One of your BEST videos. As a former music theory major, somehow we missed the part about Civil War drumming being used for battle communication. Brilliant way of making history relevant today. Very cool, indeed!
Drums were used in the military for many centuries before the American Civil war. I don't know why he chose that war to begin that topic. Perhaps he is just using it as a beginning spot for the development of jazz.
Leandro, you should check out Leland Sklar's channel. He does a video about Jeff and also has other drummers giving their thoughts and memories of Jeff Porcaro.
if you have average musicians BUT A GREAT DRUMMER, the drumming will put the song over the top of excellence!!!!!!,,,,,,,,,if you have exceptional musicians but a below average drummer,the song will be a disaster!!!!!!
Love those Purdie and Porcaro shuffles. Speaking of swing, one of my favorite rock-era singles of all time is Boz Scaggs' Lowdown, co-written with David Paich. Jeff Porcaro and David Hungate laydown one of the baddest rhythm section grooves of all times. It's got that pulsating R&B backbeat, but it also swings like those early rock drummers with jazz backgrounds. It bubbles, boils, it moves, it's just alive. Fred Tackett on rhythm guitar. The great Louis Shelton on the solo, and Paich of course on keyboards. Boz' vocals just lay back perfectly into that groove pocket. So cool. So bad. It's a perfect recording.
You nailed it. Seeing people at the pinnacle of their craft is very attractive. I don't care if it's a girl with 12 Hula Hoops going or a 90 year old man pick up a guitar in a Guitar Center and just kill it. If it's the best, then I am all in.
The purdie shuffle is so iconic! It has an incredible feel to it. Nothing like that will be produced again.. the more we move forward in the music industry. The more electronic things are becoming. More beats are quantised which loses a lot of the swing. Inevitably the feel. Thank you both for sharing this video. It's nice to travel back to a time where Innovators changed music in such a raw manner. Thanks again guys. Peace and love ✌️
Bill Ward (from Black Sabbath) was one of the best SWING drummers out there. Just listen to a song like Fairies Wear Boots. Geezer Butler was also a swing bass player. They were a great duo.
That's the thing about that band it swings. Other heavy bands forgot to swing...or just didn't swing. Into the Void is well... almost funky. Bill freaking Ward.Incredible.
The Steely Dan behind the music "Making of Aja" is awesome from A to Z, but those Bernard Purdie interviews are particularly great - "you done it, you done hired the hitmaker!"
I love how when walter is trying to explain Bernard's shuffle he's literally caught off guard by it, and unable to really finish his thoughts, because of that hypnotic groove
You will never see this comment, Rick, but that was the most most most fabulous thing I've seen in a long while. I don't know a thing about drumming other than I like it. Now, it's a little more available to me as an actual thing to study when I listen--to anything! Thank you a thousand times over. I grew up in Pittsford, NY. So proud to see you here on youtube and know you're from my part of the woods, so to speak. (I'm 3 yrs. older, so we basically share the same longitude and latitude of memory.)
Great video! The swing feel is sooo important to drumming. I've played with tons of drummers that don't get it. You ask them to play like Bonham and they just hit harder...they don't let the music breathe and give it a swing feel. The good drummers will know how to do it.
100%. Of all the drum videos, for me, this was one of the most important fundamentally necessary lesson. Base line resetting. Including all you really need in your kit to sound amazing. Less is more. Solid and clean basics. Thank you gentlemen. Refreshing.
If you want to bring shuffles and "the train beat" to rock drumming I think Bun E. Carlos is a great example. An underrated drummer with that perfect amount of swing and the ability to drive a song using a shuffle like no other.
This video gave me a whole new appreciation for the drum shuffle. I didn't realize just what was involved, or how difficult it really is. Shout out to Marcus for explaining it in a very concise clear manner - you can definitely tell he's a teacher or runs drum clinics. Very well spoken dude!
Another drummer that had one of the most amazing shuffles and grooves in general was Little Feat's Ritchie Hayward. One of the best drummers to ever pick up sticks.
Ritchie was undeniably one of those drummers in the magical “no one else can play that way” fraternity. No one else can play Over The Hills And Far Away, The Crunge or Misty Mountain Hop like Bonham. Only John Bonham can do that. No one else can play Chuck E’s In Love, Late In The Evening or I Can’t Run But like Gadd. Jim Keltner on Memphis In The Meantime, Michael Shrieve on Incident At Neshabur or Love, Devotion and Surrender, Jon Fishman on The Wedge or Llama, Jamie Oldaker on I Shot The Sheriff or The Core, or Ritchie Hayward on Dixie Chicken or Hate To Lose Your Lovin’. And so on...so many unique voices on the drums that no one can duplicate. Oh my, Nigel Olsson from Elton John’s band, or Bob Siebenberg from Supertramp. These guys are untouchable...
THANK YOU for breaking this down so well! One of the reasons why I have not been able to teach myself the Purdie shuffle is because I was trying to jump in like a pro and failing miserably working backward from Bonham. This was even easier to understand than the Purdie video of him explaining it himself. By the time Marcus really gets to roll going, it sounds like a fetal heartbeat. If you know quickly those go, it's obvious!
Grew up on Stick Control for the Snare Drummer! That and Syncopation were the first two books my teacher put in my hands. Not just for the snare drummer though, great when applied to the drum kit which I think is what Rick's guest is suggesting.
AND.... tell "Marcus Petruska" to start up a youtube channel to continue our musical tutelage. Having multiple sources of musical knowledge will inherently develop our individuality when it comes to whatever we're consuming... Just thinking out loud there... Love what you do @Rick Beato... keep it coming!
As a drummer this has to be one of my favorite Beato videos. Rudiments baby. Beautifully illustrated here. The first drumming method book I studied as a kid was written by Haskell W. Harr who was born in the 1894. His books are still in circulation and are available from places like Amazon. Elected to the Percussive Arts Society’s Hall of Fame in 1972 in the categories of author, education, radio/television, and rudimental, Haskell Harr is best known as the author of graded method books for rudimental snare drumming.
Rick, this video was very informative! Marcus is a total wealth of knowledge and makes it very easy to learn about this stuff. Please have him on your channel more often, as he's a wonderful teacher and speaker.
From a non-drummer arranger, this helps a lot to codify the different forms of shuffle! I love the explanation of the history--this is the first time I heard anyone know this outside of my college history classes. I always loved the other story from the railroad that the genre to directly come from trains was boogie-woogie. It was created in the baggage wagon of the train, which the train workers called the "baggie-waggie," and would sing tunes to the rhythm of the tracks. "baggie-waggie" became "boogie-woogie," which led directly into swing and the shuffle. This has been my favorite video so far. Thanks!
You are reading my mind, this morning I am watching video of Jeff Porcaro explaining the shuffle and boom now i get the notification for this, incredible!
Funny, I had the same experience. I had watched the Porcaroa video ages ago and it popped back into my recommended videos yesterday. I suspect either this video was uploaded a couple days ago for release today and the yt algorithms recognized the clip and set about updating recommendations based on it or Rick watched it recently and that caused the Porcaro video to be pushed back up
Nothing short of Brilliant: Ricks flawless knowledge of music composition and Marcus Petruska rhythmic understanding and matchless playing skills is nothing short of INCREDIBLE. Best Beat Tube Ever..!! Definite pro level learning experience on several fronts. Thanks a Bunch.... Gentlemen..!!!
I am amazed by experts who can talk about what they do in a way that's accessible yet not "talking down." For years I've harbored a secret desire to be on stage and holler, "Hey Rosco, gimme a train!" and Rosco (or whomever) without missing a beat LAUNCHES! TBH, a shuffle is too sophisticated for me. I know and am comfortable with my limits. 😎
I don't even play drums but once in a while I come back to this instructional video of Jeff Porcaro explaining Rosanna and Mushanga beat. It's just fascinating when somebody is talking and explaining those things, just like you guys! Love it! Great video, take care!
*A great breakdown and historical reference as well! One of the reasons that this channel is awesome…a wide range of important aspects of music and musicality! Thank you, Rick and Marcus, for your love of music and the contributions that you make! Take care gentlemen!*
I've played guitar my whole life, i bought my first drumset when I was 19... now I'm 25. Guitar is awesome when you get in the zone, but when I'm having a "good day" playing drums.... it's magical
So glad he covered the purpose of drumming and it’s practical application. Bookmarking it for young students. Jim Chaplin tells the story of how Gen Pershing tasked Souza, who tasked Moeller, to put a marching band together for WW1 and how Moeller went to the VA home where there were resident Civil war drummers. The aids brought in these very old men shuffling down the hall, gave them drums, sticks and they just roared those drums to pieces with power. Moeller hit the floor and learned what was to be known as Moeller Technique he passed on to George Stone, passed to Morello, Chaplin and others to us today. They used a certain drum which all collectibles and some of them exist in the Smithsonian. I believe they were solid one ply mahogany rope drums.
I've seen a lot of videos on the rossana shuffle, but nobody does the last stroke with the bass drum and the snare at the same time like jeff. If you watch the drummerworld video of jeff porcaro explaining it, you'll see. I would like to add, the guy from the video sounds really cool, great sounding drummer, really nice tecnique! I just wanted to make an observation. Keep up the good work.
RIP Jeff Porcaro. I watched him explain the Rosanna Shuffle SO MANY TIMES! I can... sorta... do it, but man, he was amazing. Luke Tweeted about him a few weeks back. Gone, but not forgotten.
Exactly Guillermo! Also, everyone says (even Jeff) it's the Bo Diddley beat but then anticipate the fourth hit. Even Jeff!!! 🤦🏻♂️ Those five hits on the bass drum are almost the Bo Diddley beat (the 3:2 son clave), except for the fourth hit 🤷🏻♂️
Nice discussion and demonstrations! Thanks! I understand the time constraints of a brief overview like this, but I feel that you overlooked the importance of West African 12/8 feels and the various types of shuffling on the African continent.
1 key thing you're missing with the Porcaro half time shuffle is the ghost note right after the back beat on 3, the middle part of the triplet is ghosted often, but also after the back beat. He also does it on Lido Shuffle by Boz. It is the hardest part of making that groove sound like Jeff.
Rick, your videos inspire me! I'm 10 and play guitar, bass, and piano/keyboards and seeing this I want to play drums :) I am learning alto sax for band this year and I think I have perfect pitch! TYSM! ♡♡♡
That was fascinating, and Marcus certainly appears to know his stuff. I particularly liked showing the various "rudiments" where you can see the technical aspects behind great players aren't accidental. Watching him go from slow to rapid with that one beat was terrific. Applies to pretty much every instrument I would think, given how human neuromuscular facilitation and memory work. Reminded me of scales and arpeggios on piano, then things like the Hanon exercises. I have a sister in law who graduated in piano from the Amsterdam Conservatorium and it's really interesting and a privilege watching highly proficient artists practise. Great stuff.
I saw a vid the other day and Ringo was being interviewed, asked about his style he said that it was no secret it's just that he's left-handed playing a right-handed kit. In those days old people didn't like youngsters being left-handed, and in Britain, it was common for left-handed people to be "encouraged" to do things right-handed.
Lefties were encouraged in the States, also. My mother believed she was a leftie and had to use her right hand. At age 9, she broke her right arm and immediately, could write and do other things with her left. She and her twin were adopted at age 4 and she came to my gma and gpa using her right. We met her bio mother decades later and she confirmed that Mom was a leftie and they "stopped" her.
I grew up in Castle Rock, CO. When I was 16 I ended up taking drum lessons at a little music shop there. Of ALL the world places this guy could have been, he ended up there, cause he was living with his father in Parker, CO. At the time. His name is Kofi, and his father is Ginger. This guy was and is still phenomenal behind a drum set! He is where I became enamered by "the shuffle". He is all about the rudiments. Mr. Beato, you should try and interview him. He is better than his dad in my opinion, and much, much more saine.
I was studding shuffles last couple of days in order to play Reelin in the Years by Steely Dan. Saw this Jeff Porcaro video as well... Purdie shuffles on so many Steely Dan's great songs. Awesome.
I was tapping out an ersatz beat on the steering-wheel and my soon-to-become G.F. said, "Oh, 'Rosanna.' Great song..." Purdue and Porcaro, astonishing talents...
I love it when you give the drummer some! Marcus has great hands & gave really good instruction/demo. This was more comprehensive than I expected. Props on the train and Civil War backstories. Many CW drummers were still mere boys, and I found an old pic of a very young girl who appears to have been a CW drummer. Some NYC subways still have a shuffle/triplet groove going on!
Great information on this video. My dad took drum lessons as a child from Augustus "Gus" Moeller , famous for the "Moeller Method" of drumming. My dad also has a custom-made field drum built by Moeller in the 1930's.
Its amazing that you can watch Jeff's video.. he shows exaaaaaaaactly the votes he plays and how to play it.. And nooooooobdy makes it sound like him lol. And 1000s of really good/ great drummers have tried.. hes obviously some type of wizard!!! 😎
That was so fascinating! I loved these explanations--we got such a great history lesson of the evolution of the shuffle and how critical it is to great time, feel, and impact of music. One of your best, Rick.
I've watched just about every video on Porcaro and the Roseanna Shuffle and I was still completely lost by 2:40 seconds into this one. I'll never get tired of it though.
Awesome. I didn't know shuffle came from the sound of trains. As a drummer myself (not professional) it is pretty interesting to know this fact. Thanks for the video.
So much of classic American music (blues and jazz, plus their successors) is based on the same thing: Calling the train. Slide guitar? Just the train's whistle. Blues shuffle? Train's rhythm. Swung beats? From the train. Hell, most classic harmonica songs are "Call the Train"-style songs.
Little Richard has talked about the sound of trains coming through Macon, Ga as a inspiration...The origins of the rock & roll beats...Sex would be another, of course. There are lots of shuffle beats from super simple to very complex. I enjoyed this video!
Not just trains,,,it's why I included sex..."Beats" Not "beat". I'd say a train is more of a straight rock beat than a shuffle. Another thing also going back long before trains would be how a triplet, that was & maybe still is, used in some African indigenous groups along with possibly chants that would repeat for many hours hypnotically, which I've read is where the triplet ride cymbal pattern in jazz came from. Lota cool rhythms from Africa, of course.
George Lawrence Stone's Stick Control, Jim Chapin's Advanced Techniques for the Modern Drummer, and Gary Chester's New Breed are essential for drummers wanting to help overcome the past few decades full of mediocre drumming which so many call interesting. Thanks for the great videos. I have come to love them every time and find them inspiring me to move forward from a six year stall in a three decades long independent original musical career.
Fusion aka Jazz rock took the shuffle to a whole other level. Starting with Tony Williams, Billy Cobham, Simon Phillips, Cozy Powell and more, who am I missing?
All us drummers talk about Jeff, Bonzo and Purdie doing the shuffle but not one mentions Floyd Sneed of 3DN doing the shuffle on "Sure as I'm Sitting Here" back in 74 before most of the others mentioned were recorded. Check it out, Floyd was an underrated drummer that should get more credit!
It's a happy coincidence that African polyrhythmic drumming matched up with the sounds of a rolling freight train. You have a 3 over 2 beat implied in the shuffle, while a train makes a chunk CHUNK sound as well as TAK tak tak (in addition to high pitched squeals). And you got your blues shuffle.
@@davidwicks9538 yes Thank you I was just thinking this as the video was running .i was told by a drummer that all drum figures are built and fit inside what is known as a twelve eight Clave which originates from Africa. All the rhythms of any combination fit inside this Clave .
I love the sound of the drum mix at the end. Honestly, I could listen to that all day. Just that combination of bass, snare and high hat. In fact, years ago in Los Angeles, there was fusion funk band that would often play at a Westwood bar, in which the drummer played with that minimal 3 piece kit. He never sounded bad or lacking, and he absolutely drove that band on every song.
I'm a guitar player and used to program all my drums until I had some money to buy a drum set and take lessons - thinking I could play the drum parts and my programming them would be awesome. Once I took lessons and started learning the rudiments and ghost notes and the things Marcus showed - I had a new respect for drummers - I'm still a terrible drummer and now I hate programming drums at all. Nothing better then to have a great drummer to play and record with. This video was awesome Rick!
Just wow !!! Episodes like this are the reason you got the gold button Rick !!! Love this episode and learned so much about the history of Drumming. I was in the signal Corps in the U.S. Army, and I never put it together that I was working in both areas. I’m going to get my practice pad out and start on my rudiments again.. kudos to Markus!! Would love to hear more history of drumming, in particular.
Marcus is a really good teacher, he knows how to break things down in a way that makes it easy to understand... the history lesson with the Civil War stuff was fascinating and really informative. I wish Rick would not have cut the part where he was woodshedding that was getting really intense and exciting and then it abruptly ended would have been cool to see him show off a little more of those chops; some of the cleanest doubles I've ever heard and the way he slowly increased the speed was superb reminding me a little bit of Buddy... definitely need to bring him back and unleash him on us Rick! Great post!
I once interviewed Jeff Porcaro, humble guy that he was, he hated his shuffle, had a hard time recording "Black Friday" on Steely Dan's Katy Lied. Jeff really admired Al Jackson's shuffle.
So very well done, but then again, this is a product of Rick's knowledge and expertise, and showcasing the knowledge and skills of Marcus Petruska....... Thanks and Blessings!!!
Marcus won't remember me but he made a very strong impression on me over a two show run that my band did with a group he was touring with. We had some good talks, and some fun times. I appreciate good dudes willing to pull back the curtain to help out new players. Quality human.
My dad was a jazz drummer. Marcus, I am so glad to see you playing with a traditional left hand rather than the tympani style that has bastardised most rock drumming.
You guys failed to mention at all the early blues guitarists like Robert Johnson doing shuffles on their guitars like on "Sweet Home Chicago" and many others. And the tradition of early BLUES drummers who played with Muddy Waters and Howlin' Wolf and others. Good vid though.
Watching Marcus, my first thought is....did this cat March in drum corps, looked it up and yep, marched with The Cadets drum corps 93-94 (killer drumline - UA-cam search Cadets Drumline 1993 or 1994). Not surprised by his chops.. Great vid!!
The "Bo Diddley" is a 3/2 son clave. It is older than trains, it is a fundamental African beat. I respect Mr. Beato's experience and dedication to education greatly, but the rhythmic basis of a large percentage of popular music was "invented" several hundred years ago, on a continent far, far away. This has all been researched by musicologists and it is not disputed. While Mr. Beato's friend may be a fine mixer and drummer, I don't think he presented the origins of the shuffle particularly accurately. All that said, I'm glad that the early origins of music are at least being discussed. Cheers, Alan Tomlinson
I agree, so many famous drum patterns come from old African basic beats, idk why. Like salsa, reggaeton, merengue and many others. And what all have in common is the dance, fresh moving soul. Muy picante el sonido!
Rick that was so well conceived and delivered ! The back story the history lessons , the musical examples ! One can use this simple concise demonstration and go into a billion tangents . Bravo ! Totally awesome !! You always deliver !!! Whoooooot !!! Marcus really nailed this !! Best video on shuffles and technique . Brilliant !
Shuffle came from trains? So, there's no 12/8 grooves with a shuffle from before the industrial revolution? I'm not a musicologist, but that sounds highly unlikely to be true. You mention clave, but without exploring the 12/8 clave (African Bembe bell pattern), which is the defining characteristic of the BoDiddly shuffle. I love your videos, thanks for sharing! I'd love to see a deeper dive into the history of different rhythms.
12/8 is very common in western African rhythms (and by extension also Cuban rhythms) but a triplet feel or a 6/8 or 12/8 feel is not exactly the same thing as the shuffle. Of course, if you're used to playing in 12/8 a lot, shuffle is something that comes more naturally to you, but it is quite possible trains played a role. Obviously I don't know all African rhythms or even west African rhythms but the particular shuffle feel is not something you hear in traditional Afro-cuban music so I'd be surprised if you could hear in traditional west African music (I don't know east or south African music at all....except for a little bit of Angolan music)
Simplest way to explain a shuffle in theory terms: an 8th note triplet without the middle 8th note. Or a dotted 1/4 plus an 8th note. But it's all feel, not theory.
Fascinating video! I've been playing music (drums) for over 30 years, with no formal instruction, and I love your channel, Rick. I feel like I am starting to understand what I have been hearing and playing for all these years. It's propelling me forward as a musician again. Keep it up man!
You have to dig a little deeper than "trains", in my opinion. New Orleans, Congo Square, The Afro-Caribbean diaspora, Afro-Cuban music, West Africa... Ghana, Senegal, The Gambia, Nigeria, Togo, Benin, etc. Polyrhythmic and syncopated expression of time was in American music rather independent of the influence of the sound of a train. Field hollers and work songs, Scott Joplin and ragtime, Jelly Roll Morton, Buddy Bolden, King Oliver, Louis Armstrong, Duke Ellington. The proximity of trains to work sites and the fields and such may have had an influence (or a superficial kind of similarity between the sound of a slow-moving train and a delta blues guitar feel may have led some to draw associations), but the African influence on the American time feel is CERTAIN. That's where it comes from.
Thank you for this comment.There are a lot of nice feels from different eras predating "trains" - that fed into what's condensed at the top of this video. I cld be wrong (sorry Rick!) I think. Hearing this origin story "trains" repeated going forward... maybe is like reading Real Book charts instead of listening, for people beginning.They give you an idea, but really want you to listen. But i think of American dancing and the music with it pre-40's (when to me the in-between (commerciall eight to the bar, two-step feels, pre-tap) are a different continuum. Is the "train" beat idea ties to the stories coming out of RnB, rock n roll, influence of record making, etc. I think the sound in a room isn't always translated to vinyl (!), and what's exciting in recorded music is groove-oriented. These men are good musicians, they've lived it, and their enthusiasm driving their mastery is what I choose to takeaway. Here they provide a gateway, condensed, I think the drummer (and Rick) prob knows more, but situates the takeaways in a way contemporary internet surfers can explore if they want to go deeper. They serve their audience ...apologies, don's mean to offend, not sure how to phrase what I'm trying to imply better. And, unfortunately, african based music is fading in a way, to new african american innovations. A really nice channel and important resource. I do have some "cognitive dissonance" with the framing of the shuffle too, I think if peoples' ears and developmental stage don't draw them toward more depth, it's OK, it takes a while to hear things. Knowing where to look makes a difference. They got it to 12 minutes, with examples, and can follow up if there is interest. Thanks, apologies for any offense and misspeaking due to my ignorance.
Great ... I remember the videos of Pat Martino and he explained something about the accents in jazz how had be taken from the work hours... It' s great to learn about this things ... Excellent video
I thought the same thing. Though trotting is a two beat pace... The gaited pace of the apaloosa horse is referred to as the shuffle. I read somewhere that it dates back to 1680's where pueblo indians revolted against the spanish and took their horses.. Makes more sense to me than trains, anyway.
Great video Rick! I miss watching the live streams, but I seem to have no time at the moment. A drummer is everything in a band. 'Any band is only as good as its drummer' - John Scofield.
It’s a mimic of the sound of rail joints, which no one really hears anymore on commuter or intercity trains because of welded rails. But... jointed rails were 33 foot sections of rail and offset about midway which is the sound that is being mimicked about 25+ MPH.
Coincedentel timing for the video. Just a day ago i was watching the Jeff Pocaro video about his Rosanna beat. And then a Binard Purdie video And then the Bonham Fool in the Rain isolated drum track. I also listened to the Steely Dan track. But my favorite version of the halftime shuffle is Bonhams. But i like all of them. Its just a cool beat.
Anyone interested in the shuffle, especially Texas shuffle, need only listen to Frank Beard and Cris Layton. Two masters, though obviously there are others. 👍
Thanks, Rick....from all the drummers out there who love your channel. Nice shout out from Marcus to George Stone and "Stick Control". I still have my ancient copy with the price on the cover ($1.25). It's about 20 bucks now. This takes me back to me first teachers who gave me a great foundation on the rubber drum pad. Getting a solid foundation is everything in playing any instrument. I've been into the history of the drum kit since I took 3 lessons from Daniel Glass back in 2010. I had been playing for 35 years or so by then. Was my own Freddie Gruber experience. I totally ditched big drum kits and went back to classic kits, shuffles, backbeat shuffles swing and the origins of Rock N Roll. Knowing the history of the instrument I think is really important. Drums are there to make you MOVE...whether it be troops marching or people dancing on a Saturday Night. Thanks for looping us drummers in Rick !!!!! (PS- Daniel Glass. Check him out- Some great books, a website on the subject and has worked to keep the origins and history of the Drum kit alive. Great swing, jazz and rock player too).
One of your BEST videos. As a former music theory major, somehow we missed the part about Civil War drumming being used for battle communication. Brilliant way of making history relevant today. Very cool, indeed!
4:55 he mentioned it I believe
Actually drums were the first form of telecommunications. They could signal from one village to the other. That goes back thousands of years.
Drums were used in the military for many centuries before the American Civil war. I don't know why he chose that war to begin that topic. Perhaps he is just using it as a beginning spot for the development of jazz.
@@johnmorrison9758 it is to accommodate the US audience. Their history goes only as far back as that 😉
@@johnmorrison9758 I'm sure it was in the Napoleonic wars.
Man, Marcus is an amazing teacher. Very articulate and clear on what he's trying to get across. Have him more often on the channel if you can, Rick!
Jeff PORCARO, my hero. My big influence (and I'm a bass player). So many great records, he was the best
i came back to life when i seen him on this video jeff was so good doing shuffle groves
Leandro, you should check out Leland Sklar's channel. He does a video about Jeff and also has other drummers giving their thoughts and memories of Jeff Porcaro.
I tend to forget how incredibly complex and intricate high quality drumming can be.
Eric Arway it really is incredible to watch the truly talented drummer
I play the drums but I am not a drummer
These videos on utube are inspirational
Is he sure it's the sound of a train. It sounded like a galloping horse to me.
It's relatively easy to be a good drummer...yet crazy talent to be an amazing drummer!
if you have average musicians BUT A GREAT DRUMMER, the drumming will put the song over the top of excellence!!!!!!,,,,,,,,,if you have exceptional musicians but a below average drummer,the song will be a disaster!!!!!!
should watch some drum solos. one of my favs is moby dick by bonham
Love those Purdie and Porcaro shuffles.
Speaking of swing, one of my favorite rock-era singles of all time is Boz Scaggs' Lowdown, co-written with David Paich. Jeff Porcaro and David Hungate laydown one of the baddest rhythm section grooves of all times. It's got that pulsating R&B backbeat, but it also swings like those early rock drummers with jazz backgrounds. It bubbles, boils, it moves, it's just alive. Fred Tackett on rhythm guitar. The great Louis Shelton on the solo, and Paich of course on keyboards. Boz' vocals just lay back perfectly into that groove pocket. So cool. So bad.
It's a perfect recording.
I have never played a drum kit in my life.
I can't explain why I was so fascinated by this video. Just love to see experts doing their thing, I guess.
You nailed it. Seeing people at the pinnacle of their craft is very attractive. I don't care if it's a girl with 12 Hula Hoops going or a 90 year old man pick up a guitar in a Guitar Center and just kill it. If it's the best, then I am all in.
Pls watch me in 40 years..
I feel the same way my friend
Chris Williams same 😁
Chris Williams: Same here. It's an appreciation of the skills, like watching a good wood-turner or a metal worker restore some rusty old junk.
So glad to see the Bernard getting the recognition he deserves. He always has by drummers but with the internet everyone can know him
The purdie shuffle is so iconic! It has an incredible feel to it. Nothing like that will be produced again.. the more we move forward in the music industry. The more electronic things are becoming. More beats are quantised which loses a lot of the swing. Inevitably the feel. Thank you both for sharing this video. It's nice to travel back to a time where Innovators changed music in such a raw manner. Thanks again guys. Peace and love ✌️
That thumbnail has my legit 3 favorite and most influential drummers for me! Wish people talked about porcaro and Purdie more, UNDERRATED!!!
Bill Ward (from Black Sabbath) was one of the best SWING drummers out there. Just listen to a song like Fairies Wear Boots. Geezer Butler was also a swing bass player. They were a great duo.
That's the thing about that band it swings. Other heavy bands forgot to swing...or just didn't swing. Into the Void is well... almost funky. Bill freaking Ward.Incredible.
Not to bring in "Wicked World". Always thought that would sound dope in a big band arrangement. 8)
I'm glad you mentioned these two homeboys; like me they're both from Birmingham, and are very underrated.
Yeah I always thought of them as a dark sounding jazz rhythm section, them boys was heavy in the pocket!!!
The Steely Dan behind the music "Making of Aja" is awesome from A to Z, but those Bernard Purdie interviews are particularly great - "you done it, you done hired the hitmaker!"
Check out the trap set podcast. He does a 2 part interview with Bernard
Purdie can shuffle in his sleep. One of the best ever.
Carlock has a great feel on that as well. Not the same, but damn when I saw them live.
I remember hearing a myth that Bernard Purdie dubbed Ringos drumming a couple of times
I love how when walter is trying to explain Bernard's shuffle he's literally caught off guard by it, and unable to really finish his thoughts, because of that hypnotic groove
You will never see this comment, Rick, but that was the most most most fabulous thing I've seen in a long while. I don't know a thing about drumming other than I like it. Now, it's a little more available to me as an actual thing to study when I listen--to anything! Thank you a thousand times over. I grew up in Pittsford, NY. So proud to see you here on youtube and know you're from my part of the woods, so to speak. (I'm 3 yrs. older, so we basically share the same longitude and latitude of memory.)
Great video! The swing feel is sooo important to drumming. I've played with tons of drummers that don't get it. You ask them to play like Bonham and they just hit harder...they don't let the music breathe and give it a swing feel. The good drummers will know how to do it.
100%. Of all the drum videos, for me, this was one of the most important fundamentally necessary lesson. Base line resetting. Including all you really need in your kit to sound amazing. Less is more. Solid and clean basics. Thank you gentlemen. Refreshing.
If you want to bring shuffles and "the train beat" to rock drumming I think Bun E. Carlos is a great example. An underrated drummer with that perfect amount of swing and the ability to drive a song using a shuffle like no other.
And now we have to put up with Rick Nielsen's kid, who is OK, but not even on the same planet as Bun E. Carlos
Oh man, he's SO good. Overlooked for sure. We wouldn't need drum machines if we would learn to groove.
@@cary67 - Nailed it!
This video gave me a whole new appreciation for the drum shuffle. I didn't realize just what was involved, or how difficult it really is. Shout out to Marcus for explaining it in a very concise clear manner - you can definitely tell he's a teacher or runs drum clinics. Very well spoken dude!
Respect to Mr. Petruska, that's solid drumming! This reminds me of Simon Phillips, very impressive!
What a great drummer Marcus is he demonstrated those shuffle grooves flawlessly, what a great feel he has.
Another drummer that had one of the most amazing shuffles and grooves in general was Little Feat's Ritchie Hayward. One of the best drummers to ever pick up sticks.
Ritchie was one of a kind and a great human
He is my drum hero
😮
Little Feat was exactly what I was thinking when I read the vid title.
Thanks for shouting out Ritchie. I could listen and watch him all day. That band is the Dickety Dank Schizel Whizel.
Yes yes yes....
Ritchie was undeniably one of those drummers in the magical “no one else can play that way” fraternity. No one else can play Over The Hills And Far Away, The Crunge or Misty Mountain Hop like Bonham. Only John Bonham can do that. No one else can play Chuck E’s In Love, Late In The Evening or I Can’t Run But like Gadd. Jim Keltner on Memphis In The Meantime, Michael Shrieve on Incident At Neshabur or Love, Devotion and Surrender, Jon Fishman on The Wedge or Llama, Jamie Oldaker on I Shot The Sheriff or The Core, or Ritchie Hayward on Dixie Chicken or Hate To Lose Your Lovin’. And so on...so many unique voices on the drums that no one can duplicate. Oh my, Nigel Olsson from Elton John’s band, or Bob Siebenberg from Supertramp. These guys are untouchable...
THANK YOU for breaking this down so well! One of the reasons why I have not been able to teach myself the Purdie shuffle is because I was trying to jump in like a pro and failing miserably working backward from Bonham. This was even easier to understand than the Purdie video of him explaining it himself. By the time Marcus really gets to roll going, it sounds like a fetal heartbeat. If you know quickly those go, it's obvious!
Grew up on Stick Control for the Snare Drummer! That and Syncopation were the first two books my teacher put in my hands. Not just for the snare drummer though, great when applied to the drum kit which I think is what Rick's guest is suggesting.
And The Jim Chapin books.
Marcus is great. I've known him for about 15 years. He is a class act, a consumate professional, and a hell of a drummer!
AND.... tell "Marcus Petruska" to start up a youtube channel to continue our musical tutelage. Having multiple sources of musical knowledge will inherently develop our individuality when it comes to whatever we're consuming... Just thinking out loud there... Love what you do @Rick Beato... keep it coming!
As a drummer this has to be one of my favorite Beato videos. Rudiments baby. Beautifully illustrated here. The first drumming method book I studied as a kid was written by Haskell W. Harr who was born in the 1894. His books are still in circulation and are available from places like Amazon. Elected to the Percussive Arts Society’s Hall of Fame in 1972 in the categories of author, education, radio/television, and rudimental, Haskell Harr is best known as the author of graded method books for rudimental snare drumming.
Rick, this video was very informative! Marcus is a total wealth of knowledge and makes it very easy to learn about this stuff. Please have him on your channel more often, as he's a wonderful teacher and speaker.
From a non-drummer arranger, this helps a lot to codify the different forms of shuffle!
I love the explanation of the history--this is the first time I heard anyone know this outside of my college history classes. I always loved the other story from the railroad that the genre to directly come from trains was boogie-woogie. It was created in the baggage wagon of the train, which the train workers called the "baggie-waggie," and would sing tunes to the rhythm of the tracks. "baggie-waggie" became "boogie-woogie," which led directly into swing and the shuffle.
This has been my favorite video so far. Thanks!
You are reading my mind, this morning I am watching video of Jeff Porcaro explaining the shuffle and boom now i get the notification for this, incredible!
That's the UA-cam algorithm for ya
Ibe Kerkhoven yep, Beato put Jeff Pocaro in his video listing.
Saaaaaame
Funny, I had the same experience. I had watched the Porcaroa video ages ago and it popped back into my recommended videos yesterday. I suspect either this video was uploaded a couple days ago for release today and the yt algorithms recognized the clip and set about updating recommendations based on it or Rick watched it recently and that caused the Porcaro video to be pushed back up
I searched for Porcaros video it didnt pop up in my reccomendations
Nothing short of Brilliant: Ricks flawless knowledge of music composition and Marcus Petruska rhythmic understanding and matchless playing skills is nothing short of INCREDIBLE. Best Beat Tube Ever..!! Definite pro level learning experience on several fronts. Thanks a Bunch.... Gentlemen..!!!
"No machine will replace me until it learns to drink beer."
-Tommy Lee
Lmao 😂
A paraplegic could replace tommy lee
...and grows a big ten inch...
@@hectorsanaifric343 Aw, man. He did groove. I just hated Krewe...
Reminds me of the trad band I used to go and see - the drummer would keep the beat going while supping his Guinness =oD
I am amazed by experts who can talk about what they do in a way that's accessible yet not "talking down."
For years I've harbored a secret desire to be on stage and holler, "Hey Rosco, gimme a train!" and Rosco (or whomever) without missing a beat LAUNCHES! TBH, a shuffle is too sophisticated for me. I know and am comfortable with my limits. 😎
Rick, you might just singlehandedly make music great again! Thank you for educating the younger generation on real music!
I don't even play drums but once in a while I come back to this instructional video of Jeff Porcaro explaining Rosanna and Mushanga beat. It's just fascinating when somebody is talking and explaining those things, just like you guys! Love it! Great video, take care!
*A great breakdown and historical reference as well! One of the reasons that this channel is awesome…a wide range of important aspects of music and musicality! Thank you, Rick and Marcus, for your love of music and the contributions that you make! Take care gentlemen!*
Thanks!!!
@@RickBeato You are very welcome! Have a great weekend!
I've played guitar my whole life, i bought my first drumset when I was 19... now I'm 25. Guitar is awesome when you get in the zone, but when I'm having a "good day" playing drums.... it's magical
Purdie shuffle has always been my favorite beat of all time.
So glad he covered the purpose of drumming and it’s practical application. Bookmarking it for young students. Jim Chaplin tells the story of how Gen Pershing tasked Souza, who tasked Moeller, to put a marching band together for WW1 and how Moeller went to the VA home where there were resident Civil war drummers. The aids brought in these very old men shuffling down the hall, gave them drums, sticks and they just roared those drums to pieces with power. Moeller hit the floor and learned what was to be known as Moeller Technique he passed on to George Stone, passed to Morello, Chaplin and others to us today. They used a certain drum which all collectibles and some of them exist in the Smithsonian. I believe they were solid one ply mahogany rope drums.
I've seen a lot of videos on the rossana shuffle, but nobody does the last stroke with the bass drum and the snare at the same time like jeff. If you watch the drummerworld video of jeff porcaro explaining it, you'll see.
I would like to add, the guy from the video sounds really cool, great sounding drummer, really nice tecnique!
I just wanted to make an observation.
Keep up the good work.
wow, never noticed. thanks for pointing out, it really makes a difference
RIP Jeff Porcaro. I watched him explain the Rosanna Shuffle SO MANY TIMES! I can... sorta... do it, but man, he was amazing.
Luke Tweeted about him a few weeks back. Gone, but not forgotten.
Noticed that as well
guillermo is 100% correct!!!!!
Exactly Guillermo! Also, everyone says (even Jeff) it's the Bo Diddley beat but then anticipate the fourth hit. Even Jeff!!! 🤦🏻♂️ Those five hits on the bass drum are almost the Bo Diddley beat (the 3:2 son clave), except for the fourth hit 🤷🏻♂️
Nice discussion and demonstrations! Thanks!
I understand the time constraints of a brief overview like this, but I feel that you overlooked the importance of West African 12/8 feels and the various types of shuffling on the African continent.
1 key thing you're missing with the Porcaro half time shuffle is the ghost note right after the back beat on 3, the middle part of the triplet is ghosted often, but also after the back beat. He also does it on Lido Shuffle by Boz. It is the hardest part of making that groove sound like Jeff.
One of your best videos. Thanks for emphasizing the importance of the rudiments!
Rick, your videos inspire me! I'm 10 and play guitar, bass, and piano/keyboards and seeing this I want to play drums :) I am learning alto sax for band this year and I think I have perfect pitch! TYSM! ♡♡♡
That was fascinating, and Marcus certainly appears to know his stuff. I particularly liked showing the various "rudiments" where you can see the technical aspects behind great players aren't accidental. Watching him go from slow to rapid with that one beat was terrific. Applies to pretty much every instrument I would think, given how human neuromuscular facilitation and memory work.
Reminded me of scales and arpeggios on piano, then things like the Hanon exercises. I have a sister in law who graduated in piano from the Amsterdam Conservatorium and it's really interesting and a privilege watching highly proficient artists practise.
Great stuff.
This was fantastic. Rick, your channel is quickly becoming my favorite thing on UA-cam.
Agree. It is the first channel I access on YT each day, and if no new content, Rhett Schull is next...👍🎶🎵🎼
Rosanna is just an all around awesome tune.... I could listen to the drum from that all day
I saw a vid the other day and Ringo was being interviewed, asked about his style he said that it was no secret it's just that he's left-handed playing a right-handed kit. In those days old people didn't like youngsters being left-handed, and in Britain, it was common for left-handed people to be "encouraged" to do things right-handed.
And that's why this leftie plays guitar right handed. That, and it's easier to find guitars!
That and Purdie filled in for him in the studio...now fight!
@@NuncNuncNuncNunc 😂
Lefties were encouraged in the States, also. My mother believed she was a leftie and had to use her right hand. At age 9, she broke her right arm and immediately, could write and do other things with her left. She and her twin were adopted at age 4 and she came to my gma and gpa using her right. We met her bio mother decades later and she confirmed that Mom was a leftie and they "stopped" her.
NuncNuncNuncNunc I love Purdie, but he's batshit crazy and he certainly remembers things that never happened... the man's a legend, though...
I grew up in Castle Rock, CO. When I was 16 I ended up taking drum lessons at a little music shop there. Of ALL the world places this guy could have been, he ended up there, cause he was living with his father in Parker, CO. At the time. His name is Kofi, and his father is Ginger. This guy was and is still phenomenal behind a drum set!
He is where I became enamered by "the shuffle". He is all about the rudiments.
Mr. Beato, you should try and interview him. He is better than his dad in my opinion, and much, much more saine.
DONT WORRY BOUT THEM GHOST NOTES! AINT NOTHING BUT REBOUND!
Ahma 'splain t'yuh
Uh, ain’t nothin but rebound _with control._ A rebound without control sounds like phdfhfhfhfhfhffhf (ie, not good). :)
In one of Jeffs clinics he joked that the ghost notes were nerves!
I love the Bernard Purdie videos.
PURDIE! 👍👍
I was studding shuffles last couple of days in order to play Reelin in the Years by Steely Dan. Saw this Jeff Porcaro video as well... Purdie shuffles on so many Steely Dan's great songs. Awesome.
I was tapping out an ersatz beat on the steering-wheel and my soon-to-become G.F. said, "Oh, 'Rosanna.' Great song..."
Purdue and Porcaro, astonishing talents...
Doc Will GF?! Marry that woman!
Phenomenal vid Rick. Kudos to Marcus for walking us so crisply through so much rhythmic knowledge in such a short time.
Awesome, Awesome, Awesome! I'm not even a drummer and this was great!
I love it when you give the drummer some! Marcus has great hands & gave really good instruction/demo.
This was more comprehensive than I expected. Props on the train and Civil War backstories. Many CW drummers were still mere boys, and I found an old pic of a very young girl who appears to have been a CW drummer.
Some NYC subways still have a shuffle/triplet groove going on!
Thanks Deb!
Congrats on 1 million. Videos with content of this quality this will get you to 2 million very soon.
Great information on this video. My dad took drum lessons as a child from Augustus "Gus" Moeller , famous for the "Moeller Method" of drumming. My dad also has a custom-made field drum built by Moeller in the 1930's.
The Bo Didley part is the 3 part of the clave, known a "tresillo cubano".
Probe Raum billy Joel, “don’t ask me why” :)
Its amazing that you can watch Jeff's video.. he shows exaaaaaaaactly the votes he plays and how to play it.. And nooooooobdy makes it sound like him lol. And 1000s of really good/ great drummers have tried.. hes obviously some type of wizard!!! 😎
That was so fascinating! I loved these explanations--we got such a great history lesson of the evolution of the shuffle and how critical it is to great time, feel, and impact of music. One of your best, Rick.
I've watched just about every video on Porcaro and the Roseanna Shuffle and I was still completely lost by 2:40 seconds into this one. I'll never get tired of it though.
Awesome. I didn't know shuffle came from the sound of trains. As a drummer myself (not professional) it is pretty interesting to know this fact. Thanks for the video.
So much of classic American music (blues and jazz, plus their successors) is based on the same thing: Calling the train. Slide guitar? Just the train's whistle. Blues shuffle? Train's rhythm. Swung beats? From the train. Hell, most classic harmonica songs are "Call the Train"-style songs.
Little Richard has talked about the sound of trains coming through Macon, Ga as a inspiration...The origins of the rock & roll beats...Sex would be another, of course. There are lots of shuffle beats from super simple to very complex. I enjoyed this video!
That's because it DIDN'T.
@@jazzbecausejazz No? What's the origin then? And why does he say that in the video? It seems I'll have to research
Not just trains,,,it's why I included sex..."Beats" Not "beat". I'd say a train is more of a straight rock beat than a shuffle. Another thing also going back long before trains would be how a triplet, that was & maybe still is, used in some African indigenous groups along with possibly chants that would repeat for many hours hypnotically, which I've read is where the triplet ride cymbal pattern in jazz came from. Lota cool rhythms from Africa, of course.
George Lawrence Stone's Stick Control, Jim Chapin's Advanced Techniques for the Modern Drummer, and Gary Chester's New Breed are essential for drummers wanting to help overcome the past few decades full of mediocre drumming which so many call interesting. Thanks for the great videos. I have come to love them every time and find them inspiring me to move forward from a six year stall in a three decades long independent original musical career.
Fusion aka Jazz rock took the shuffle to a whole other level. Starting with Tony Williams, Billy Cobham, Simon Phillips, Cozy Powell and more, who am I missing?
Lenny White
This was awesome. My dad was a jazz drummer in St. Louis and San Francisco in the late 40s-50s and he would have LOVED this.
As a smooth jazz player this information is very helpful. Thanks Rick!
All us drummers talk about Jeff, Bonzo and Purdie doing the shuffle but not one mentions Floyd Sneed of 3DN doing the shuffle on "Sure as I'm Sitting Here" back in 74 before most of the others mentioned were recorded. Check it out, Floyd was an underrated drummer that should get more credit!
It's a happy coincidence that African polyrhythmic drumming matched up with the sounds of a rolling freight train. You have a 3 over 2 beat implied in the shuffle, while a train makes a chunk CHUNK sound as well as TAK tak tak (in addition to high pitched squeals). And you got your blues shuffle.
👏🏿💯👏🏿💯 Correct , the 'shuffle' is an African polyrhythm concept that predates Trains hundreds of years🥁❕
@@davidwicks9538 yes Thank you I was just thinking this as the video was running .i was told by a drummer that all drum figures are built and fit inside what is known as a twelve eight Clave which originates from Africa. All the rhythms of any combination fit inside this Clave .
*THIS* 👏🏽👏🏽👏🏽
To Eric Anwayˋs comment: .... and how hard it is to pull it off! Great video, Rick. Cheers, Richard from Paris
have a sampled the "Purdie Shuffle" a few times... love triplet rhythms. good stuff man!
I love the sound of the drum mix at the end. Honestly, I could listen to that all day. Just that combination of bass, snare and high hat. In fact, years ago in Los Angeles, there was fusion funk band that would often play at a Westwood bar, in which the drummer played with that minimal 3 piece kit. He never sounded bad or lacking, and he absolutely drove that band on every song.
I'm a guitar player and used to program all my drums until I had some money to buy a drum set and take lessons - thinking I could play the drum parts and my programming them would be awesome. Once I took lessons and started learning the rudiments and ghost notes and the things Marcus showed - I had a new respect for drummers - I'm still a terrible drummer and now I hate programming drums at all. Nothing better then to have a great drummer to play and record with.
This video was awesome Rick!
Just wow !!! Episodes like this are the reason you got the gold button Rick !!! Love this episode and learned so much about the history of Drumming. I was in the signal Corps in the U.S. Army, and I never put it together that I was working in both areas. I’m going to get my practice pad out and start on my rudiments again.. kudos to Markus!! Would love to hear more history of drumming, in particular.
Videos like this make me wish I could give a thumbs up over & over. This was fascinating. Thank you.😎
Rick , have you ever made a video that wasn't utterly fascinating, entertaining and informative? Rhetorical question! Best channel out there!
Haven’t even started to watch and I know it’s going to be good. Cheers Rick
Marcus is a really good teacher, he knows how to break things down in a way that makes it easy to understand... the history lesson with the Civil War stuff was fascinating and really informative. I wish Rick would not have cut the part where he was woodshedding that was getting really intense and exciting and then it abruptly ended would have been cool to see him show off a little more of those chops; some of the cleanest doubles I've ever heard and the way he slowly increased the speed was superb reminding me a little bit of Buddy... definitely need to bring him back and unleash him on us Rick! Great post!
I once interviewed Jeff Porcaro, humble guy that he was, he hated his shuffle, had a hard time recording "Black Friday" on Steely Dan's Katy Lied. Jeff really admired Al Jackson's shuffle.
So very well done, but then again, this is a product of Rick's knowledge and expertise, and showcasing the knowledge and skills of Marcus Petruska....... Thanks and Blessings!!!
Hi Rick,
The rosanna shuffle has also a clave in the kickdrum as a foundation beat puls... 😆
Marcus won't remember me but he made a very strong impression on me over a two show run that my band did with a group he was touring with. We had some good talks, and some fun times. I appreciate good dudes willing to pull back the curtain to help out new players. Quality human.
Thanks for the Army Drummers reference! Never thought of it that way! I am a member of the West Point Band, which goes back to 1817!
My dad was a jazz drummer. Marcus, I am so glad to see you playing with a traditional left hand rather than the tympani style that has bastardised most rock drumming.
You guys failed to mention at all the early blues guitarists like Robert Johnson doing shuffles on their guitars like on "Sweet Home Chicago" and many others. And the tradition of early BLUES drummers who played with Muddy Waters and Howlin' Wolf and others. Good vid though.
The 'shuffle' rhythm does Not "come" from imitating a Train or Jeff Pacaro! When they isolate the parts it's obvious where it comes from🥁!!
Um, it’s about drumming
Watching Marcus, my first thought is....did this cat March in drum corps, looked it up and yep, marched with The Cadets drum corps 93-94 (killer drumline - UA-cam search Cadets Drumline 1993 or 1994). Not surprised by his chops.. Great vid!!
rick can you do a video about Quincy jones please?
go on netflix theres a gret doc abut Q
Sure guys thanks for pointing me to the sources you mentioned.
"Quincy" ca. 2018. Looks like Rashida is a director. Shout-out to +LèPolisher +TheRealCritique for the 411!
TheRealCritique Clarence Avant, "The Black Godfather" 2019 👍🏽👍🏼👍🏻
Rick isn't to tell you that listening to Marcus put a huge smile on my face
Thank you
The "Bo Diddley" is a 3/2 son clave. It is older than trains, it is a fundamental African beat. I respect Mr. Beato's experience and dedication to education greatly, but the rhythmic basis of a large percentage of popular music was "invented" several hundred years ago, on a continent far, far away. This has all been researched by musicologists and it is not disputed. While Mr. Beato's friend may be a fine mixer and drummer, I don't think he presented the origins of the shuffle particularly accurately.
All that said, I'm glad that the early origins of music are at least being discussed.
Cheers,
Alan Tomlinson
*THANK* *YOU* 👏🏽👏🏽👏🏽👏🏽
Big truth... Descendants of Europe talking about the origins of nearly anything is generally a red flag :)
I agree, so many famous drum patterns come from old African basic beats, idk why. Like salsa, reggaeton, merengue and many others. And what all have in common is the dance, fresh moving soul. Muy picante el sonido!
Word. Maybe even older than several hundred.
@@weslypype1
Hahahaha, you've never looked into traditional Scottish and Irish music. Touche for the mutual ignorance, my friend.
Rick that was so well conceived and delivered ! The back story the history lessons , the musical examples ! One can use this simple concise demonstration and go into a billion tangents .
Bravo ! Totally awesome !!
You always deliver !!!
Whoooooot !!!
Marcus really nailed this !!
Best video on shuffles and technique . Brilliant !
Shuffle came from trains? So, there's no 12/8 grooves with a shuffle from before the industrial revolution? I'm not a musicologist, but that sounds highly unlikely to be true. You mention clave, but without exploring the 12/8 clave (African Bembe bell pattern), which is the defining characteristic of the BoDiddly shuffle.
I love your videos, thanks for sharing! I'd love to see a deeper dive into the history of different rhythms.
12/8 is very common in western African rhythms (and by extension also Cuban rhythms) but a triplet feel or a 6/8 or 12/8 feel is not exactly the same thing as the shuffle. Of course, if you're used to playing in 12/8 a lot, shuffle is something that comes more naturally to you, but it is quite possible trains played a role. Obviously I don't know all African rhythms or even west African rhythms but the particular shuffle feel is not something you hear in traditional Afro-cuban music so I'd be surprised if you could hear in traditional west African music (I don't know east or south African music at all....except for a little bit of Angolan music)
Simplest way to explain a shuffle in theory terms: an 8th note triplet without the middle
8th note. Or a dotted 1/4 plus an 8th note. But it's all feel, not theory.
i think what he meant to say was that's how it developed in America, where blues emerged.
Fascinating video! I've been playing music (drums) for over 30 years, with no formal instruction, and I love your channel, Rick. I feel like I am starting to understand what I have been hearing and playing for all these years. It's propelling me forward as a musician again. Keep it up man!
You have to dig a little deeper than "trains", in my opinion. New Orleans, Congo Square, The Afro-Caribbean diaspora, Afro-Cuban music, West Africa... Ghana, Senegal, The Gambia, Nigeria, Togo, Benin, etc. Polyrhythmic and syncopated expression of time was in American music rather independent of the influence of the sound of a train. Field hollers and work songs, Scott Joplin and ragtime, Jelly Roll Morton, Buddy Bolden, King Oliver, Louis Armstrong, Duke Ellington. The proximity of trains to work sites and the fields and such may have had an influence (or a superficial kind of similarity between the sound of a slow-moving train and a delta blues guitar feel may have led some to draw associations), but the African influence on the American time feel is CERTAIN. That's where it comes from.
Thank you for this comment.There are a lot of nice feels from different eras predating "trains" - that fed into what's condensed at the top of this video. I cld be wrong (sorry Rick!)
I think. Hearing this origin story "trains" repeated going forward... maybe is like reading Real Book charts instead of listening, for people beginning.They give you an idea, but really want you to listen. But i think of American dancing and the music with it pre-40's (when to me the in-between (commerciall eight to the bar, two-step feels, pre-tap) are a different continuum. Is the "train" beat idea ties to the stories coming out of RnB, rock n roll, influence of record making, etc. I think the sound in a room isn't always translated to vinyl (!), and what's exciting in recorded music is groove-oriented.
These men are good musicians, they've lived it, and their enthusiasm driving their mastery is what I choose to takeaway. Here they provide a gateway, condensed, I think the drummer (and Rick) prob knows more, but situates the takeaways in a way contemporary internet surfers can explore if they want to go deeper. They serve their audience
...apologies, don's mean to offend, not sure how to phrase what I'm trying to imply better. And, unfortunately, african based music is fading in a way, to new african american innovations. A really nice channel and important resource.
I do have some "cognitive dissonance" with the framing of the shuffle too, I think if peoples' ears and developmental stage don't draw them toward more depth, it's OK, it takes a while to hear things. Knowing where to look makes a difference. They got it to 12 minutes, with examples, and can follow up if there is interest.
Thanks, apologies for any offense and misspeaking due to my ignorance.
Great ... I remember the videos of Pat Martino and he explained something about the accents in jazz how had be taken from the work hours... It' s great to learn about this things ... Excellent video
Pretty Purdie: “Don’t worry ‘bout those ghost notes… They ain’t nothin’ but rebounds!”
Rick you are pure gold......
We learn so much.
Take care man!!!
Best channel in youtube.
Horses make the same sound when they're trotting. I think that was before trains
I thought the same thing. Though trotting is a two beat pace... The gaited pace of the apaloosa horse is referred to as the shuffle. I read somewhere that it dates back to 1680's where pueblo indians revolted against the spanish and took their horses.. Makes more sense to me than trains, anyway.
@@princeofcupspoc9073 don’t disrespect bonzo like that. He is a god and better than both ringo and moon
@@webstercat so true
Great video Rick! I miss watching the live streams, but I seem to have no time at the moment. A drummer is everything in a band. 'Any band is only as good as its drummer' - John Scofield.
1:15 Sounds more like horse clopping as opposed to a train. ¯\_(ツ)_/¯ 🐴
Good point... could have originated from either/both?
Trains were called the iron horse. Closely connected here.
It’s a mimic of the sound of rail joints, which no one really hears anymore on commuter or intercity trains because of welded rails. But... jointed rails were 33 foot sections of rail and offset about midway which is the sound that is being mimicked about 25+ MPH.
He's got two coconuts and he's banging them together
Coincedentel timing for the video. Just a day ago i was watching the Jeff Pocaro video about his Rosanna beat. And then a Binard Purdie video And then the Bonham Fool in the Rain isolated drum track. I also listened to the Steely Dan track. But my favorite version of the halftime shuffle is Bonhams. But i like all of them. Its just a cool beat.
Awesome to see more Drum work from ye! I hope you could do other grooves such as the Paradiddle and such!
id think the paradiddle is a rudiment and not a groove
however you can have grooves that are based on a paradiddle rhythm, so in that sense, i guess it would make sense
@@trobin Maybe, but it's still fundamental to drumming as a whole
@@trobin ahh indeed
RC32 close to the edge by yes comes to mind when i think of paradiddle grooves, it’s phenomenal drumming by the great bill bruford
Very, very interesting. I learn a lot today. Very Inspiring to be aware of. The drummer defiantly did his homework on playing and history. Bravo!
Anyone interested in the shuffle, especially Texas shuffle, need only listen to Frank Beard and Cris Layton. Two masters, though obviously there are others. 👍
Thanks, Rick....from all the drummers out there who love your channel. Nice shout out from Marcus to George Stone and "Stick Control". I still have my ancient copy with the price on the cover ($1.25). It's about 20 bucks now. This takes me back to me first teachers who gave me a great foundation on the rubber drum pad. Getting a solid foundation is everything in playing any instrument. I've been into the history of the drum kit since I took 3 lessons from Daniel Glass back in 2010. I had been playing for 35 years or so by then. Was my own Freddie Gruber experience. I totally ditched big drum kits and went back to classic kits, shuffles, backbeat shuffles swing and the origins of Rock N Roll. Knowing the history of the instrument I think is really important. Drums are there to make you MOVE...whether it be troops marching or people dancing on a Saturday Night. Thanks for looping us drummers in Rick !!!!! (PS- Daniel Glass. Check him out- Some great books, a website on the subject and has worked to keep the origins and history of the Drum kit alive. Great swing, jazz and rock player too).