I love and appreciate this Hank Jones Trio, this prime example, and the choice of this material to transcribe for study. Much gratitude for this channel and its consistent transcriptions of the creme de la creme. Where else can you KNOW you had better check daily for Hank Jones, Tommy Flanagan, Barry Harris, Cedar Walton, Red Garland, Bill Evans, the prime stuff that nobody should ever forget ? Written OUT to be FELT and WORKED TOWARD. Gene Ramey said that everyone was looking for the perfect "Funky London" tempo for this Gershwin. Well, this is one PRIME candidate for the 'brisk funky London !"
wow. I’m so impressed! This really helps me out as a 13 year old jazz student. Is there any way you could cover / transcript Time and Again from Oscar Peterson? ( we’ve got requests )
Why don't you tackle it yourself. You're young enough that you can get it done by the end of high school and already have made a contribution to the jazz idiom.
Red : Totally different chord quality between the “common” chord Blue : Same root but different chord quality , or tritone sub Purple : slightly different change by Hank’s left hand .
@@anthonyjazzpianowow. I’m so impressed! This really helps me out as a 13 year old jazz student. Is there any way you could cover Time and Again from Oscar Peterson? ( we’ve got requests )
Great work, as usual Anthony! I love that trio. There cannot be too many Hank Jones transcriptions on YT.
Very very beautiful, its very difficult to play
I love and appreciate this Hank Jones Trio, this prime example, and the choice
of this material to transcribe for study. Much gratitude for this channel
and its consistent transcriptions of the creme de la creme. Where
else can you KNOW you had better check daily for Hank Jones, Tommy Flanagan,
Barry Harris, Cedar Walton, Red Garland, Bill Evans, the prime stuff
that nobody should ever forget ? Written OUT to be FELT and WORKED TOWARD.
Gene Ramey said that everyone was looking for the perfect "Funky London" tempo for this Gershwin.
Well, this is one PRIME candidate for the 'brisk funky London !"
Super, merci👍🙏😉
Thanks so much I've been searching for this!
excellent!
0:46 I hear another F on top of that Gbmaj13 in bar 42. The rest is as you've written.
Man you are right, thank you for the correction.
Bravo
Good job bro :)
wow. I’m so impressed! This really helps me out as a 13 year old jazz student. Is there any way you could cover / transcript Time and Again from Oscar Peterson? ( we’ve got requests )
In my list!
Why don't you tackle it yourself. You're young enough that you can get it done by the end of high school and already have made a contribution to the jazz idiom.
What is the reason for the different colored chords?
Red : Totally different chord quality between the “common” chord
Blue : Same root but different chord quality , or tritone sub
Purple : slightly different change by Hank’s left hand .
@@anthonyjazzpianowow. I’m so impressed! This really helps me out as a 13 year old jazz student. Is there any way you could cover Time and Again from Oscar Peterson? ( we’ve got requests )
3:06