Thank you for sharing your knowledge (and heart) with us, Ms. Mize. I can't begin to tell you how important your videos are to me in my continuing battle to overcome some pretty serious trauma. Discovering Art (in general) has been a godsend for me, truly, and your ability (specifically) to help me put this new pursuit into practice is absolutely priceless! ...
By joe, I think I've got it. Now, I can create my own black line test paper (I hope doing the black line with a sharpie will work); then, test various colors to see if they are opaque or translucent. This was one area that escaped my understanding. Thank you, Dianne!
Wonderful tip once again! I have found that learning the most used pigment numbers have helped me a lot when finding the right hues and properties for me. I am sure it's not for everyone, but it has been a gamechanger for me for sure.
Thanks for sharing that. If you add to that learning to see the hues by their hue names - yellow, yellow orange, orange, etc.-- I think you will find more freedom in recognizing and interpreting color. Just a suggestion.
Bless you. I was very frustrated about this topic. When I heard other artists talk about this it sounded just too advanced and complicated for someone like me who's just started painting. But your explanation is simple and clear. Thank you 🙏
Thank you for another exceptional quick trip. I get so much out of all your quick tips. I wonder if you would offer a quick tip on how to paint bricks, both in buildings and sidewalks. Thank you for sharing your skill and knowledge and experience.
That’s really helpful. I have another question, kind of the reverse of this. I prep a canvas with acrylic yellow ochre, then sketch the layout or put a grid for sketching with a combination of yellow ochre and burnt umber (oil). My problem is in painting over this. Colors like burnt sienna and other colors don’t cover the sketch and I wind up doing layer upon layer. Can you suggest a better solution?
Thank you so much for all your informative videos , they help a lot :) What would be a good palette for portraits? Opaque pigments or transparent or I have to have both? I like cadmium pigments , but I love non toxic pigments that I can just easily wash my brushes in the sink without putting toxins in the water, .. organic pigments are nice too but so transparent and hard to get coverage..
Your portrait palette depends upon the color of the skin of your subject. It is inefficient and too limiting to aim for either all transparent or all opaque for any palette. Rather, it is best to aim for a palette of hues that will give you all that you need.
Thank you as I have trouble to read my paint tubes. You have made it easy. Also with working with liquin and keeping in mind the fat over lean theory, when glazing if you wish to thin down glaze slightly more is it ok to use a little liquin it or should I just stick with exactly what you have shown do and wipe excess away? Not sure why but I am ogten tempted to thin it down more. Thanks again for your teaching.
If you want a transparent color to be opaque, but don't want a new color, adding white is your only option without buying an opaque version of the color. White will change the value, but not the hue.
In the bottle is a 50/50 mixture of Gamsol and poppy oil. It is ONLY for slightly dampening the painting surface so that the dry surface won't resist the paint.
I was expecting to see you show white painted onto the black line on top of the transparent paint to show the change. Well for painting on black canvas. As anyone has seen Bob Ross do. We need dark to show the light. I liked your example so far. 👍👍👍
Thank you for sharing your knowledge (and heart) with us, Ms. Mize. I can't begin to tell you how important your videos are to me in my continuing battle to overcome some pretty serious trauma. Discovering Art (in general) has been a godsend for me, truly, and your ability (specifically) to help me put this new pursuit into practice is absolutely priceless! ...
Wonderful! Thanks for watching.
Thank you so much for all that you do Dianne. It's much appreciated.
You are so welcome. Thanks for watching.
By joe, I think I've got it. Now, I can create my own black line test paper (I hope doing the black line with a sharpie will work); then, test various colors to see if they are opaque or translucent. This was one area that escaped my understanding. Thank you, Dianne!
Wonderful! And my pleasure.
Always enjoy your quick tips...no matter how long ago you posted them...thank you so much.
Thanks. They do go back eight years, but the information is timeless.
OK, I think I"m my 5th video of yours today - and I must say, you are a phenomenal art teacher, the way you break it down! Thank you!
Thank you.
You are so cool. A topnotch artist and educator!
😊Thanks!
Very helpful. A knowledge of paint characteristics is pretty important before you set off on a project.
Bingo!
Thanks Dianne ...you are truly an art teacher and like a go to art Dictionary 🥰
Thanks so much 😊
I completely enjoy the fact that you explain painting techniques so clearly. There is so much to learn. You make it easier. Happy Thanksgiving :)
Thank you so much!
Great info! I learned new techniques from this. Thank you Dianne.
You are so welcome!
So happy to have found your channel!!! You rock!!!
Yay! Thank you!
Thank you for another very interesting quick tip, esp.the comparison of transparent color to thinned opaque color.
My pleasure. Thanks for watching.
Love your Quick Tips! So helpful! You are a great educator!
Thanks so much!
Wonderful tip once again!
I have found that learning the most used pigment numbers have helped me a lot when finding the right hues and properties for me.
I am sure it's not for everyone, but it has been a gamechanger for me for sure.
Thanks for sharing that. If you add to that learning to see the hues by their hue names - yellow, yellow orange, orange, etc.-- I think you will find more freedom in recognizing and interpreting color. Just a suggestion.
Bless you. I was very frustrated about this topic. When I heard other artists talk about this it sounded just too advanced and complicated for someone like me who's just started painting. But your explanation is simple and clear. Thank you 🙏
You are so welcome! Have fun with it.
I loved this!
😊
Thank you so much for this information Dianne!
You are so welcome!
Excellent demo. I will begin to note the transparent colors verses the opaque colors. Thank you.
You are welcome!
Dianne thank you for your wonderful teaching style
It's my pleasure
Thank you for this great tip and a Happy Thanksgiving to you & family. 🙏❤️🙏
Big thanks!
Exactly what I was looking for. Thank you so much!
You are welcome!
Thanks for your tips they are very helpful 🤗
My pleasure 😊
May you have a blessed Thanksgiving.
Same to you!
You are my hero. Excellent . Thank you.
Wow, thanks
You are a tremendous teacher!
Thank you!
Thank you for another exceptional quick trip. I get so much out of all your quick tips. I wonder if you would offer a quick tip on how to paint bricks, both in buildings and sidewalks. Thank you for sharing your skill and knowledge and experience.
Even better, why not watch how James Gurney does it (exactly the way I would do it) by going here: ua-cam.com/video/yk2cVIBfhRM/v-deo.html
As always, it is a huge joy watching this awesome channel. Thanks a lot for sharing and for the excellent explanation! :)
My pleasure!
Perfect video. Thank you
My pleasure!
Thank you for your video ❤❤❤❤
It's my pleasure
That’s really helpful. I have another question, kind of the reverse of this. I prep a canvas with acrylic yellow ochre, then sketch the layout or put a grid for sketching with a combination of yellow ochre and burnt umber (oil). My problem is in painting over this. Colors like burnt sienna and other colors don’t cover the sketch and I wind up doing layer upon layer. Can you suggest a better solution?
If you need a grid, why not use think lines of either graphite or charcoal that you can remove before going into the painting phase.
Another brilliant demo. What is Gamsol? I’m in the UK. and thank you.
Gamsol = Gamblin's solvent
Gamsol is a refined odorless mineral spirits made by the company, Gamblin.
Thanks Dianne brilliant x
My pleasure.
Thank you so much for all your informative videos , they help a lot :)
What would be a good palette for portraits? Opaque pigments or transparent or I have to have both?
I like cadmium pigments , but I love non toxic pigments that I can just easily wash my brushes in the sink without putting toxins in the water, .. organic pigments are nice too but so transparent and hard to get coverage..
Your portrait palette depends upon the color of the skin of your subject. It is inefficient and too limiting to aim for either all transparent or all opaque for any palette. Rather, it is best to aim for a palette of hues that will give you all that you need.
Excellent!
Many thanks!
VERY GOOD TIP!
Thanks!
Superb. Thank you.
Most welcome 😊 And thanks for being a subscriber.
Thank you as I have trouble to read my paint tubes. You have made it easy. Also with working with liquin and keeping in mind the fat over lean theory, when glazing if you wish to thin down glaze slightly more is it ok to use a little liquin it or should I just stick with exactly what you have shown do and wipe excess away? Not sure why but I am ogten tempted to thin it down more. Thanks again for your teaching.
It's best to use it unthinned.
Hello! What can I do to make a transparent colour more opaque? I don't want to but new colours :(
If you want a transparent color to be opaque, but don't want a new color, adding white is your only option without buying an opaque version of the color. White will change the value, but not the hue.
thank u!!!@@IntheStudioArtInstruction
Great tips! You sprayed your painting with Gimsol???? Did I hear right? What is this liquid in the spray bottle?
In the bottle is a 50/50 mixture of Gamsol and poppy oil. It is ONLY for slightly dampening the painting surface so that the dry surface won't resist the paint.
Hi, I had heard that mixing transparent colour with opaque can make luminous colours. Eg, transparent red/yellow oxide to shift hue of greens etc?
I don't buy that. It's not the transparency nor the opaqueness that creates luminosity, rather the hues/values/intensities used. See Quick Tip 275
I was expecting to see you show white painted onto the black line on top of the transparent paint to show the change. Well for painting on black canvas. As anyone has seen Bob Ross do. We need dark to show the light. I liked your example so far. 👍👍👍
Thanks for watching.
Mom 🌷🌷💖
😊