I remember seeing my first McLaren film in the mid-1970s and was just blown away that somebody could have the patience and skill to paint directly on film to achieve such stunning results. The dedication to such tedium is impressive.
Really interesting guy. Directly painting onto the film is something that I imagine would be painstaking and a rather difficult method to produce animation. Traditional animation techniques allow animators to see the previous drawings beneath the current drawing, I'm not sure how of even if McLaren was able to do that. If not, the placement and size of each new drawing would have been maddening to get right. And the fact that he literally PAINTED SOUND onto film...this guy really was incredible. I'm glad his work is being preserved.
Well, finally a damn good essay! Congratulations! Love stop motion live technique like in the 'Neighbors", there's something funny and disturbing in it at the very same time. Later it was used in a great way in "Tetsuo, the Iron Man" by Shinya Tsukamoto.
Please help me there was this animator who was really good. And he painted 16 frames per second and it was so detailed, and he was going to make a movie The Magician's something but it got cancelled. Do you know his name?
My only piece of constructive criticism would be to lower the soundtrack slightly to make your voice more audible. Other than that, I thought this was well written and edited. It's the perfect length and packs excellent information.
If there's ever a more profoundly beautiful film than Pas de deux...
@1:53 “Obviously McLaren was fascinated with chickens.” 10/10, very good line.
he was sooo ahead of his time! one of my favorite artists 4 sure!
I remember seeing my first McLaren film in the mid-1970s and was just blown away that somebody could have the patience and skill to paint directly on film to achieve such stunning results. The dedication to such tedium is impressive.
Really interesting guy. Directly painting onto the film is something that I imagine would be painstaking and a rather difficult method to produce animation. Traditional animation techniques allow animators to see the previous drawings beneath the current drawing, I'm not sure how of even if McLaren was able to do that. If not, the placement and size of each new drawing would have been maddening to get right.
And the fact that he literally PAINTED SOUND onto film...this guy really was incredible. I'm glad his work is being preserved.
I still don't understand why this channel has this few subs... This is amazing work
/watch?v=hJlDXMCAm0E
This man's genius is still pervasive today, but most never get to know about him.
You must see "Pin Point Percussion" and, for sure "Neighbours".
BMGBOX Very much agreed!
I watched so many of these growing up in Toronto. Kind of a cultural touchstone here
Well, finally a damn good essay! Congratulations! Love stop motion live technique like in the 'Neighbors", there's something funny and disturbing in it at the very same time. Later it was used in a great way in "Tetsuo, the Iron Man" by Shinya Tsukamoto.
Begone Dull Care is my favourite of his films! Hard to believe he wasn't a part of the hippie/psycadelic generation!
Fantastic stuff! Reminds me a lot of Len Lye's work.
Norman McLaren is more... commercial ;) ahahah
Where could I find the Gray Hen on youtube? I can't find it
He's the father of motion graphics❤
Amazing stuff!!!👏👏👏👏👏
My main inspiration!!!
Please help me there was this animator who was really good. And he painted 16 frames per second and it was so detailed, and he was going to make a movie The Magician's something but it got cancelled. Do you know his name?
richard williams
My only piece of constructive criticism would be to lower the soundtrack slightly to make your voice more audible. Other than that, I thought this was well written and edited. It's the perfect length and packs excellent information.
wow
nice
I'm thinking about those people who disliked this video ??????
1:52