Sergei Bortkiewicz - 3 Pieces op. 12 (Somero)
Вставка
- Опубліковано 5 сер 2024
- Sergiusz Bortkiewicz - Trzy utwory
Published in 1910
Pianist - Jouni Somero
0:00 - I. Mazurka
4:49 - II. Gavotte
8:01 - III. Polonaise
Biography
Sergei Bortkiewicz (1877-1952) was born into a Polish noble family in Kharkov which was then a part of the Russian Empire. His love for music and his talent was given to him by his mother, Sofia, who was a co-founder of the Kharkov school of music [1]. Growing up, he received a humanities education as well as a musical one, and he stopped just short of receiving a doctorate in Law to focus on music [1].
His musical education took place at home, then in St. Petersburg under Anatoly Lyadov and Karl von Arek, and finally in Leipzig under Alfred Reisenauer and Salomon Jadassohn. From 1904 to 1914, he lived in Berlin to focus on composing.
Unfortunately, life in the 20th Century would prove exceedingly complicated and perilous for Bortkiewicz. After the beginning of the First World War, Bortkiewicz was deported back to Russia, where just shortly afterwards, the Bolsheviks would seize power. Communists had occupied his family's estate at Artemovka, so they were only able to move back once the White Army had taken the territory. The respite was short, as the Bolsheviks would retake Kharkov soon after. Almost everything from the estate had been looted anyways, and his mother and sister, Vera, would soon die of Typhus.
Having very little left, Bortkiewicz did the sensible thing and escaped via Yalta to Istanbul, where he began impressing the locals and the many ambassadors at the embassies. The Yugoslav ambassador, Natalie Chaponitsch, arranged for Borkiewicz and his wife to obtain Yugoslav visas, moving to Belgrade at the first opportunity. For a while, the Bortkiewicz family considered staying permanently in Jugoslavia, but they decided against it and decided to wait to get Austrian visas instead [2].
Bortkiewicz was finally able to settle in Vienna and was given Austrian Citizenship. He lived there for five years only to move back to Germany whence he was cast out again by the Nazis, which was a disaster for his musical career. The Nazis began deleting his name from programmes, and at the outbreak of World War 2, they destroyed many of his scores. He returned to Vienna to stay, being kept afloat by his friend Hugo Von Dalen, thanks to whom, we still have most of Bortkiewicz's scores.
Bibliography:
[1] A. Kościelak-Nadolska, Życie i twórczość Sergiusza Bortkiewicza (1877-1952), cz. I - Sylwetka artysty,. „Notes Muzyczny”, nr 1 (5) 2016
The rest of the biographical info comes from Wikipedia
As an old man of 87 I am so glad I finally discovered his beautiful music. Thank you for making this available.
Beautiful pieces ad what a fabulous interpretation of the Polonaise!! Bravo! Listening to these reminds me of Bortkiewicz/s own words - he was a Romantic melodist and not a modern composer. bWe can all be supremely grateful for that! Bortkiewicz is like Chopin in that he is enjoyed by the pianist, listener and other composers.
Thank You!😊
I would definitely put this on my list of things I'd play if I could. Thank you for the upload and composer biography
Thanks a lot for the upload. Can't get enough of Bortkiewicz.
This set of pieces seems heavily influenced by Chopin! Number 3 bears a striking resemblance to Chopin's Op. 44 Polonaise!
And the B section of chopin's scherzo no4!
Excuse me where did you find the sheet for this? The version on IMSLP is in worse quality sadly
I found it on IMSLP, but I always clean up the frames while making the videos as much as I can. So, unfortunately, what you see on IMSLP is probably the best you can find.
Indeed, Polonaise has some affinity with Fa# min from Frederic Chopin.
However, it's quite a personnal work from Bortkiewicz.
Moreover, because of its well typical rythm, a polonaise has sometimes a lack of originality.
And Bortkiewicz gave us very good melodies.