Are you doing a top melody then just wiggling stacked 4th chords around seeing what sounds good? Or is there a different technique to it I'm mainly thinking that when hearing the blues segment
Great question. A stack of perfect 4ths can be a substitute for a conventional triad. There’s considerable theory to it , but imagine an E A D stack. It can sub for C major, (6/9), or F major (7/6), etc. it’s also fun to slip into one of those from a 1/2 step away.
Wow thank you, it's a lott of inspiration for me ❤
Lots of cool sounds here. Some of the chords remind me of McCoy Tyner's voicings.
Yes. Tyner pioneered the use of this sound for jazz piano.
🚬🐨 extremely awesome
Are you doing a top melody then just wiggling stacked 4th chords around seeing what sounds good? Or is there a different technique to it I'm mainly thinking that when hearing the blues segment
Great question. A stack of perfect 4ths can be a substitute for a conventional triad. There’s considerable theory to it , but imagine an E A D stack. It can sub for C major, (6/9), or F major (7/6), etc. it’s also fun to slip into one of those from a 1/2 step away.