I will make a video about this! But here is brief explanation. In Cm we can play Dorian scale and in C dorian scale we can find three pentatonic scales which are - Bb Eb F so when you play those three pentatonic scale, it sounds like you are playing Inside of Cm. But if you play other than those three pentatonics it will sounds like you are playing outside of the chord changes. So in this video , for example when you analyze number 1, you see the first measure is Eb pentatonic and second measure A penta, and F pentatonics to Eb pentatonic. So just to put A pentatonic scale in the middle, since it is outside of the chord, it will be sounds unexpected and cool. Hope this helped!!!
I love these videos, thank you so much for all the ideas! Your 2-5-1 video has really helped me opened up my improvisation :) Maybe blues licks next? Or pentatonic in major?
This video is a very good example for making perfect 4th melody lines from pentatocic scales. 이거 정말 중요한 연습인데 학교에서 잘 안가르쳐주죠. 좋은 채널입니다. 구독합니다. 앞으로도 좋은 영상 많이 올려주세요.^^
Bertram Hasselager They're quartal, a.k.a. fourth voicings, which are, as the name implies, chords voiced in fourths. ex. F Bb Eb -->G C F or at 0:49, for example, F Bb Eb --> F# B E.
I hope you see this comment. I think your the most beautiful and talented pianist on the internet. I'm a harpist myself who does alot of pentatonic grooves, and I've done so many of these riffs in my performances. I just want you to know that you have a huge fan in Canada. Love you so much. Keep making the most amazing videos
Very Nice Ms. Jimin!! Oh how I wish that U would use a on screen display (for the old man) so I can view your unique talent and how U do that thing U do even the more with a midi file!! Peace!!
Great video. Please do more pentatonic stuff! I like odd note groupings such as quintuplets over a 4/4 beat using the minor pentatonic. I also like to get a lydian sound by playing D# minor pentatonic over an E major chord.
After playing through these licks, they are all based on pentatonic scales within each one. While I play them, I see Eb, A, E, F# pentatonic scales throughout. Great learning these!
지민도로시님 안녕하세요 영상 잘보고 배우고 있습니다. 이영상의 진행과 라인이 이해가 되지 않습니다. 솔로를 할때 단순 Cm 코드가 아닌것 같고 변형되는 코드에 대해 맞춰 솔로라인이 맞춰지는것 같은데 어떻게 이렇게 연주할수 있는지 궁금합니다. 단순히 음을 보고 외워버리면 되겠지만... 악보상 단순하게 Cm의 솔로 라고 이해하기는 어려운것 같습니다. 그리고 올려주신 2-5-1 진행의 텐션이 들어간 코드까지는 이해가 되는데 20번 전후로 어떻게 2-5-1의 진행이 되는지 이해가 되지 않습니다. 어떤 코드네임으로 봐야할지 불분명 하게 느껴지고요 라인이나 소리가 이뻐서 꼭 알고 사용하고 싶습니다. 어떤 코드인지 알려주세요 ~
Great vid! Just a question: would you be able to add the notation of what you're playing in the left hand too? Or would it be too much work. Your voicings are pretty hip. Keep it up!
P sure they're 4th voicings (root, 4th, minor 7th, which can function as min 7 or, as in Barry Harris 6th diminished scale, the V9) but starting with an 8ve pedal, ergo the subtitle "McCoy Tyner solo style." Think he used P5s as the pedal a lot too. Hope that helps ^w^
Dorothy if you would have written out the LH would have been a little bit easier..this LH ha d is so Great and so important for thos style I would like to see those adapted to aurumn leaves or Have you met miss Jones or Invitation..maybe its nice to make a few tutorials improvising and usong this perticulair technique????
Jimin. Is there a pdf that lists And shows the modern sounding Chords you use to really enhance Your mastery of playing these Awesome fresh sounding lines ??
I love you. 😘😘😘 Thankyou for sharing this tutorial. Great chanel and of course great playing too. Btw if dont mind please make tablature version for guitar...
Ni Hao! This is is the best-lesson abou this subject, Why? the theory is already clear for me...the note's make shure everybody can learn them very fast...people that teach while explaining what they do, is not that effective...This is realy the "Dao" because you play it also with the flavour that is needed...I love your approach.. I did practice the "All the things you are" voice lead i get it now, and I have to work a lot to make it realy happen but the way I approach it to understand: MajorTriads of I+V create together a Major 9 sound the moment we alter our m7 maj7 or Dom 7 creates enormous space this space we can fill with those voice leads the top not is for instance a meldie tone from the Theme or during an improvisation...because I practiced and experimented like when pentatonic is the way to alterate for instance: the moment we stay in we have 2 or 3 scales and when we go out we have at least another few options...so for instance : Fm7 first look for the major 9 that is of course Abmajor9 is hidden Bbm7=Dbmajor7 Eb7=inside Ab major7(modal-Tonic approach) but outside: Fmaj for instance(Phrygian) or C triad or B Triad(is bebop dominant) in the altered scale is the VI## th step Cmajor (or bVI seen from Emelodic minor) so Fmaj7 Ftriad + C-Triad makes Fmajor9 or C + G(b5actually 5 will give the bebop majr7 on a dominant)Triad so Bbmajor7 gives us 12+5 #9 also Gbmajor would be an option: Gb major Triad + Dbmajor(half hole scale) or ATraid major and EbTriad to make a long story short: I see the possibilitie's it is just to look and to experiment my self to find a fitting match!!! is always the best! Jazz means experimenting till we are blue green and Purple!!!yesterday I played two voices bIII Right hand left hand Tonic and than Minor major arpeggio's also left hand Halfdiminished right hand major seven and vife tone each hand all Keys Ebminor and Bbminor where extremely hard for the hands, I tried also Chick Corea trick: one melodie pentatonic for instance work song(F minor other hand Dminor or even Tritone away...also with a lick to try to immideately play it Poly Tonal!!!!I am going to study this 20 Monster Lick and going to let them walk on a leash!!!(by writing them out sweating them out and learning them by heart the Left hand of you I liked especially that is the key I think to let it sound that Good!!!Thank You very Much and Thank you again for doing the lesson in english! Your English is realy Good! Taj Tién!
Those practices Left hand is essential for the sound Octave bass first beat and the 3- 3-2 or groupings on the 4 6accents total Important for Nice McCoy sound! Because you play a continuum this is extremely powerfull the bass's become...The speed, very good..I am going to write them out tomorrow! and make them practice routine but I am able to improvise because I understand the ingredients..
맨위에 고정하신 댓글에 대한 답글은 읽어봤는데 한가지 궁금증이 있습니다. Eb Bb F 펜타토닉 스케일 외의 펜타토닉 스케일을 중간에 사용해서 예상치 못한 느낌을 낸다고 하셨는데, 그러면 그때는 소리만 좋으면 아무 펜타토닉 스케일만 써도 되나요, 아니면 어떤 펜타토닉 스케일을 쓰는게 좀더 좋다는 규칙이 있나요? 곧 만들어주실 영상에서 언급하실 내용이면 답변안해주셔도 됩니다!
quick question. how do u know what note to start the quartal harmony on while playing the licks? My understanding is that the left hand is playing quartal chords, like stacked 4ths. But how do u know which note to start on with which scale?
@@Sepharite ua-cam.com/video/iEAoUtL2xg8/v-deo.html Old m8 Tynesy uses it over pretty much this entire solo. Check out what he's doing with his left hand, the structures are mostly all in fourth intervals which works real well with shredding pentatonic crap in your right hand. Dat be yer quartal harmony right der. Pretty popular move is shifting your left hand quartz up and down a semi tone to get that wild 'outside the box' kinda sound. Real crunchy and modern in my opinion
Question: Sorry, I really don't have a clue about the chords. The notation says Cm but the chords dont follow Cm pena are you following the different pentatonics your using and any point with the chords or are they subs that I am not getting? thanks
Matthew Knox Move F-Bb-Eb stack of fourths around using Cm pentatonic as a guide for the top note (C Eb F G Bb)and ‘sidestepping’ to match the pentatonic when it goes ‘outside’ . So if the right hand is playin Fsharp pentatonic, left hand plays Fsharp B E stack of fourths e5
Question: What is the "pentatonic" aspect of it?
Is a Mix, of 2 pentatonics, Cm and the Tritone F#m, and some times Cm And Dm,
I will make a video about this! But here is brief explanation. In Cm we can play Dorian scale and in C dorian scale we can find three pentatonic scales which are - Bb Eb F so when you play those three pentatonic scale, it sounds like you are playing Inside of Cm. But if you play other than those three pentatonics it will sounds like you are playing outside of the chord changes. So in this video , for example when you analyze number 1, you see the first measure is Eb pentatonic and second measure A penta, and F pentatonics to Eb pentatonic. So just to put A pentatonic scale in the middle, since it is outside of the chord, it will be sounds unexpected and cool. Hope this helped!!!
@@jobrodriguez3016 F# minor pent but also B minor pent, C# minor pent and even Eb minor pent... all super distant from C minor
@@Jimindorothy Thank you so much! That makes it more clear
Thanks, you're a very talented one and very good at teaching
Seriously this layout helps me learn so well, you've stumbled on a goldmine
It’s awesome how the licks are universal, not just swing or not just funk. Great work :)
I love these videos, thank you so much for all the ideas! Your 2-5-1 video has really helped me opened up my improvisation :) Maybe blues licks next? Or pentatonic in major?
I'm sensing some McCoy Tyner in these sounds.
Ya think?
I'm sensing a truckload of McCoy Tyner in these sounds.
I love these videos so much. My favorite licks out of these are #6 (1:27), #11 (2:08), and #18 (3:06).
Giving all the good stuff away like this is soooooo generous.
You are a blessed person.
This video is a very good example for making perfect 4th melody lines from pentatocic scales. 이거 정말 중요한 연습인데 학교에서 잘 안가르쳐주죠. 좋은 채널입니다. 구독합니다. 앞으로도 좋은 영상 많이 올려주세요.^^
You, legit, made an instant fan out of me. You are AMAZING.
An idea for the next video! Explain what’s going on in the left hand, when you move outside! Great playing!!
Bertram Hasselager They're quartal, a.k.a. fourth voicings, which are, as the name implies, chords voiced in fourths. ex. F Bb Eb -->G C F or at 0:49, for example, F Bb Eb --> F# B E.
I hope you see this comment. I think your the most beautiful and talented pianist on the internet. I'm a harpist myself who does alot of pentatonic grooves, and I've done so many of these riffs in my performances. I just want you to know that you have a huge fan in Canada. Love you so much. Keep making the most amazing videos
Very Nice Ms. Jimin!!
Oh how I wish that U would use a on screen display (for the old man) so I can view your unique talent and how U do that thing U do even the more with a midi file!!
Peace!!
지민이 누님 군대에서 잘보고 휴가나갈때 마다 많이 공부하고있습니다 pdf파일도 너무 잘되있어서 좋습니다 감사합니다 필승
Great video. Please do more pentatonic stuff! I like odd note groupings such as quintuplets over a 4/4 beat using the minor pentatonic. I also like to get a lydian sound by playing D# minor pentatonic over an E major chord.
I was just looking at your channel earlier for a McCoy Tyner video. Perfect timing
This is how the good old McCoy Tyner works :) Thanks, great work!
After playing through these licks, they are all based on pentatonic scales within each one. While I play them, I see Eb, A, E, F# pentatonic scales throughout. Great learning these!
I lovee your all your series regarding voicings, solo, pratices. I find it very helpful through your guide step by step. Keep making contents 😉💕👏🏻
The music of your intro i love!!! ❤️❤️ And really good excercises Pentatonic Licks
펑크 솔로,보이싱 어떻게 해야되는지 올려주시면 넘넘 좋을거 같아요 ㅠㅠ 펑크는 너무 정보가 없는거 같아요 ㅠㅠㅠ흑
아 이번영상도 유익하게 너무 잘봤습니다!!!🧡
まさにマッコイタイナー節が再現されていて素晴らしい！！
ジャズの教則本に無かった画期的な内容ですね♪♪
Im starting learning piano and this series are amazinnnng!! Love u!
지민도로시님 안녕하세요
영상 잘보고 배우고 있습니다.
이영상의 진행과 라인이 이해가 되지 않습니다.
솔로를 할때 단순 Cm 코드가 아닌것 같고
변형되는 코드에 대해 맞춰 솔로라인이 맞춰지는것 같은데
어떻게 이렇게 연주할수 있는지 궁금합니다.
단순히 음을 보고 외워버리면 되겠지만...
악보상 단순하게 Cm의 솔로 라고 이해하기는
어려운것 같습니다.
그리고 올려주신 2-5-1 진행의
텐션이 들어간 코드까지는 이해가 되는데
20번 전후로 어떻게 2-5-1의 진행이 되는지 이해가 되지 않습니다.
어떤 코드네임으로 봐야할지 불분명 하게 느껴지고요
라인이나 소리가 이뻐서 꼭 알고 사용하고 싶습니다.
어떤 코드인지 알려주세요 ~
Great vid!
Just a question: would you be able to add the notation of what you're playing in the left hand too? Or would it be too much work. Your voicings are pretty hip.
Keep it up!
P sure they're 4th voicings (root, 4th, minor 7th, which can function as min 7 or, as in Barry Harris 6th diminished scale, the V9) but starting with an 8ve pedal, ergo the subtitle "McCoy Tyner solo style." Think he used P5s as the pedal a lot too. Hope that helps ^w^
Loving these! Incredible resource, love your playing and touch 😎
Dorothy if you would have written out the LH would have been a little bit easier..this LH ha d is so Great and so important for thos style I would like to see those adapted to aurumn leaves or Have you met miss Jones or Invitation..maybe its nice to make a few tutorials improvising and usong this perticulair technique????
I mean...When I listen to this kind of ouside style, I feel like listening to a kind of Chinese traditional music
Jimin. Is there a pdf that lists
And shows the modern sounding
Chords you use to really enhance
Your mastery of playing these
Awesome fresh sounding lines ??
진짜 어디 가서 쉽게 배우지 못하는 것만 골라서 강의 영상 올려주셔서 넘 감사드려요 ❣️❣️ 한국 들어오시면 레슨도 받고 싶어요 ㅠㅠ 정말루 응원하고 있습니당 💓💓
Damn now i know how to properly use quartal chords
덕분에 재즈피아노에 대한 열정이 다시 살아나네요 ㅎㅎ 감사합니다~
Uff Tyner!!! I love the outside and pentatonics approach
다양한 보이싱도 많이 보고싶어요!!
항상 많은 도움 받고 갑니다ㅠㅠ!!
와 다 가지셨네요.. 제가 제일 잘하고 싶은게 영어랑 피아노 인데 둘다 이렇게 잘하시다니...👍👍 멋져용 👏👏
샘 강의넘 좋아요..스케일별로 릭 좀
많이올려주세용
I love you. 😘😘😘 Thankyou for sharing this tutorial. Great chanel and of course great playing too. Btw if dont mind please make tablature version for guitar...
the shade of the cedar tree 응용 너무 좋아용
Sounds like someone is transcribing some Mccoy Tyner
As usual, thank you for the great tips 👍 (for me, just a good sound, not for practicing :P)
Ni Hao! This is is the best-lesson abou this subject, Why? the theory is already clear for me...the note's make shure everybody can learn them very fast...people that teach while explaining what they do, is not that effective...This is realy the "Dao" because you play it also with the flavour that is needed...I love your approach.. I did practice the "All the things you are" voice lead i get it now, and I have to work a lot to make it realy happen but the way I approach it to understand: MajorTriads of I+V create together a Major 9 sound the moment we alter our m7 maj7 or Dom 7 creates enormous space this space we can fill with those voice leads the top not is for instance a meldie tone from the Theme or during an improvisation...because I practiced and experimented like when pentatonic is the way to alterate for instance: the moment we stay in we have 2 or 3 scales and when we go out we have at least another few options...so for instance : Fm7 first look for the major 9 that is of course Abmajor9 is hidden Bbm7=Dbmajor7 Eb7=inside Ab major7(modal-Tonic approach) but outside: Fmaj for instance(Phrygian) or C triad or B Triad(is bebop dominant) in the altered scale is the VI## th step Cmajor (or bVI seen from Emelodic minor) so Fmaj7 Ftriad + C-Triad makes Fmajor9 or C + G(b5actually 5 will give the bebop majr7 on a dominant)Triad so Bbmajor7 gives us 12+5 #9 also Gbmajor would be an option: Gb major Triad + Dbmajor(half hole scale) or ATraid major and EbTriad to make a long story short: I see the possibilitie's it is just to look and to experiment my self to find a fitting match!!! is always the best! Jazz means experimenting till we are blue green and Purple!!!yesterday I played two voices bIII Right hand left hand Tonic and than Minor major arpeggio's also left hand Halfdiminished right hand major seven and vife tone each hand all Keys Ebminor and Bbminor where extremely hard for the hands, I tried also Chick Corea trick: one melodie pentatonic for instance work song(F minor other hand Dminor or even Tritone away...also with a lick to try to immideately play it Poly Tonal!!!!I am going to study this 20 Monster Lick and going to let them walk on a leash!!!(by writing them out sweating them out and learning them by heart the Left hand of you I liked especially that is the key I think to let it sound that Good!!!Thank You very Much and Thank you again for doing the lesson in english! Your English is realy Good! Taj Tién!
She’s Korean not Chinese
지민님 이 릭들은 그럼 minor코드에서만 사용할 수 있는 건가요??
Great video!!. Also thank you for incorporating english!
Could someone please explain to me those quartal voicings she is using in the left hand toward the beginning of the video?
Great instruction! I'm wondering: where did you receive your jazz training?
아웃스러운 느낌이 나게되는 원리도 같이 설명해주시면 더 좋을거 같아요!!
I purchased the PDF. But what do I put on my left hand?
Carlo - Italy
Those practices Left hand is essential for the sound Octave bass first beat and the 3- 3-2 or groupings on the 4 6accents total Important for Nice McCoy sound! Because you play a continuum this is extremely powerfull the bass's become...The speed, very good..I am going to write them out tomorrow! and make them practice routine but I am able to improvise because I understand the ingredients..
역시 역시....!! 영상 하나하나가 다 주옥같아요!! ㅎ
지민님 혹시 pdf 파일에 왼손 컴핑도 표기가 돼있을까요?? ㅎ
세트피스 왼손컴핑은 없습니당 ㅠ.ㅠ 그치만 이거 관련된영상 제작중이니까 기다려주세용~
Such high quality content, appreciate it a lot!!
How you create voicing when you play melodies? and what tension to you use in chord? It's cool sound. i love it
It’s called quartal harmony
@@kennyr1161 Thank you
맨위에 고정하신 댓글에 대한 답글은 읽어봤는데 한가지 궁금증이 있습니다. Eb Bb F 펜타토닉 스케일 외의 펜타토닉 스케일을 중간에 사용해서 예상치 못한 느낌을 낸다고 하셨는데, 그러면 그때는 소리만 좋으면 아무 펜타토닉 스케일만 써도 되나요, 아니면 어떤 펜타토닉 스케일을 쓰는게 좀더 좋다는 규칙이 있나요? 곧 만들어주실 영상에서 언급하실 내용이면 답변안해주셔도 됩니다!
왼손보이싱 악보도 있으면 얼마나 좋을까요~~~~~ 넘 멋져요!
Thanks!
Could you upload Bebop licks in 2-5-1?
like your videos so much! They are truly helpful and inspiring! Support ~~
Great English and piano lessons keep it up!
펜타토닉솔로 장르는상관없이 어울리기만하면 모든솔로에 적용가능할까요?
홉스주디 넹 그럼요!!
Woahh great lessonnnns
I hope you make the slower version + left hand lesson too
Thanks anyway
Dang ... Where were you 50 years ago lol ... Brilliant and very helpful lessons ...
This sounds so good
can you give some guidance as to what you are doing in your left hand?
감사합니다, 따라 적으면서 연습하고 있어요. 그런데 컴핑은 릭마다 달라져서 따라하기가 힘들어요. 특별한 법칙이 있나요? 이것만 완성해도 정말 멋진 솔로를 구사할 수 있을 것 같아요.
늘 감사합니다!!❤️😁
quick question. how do u know what note to start the quartal harmony on while playing the licks? My understanding is that the left hand is playing quartal chords, like stacked 4ths. But how do u know which note to start on with which scale?
Hi, I just bought the pdf. Do you have a midi file of this? I would buy that too.
cool stuff, straight to the point 👌
항상 잘보고 있어요^^
영어로 영상만드니 채널구독자도 더 느시고 영상퀄리티도 올라간거같아요 항상 잘챙겨보고있습니다
I have question... How are the left hand chords being chosen? Are they random? Do certain 4th voicings have associated penta scales?
00:45 지민님 첫번째 릭 왼손컴핑에 '파# 미' 를 누르는 게 있잖아요 파#이 c_ 펜타토닉 스케일 구성음이 아닌데 어떻게 쓰일 수 있나요?
Is there a typo in lick 1? Should the seventh note of the lick say Eb instead of E?
원코드 솔로 cm 인데 왼손 컴핑에 다른 노트 잡으시는거 같은데 왜 그렇게 하시는 건지 궁금해용!!ㅠ.ㅠ
이거에 관련된영상 만들어서 올려볼게용!! 펜타토닉으로 솔로하는법!!! 기다려주쎄요!!
@@Jimindorothy 선생님 ..장르별로 연주법그라고 재즈뮤지션들소개하는영상도하나만드러주세용
열심히 연습해보겠습니다!
Hi ...JiminDorothy..
This is Very good.
But, dou have lessons for begguiners jazz piano?
I need.
한 코드에.. 몇 조성의 펜타토닉을 몇개나 넣을수 있는지가 궁금하네요.. 아웃포함해서..
AHHHHHHHHH YES YES YES I'M SORRY FOR THE ALL CAPS BUT THIS MY VIBE MAN. I'M USING ALL OF THESE, THANKYOU 지민 피아노 왕이다
I am noob, whats quartal harmony?
@@Sepharite ua-cam.com/video/iEAoUtL2xg8/v-deo.html Old m8 Tynesy uses it over pretty much this entire solo. Check out what he's doing with his left hand, the structures are mostly all in fourth intervals which works real well with shredding pentatonic crap in your right hand. Dat be yer quartal harmony right der.
Pretty popular move is shifting your left hand quartz up and down a semi tone to get that wild 'outside the box' kinda sound. Real crunchy and modern in my opinion
공부가 많이 될것같아요^^~ 감사합니다~
thank you for this jazz education channell , . i like that tyner sound ¡¡ from argentina
Really impressive.
재즈알못이지만 즐겁게 감상할게요!!
Your videos are so helpful. Thanks for sharing
아웃라인 멜로디가 잘 안떠오르는데..음감이없어서 그럴까요...계속 다이아토닉 안에 음들만떠오르는데 어떻게 하면 될까요ㅜ 많이 안들어봐서 그런걸까여
반주패턴도 궁금한데 혹시 나중에 해주실수있나요 :) 재즈에대해는 몰라서요
Hla saludos desde Colombia. Me gustan mucho tus vídeos los tocas en tonos fácil de hacer y estudiar
These videos are pure gold
1등!! 잘보고있습니다. 저번 영상 코멘트 달아주신거 감사해용
1빠당! 오늘도 유용한 영상 감사해요 항상 잘 보고있어요:)
투파이브 릭 좀 마니올려주세용!
왼손 컴핑이 궁금해요 다른 코드들도 들어가는거같은데 설명좀 해주심 안될까여 ?
Good video! Thank for the knowledge 💕
언니 원코드 솔로인데 왼손 코드 바뀌는건 어떤식으로 연주하시는거에요??
Fade outs as you play are great
im seeing some spin on variations of a Korean folk song over this!
RIP Master.
I will learn treble just for these videos
love the rhythm on #5! (1:18)
멋집니다!
좋은 영상 올려주셔서 감사합니다!
You fuckin killin. Just found your channel. Hell yah. Thank you
Love your style 🎹🎼🎧💕
Question: Sorry, I really don't have a clue about the chords. The notation says Cm but the chords dont follow Cm pena are you following the different pentatonics your using and any point with the chords or are they subs that I am not getting? thanks
Matthew Knox Move F-Bb-Eb stack of fourths around using Cm pentatonic as a guide for the top note (C Eb F G Bb)and ‘sidestepping’ to match the pentatonic when it goes ‘outside’ . So if the right hand is playin Fsharp pentatonic, left hand plays Fsharp B E stack of fourths e5