This is the best explanation of how to construct leads that I've seen online. So many teachers focus on learning modes and patters and while they are useful they don't necessarily show the connection between the chord being played and the options available to solo with.....the big lesson here folks is learn your chords:) Thanks for posting this!
I love his phrasing and the snap he gets from his strings! I agree with him (although he obviously does it to greater effect than myself) integrating chord tones and melody phrases into your standard pentatonic scales sounds awesome!
I can copy those licks note for note but I really gotta be feeling it deeply to even get close to how Matt sounds. The notes just pour out of his fingers effortlessly. Flowing like water. Just learning these few licks and trying to emulate him has improved my blues soloing ten fold.
Hector Izquierdo *** look up modal playing . in the key of a use A mixolydian on the 1. use a dorian (d mixolydian) for the 4 and a ionian (e mixolydian) for the 5 ...this is so u stay in the same area of the fret board. not moving more than a few frets .it keeps the ear liking the sounds there not far away. look in to it.
He's mixing the major, minor with the flat 5th, mixolydian and chromatic approach notes corresponding to each chord. Just knowing those scales isn't really enough though. Try to emulate his licks. He perfectly times the notes to approach the major 3rd of each chord just as the rhythm is changing. I just decided to learn every lick he played and I love what's coming from it. I'm already creating my own now using the same techniques taught here...
Really? I think you can learn this stuff like by ear, just like you would when learning by transcribing pentatonic-based blues stuff. Sure, it's more scalar, but there's not much more being added here on top of what the average blues guy knows. With guys like Matt, it comes down to touch, tone, dynamics and feel for this to work.
This is superb and Matt is such a classy player, effortless....
That major 3rds of the chord your playing over has really opened my ears!
This is the best explanation of how to construct leads that I've seen online. So many teachers focus on learning modes and patters and while they are useful they don't necessarily show the connection between the chord being played and the options available to solo with.....the big lesson here folks is learn your chords:) Thanks for posting this!
So true!
I love his phrasing and the snap he gets from his strings! I agree with him (although he obviously does it to greater effect than myself) integrating chord tones and melody phrases into your standard pentatonic scales sounds awesome!
So inspiring - I've been looking for a video to help me get outside the f'ing pentatonic box.....and voila - here you are. Many thanks
matt schofield is the best 👉👍👍☝
I here some very very similar stuff like Mr. Robben Ford in here, really nice job!
Wish I’d seen this a lot sooner...So good to hear a fluid blues player explain what he’s doing so generously.
This is gold and Matt’s such a great player!
Tone TOne TONE!! Super job Matt
Such tone...TONE!!!!
love how he does it seems effortless how it does it have to take lessons from this guy.
love this sound
buy a two rock
“It’s all right under your fingers” ha. He did the work to get where he is. One of my favorite blues guitarists.
I can copy those licks note for note but I really gotta be feeling it deeply to even get close to how Matt sounds. The notes just pour out of his fingers effortlessly. Flowing like water. Just learning these few licks and trying to emulate him has improved my blues soloing ten fold.
Great Inside Notes lesson!
Great strat sound !
Superb explanations
GREAT!!!!
he makes it seem so easy., tasty
Love schofield
Thx 🧐☝️......😎👍🎸
Matt should jammin' with the Mighty Robben Ford
possible d'acheter les tabs...possible to buy the tabs?
slow down the video and figure the notes out, that is what i did
does anyone knows which scale does he uses while each chord?
Hector Izquierdo ***
look up modal playing .
in the key of a use A mixolydian on the 1. use a dorian (d mixolydian) for the 4 and a ionian (e mixolydian) for the 5 ...this is so u stay in the same area of the fret board. not moving more than a few frets .it keeps the ear liking the sounds there not far away.
look in to it.
Hector Izquierdo ***pentatonicly speaking use the corresponding major and minor for the fitting chord.
He's mixing the major, minor with the flat 5th, mixolydian and chromatic approach notes corresponding to each chord. Just knowing those scales isn't really enough though. Try to emulate his licks. He perfectly times the notes to approach the major 3rd of each chord just as the rhythm is changing. I just decided to learn every lick he played and I love what's coming from it. I'm already creating my own now using the same techniques taught here...
so basically he uses myxolydian , and highlights the majors 3rd in the myxo
actually, it's nothing new, nonetheless great, but BB King Does that aal the time
Mixolydian, major, minor, flat 5th, chromatic notes approaching the major 3rd of the next chord. Nothing to it... Riiigggghhhttt... lol
Tasty as hell.
This is impossible to play without knowing theory
Really? I think you can learn this stuff like by ear, just like you would when learning by transcribing pentatonic-based blues stuff. Sure, it's more scalar, but there's not much more being added here on top of what the average blues guy knows. With guys like Matt, it comes down to touch, tone, dynamics and feel for this to work.
1:23+
tabs anywhere?
JJ JJ he's talking theory, learn the theory and tabs will be unnecessary
Not really a good lesson, it goes so fast....
hear sorry