Got this course. Totally recommended. I agreed to other comments below that having the midi drums or all the isolated/independent drum tracks in the session have been very welcome. I love the tone of the snare that Kristian puts in his last productions... wondering how he gets that sound...
This is a must have! So glad this is out, congrats 🤘🏼🤘🏼🤘🏼 So exciting, I got the Grindstein on Tuesday, new course today, and your new IR’s next week!!!!!! I loved your Eminence pack. Congrats on all your hard work 👏🏼👏🏼 Thanks for all the great content and music!! Next for me after your IR’s, OHmyGOAT. Exciting time to be Metal 🤘🏼🤘🏼🤘🏼🤘🏼🤘🏼
@@KohleAudioKult After I watched some episodes several times and took some time to directly test stuff and try things I'm really impressed. Although I don't have so much gear I could dail in a way better tone! Again: Thank your very much for this course!
@@KohleAudioKult yeah but the kohle proud face when your digging into a riff you enjoy playing with a tone you think rocks is awesome. Makes me feel it with ya!
I'm usually very stubborn and picky when it comes to guitar tones and courses but you're the only producer in addition to Mendel whom I have no quarrels with any of your topics. /kissass
@@andyje I figured that’s what you meant lol but when you said “not learning stuff is great” I was just sitting thinking so hard about that lmao I gotcha. But yeah Kohle is seriously the coolest producer out there
What I would really like to see is an explanation of rhythm guitar vs lead guitar tones, from the entire chain - guitar / pickup selection, amp selection, cabinet selection, mic placement, and post processing / mixing - and the differences between each one of these parts of the whole, when it comes to putting down a lead part vs a rhythm part in a track, and making sure that in a track with both rhythms and leads, that they compliment each other and work *with* each other and not against.
I got your course... Love it. I can now say I am confident I can mic a cab or blend IRs with confidence. I hust wish you gave a little in depth on how you are dialing in those amp heads... Do you start with everything at noon.. To you start at the gain and work your way to presence and resonance? Do you always boost first or boost after? How do you dial in your boost? Gain or no gain on the boost? This i feel is also important to our tone matrix or did I miss it in the course videos?
Does this include working with Amp Sims and virtual IR's or just exclusive to real guitar gear? This is important because both can sound different. Please respond.
Hi Kristian. Thank you for that. I directly purchased your course. Is it also possible to see your signal chain in therms of: used cables, cable lenght di and reamping box. I ask for that because your setup sounds perfectly clean. I always have noise issues in my setup ( scarlett 18i20, Lehle split, mesa amp and cab ). Ground lift. Different cables. Different (steckdosen). Different Guitars did not solve the problem. How do i get the right levels out of the interface? I would be great if you could do a video with such basics. I recognize it by myself. I am often 2 steps ahead, but the basic setup then is not noise free and i waste time to search for the issue. That is counterproductive. I rather like to create sound in stead of crackle noize. Thanks in advance. See you in Hell. Holger
Not sure this is the right place, but I left some comments on the course website too: The ZIP file of part 5 is corrupt and cannot be extracted. (Link Sendowl) The course website is missing the 03.1 Tone Matrix Example 1 Amps.
I used 7zip to watch it without extracting the file as winrar wouldn't do it. 7zip also wouldn't extract the file. So Open the archive and and click on the m4v file but don't extract. 7zip worked for me this way. That is if you haven't got working yet.
Great course! informative and entertaining! Would you consider a course and/or video on recording Di's, reamping Di's and using Di's with amp sims? I don't have the luxury of a live room to crank up a real amp so I'm at the mercy of amp sims. However, my attempts suck and I believe it has a lot to do with the quality of the Di track. Di's are fairly new to me and I've had to endure a lot of frustration. However, after loading one of your Di tracks into a test session, after about 5 mins I had a sound that I really liked using the same chain. Not quite what I was hearing i my head but very close and a hell of a lot better than anything else I was getting. The quality of your Di's are far beyond anything I can get. Just a thought. Thanx
@@KohleAudioKult thanks brother. I watched and liked that video from before 😅. Its just with the way a mic works and clocks, it didn't make much sense that cabs would make a difference But I could hear it there. Thanks again for responding brother. Keep it heavy
Hi man. After have watched you course, and i now want to try mic up my cab again after listening to the awesome sound you got. Maybe now I will get my sound after your lectures. Great work ! IR,IR,IR,IR,IR, if i fuck this one up again. Haha🤪🤣
@@KohleAudioKult question, when you talked about moving by sample, and not millisecond. Is that the same as mugging ? I can not see in my DAW how to " move by sample". I use studio one.
I’m not much for a clean tone (whatever the fuck that’s for), but what I see here is what I call “Fire Walk With Me” tone, and that’s what I’m talking about. ⚜️࿗ 𖤐🤘🏻𖤐 ࿘⚜️
This is what I got from this video "use your ear" Amazing helpful advise. What I want is something thats full but mixes well blah blah. None of thats interesting or helpful but you want me to use that as a point of reference to decide I am going to pay for something. Ill pass.
My course is finally out! There's so much work behind me. I hope you enjoy it! Let me know what you think! Who's getting the course?
Me 🙋♂️after next paycheck, that is 😅
Me!!! I've been waiting for it!!! 🤘🤘🤘🤘
Just downloaded it! Super stoked. I've learned a ton from you already. If/when you ever do a drum course, I'll be getting that too!
@@dpiselli Thanks a lot! Drum course is in the works!
I am, right now!
As a humble fan of Your channel, how could I not get such a treat?!
What a pleasure to work with such an amazing talent a Kristian! Not only an incredible Producer, Engineer and Mixer, but a true born Educator!
❤️🍺❤️
@@KohleAudioKult Hahahah of course there's a Beer Emoji in there! Haha
Congrats, Kohle! Let's catch up next week ;)
Hell yeah! Let's better do that!
Watching old videos and learning new knowledge. Thanks kohle
Great work Kristian! 🍻
Going back in old videos and finding new info is always good fun
Awesome. I've been waiting for this, and now it's finally out. Just bought it. Can't wait to start to watch and learn!
It's the way it works together with rex browns bass which is so absolutely bloody amazing
Kohle! I must say I have really fallen in love with that Fernandes.
You're not alone!
Thank you Kohle, thank you Warren. 🍻🤘
Awesome. The best man for the job. Congrats!
Got this course. Totally recommended. I agreed to other comments below that having the midi drums or all the isolated/independent drum tracks in the session have been very welcome. I love the tone of the snare that Kristian puts in his last productions... wondering how he gets that sound...
Thanks! The snare will be the part of a drum course sooner or later.
I am really wait this course so long and You did it! Awesome ! TNX !!!
Let me know how you like it! I'm still learning.
Congratz with the release of your course, i just grabbed it, can`t wait to start with it, have good one, cheers!
Congrats Kristian!! This is awesome.
Thank you Kristian, i am sure it's a fantastic course, the quality of your educational videos is always top notch
Just bought it. I am very excited to check it out!!!!
Huge Congrats on releasing your course on Pro Mix Academy Kristian! MUST BUY!!! I'm buying for sure! Thank you super duper much for everything you do!
This is a must have! So glad this is out, congrats 🤘🏼🤘🏼🤘🏼 So exciting, I got the Grindstein on Tuesday, new course today, and your new IR’s next week!!!!!!
I loved your Eminence pack. Congrats on all your hard work 👏🏼👏🏼 Thanks for all the great content and music!! Next for me after your IR’s, OHmyGOAT. Exciting time to be Metal 🤘🏼🤘🏼🤘🏼🤘🏼🤘🏼
Awesome!
I use the Grindstein in the death metal example of the course! Have some dirty fun with my DIs and the pedal!
Thanks bro 👍🏼
Cool. Ready to get inspired!
Awesome stuff!! Just bought it from promix 👌🏻🥺🥺🥺
This is amazing man!!!! Looking forward to learn from you!!
Thank you so much for creating this course. Bought it right away! I'm sure it'll be great!
Thanks! Let me know what you think of it!
@@KohleAudioKult After I watched some episodes several times and took some time to directly test stuff and try things I'm really impressed. Although I don't have so much gear I could dail in a way better tone! Again: Thank your very much for this course!
Just picked up the course. Looking forward to getting into it 🤘👍
Anyone else get excited when Kohle plays guitar? Because dude has some pretty sick rhythms and tone ...the German Keith Merrow?
I just play the same three riffs that I learned 25 years ago, haha! But thanks man! 🤪🍺❤️
@@KohleAudioKult yeah but the kohle proud face when your digging into a riff you enjoy playing with a tone you think rocks is awesome. Makes me feel it with ya!
@@scallionboy8679 exaactly!! He has fun and it shows
@@scallionboy8679 Great to hear that!
you're right. If the tone is great, plyaing guitar is even more of a joy!
Very cool video. I'm just trying to learn more about creating tone and how studio recording works so this is useful
I've still got, like, a thousand courses to get through on Pro Mix Academy, but as soon as I'm done with those I'm getting this one
I just went from 6 to Midnight!!!
Great! Waiting for huge metal bass guitar sound course :))
This is gonna be awesome 👏🏻
I'm usually very stubborn and picky when it comes to guitar tones and courses but you're the only producer in addition to Mendel whom I have no quarrels with any of your topics. /kissass
damn! and for that price! my next free 77$ goes there there's just no questions about it!
Nice man ! That's very cool ! I watched the URM academy videos ! That Aborted guitar tone is killer!
And this is even better. The „making of“ story
Pretty cool, dude
I'm signing up....Not learning something new that makes you develop as a musician or in recording is a great thing.
I am confused with this sentence
@@toemasmeems keep learning new stuff
@@andyje I figured that’s what you meant lol but when you said “not learning stuff is great” I was just sitting thinking so hard about that lmao I gotcha. But yeah Kohle is seriously the coolest producer out there
This is great! at 8:50 there's a lot of Sabbath in that riff!!! I love it!
yeah man!
What I would really like to see is an explanation of rhythm guitar vs lead guitar tones, from the entire chain - guitar / pickup selection, amp selection, cabinet selection, mic placement, and post processing / mixing - and the differences between each one of these parts of the whole, when it comes to putting down a lead part vs a rhythm part in a track, and making sure that in a track with both rhythms and leads, that they compliment each other and work *with* each other and not against.
In one of the songs of the course I walk you through rhythm, lead and clean.
@@KohleAudioKult Awesome, thank you. I will go ahead and purchase it 🤘
What are those sliders you are using for mic placement?
I got your course... Love it. I can now say I am confident I can mic a cab or blend IRs with confidence. I hust wish you gave a little in depth on how you are dialing in those amp heads... Do you start with everything at noon.. To you start at the gain and work your way to presence and resonance? Do you always boost first or boost after? How do you dial in your boost? Gain or no gain on the boost? This i feel is also important to our tone matrix or did I miss it in the course videos?
kohle great work as per, thats the joy of modern youtube the inspiration of people producing audio, music is worth it, death to the mp3 lol
Does this include working with Amp Sims and virtual IR's or just exclusive to real guitar gear? This is important because both can sound different. Please respond.
"If you want balls, now you've got em!" xD
I'm so old, everything sound modern tome!
Lmao
Hahaaa! 🤪😂
YES
Well, I know how I'm spending my day.
What do you think about the Shure Beta 57a to replace the sm57?
Haven't used them for ages. Didn't like them back then though.
Hi Kristian. Thank you for that. I directly purchased your course. Is it also possible to see your signal chain in therms of: used cables, cable lenght di and reamping box. I ask for that because your setup sounds perfectly clean. I always have noise issues in my setup ( scarlett 18i20, Lehle split, mesa amp and cab ). Ground lift. Different cables. Different (steckdosen). Different Guitars did not solve the problem. How do i get the right levels out of the interface?
I would be great if you could do a video with such basics. I recognize it by myself. I am often 2 steps ahead, but the basic setup then is not noise free and i waste time to search for the issue. That is counterproductive. I rather like to create sound in stead of crackle noize.
Thanks in advance. See you in Hell.
Holger
Not sure this is the right place, but I left some comments on the course website too:
The ZIP file of part 5 is corrupt and cannot be extracted. (Link Sendowl)
The course website is missing the 03.1 Tone Matrix Example 1 Amps.
Thanks for the info! I’ll forward that
I used 7zip to watch it without extracting the file as winrar wouldn't do it. 7zip also wouldn't extract the file. So Open the archive and and click on the m4v file but don't extract. 7zip worked for me this way. That is if you haven't got working yet.
Happy release day! The IR pack comes this time next week I guess? :)
Yes. Bogren spilled the beans.
Kohle when you’re reamping do you use a noise gate at all? Or is this bad for the signal?
I don't use noise gates.
Usually I don't need noise reduction. If I need it, it's better to fix things in the DAW later.
@@KohleAudioKult i appreciate you always responding. You’ve helped me tons!
YES! \m/ 🖤
Great course! informative and entertaining! Would you consider a course and/or video on recording Di's, reamping Di's and using Di's with amp sims? I don't have the luxury of a live room to crank up a real amp so I'm at the mercy of amp sims. However, my attempts suck and I believe it has a lot to do with the quality of the Di track. Di's are fairly new to me and I've had to endure a lot of frustration. However, after loading one of your Di tracks into a test session, after about 5 mins I had a sound that I really liked using the same chain. Not quite what I was hearing i my head but very close and a hell of a lot better than anything else I was getting. The quality of your Di's are far beyond anything I can get. Just a thought. Thanx
Thanks man!
Good to hear that
And yeah, a tracking course is on the way.
What about the plugin-only people? Is this course useful for us, or just if we have real amps?
Doesn’t matter if you are using hard- or software. The principles and methods are the same.
Hey bro a question. Does the Cab make any significant difference in sound with close up micing or is it mostly speaker dominant and minimal cab build?
It is both of course!
Check out this video where I put the exact same speaker from one cab to another:
ua-cam.com/video/oe2FctlD__U/v-deo.html
@@KohleAudioKult thanks brother. I watched and liked that video from before 😅. Its just with the way a mic works and clocks, it didn't make much sense that cabs would make a difference But I could hear it there. Thanks again for responding brother. Keep it heavy
Congrats! Did I miss the discount code?!?!?
It’s is already 40% off.
@@KohleAudioKult oh ok. I thought I missed something 🤣🤣🤣. Buying mine now! Can’t wait to watch it.
Kristian I was wondering where I can find the link to the course, I don't think it said in the video?
bit.ly/2PgBleb
Cool
9:20
You gave up on the 🍊 😅 Worked on the clean though.
Is this a ENGL Artist Edition ?
Nope. It’s the old Savage 60.
If the oversized cabs are industry standard, I think we should start referring to the standard cabs as undersized.
Haha! Good one 🍺🤪
I love the sound of the mesa traditional 412
eq the DI? that was always my Geheimnis!
Hi man. After have watched you course, and i now want to try mic up my cab again after listening to the awesome sound you got. Maybe now I will get my sound after your lectures. Great work ! IR,IR,IR,IR,IR, if i fuck this one up again. Haha🤪🤣
Great to hear I could inspire you!
@@KohleAudioKult question, when you talked about moving by sample, and not millisecond. Is that the same as mugging ? I can not see in my DAW how to " move by sample". I use studio one.
I’m not much for a clean tone (whatever the fuck that’s for), but what I see here is what I call “Fire Walk With Me” tone, and that’s what I’m talking about.
⚜️࿗ 𖤐🤘🏻𖤐 ࿘⚜️
👍
OK I´m sold, take my hard earned money. lol
I’ll buy the best beer I can get for it! 🤪
So what?!
This is what I got from this video "use your ear" Amazing helpful advise. What I want is something thats full but mixes well blah blah. None of thats interesting or helpful but you want me to use that as a point of reference to decide I am going to pay for something. Ill pass.
I would love to attend the Masterclass. But for me, in Brazil, it costs millions ...