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[@rs3018]

Thanks Mark ...the best guitar instructor on UA-cam!!!

[@MarkZabel]

Wow, thanks!

[@altonhunt3510]

I'm a very visual learner, so when I was teaching myself Caged, I had to print so many pictures of the notes in the fretboard to do all my chord diagrams! I wish I would have just memorized!

[@krisstieghorst7415]

Wise words Mark! Excellent concepts & easily comprehensive! Love the hmmm thoughts!! Thanks Mark!! 👋🖤🦋🖤💥🎸💥

[@MarkZabel]

Glad you enjoyed it

[@joev4483]

Thanks Mark!

[@MarkZabel]

My pleasure!

[@waynegram8907]

MARK, What I think most jazz horn players do and also jerry garcia is they find the ROOT note and then choose a MODE around the root note. David Gilmour was taught by a jazz guitarist which he will find the 3rd of the chord and use "pentatonic substitutions" based around the 3rd instead of the root note. Often David Gilmour will play the 2nd and bend into the minor 3rd or bend into the major 3rd. This is a Jazz Trick that is very overlooked but Jerry Garcia was a CAGED master which he said in interviews that in the 60's and up to 1973 he was bluffing, which he said that he needs to stop bluffing and learn music theory and apply it. He started hanging out at jazz clubs after closing hours jamming with jazz horn players from 2am to 6am daily in the 70's which he learned CAGED/modes. If you watch Jerry Garcia from 80-82 era he really uses the CAGED system a lot for his scalar licks which he uses Major Pentatonic b3 scale and also mixolydian scale over the Minor v chord. These were Country tricks to start using pentatonic scales as Pentatonic substitutions that Gilmour and Garcia were starting to use in 1972-74 era. You should look into this stuff and make lessons about it , it would help out a lot

[@johnnyboo8243]

great advice! As always

[@MarkZabel]

Appreciate it!

[@aminahmed2220]

Absolutely fantastic have a good weekend Mark ❤❤❤❤❤❤😊😊😊😊😊😊

[@MarkZabel]

Thank you! You too!

[@YossieT]

I don't know the Fermi quote, but it sounds like proof by induction:
if you can show a statement holds true when n=1
and you can generally show that when the statement is true for n, it is also true for n+1,
then you proved the statement for all positive whole numbers through infinity.

[@MarkZabel]

Yes, but it was presented to me literally as n=1, 2, and 3 and not n and n+1 as in induction proofs. More of a practical rather than theoretical maxim. This was in a mathematical methods in physics class in grad school.
Great to point it out. Obviously I didn't want to get into it in the video!

[@zozo_1013]

@MarkZabel - Hope you and family are well. Love your guitar tutorial videos. Keep up the good work. Love & Light from an unusually Sunny 🌞 Scotland 🏴󠁧󠁢󠁳󠁣󠁴󠁿

[@MarkZabel]

Thanks so much!

[@thomasfritsch3536]

Brilliance

[@MarkZabel]

Thank you!

[@rustysguitar1]

This is such a great concept, Mark! An important lesson here 🤛

[@MarkZabel]

Thanks Rusty!

[@gergemall]

Good stuff Mark

[@MarkZabel]

Thanks!

[@whealth1960]

Good one Mark...Joe B

[@MarkZabel]

Thanks Joe!

[@kbradford2270]

A mark love you videos bro just wondering there are five notes before you get into the progression of wanted dead or alive on intro please help

[@MarkZabel]

Thanks. Doesn't the intro to that song start out with those arpeggios? Is that what you're asking about? After that, there's 6 notes: AACDFD ... maybe that's what you're talking about. Please let me know.

[@kbradford2270]

@@MarkZabel Right before the different forms of the d cord going down the neck.
There are five little note

[@kbradford2270]

@@MarkZabel When we were just guessing we wanted dead or Alive on the inthere is.
A cord that is played and it's like 5 or 6. Another guitar is playing the harmonics. If that helps