Their interpretative depth, width, breadth, and height of All Blues is unlimited. I am sure that they could produce another magical version of this tune. They have no limits to their imaginations and improvisation
Je réécoute 50 ans plus tard ce morceau avec une émotion intacte. Un des morceaux les plus importants dans l'histoire du jazz et de notre musique contemporaine. Coltrane pour la première fois à éliminé tous les clichés d'impro bop bibop ribop et fait découvrir la sonorité cool, avec un niveau de tension supplémentaire, qui allait sortir le jazz de son ornière tout en annonçant également le free. Chapeau l'Artiste, chapeau Miles pour avoir révélé ce talent aussi. Un souvenir, le concert de Miles au Châtelet en 82 avec les interférences du métro qui l'avait conduit à jouer en naturel et...ILAVAIT BISSE !! Et le solo de son jeune guitariste fabuleux sur "Jean Pierre " Yves Barruet es es-tu encore de ce monde et tutoies tu encore la contrebasse après ta carrière de banquier ? Mon portable à la Réunion 0692 64 16 83
I hear at least 2 time signatures in this astounding tune, it’s got lots of range in its feel(s), pepping up our feet & cheering peoples up. Some sort of ancient jazz trickery, lol. Thanks.🎼❤️🔒🔐
a tremendous find, two of the greatest improvisers at the height of fearlessly exploring boundaries, when compared to minimalist version on KIND OF BLUE, we realize here the limitless possibilities of art...it's like taking a Van Gogh and painting it over a hundred times, each one better
@Odin Limaye I agree. I grew up listening to Miles, Coltrane, Dizzy, McCoy Tyner and all the greats! We know how difficult and impressive certain solos are. I play trumpet myself, so I KNOW how spectacular some of these musicians were. True pioneers.
@@DarkMatter-no3td Just curious, which era of Coltrane do you prefer: that with the Miles Davis Quintet or the spiritual free jazz with Elvin Jones and McCoy Tyner and Jimmy Garrison?
I love the early Coltrane. Anything B4 his "spiritual" awakening. I've listened to his spiritual albums as well. "Stardust" comes to mind right now. I believe I have 99% of his recordings. Every now and then I'll hear something that I missed.
@@OdinLimayeI had to go to my library real quick. I have 2 spiritual CDs by Trane. One called Stellar Regions and the other is Sun Ship. Pretty sure I'm missing some of his works though.
Heureux privilège que celui d'entendre ces deux maîtres du Jazz au cours de l'une de leurs dernières apparitions conjointes. Ce qu'ils jouent ici est tout simplement divin.
@@ericabercrombie6780 It's an acceptable literary slant. It's shorthand, which we all comprehend, as when we observe a video of a painter, " in this painting we observe that Picasso IS taking artistic risks". We are observing, or this case listening, WITH the music as if we are there, listening, to the music as it IS being played. We are paradoxically transported by the use of the present tense back into that creative past moment. Perfectly acceptable and perfectly effective. In a classroom, or a documentary "note in this example , (as we listen along), that Coltrane IS taking musical risks." The use of the present is effective in that the "is" moves us back to the moment of creation, inserts us, and forces us to imagine what Coltrane was doing, in the then-present, as he was playing, taking artistic risks. Would you stand up and correct the loose use of present tense that your jazz prof. was employing? No you wouldn't. You'd only be so stuffy here in comments,
que podria decir es una piesa unica con un una evolucion de acordes y acompañamiento que relaja y one el acorde presiso en aquella musica de avansada esta íesa podria usarce para poner imagenes y trasladarce a los agitados momentos de los derechos civiles en los EEUU y no pasaria inadvertida esa bella melodia ahora MILES es el unico trompetista en la historia que reversiono el jazz las veces que fuera necesario,y acompañado con su amigo JOHN COLTRANE la cosa es mas elemental para la historia.
Doesn't get any better, the elephant snorkels of miles & trane together, distinctive, brilliant yet classy and a utteringly clear vibrato. The clearest twelve bar blues piece ever written in mixolydian form. Took a while to understand that floor mopper paul chambers is repeatingly mopping and waxing the floor throughout the entire piece until he switches the V then VI chord changes. Then you have the cannonball on the phone, and Jimmy Cobb banging the trash can lids. Last the magical hand washing master Bill Evans all setting this wonderful piece.
the greatest version ever recorded by the greatest artist ever
Their interpretative depth, width, breadth, and height of All Blues is unlimited. I am sure that they could produce another magical version of this tune. They have no limits to their imaginations and improvisation
What do you say to such beauty. Miles and Coltrane were way ahead of their times. The solo by Coltrane is on another level
Je réécoute 50 ans plus tard ce morceau avec une émotion intacte. Un des morceaux les plus importants dans l'histoire du jazz et de notre musique contemporaine. Coltrane pour la première fois à éliminé tous les clichés d'impro bop bibop ribop et fait découvrir la sonorité cool, avec un niveau de tension supplémentaire, qui allait sortir le jazz de son ornière tout en annonçant également le free. Chapeau l'Artiste, chapeau Miles pour avoir révélé ce talent aussi.
Un souvenir, le concert de Miles au Châtelet en 82 avec les interférences du métro qui l'avait conduit à jouer en naturel et...ILAVAIT BISSE !!
Et le solo de son jeune guitariste fabuleux sur "Jean Pierre "
Yves Barruet es es-tu encore de ce monde et tutoies tu encore la contrebasse après ta carrière de banquier ?
Mon portable à la Réunion 0692 64 16 83
I hear at least 2 time signatures in this astounding tune, it’s got lots of range in its feel(s), pepping up our feet & cheering peoples up.
Some sort of ancient jazz trickery, lol.
Thanks.🎼❤️🔒🔐
The solo by W Kelly towards the end blew me away. Everyone on this album is a GIANT on his own
a tremendous find, two of the greatest improvisers at the height of fearlessly exploring boundaries, when compared to minimalist version on KIND OF BLUE, we realize here the limitless possibilities of art...it's like taking a Van Gogh and painting it over a hundred times, each one better
I didn’t thing this version was too bad myself , “Captain Kirch.” ✌️
Miles... There is and was no other trumpeter as classy and naturally as cool as Miles... Miles Davis... He was GQ before there was GQ...!
Both their improvisational skills are unique and off the charts!
Don't forget Jimmy, Wynton and Paul now. It's their brilliance that inspired Miles and Trane's brilliance. And vice versa!
Coltrane's solo is just absolutely amazing! People often overlook Coltrane's otherworldly technical virtuosity on the tenor saxophone.
@Odin Limaye I agree. I grew up listening to Miles, Coltrane, Dizzy, McCoy Tyner and all the greats! We know how difficult and impressive certain solos are. I play trumpet myself, so I KNOW how spectacular some of these musicians were. True pioneers.
@@DarkMatter-no3td Just curious, which era of Coltrane do you prefer: that with the Miles Davis Quintet or the spiritual free jazz with Elvin Jones and McCoy Tyner and Jimmy Garrison?
I love the early Coltrane. Anything B4 his "spiritual" awakening. I've listened to his spiritual albums as well. "Stardust" comes to mind right now. I believe I have 99% of his recordings. Every now and then I'll hear something that I missed.
@@DarkMatter-no3td What year was Stardust?
@@OdinLimayeI had to go to my library real quick. I have 2 spiritual CDs by Trane. One called Stellar Regions and the other is Sun Ship. Pretty sure I'm missing some of his works though.
Coltrane is MASSIVE on All Blues...I mean like neutron stars and black holes
😅 Great simile!
2 legends. What an honor it must have been to experience this live.
What a combination of the two giants,this's jazz wow...
Al risveglio oggi c'erano queste note nella mia testa, all blues.
Love it!!
Heureux privilège que celui d'entendre ces deux maîtres du Jazz au cours de l'une de leurs dernières apparitions conjointes. Ce qu'ils jouent ici est tout simplement divin.
Coltrane is taking so many musical risks with such mastery
*was taking
He plums the depths
Effortlessly, flawlessly, seamlessly AND.... “ MEANINGFULLY”. (at that) 😉
Only a genius like him could improvise like that
@@ericabercrombie6780 It's an acceptable literary slant. It's shorthand, which we all comprehend, as when we observe a video of a painter, " in this painting we observe that Picasso IS taking artistic risks". We are observing, or this case listening, WITH the music as if we are there, listening, to the music as it IS being played. We are paradoxically transported by the use of the present tense back into that creative past moment. Perfectly acceptable and perfectly effective. In a classroom, or a documentary "note in this example , (as we listen along), that Coltrane IS taking musical risks."
The use of the present is effective in that the "is" moves us back to the moment of creation, inserts us, and forces us to imagine what Coltrane was doing, in the then-present, as he was playing, taking artistic risks. Would you stand up and correct the loose use of present tense that your jazz prof. was employing? No you wouldn't. You'd only be so stuffy here in comments,
increible la forma de improvisar hacen muy bien los intervalos i la armonizacion
Very good I like this!
Coltrane's solo is very ahead!
Maravilloso
COLTRANE. ❤❤❤
Beethoven y Mozart en la máxima expresión del jazz. Maravilloso!!!!
wtf
Amen
listening this I understand why , and I like it so much!!!
,
Coltrane was the greatest here he have the saxophone sounding like a 🐋 whale call
sounds mellow & a smattering of cool finness
que podria decir es una piesa unica con un una evolucion de acordes y acompañamiento que relaja y one el acorde presiso en aquella musica de avansada esta íesa podria usarce para poner imagenes y trasladarce a los agitados momentos de los derechos civiles en los EEUU y no pasaria inadvertida esa bella melodia ahora MILES es el unico trompetista en la historia que reversiono el jazz las veces que fuera necesario,y acompañado con su amigo JOHN COLTRANE la cosa es mas elemental para la historia.
Wow....so 'just so'...
read that as just so so, glad I reread
Ain’t nobody got these skills today
Wow!!!
Jerry Maguire ❤️ anyone?
y
@@luiisangelful I have heard this on that movie thats why
@@S.a4162 I too!
🙏🙏❤️❤️
I bet Hendrix loved Miles Davis
I feel like Jimi might have ended up right up with Miles and Trane if his life hadn't been hijacked by the hippie thing.
Un must de standard !!
Örök zene!
Cosmically distant while molecularly close
Yep! 😎
😃💙🌱🌼
всё-таки Трейн это полный отрыв ..
👍
同じパターン、脳思考Boポジションで50%数値で親友になったマイルスデイビスとコルトレーン,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,いいね;・・・\\\\音質の揺るぎない共有。
🥰
Dem fellas “exceptional” yo🤙🏼. (really tho’.) 👍
Like si lo buscaste por Jerry Maguire
Oops! All blues!
Jerry Maguire
I hated the movie the moment they tossed the cassett
@@larencebaca9897 it's incredible that in such a bad movie they put that music
a joint of weed and jazz.
.....works for me everytime.....
dope and whisky
weed for Lil niggas
The bible and jazz
@@eulissbeniot9024 amen!
Píncaros do Jazz
Will fowing
Doesn't get any better, the elephant snorkels of miles & trane together, distinctive, brilliant yet classy and a utteringly clear vibrato. The clearest twelve bar blues piece ever written in mixolydian form. Took a while to understand that floor mopper paul chambers is repeatingly mopping and waxing the floor throughout the entire piece until he switches the V then VI chord changes. Then you have the cannonball on the phone, and Jimmy Cobb banging the trash can lids. Last the magical hand washing master Bill Evans all setting this wonderful piece.
🌺💙🌱😃