ALL musicians (and the composition) are excellent, but I would have liked a lot to have informations about who played what ! There should be systematically that to me. But tx anyway.
His Flute Sings by Itself ! There was a Mix up on my Earlier Comments ! Correcting myself ! One of the Best Krithis popular among Nadaswara Vidwans ! Lingering in my Memory of Cildhood days ! Nagumomu Ganaleni Raga Abheri, 22 karaharapriya janya Taalam: Adi Thyagarajar Krithi Aa: S G2 M1 P N2 S Av: S N2 D2 P M1 G2 R2 S In this keertana, TyagarAja says that he is not able to see the ever smiling face of Rama because of his pitiable condition and requests him to protect. He says that the God protected Gajendra without any delay and questions him why he is delaying in his case. P nagu mOmu gana lEni nA jAli thelisi nanu brOva rArAdA Sree raghuvara nee || I am not able to see your smiling face. You know my pitiable state. Why don't you come to protect me Oh Raghuvara. AP naga rAja dhara needu pari varu lella vogi bOdhana chEsE vArulu gArE aTulunDa durA nee || You lifted (Govardhana) mountain. Your kinsmen may not advise you to be unhelpful to me. C khaga rAju nee Anati vini vEga chana lEdO gaganAniki ilaku bahu doorambani nADO jaga mElE para mAtmA yavari tO mora liDu du vaga choopaku tALanu nannElu kOrA tyAgarAja nuta nee || Garuda the king of birds obeyed your orders and flew at once. Did he say that sky is too far from the earth. Oh the protector of the world, who else can I approach. Do not ignore me. I cannot bear. Protect me, Oh Lord of Tyagaraja. Gist :- Knowing that bereft of Your smiling face, Distraught is my state, Foremost of the Raghus, won't You Come to me, to alleviate? Bearer of the king of mounts! The members of Your retinue, They who give good counsel, Could they fail to remind You? Does not the king of birds Hasten to do Your bidding? Or did he find, Heaven to Earth, A distance too forbidding? O Supreme Self who rules over all, Who else but You, can I invoke! Elude and leave me not in a pall, Take your bard under Your yoke. Nagaraaja is frequently interpreted as the Govardhana hill of the Krishnaavatara. But Govardhana is only described as a hill. Nagaraaja literally means king of mountains. So, Mount Mandara, which is one of the 7 major mountains, and can be called the king of mountains, is more appropriate. Vishnu in the Kurmavatara, as the Great Tortoise, supported Mandara on his back, when it was used to churn the Ksheera Saagara or ocean of milk. The king of the birds is Garuda. Also, there are more references to Vishnu and Heaven in the kriti, like retinue, Garuda's abode in the heavens etc, than to Krishna and Earth. So, Mandara is again more consistent. Rather than give the literal but convoluted, "one praised by Tyagaraja" for the last line, I have given the much nicer "bard". I have similarly varied my rendition of his "mudra" or lyrical stamp, in the remaining kritis too. The following is a plainer and simpler translation that captures the gist. . Lost am I, Vexed am I, O Valiant Prince, Sans Thy smiling face! Grant Thy saving grace! . In the days of yore, My Lord, A mountain bore, For the hosts of Heaven and Hell. Needeth He, His council's tell? . Does not the king of birds Hasten to do Thy bidding? Or did he find, Heaven to Earth, A distance too forbidding? . Lord of All, my sole refuge, Forsake me not, by subterfuge! Raga Abheri Janyam of 22nd mela Karaharapriya. Aro: S G2 M1 P N2 S Av: S N2 D2 P M1 G2 R2 S Abheri as we know it today is one of the most attractive and popular ragas. It is known in North India by the name Bhimpalasi and Sri Muthuswamy Dikshitar affectionately called it Devagandharam. It is also called Karnatakadevagandhari in texts of music. Abheri is synonymous with “Nagumomu ganaleni” composed by Saint Thyagaraja, a lilting composition with a light hint of pathos. I often see people requesting “Eppadi padinaro,” a Tamil composition of Suddhananda Bharati popularised by D.K Pattammal, or “Bhajare manasa” of Mysore Vasudevachar. Abheri is often confused with Suddha Dhanyasi. The difference is that Abheri has nishada and rishabha in the descent while Suddha Dhanyasi is a symmetrical scale. I hear you, I will not go into technical details - just a bit of information to whet your appetite for music.
@Aditya Ramachandran sir you are right ! Sorry for the mix up as it always happens with me for this particular song Thanks a lot for pointing out Correcting !
Heyy UA-cam please do not add ads inbetween such beautiful melodies. It kills the vibe! Please look into that!!
EXCELLENT
Vidwan Shri N.Ramani's Flute rendition is unique and it's liked by one and all and it's popular for ever.
Excellent
Rajani Sir is unique ...
A great master...91.6 gold💐💐💐👌😊😊👍
It's ramani
அற்புதமான ஆணந்த இசை நன்றி
A great legend and true master of flute. His loss is a permanent void to the music world!!!
Excellent performance
Elegant music.
exceelent presentation
legend!!!!!!
ALL musicians (and the composition) are excellent, but I would have liked a lot to have informations about who played what ! There should be systematically that to me. But tx anyway.
Super&nice
His Flute Sings by Itself ! There was a Mix up on my Earlier Comments ! Correcting myself ! One of the Best Krithis popular among Nadaswara Vidwans ! Lingering in my Memory of Cildhood days ! Nagumomu Ganaleni Raga Abheri, 22 karaharapriya janya Taalam: Adi Thyagarajar Krithi
Aa: S G2 M1 P N2 S Av: S N2 D2 P M1 G2 R2 S
In this keertana, TyagarAja says that he is not able to see the ever smiling face of Rama because of his pitiable condition and requests him to protect. He says that the God protected Gajendra without any delay and questions him why he is delaying in his case.
P nagu mOmu gana lEni nA jAli thelisi
nanu brOva rArAdA Sree raghuvara nee ||
I am not able to see your smiling face. You know my pitiable state. Why don't you come to protect me Oh Raghuvara.
AP naga rAja dhara needu pari varu lella
vogi bOdhana chEsE vArulu gArE aTulunDa durA nee ||
You lifted (Govardhana) mountain. Your kinsmen may not advise you to be unhelpful to me.
C khaga rAju nee Anati vini vEga chana lEdO
gaganAniki ilaku bahu doorambani nADO
jaga mElE para mAtmA yavari tO mora liDu du
vaga choopaku tALanu nannElu kOrA tyAgarAja nuta nee ||
Garuda the king of birds obeyed your orders and flew at once. Did he say that sky is too far from the earth. Oh the protector of the world, who else can I approach. Do not ignore me. I cannot bear. Protect me, Oh Lord of Tyagaraja.
Gist :- Knowing that bereft of Your smiling face,
Distraught is my state,
Foremost of the Raghus, won't You
Come to me, to alleviate?
Bearer of the king of mounts!
The members of Your retinue,
They who give good counsel,
Could they fail to remind You?
Does not the king of birds
Hasten to do Your bidding?
Or did he find, Heaven to Earth,
A distance too forbidding?
O Supreme Self who rules over all,
Who else but You, can I invoke!
Elude and leave me not in a pall,
Take your bard under Your yoke.
Nagaraaja is frequently interpreted as the Govardhana hill of the Krishnaavatara. But Govardhana is only described as a hill. Nagaraaja literally means king of mountains. So, Mount Mandara, which is one of the 7 major mountains, and can be called the king of mountains, is more appropriate. Vishnu in the Kurmavatara, as the Great Tortoise, supported Mandara on his back, when it was used to churn the Ksheera Saagara or ocean of milk. The king of the birds is Garuda. Also, there are more references to Vishnu and Heaven in the kriti, like retinue, Garuda's abode in the heavens etc, than to Krishna and Earth. So, Mandara is again more consistent. Rather than give the literal but convoluted, "one praised by Tyagaraja" for the last line, I have given the much nicer "bard". I have similarly varied my rendition of his "mudra" or lyrical stamp, in the remaining kritis too.
The following is a plainer and simpler translation that captures the gist.
.
Lost am I,
Vexed am I,
O Valiant Prince,
Sans Thy smiling face!
Grant Thy saving grace!
.
In the days of yore,
My Lord,
A mountain bore,
For the hosts of
Heaven and Hell.
Needeth He,
His council's tell?
.
Does not the king of birds
Hasten to do Thy bidding?
Or did he find, Heaven to Earth,
A distance too forbidding?
.
Lord of All, my sole refuge,
Forsake me not, by subterfuge!
Raga Abheri Janyam of 22nd mela Karaharapriya.
Aro: S G2 M1 P N2 S Av: S N2 D2 P M1 G2 R2 S
Abheri as we know it today is one of the most attractive and popular ragas. It is known in North India by the name Bhimpalasi and Sri Muthuswamy Dikshitar affectionately called it Devagandharam. It is also called Karnatakadevagandhari in texts of music.
Abheri is synonymous with “Nagumomu ganaleni” composed by Saint Thyagaraja, a lilting composition with a light hint of pathos. I often see people requesting “Eppadi padinaro,” a Tamil composition of Suddhananda Bharati popularised by D.K Pattammal, or “Bhajare manasa” of Mysore Vasudevachar.
Abheri is often confused with Suddha Dhanyasi. The difference is that Abheri has nishada and rishabha in the descent while Suddha Dhanyasi is a symmetrical scale. I hear you, I will not go into technical details - just a bit of information to whet your appetite for music.
Subramanian R are
@Aditya Ramachandran sir you are right ! Sorry for the mix up as it always happens with me for this particular song Thanks a lot for pointing out Correcting !
Excellent.chills my heart and mind and takes my entire concentration towards your excellent play
Ramanafluitqsverybuaiteyfullp
Super.and.marvles.n.ramanafluit.
For such superb performance any compliment is nothing keep enjoying
Ss@@bhaskarasomarajukunaparaju9453
Can anyone say who is the violinist plz
Kunnakudi as per the description in the beginning of the video
Violin ..Sri. MV Govinda Swamy
Mrigangal...Sri. TAS Mani
Ookbhm
@@pgn4nostrum fluitramaanaisverybuituful
Excellent