Chloé Caillet Makes A Club Track From Scratch
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- Опубліковано 12 лип 2023
- We join Chloé Caillet in London, as she talks us through her creative approach to producing.
Chloé Caillet’s percussive house productions have been catching people's ears, with releases on labels such as Circoloco Records & Keinmusik. In this episode she walks us through her DAW, go-to plug-ins and hardware preferences.
Beat from Scratch is a unique insight into an artist's creative process in the studio. Starting from a blank session, each artist builds a track from scratch in their own style, exploring everything from drum and synth programming to mixing, arrangement and more.
Thanks to Make A Dance & Next Door Records for letting us use your studio.
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What other producers would you like to see us visit? 👇
Maceo Plex
Red Axes
Dauwd please!
nikki nair obv
Lauer
Very cool! You know you can actually sync the tr8s to the grid so you dont have yo drag and adjust the clip each time. Just select the amount of space between the grid and the first kick and it will tell you how many Miliseconds you have of latency, then go to preferences, Link Tempo Midi, and in Midi ports, click the arrow of the tr8s and diminish the amount of ms :) it will be synced after that. Just know that the first Bar will always be out of sync because it needs a couple of ms to adjust.
-33.3 ms the best config
Love it!
Marfa, TX represent! Still haven't seen the Chinati but dying to go next time
Excellelnt vibe! A bit pity it's not finished, but she gave an idea how this coulld have developed 🙂
Super dope!!!
Yes more of this
NAH I LOVE HER SO MUCH WHAT AN INSPO
What synth stand is that?
Sickkk🔥🔥
Very interesting, I have a similar workflow albeit on much cheaper hardware and some free software!!! 😀
She is a true talented artist 😍
That was educational, uplifting and impressive. The foundation from the musical talent and classical knowledge is truly impactful and inspiring! Thank you ❤❤. Off the Richter fire 🔥
Glad you enjoyed it!
@@DJMag do more like this please. wow
Strange way of tracking the drums especially as the TR8S has full USB out.. Why track each track one by one and play with the timing? Apart from that it was great
Maybe she’s recording it through the desk for some saturation and eq
She could do that through sends...
It's okay to not know that it can do that. Another reason could be usb is noisy, and maybe not enough inputs to hook up the individual outs
@@blkrbbt USB can't be noisy because it is a totally digital signal. She isn't using the USB output because that's not her desk (look in the description); you can't use two different sound cards at the same time. There are some workarounds but they will add too much latency for what i know.
With the TR8S the alternative is using the 6 individual outputs with 1/4" cables.
BTW if you can make it sound good, doesn't matter the signal chain 🙂🙂
Let’s shorten this up, she’s still on an amateurish skill level.
@@Centomila Your wrong. @jorvten360 has the right answer. Shes just not good.
You can record 16 individual tracks from TR8s to ableton channels, why waste all that time recording one at at time. one edit will align all the channels. it would shorten this vid to 15 mins
This sounds like a "from scratch" track.
Always inspiring to see other fellows workflow... very musically and straight forward aproach here... and a banging skelleton of an pretty seriosus classic flavrd BANGA 💥
Glad you enjoyed it!
truly curious, if she's got a 909 and a tr8s i wonder which one she prefers
Was wondering why she didn't just use the 909
@@carcass2677 my only guess is that i'd imagine dj mag would want more common/relevant gear at the forefront when people make videos for them but come on, it's a freakin 909!! 😭
Honey, what’s the point in using a TR-8s 909 samples if you have a original 909 in the background?
The 909 drops a tiny bit in value everytime it plays a single kick sound
Although you can load samples into the TR-8s, the main sound engine doesn't use samples. It uses a DSP process called analog circuit behaviour that digitally recreats the analog sounds of the TR-606/TR-808 and TR-909.
@@tommyk88888oh, now I see.
@@Rr0gu3_5uture right ! the charleston and cymbals were 8 bit samples on the 909 tho ; )
@@PRCRSTNTR I always heard that the hats on the TR-909 were 6-bit, but the samples were compressed and then digitalized so they'd have a greater S/N ratio and higher digital resolution. Apparently, the 3 ROM chips that store the sounds are only 32k in length, which by today's standards sounds ludicrous.
love the old skool Detroit sound to this, you cant beat that sound!!!!!
Amazing 🔥🔥🔥
😁🤩🤟🤘🎼🎵🎶
It's Moog like Vogue, not Mooooog. Just an FYI.
need that 909 kick thoooo
All this equipement for this ....
?
Finally somebody that doesn't high/low pass everything. high/low shelfs are the way!
Say “it makes sound warmer” one more time
This girl have to get a radio on rockstar GTA 6 #RockstarGames
I would lock the TR-8S with Abelton so that I don’t have to spend so much time aligning the drums
How do you that?
@@Guitarist888 just using either the tr8 or Ableton as your master clock, I make music in a similar way except I use an mpc1000 as the master clock for everything and play stuff into the Mac and it time corrects whatever I play rather than warping the audio in Ableton and then once you have bits recorded in you just click the "EXT" button on Ableton and that decides if its Ableton that's my clock or my mpc, she could do this with her tr8
into the mpc not Mac
Midi Clock.
@@matthewgarcia8450 There's no right or wrong way to use or sync gear, I'm also pretty sure that she knows what she's doing. In saying that, if you're using external hardware synced to a DAW via Midi you're always going to have to align your audio if you want any degree of tightness. Even more so, because everything is connected via USB these days, and Midi via USB is absolute fkin' horseshit because of issues like jitter and inherent latency. I don't own a TR-8S, but I did 2 mins of research and found that it seems to have a whole bunch of assignable Trigger Output options, but seemingly no Trigger Inputs, which seems a bit daft. If it had a Trigger Input you could use something like the free E-RM Multiclock Plugin software to generate an analog clock signal, then send this audio signal out from your soundcard and sent it to the Trigger Input of your drum machine. As long as you record your drums first, have no other plugins running, and keep your ASIO buffer size as small as possible, it's possible to sync your external hardware for free with virtually zero latency or jitter.
am i trippin or she looks like female chris lord alge
moug
schmogue
Quindi nessuna idea
🇧🇩🌍🇧🇩 20:22
Dull sounding.
dope bassline, the arp kinda ruins it for me, but thats just me:)... would keep the real house vibe without it more i think..
From scratch would be recording and sampling live drums.
I'm calling the police
Building the drumkit too?
@@crazymaniac89 going out chopping the trees down for the wood
Surely you'd have to make the drums too.
@@saren6538 you'd have to plant the trees first
MEWGUH SYNTH
Love it!