to it right now, because its so small, but i don't want to spell it out.
This is enough to make me consider cutting briefly to a different pov to tell the audience something the mc doesn't know. I hate doing that and my brain is already scheming ways around it but it might be worth it.
You know, I don’t know if I was supposed to get this kind of vibe, but I think that’s how I feel when I go into a story and I’m thrown into the middle of a scene. (I’m talking about the “the character knows more than me” comment you made). The characters know what’s up, but I have no idea. I think that must be why I don’t like stories starting like that. I know I just talked about the hook/inciting incident and this is about the first pinch point, but I feel it still applies.
That makes complete sense! Thanks so much for watching and sharing
Abbie Emmons helping me piece together my first novel 1 UA-cam video at a time. :)
This at the 8:00 mark you reminded me of advice a teacher told me about being spoiled about stories and how it’s not really spoiled unless you know how it all happens
Ma'am you helped me more than any book or video. thank you immensely.
Your videos are amazing! I am watching the whole playlist right now and I am so grateful 🧡 I have been struggling for YEARS to write a book and get my story on paper. And I have failed so many times without knowing how to improve and here you are, giving the perfect guideline. BIG THANKS ❣
Thank you as always, Abbie ❤️ I don’t know what I would do without you!
You're the best!
4:26
I love applying psychology in my stories. And yes, that is a psychological phenomenon that does happen very often will a large number of readers.
somehow i’d managed to avoid major jane eyre spoilers when i never cared to read the book but i recently decided to read Alexa Donne’s re imagination of it as a scifi novel... and didn’t think to skip your spoilers 🥴
i guess i’ll be in vicarious suspense now 😂
Love that this series is back! Just listening to it helps me work out the parts of my plot I’ve gotten stuck on- I really appreciate you! Hope you’re doing well during this crisis. xx
You got this! Stay safe & healthy
I love how positive your videos are especially in comparison to other channels that are generally more negative than positive. Thank you for motivating so many of us with your positivity and making us feel like our story really matters on a deep level!!
Was worried when I didn't see a video or any announcement you would miss a week. Glad to see your ok and thanks for your great videos
I love how hype and excited you get about these. It makes me excited to write. I didn’t get this type of encouragement in school. 😍
This is off topic, I admit, but your place is adorable!
Oh thank you!
Thank you so much, I needed to hear this. ❤ I was bending myself into pretzels trying to make story all suprise-y and cool
Abbie i finally got to this video 🤧🥺 i can't believe i came this far 🥺🥺thank you alootttttttt im writing my first story 🤭🤧🥺love youuu 😘😘🥰🥰🥰🥺
Loved this one! First time I've heard the different types of suspense articulated
I'm learning so much from these videos! My question is, how would you create full vicarious suspense when writing from the first person perspective?
That means a new chapter where the first person POV changes to that of the antagonist, identifiable with highly different traits and very different circumstance. And motives. You can tell that's not the protagonist speaking.
how can we do vicarious suspense while writing only with the first person point of view??
With vicarious suspense, you must show the reader something the protagonist can't see - I've done this within first person POV by simply switching POV to the antagonist, or someone on the "other side" of the external conflict. :)
@@AbbieEmmons is it possible to not switch POVs and stay with the protagonist (first person POV) the whole book and have vicarious suspense?
@@umagonz just sneaking in to suggest that it IS the closed aspect of the first person POV that makes thing suspenseful. Your MC could be so unreliable that the audience experiences the suspense even though the MC is naive to it. Just a thought.
@@EDDIELANE thank you! I haven't thought of it like that, huge help.
Yeah, I've seen it done a lot. It can be like foreshadowing, or something that the POV character simply forgets or overlooks. So let's say they make a promise to meet someone that night, and then something crazy happens and the MC gets so wrapped up in that and forgets to meet the person. Or maybe there is a test coming up that the MC thinks will be easy and doesn't have to study for, and if you kind of zone in on that overconfidence, it sets up just enough expectation that the reader can guess they are going to fail (:
I'm currently writing a story for a video game I'm making for my university graduation. Your videos are helping me so much making sense of the structure. Thank you for these awesome videos!!
you're channel has been incredibly helpful ! Continue what you are doing, I live for you videos !👌🏼
Thank you so much!!
I stopped being a pantser when I learned of foreshadowing concepts. It is so amazing to be able to sense something early on in the book.
I love this topic because this is exactly how I describe Shirley Jackson's work. I think she's a master of suspense.
How can you have vicarious suspense in a story that has first person viewpoint? I've been asking myself this. I'm enjoying this series so much!
I've been wondering this too!
Thanks!
I love Francoise Sagan's beautiful YA novel, Bonjour Tristesse. The suspense begins with this amazing first sentence: "A strange melancholy prevades me to which I hesitate to give the grave and beautiful name of sorrow."
I love this!!! Thank you for another wonderful video. I pray for you and your family during this difficult time.
Wow! Your video just made me understand why multiple POV is my favorite to read (and write)! Multiple POV is a great way to allow the reader to know things that some characters don’t... thus creating suspense. Great video!! Thanks!!
I was still having some trouble visualizing this. If you have seen Rise of the Guardians, this link will help show the 3 act story stucture and pinch points. Happy writing!
www.helpingwritersbecomeauthors.com/movie-storystructure/rise-of-the-guardians/
On the point of war movies, another great method is the showing of the mortal toll as the innocent is going off to war. I’ve seen this in a lot of WWI films, where the protagonist sees soldiers from the front bandaged and often missing limbs. It gives a great feeling of the stakes of the conflict.
4:30 For me is the contrary, i like stories that makes me feel dumb. This pushes me to improve.
I just wanted to say thank you so much for making these wonderful videos and going in depth with the reasons and psychology behind them. It's been so helpful for my writing and I was even able to recommend your videos to my friend who just started writing!
I'm so glad! Thank you so much for your kind words! They mean so much to me, and I am thrilled that the content I make encourages you to chase your dreams and make your story MATTER!
Thank you Abbie!
First Pinch Point Example: One of my favorite films is "The President's Analyst." Early on, the hero meets the director of "the CEA" (CIA) and the "FBR" (FBI). The "FBR" director, Henry Lux, HATES the hero. No surprise, then, when the hero flees his job, he orders his agents to find and liquidate the hero.
I am so late to discovering this channel but I love it!
Something I’m wondering is whether it’s possible to create full vicarious suspense in a first person POV story?
Thank you so much for taking the time to do this. Your videos are a great help! Not only at teaching how to write, but also at keeping me motivated to finish my first novel😊
Glad it was helpful!
I'm not sure if Revenge of the Sith follows the 3-act structure or not, haha, but I thought about it when you were talking about suspense. It seems to use both vicarious and shared: both Anakin and the viewer know about his dreams and how important they are and they want to save Padme's life and keep his dreams from coming true. But the viewer also already knows what happens to Anakin, thus vicarious suspense to find out exactly how it happens and why. Even though I've seen the movie a dozen times, I can never watch it without hoping that something turns out differently. That's how powerful the suspense is for me.
Again, you give me a brand new perspective, Abbie! I would find myself getting frustrated if I knew something the character didn't for *too* long, but I am starting to see what you mean. I think it's also a lesson in patience -- I'm always rushing through stories to speed through the anxiety of some parts. Thank you for the new content, as usual! You've given me tons to consider now.
Thrilled this was helpful!
Oh hot dayum! This just spiced up my screenplay so much! The point about revealing the villain at the pinch point just added so much suspense and intrigue to my story!!! Thank you!
On the topic of having one protagonist know everything and one know nothing, I have an interesting pov style. The main story is written through a diary, parts are edited memoirs, and there are notes from the main character as he reflects on his past. Mentally, I've separated him into "present-protagonist" and "past-protagonist" as he explains his life story to his son. However, the protagonist dies before he can finish editing the diaries, so there are additional entries signed as "M" which the readers think is in reference to the supporting character, but after he dies, it becomes clear that the reader doesn't actually know who "M" is and how they relate to the story. I feel like this is a super compelling style to read, but it feels really complex to write and balance multiple styles without it getting overly confusing. I would love to hear tips or suggestions about how to write the story!
I love "un-put-downable". Thanks for this, Abbie!
I’m outlining my debut novel again and I came back for this bc this is the part I’m at to plan😊
This is such a great video! I love adding in suspense to my story, and this really helps me to see a great place to do so.
I love your breakdowns. Very pragmatic and impactful. Thank you 🙏
Loving this series, it’s SO incredibly helpful!!! I’m wondering how you recommend doing suspense for 1st person POV where the POV never changes. Does that mean you have to use subtle clues or shared surprise and you can’t use full vicarious? Thanks❤
I’m so glad I came across your channel! You’ve helped me so much ❤
Thx. In screenwriting we were always taught that the lock in was at the end of act one. Plot point 1
I think number 3 : Shared Suspense actually often used in sekuel or the next series, for sample on IT 2 (2019), the grown up childrens know what they will dealing with when they come back to the place where the horor begin. It's just a thought, maybe right, maybe wrong. Greetings from Indonesia Abbie.
I needed this so much, thank you
I've been struggling with a pinch point I thought was way too weak, but some juicy vicarious suspense should do the trick ^^
Would love to see you breakdown popular movies or anime’s. Love all your how to videos
Hi Abbie, I really like your videos and I've learnt alot and that really help me with my writing but I was wondering what if I want to use other storytelling structure and if it possible how ?
Thanks so much for your wholesome videos 💜
Thanks once again Abbie, thoroughly enjoyed your Act 1 videos, fantastic help. From Taupo, NZ.
Thanks. This is amazing stuff! 👍
Really liked this video. Learned a lot. Thank you.
This video was super helpful. I love case example videos.
Thanks, your videos always give me ideas for my books
I have embellished my story everytime I watch your videos or I identify something I did that matches with the beat without even realising that I was doing that.
A fantastic example of a pinch point. Thank you.
I missed you 😭😭
So glad for the upload! Hope you've been doing well!!! ❤❤
Abbie, in your blog about backstory-a great read so bravo to you! Using your example of the sister anxiously asking for the time, is this is a good example of giving relevant backstory?
"What time is it?"
Crystal never bothered to know the time, especially when shopping for newly released video games. But her furrowed eyes brows and rapid breathing made me pay attention.
Thanks Abbie!
Hi! I’m new to the channel. As much as I love the author tubers I already watch (which is about 2/3 ppl) I thought I’d watch some others as well This was such a cool video! You’ve definetly earned a new subscriber!
Hi Abbie! Could you please make a video about tips for making a diary type of novel, or like a book full of letters to someone? With those type of fiction books, I’m curious as to how to still show instead of tell.
Your channel motivates me to write ❤️
I'm so glad!
Vicarious Suspense reminds me of Alfred Hitchcock's The *“Bomb Under the Table”* analogy.
*“Four people are sitting around a table, talking about baseball or whatever you’d like. Five minutes of it. Very dull. Suddenly a bomb goes off. Blows the people to smithereens. What does the audience have? Ten seconds of shock. Now, take the same scene and tell the audience there is a bomb under that table and [it] will go off in five minutes. Well, the whole emotion of the audience is totally different, because you’ve given them that information.”*
Edit: nvm you mentioned it in the vid, lol
Quentin Tarantino embodied this well in that gripping Floorboard Scene in Inglourious Basterds.
The Chronicles of Narnia is amazing!! Ahh!!!
This video was incredibly helpful
I recently found her because of the "how to make a riveting outline." That video was an eye-opener to me, I even felt dumb for creating my first book with just an outline. I did not know there could be a lot more. It's a total iceberg.
The way I am about to tare apart what I have so far for my story to follow the tips I’ve learned so far lol This is really helping me create the story I want to make! Thanks a bunch Abbie! 🙏🏽
Another argument for vicious suspense: Why do kids watch the same movie over and over and over again? Because knowing what's going to happen next gives them a sense of power in their utterly powerless lives. Same thing here. It gives the reader a sense of power by knowing what will happen, and we get a bit of a high when it does happen.
Opening scene of Inglorious Basterds is a PERFECT example for this
you’re teaching me so much ! thank you !! 💞💞