Wagner/Tausig - Paraphrase n°1 from "Tristan und Isolde". Orazio Sciortino, piano.
Вставка
- Опубліковано 5 вер 2024
- Wagner/Tausig. from "Three Paraphrases on Tristan und Isolde": n° 1 Liebesscene - Verklaerung
Orazio Sciortino piano.
LIVE Rec.
Sala Verdi of Milan Conservatory
10 may 2013
video made by Maurizio Sanfelice
Un piacere per l'orecchio, ma soprattutto per l'anima. Meravigliosa esecuzione. Grazie per averla condivisa.
The entire three hour opera in under 20 minutes. Brilliant. And magnificently played.
Why isn't Tausig's arrangement of this played more often? The transition from the prelude to the second act: particularly wonderful; and Brangaene's warning as a three-handed effect.
Thanks for posting this! Bravo.
He is merely playing his own piano reduction of the well known "Tristan without words"
Takes my breath away!!
i like this much more than liszt's transcription beautifully played Orazio!
Superb performance!!!!!!
It's amazing! Deep congratulations!
bellissimo, tanti complimenti!
Magnifique !!! Transcription remarquable d'une musique sublime !!!! Cela donne envie de( ré) écouter la version scénique avec orchestre et chant !!!!!
He knows the full score exactly !!! Bravo !!!
Much richer and finer than Liszt's transcription.
Stupendo,meraviglioso
Bravissimo !!
Amazing playing.
Bravo.
Bravissimo Orazio.
wow!
bravo
Bravo!
Quelle magie !
splendido!
A musical summit .....................
Браво блестяще сыграл
Excellent voicings, love the changes in the end, inspired by Liszt I believe?
And he even looks like Tausig!!
However, ua-cam.com/video/7wKZPCb_QfA/v-deo.html was not Tausig's paraphrase; it's Liszt's one. (Besides, Liszt wrote three different versions for these four bars: 1868 original, 1868 ossia, and 1875 variant.) Another option is using Moszkowski's transcription, which was recorded by Ponti and others. BTW, I found some other arrangements on the IMSLP, but none of them (A. Jaëll's, Fischhof's and Kogel's) seems to have been recorded so far.
Bellissima esecuzione ed interpretazione. L'unica cosa che non condivido è la sostituzione del finale di Tausig con quello di Liszt (cosa che comunque non toglie alcun valore alla bellezza di questa musica). Ma d'altra parte in questo tipo di repertorio ci si possono permettere scelte personali che altrimenti sarebbero arbitrarie. Complimenti. :-)
Tausig
Way too fast.
c'ero!
what's with the untucked shirt? I much prefer it when the pianist cares enough to at least look the part with a tux and white tie.
Lmao this is what you gathered from this performance?
わるいけど、つまらん演奏。