The record label really messed up making them cut this song. One of the best tracks on the album. Might even be one of my favorite Mars Volta songs tbh
I love this song so much, i can't even explain... back in 2005, i downloaded this album on soulseek and this music came as a bonus track, i was so disappointed when i bought the cd and this music wasn't there hahaha
ehhh, it wouldn't feel right. the mars volta is an entire group. maybe for one song, but how would it roll out? consider Passenger by the Deftones then A Day in the Life by HBMS you'll hear what I mean.
The entire story of the album must be turned into a comic book at least, ideally a film or a series. Imagine the story of Cygnus being the last Tarantino feature.
It's been thirteen seconds since you all last said I've become the apparition you predicted for my death You said that flirting brings you closer to the end You can bait into the water but you'll never get the hint And like a stain of bricks goes dancing by your head Plucked from an icebox, grafted on my skin It's been thirteen seconds since you all last said (Don't you worry) I've become the apparition you predicted for my death You said that flirting brings you closer to the end (Don't you worry) You can bait into the water but you'll never get the hint And like a stain of bricks goes dancing by your head (Don't you worry) Plucked from an icebox, grafted on my skin [Verse 2] My coat has hid the marks, mink hits the shovel fix Near the sway of pendulums, boar abrasions and a kiss She said, "I'll never let them hurt you, I'll never let them in What you took from me is mine and what is mine I'll never give" Mascara glass in the molar weeds Her ash, a serpent infancy And his eye patch pussed through a gape of sand Into his shine a sedative (Into his shine a sedative) More and more the dirt collects And you'll never find her body now In a closet festered in secret air Blonde underneath her blackened hair And he never knew the colony Gestated in his bed Mingle with the carnivores You've something both in common now Till one day with his wasted breath Swollen throat and karma debt Set foot inside a parlor To find her drunken by receipts He held her by the ankles Gutted at the nave Yes gutted and depraved He tied a rope around her legs And let her hang for seven days This never happened, but I saw you leave And crawl into a bed of broken windows This never happened, but I saw you leave And crawl into a bed of broken windows This never happened, but I saw you leave And crawl into a bed of broken windows This never happened
So magical to discover this now. Years after I started my TMV journey with this album. I love all their stuff (and other bands) but this album was their absolute peak.
I know people hate the clanking noises at the beginning but they are great. If you listen to this track before Cygnus, it sets a mood. It's dark. Unpredictable. Disturbing. Sets a theme.
"This never happened, but I saw you leave and crawl into a bed of broken windows" Una de las mejores bandas contemporáneas, alucinantes, saludos 🇲🇽 2019
@@sebastianperales3630 Lamentablemente ya no está Ikey, Cedric está enfocado en su familia, Omar no se, creo casi no usa las redes y los demás no se que hacen, pero bueno se ve imposible el regreso al menos ahora
I would be surprised if that's actually why it's there. Tension and release is why TMV does this, the idea that the listener should have to pass some sort of trial to experience the song is a weird one, what would it add to the experience? Tension is one thing, but putting the listener through something unpleasant just to make the meat of the song sound better in comparison is weak, and TMV would never use such a cheap trick.
Label: Omar, we think we can fit all 6 songs if you trim the noises a little bit, we got 4 mins from the title track, about 2.5 mins after The Widow, 4 mins before Miranda and more after Omar: F--k no Label: So we drop Omar: Drop the title track Label: So the album Omar: Album title stays
The missing link to understand the entire album. This masterpiece of a song was treated like a fake limb, a rotten apple. It was not even included in "La Realidad de los Sueños".
"This never happened..." How can cedric sing that melody over the most amazing rock riff ive heard? I dont even know whats Cedric reference to do that melody above it, and yet its the most beautiful thing ever..
this was only on the B-side record to the Single of L'Via thank god for internet since ive been jamming this online since 06 and didnt know that til last week
So Mars Volta has a song called "Frances The Mute" which is entirely separate from an album they made by the same name? EDIT: Never mind. I see now this was a B-side for "Widow".
@@ahmeterenlacinbala I know right? Why block a masterpiece like this one? From what I've been told, it has to do with some rights issues with the song. But that's an speculation regarding why the single wasn't included in La Realidad de los Sueños Vinyl collection. It wouldn't make sense that the same reason would apply to streaming services. It's dumb
I would have liked the album a lot more when I first heard it if this was on it. The band said they didn't put it on because there was no room, but I think this would've been worth splitting it into two discs.
Wtf?! I get that this song is amazing, but when this was released, i smoked a blunt, laid in bed with my cd player on full blast and loved it thru and thru! Frances was a masterpiece even without this. Id say its their magnum opus
Legend has it, they did offer the album originally as a double to the record label but they said no for whatever reason and since Omar wasn’t willing to cut down any of the songs to make it actually fit, it was left as a b-side. Don’t quote me on that though
Lyrics It's been thirteen seconds since you all last said I've become the apparition you predicted for my death You said that flirting brings you closer to the end You can bait into the water but you'll never get the hint And like a stain of bricks goes dancing by your head Plucked from an icebox, grafted on my skin It's been thirteen seconds since you all last said (Don't you worry) I've become the apparition you predicted for my death You said that flirting brings you closer to the end (Don't you worry) You can bait into the water but you'll never get the hint And like a stain of bricks goes dancing by your head (Don't you worry) Plucked from an icebox, grafted on my skin My coat has hid the marks, mink hits the shovel fix Near the sway of pendulums, boar abrasions and a kiss She said, "I'll never let them hurt you, I'll never let them in What you took from me is mine and what is mine I'll never give" [Nineteen Sank While Six Would Swim] Mascara glass in the molar weeds Her ash, a serpent infancy And his eye patch pussed through a gape of sand Into his shine a sedative (Into his shine a sedative) More and more the dirt collects And you'll never find her body now In a closet festered in secret air Blonde underneath her blackened hair And he never knew the colony Gestated in his bed Mingle with the carnivores You've something both in common now 'Til one day with his wasted breath Swollen throat and karma debt Set foot inside a parlor To find her drunken by receipts He held her by the ankles Gutted at the nave Yes gutted and depraved He tied a rope around her legs And let her hang for seven days [Five Would Grow And One Was Dead] This never happened, but I saw you leave And crawl into a bed of broken windows This never happened, but I saw you leave And crawl into a bed of broken windows This never happened, but I saw you leave And crawl into a bed of broken windows This never happened
FrancesTheeeMute I believe he is referring to the first scene, where someone is murdered by falling glass from a multi-coloured skylight, their body left lying on the floor, surrounded by the shards. I would be surprised is the original Suspiria was a big inspiration to this album, and indeed The Mars Volta in general, especially the brightly coloured surrealism
Well, in some instrumental parts this song actually vaguely reminds me of the Goblins, the Italian prog rock band that wrote and played the soundtracks of some Dario Argento movies, including Deep Red and the original Suspiria.
Not enough space for a CD release. CDs can only hold about 80 minutes of music. All of the tracks on the final album totaled about 76 minutes, so there was no room left for this track.
There's an edited version of the album on YT that includes the title track and tries to remove the more tedious interludes etc with a download link - I highly recommend it
Great song and great album. However, the ambient noise was always a self-indulgent habit I wish they could have dropped. It would be MORE progressive to edit down the album by removing the ambient “textures.”
What do you mean the bed of broken windows part is a fucking amazing climax to the song and segways well into the reprise of sarcophagi (which would have been the transition point to Cygnus had the record label not have been shit brained)
wtf was i listening to this in my teens i mean they make damn good music but...this shit is creepy as hell...my dad introduced me to pink floyd though after he heard me listening to them...he was like my band copied his band but he was telling the truth lmmfao...
@@rayancharafeddine4982 totally true, and pink floyd doesnt even have this kind of agressiveness they carry from ATDI, i mean yeah its prog rock and its really trippy but thats the only thing similar imo
Frances is great. But there's so much bullshit that it becomes a chore at times. I get the ambiance is a part of this band's soul, but holy shit I just wanna listen to the fucking song! I'm sick of having my ears torn out by the intro of this, or the outro of Cygnus, and seriously if I wanna listen to birds I can go to my back yard. EDIT: I'm gonna give this song's outro a pass since it ends with the guitar used in the Cygnus intro, which makes the segway absolutely PERFECT.
+Animalz BLC I agree with this. As it is, Frances the Mute (the album) feels more coherent and complete beginning and ending on the same melody. Frances the Mute (the single), while an excellent song, doesn't flow as well with the rest of the album. It works as more of a prelude to the album.
+MistahLightningBolt Every coda has a point to the story of the album, even the telephone at the beginning of this. the soundscape in miranda tells you the story takes place in puerto rico etc. etc.
![The Mars Volta - Frances The Mute [Live] 2006-08-07 - Santa Cruz, CA - Catalyst](http://i.ytimg.com/vi/AVxhZY1dHlI/mqdefault.jpg)
This album is the greatest thing to happen humanity ever
The record label really messed up making them cut this song. One of the best tracks on the album. Might even be one of my favorite Mars Volta songs tbh
I agree I was really confused to find it missing on my second purchase of the album.
and now its even blocked on spotify, fucked up
@@ThePhantom4516 scabdates too :(
the song is too good they gotta hide it
Same
Creeping out all my neighbors; doing yard work while this blasts from the house.
GUTTED AT THE NAVEEE!!!
pure genius
The Omar's guitar solo is unbelievable.
THEE OMAR!!!
Masterpiece
I love this song so much, i can't even explain... back in 2005, i downloaded this album on soulseek and this music came as a bonus track, i was so disappointed when i bought the cd and this music wasn't there hahaha
Imagine a duet involving these guys and Maynard James Keegan
Ah yes, Maynard James Keegan of the 7/11 across the street. He's such a nice guy! Though not the greatest singer.
SharkTurd11 you're serious?
Oh shit, I said Keegan. Meant Keenan
The Nekomancer All good man. Huge Tool fan here; "Maynard James Keegan" is a god.
ehhh, it wouldn't feel right. the mars volta is an entire group.
maybe for one song, but how would it roll out?
consider Passenger by the Deftones
then A Day in the Life by HBMS
you'll hear what I mean.
When Frances The Mute on Spotify
7:27 for those like me looking for it
huge
4:25
4:30 to skip ear rape
fell for the pleb filter
But that's the main experience.
Element Honestly I love it because the song comes as such a surprise that it really amplifies the whole experience
Element boooooo
It gets boring after the first few times
The entire story of the album must be turned into a comic book at least, ideally a film or a series. Imagine the story of Cygnus being the last Tarantino feature.
A. In Thirteen Seconds 00:00
B. Nineteen Sank, While Six Could Swim 07:20
C. Five Would Grow and One Was Dead 10:57
D. Sarcophagi (instrumental) 12:13
It's been thirteen seconds since you all last said
I've become the apparition you predicted for my death
You said that flirting brings you closer to the end
You can bait into the water but you'll never get the hint
And like a stain of bricks goes dancing by your head
Plucked from an icebox, grafted on my skin
It's been thirteen seconds since you all last said
(Don't you worry)
I've become the apparition you predicted for my death
You said that flirting brings you closer to the end
(Don't you worry)
You can bait into the water but you'll never get the hint
And like a stain of bricks goes dancing by your head
(Don't you worry)
Plucked from an icebox, grafted on my skin
[Verse 2]
My coat has hid the marks, mink hits the shovel fix
Near the sway of pendulums, boar abrasions and a kiss
She said, "I'll never let them hurt you, I'll never let them in
What you took from me is mine and what is mine I'll never give"
Mascara glass in the molar weeds
Her ash, a serpent infancy
And his eye patch pussed through a gape of sand
Into his shine a sedative (Into his shine a sedative)
More and more the dirt collects
And you'll never find her body now
In a closet festered in secret air
Blonde underneath her blackened hair
And he never knew the colony
Gestated in his bed
Mingle with the carnivores
You've something both in common now
Till one day with his wasted breath
Swollen throat and karma debt
Set foot inside a parlor
To find her drunken by receipts
He held her by the ankles
Gutted at the nave
Yes gutted and depraved
He tied a rope around her legs
And let her hang for seven days
This never happened, but I saw you leave
And crawl into a bed of broken windows
This never happened, but I saw you leave
And crawl into a bed of broken windows
This never happened, but I saw you leave
And crawl into a bed of broken windows
This never happened
this..this is more like a movie rather than a song!!!!
archibaldo delacruz yes!
archibaldo delacruz That's most of progressive rock.
@@earth9564 Holy yeah
So magical to discover this now. Years after I started my TMV journey with this album. I love all their stuff (and other bands) but this album was their absolute peak.
I know people hate the clanking noises at the beginning but they are great. If you listen to this track before Cygnus, it sets a mood. It's dark. Unpredictable. Disturbing. Sets a theme.
Agree,so underrated.
It's like someone convulsing...maybe dying?
I hate that people hate this intro because it makes it so hard to find it now. UGH
I like it and I appreciate the way it builds up but this wall of ambience coming suddenly at full volume in the mix at 3:31 is a choice I don't get
@@josealonsoastudillohernand2008 I think they’re meant to be church bells, just super distorted which… if you know the album’s story
"This never happened, but I saw you leave
and crawl into a bed of broken windows"
Una de las mejores bandas contemporáneas, alucinantes, saludos 🇲🇽 2019
Tuviste la oportunidad de verlos en concierto?
@@alvinduran5540 yo nel y siempre me llevará la berga x eso
@@sebastianperales3630 Pienso lo mismo, está jodido
@@QwQ-qwq de la berga carnal pero ni pedo
@@sebastianperales3630 Lamentablemente ya no está Ikey, Cedric está enfocado en su familia, Omar no se, creo casi no usa las redes y los demás no se que hacen, pero bueno se ve imposible el regreso al menos ahora
The 4 minute noise intro is classic Omar. Get through it as a listener and you get rewarded. The way Cedric and the guitars link up at the end. Man.
Omar's mentioned influences like Throbbing Gristle before, the intro reminds me of them
Oh, indeed.
I would be surprised if that's actually why it's there. Tension and release is why TMV does this, the idea that the listener should have to pass some sort of trial to experience the song is a weird one, what would it add to the experience? Tension is one thing, but putting the listener through something unpleasant just to make the meat of the song sound better in comparison is weak, and TMV would never use such a cheap trick.
tension and release is a good way of describing it to be fair
Label: Omar, we think we can fit all 6 songs if you trim the noises a little bit, we got 4 mins from the title track, about 2.5 mins after The Widow, 4 mins before Miranda and more after
Omar: F--k no
Label: So we drop
Omar: Drop the title track
Label: So the album
Omar: Album title stays
The missing link to understand the entire album. This masterpiece of a song was treated like a fake limb, a rotten apple. It was not even included in "La Realidad de los Sueños".
That acoustic part is so beautiful and one of a kind
It's called Sarcophagi
@@rbrt.a7063 i think maybe they mean the middle section
"This never happened..." How can cedric sing that melody over the most amazing rock riff ive heard? I dont even know whats Cedric reference to do that melody above it, and yet its the most beautiful thing ever..
The beginning of this song is creepy and unnerving
I hear what you mean, it's hard to describe why though
Maybe because it's supposed to be?
if you find this creepy, try The Cure's title song from their _Pornography_ album
"He died for your sins... I see no nails."
TheGuavaberry oh god yes
+TheGuavaberry Is there any escape from the claws of Vinesauce?
killbotvii no
+TheGuavaberry THIS NEVER HAPPENED! HOW DO I LEAVE!?
Weird flex but okay
Been a fan since 2003, that's definitely their best song
All things considered, probably is. A whole package of Mars Voltaness.
Ehh no.. :D
this was only on the B-side record to the Single of L'Via
thank god for internet since ive been jamming this online since 06 and didnt know that til last week
+guitaoist it was the B-side for The Widow, not L'via. The B-Side for L'via was "The Bible and the Breathalyzer"
OddGonzo oops thanks
SancheNusS Stackhouse thats nice anything else?
A Missing Chromosoma.
@@ivanyiattila3547fanmade compilation
Vinyl reissue confirmed for 12 inch at record Store Day! So hyped!! Abril 22 ftw
Mingle with the carnivores
You've something both in common now
And like the stain of bricks goes dancing by your heeeeeeeeeeeeeaaaaaad
Love how they're is no bs time stamp of music starts here
Music starts when you click on it
This intro is so cool yet pretty terrifying wow
This is probably the weirdest Prog rock album I've ever heard of
So Mars Volta has a song called "Frances The Mute" which is entirely separate from an album they made by the same name?
EDIT: Never mind. I see now this was a B-side for "Widow".
It's a rare and beautiful thing when the album-titled track isn't even on the original Album release.
@@pandyfackler118 Blind Melon - Soup !!!
@@robypal97 Marcy Playground did this with their Shapeshifter album/song speaking of related 90s music
And a standalone single
08:11 The Mars Volta dipping into ASMR
apparently the clanking noises are morse code, its basically saying SOS.
Wow first time I’ve heard this. Can’t believe it was cut. I assumed it was just going to be noise
why did they don't launch this on Spotify?
This song is on spotify.
It's on Spotify, but for some odd reason it's unavailable in several countries...in other words, it's region-locked.
@@AkihiroDigital this is just stupid :/
@@ahmeterenlacinbala I know right? Why block a masterpiece like this one? From what I've been told, it has to do with some rights issues with the song. But that's an speculation regarding why the single wasn't included in La Realidad de los Sueños Vinyl collection. It wouldn't make sense that the same reason would apply to streaming services. It's dumb
This is such a night song, and probably my favorite MTV song ever, such a pity it isn’t included in the album :/
They make some creepy ass music lol love it
That Outro.... 🙌
GUTTED AT THE KNAVE!
I would have liked the album a lot more when I first heard it if this was on it. The band said they didn't put it on because there was no room, but I think this would've been worth splitting it into two discs.
Wtf?! I get that this song is amazing, but when this was released, i smoked a blunt, laid in bed with my cd player on full blast and loved it thru and thru! Frances was a masterpiece even without this. Id say its their magnum opus
i dont think the band could afford a double album
Legend has it, they did offer the album originally as a double to the record label but they said no for whatever reason and since Omar wasn’t willing to cut down any of the songs to make it actually fit, it was left as a b-side. Don’t quote me on that though
This intro sounds like Time by Pink Floyd but better
Time is a polite version of this, it tampers to the audience
Lyrics
It's been thirteen seconds since you all last said
I've become the apparition you predicted for my death
You said that flirting brings you closer to the end
You can bait into the water but you'll never get the hint
And like a stain of bricks goes dancing by your head
Plucked from an icebox, grafted on my skin
It's been thirteen seconds since you all last said
(Don't you worry)
I've become the apparition you predicted for my death
You said that flirting brings you closer to the end
(Don't you worry)
You can bait into the water but you'll never get the hint
And like a stain of bricks goes dancing by your head
(Don't you worry)
Plucked from an icebox, grafted on my skin
My coat has hid the marks, mink hits the shovel fix
Near the sway of pendulums, boar abrasions and a kiss
She said, "I'll never let them hurt you, I'll never let them in
What you took from me is mine and what is mine I'll never give"
[Nineteen Sank While Six Would Swim]
Mascara glass in the molar weeds
Her ash, a serpent infancy
And his eye patch pussed through a gape of sand
Into his shine a sedative (Into his shine a sedative)
More and more the dirt collects
And you'll never find her body now
In a closet festered in secret air
Blonde underneath her blackened hair
And he never knew the colony
Gestated in his bed
Mingle with the carnivores
You've something both in common now
'Til one day with his wasted breath
Swollen throat and karma debt
Set foot inside a parlor
To find her drunken by receipts
He held her by the ankles
Gutted at the nave
Yes gutted and depraved
He tied a rope around her legs
And let her hang for seven days
[Five Would Grow And One Was Dead]
This never happened, but I saw you leave
And crawl into a bed of broken windows
This never happened, but I saw you leave
And crawl into a bed of broken windows
This never happened, but I saw you leave
And crawl into a bed of broken windows
This never happened
That transition from 4:30 tho...
I always think "a bed of broken windows" is a reference to the movie Suspiria.
It's been a year.
2 years. They've even remade the film, now.
FrancesTheeeMute I believe he is referring to the first scene, where someone is murdered by falling glass from a multi-coloured skylight, their body left lying on the floor, surrounded by the shards. I would be surprised is the original Suspiria was a big inspiration to this album, and indeed The Mars Volta in general, especially the brightly coloured surrealism
Well, in some instrumental parts this song actually vaguely reminds me of the Goblins, the Italian prog rock band that wrote and played the soundtracks of some Dario Argento movies, including Deep Red and the original Suspiria.
Clouds Hill as just re-issued the single. RUN FOR IT
I picked it up at my local record store, along with amputechture
@@ethanwbs2952 mine is on the way eheh
Just ripped this from the dvd as a flac. Now I can listen to a good quality version of it
This was my first Volta song. Had no idea what I was getting into and nothing could prepare me for what I was about to hear
why would they not have this on the album?
Not enough space for a CD release. CDs can only hold about 80 minutes of music. All of the tracks on the final album totaled about 76 minutes, so there was no room left for this track.
Taylor B yeah there's no way they could have edited all the useless ambient interludes down or anything lol.
I hear you. That's the one thing that kills this album for me.
yeah the album itself is just under 77 minutes
if this song was on the album, it would've been 91 minutes 11 over the limit
There's an edited version of the album on YT that includes the title track and tries to remove the more tedious interludes etc with a download link - I highly recommend it
4:20
Какова Х этава трека не было в ориг издании ФТМ?
This never happened but I saw you leave
He visto de todo a mis 37 años, y está canción me sigue poniendo los pelos de punta.
Does anyone know how to get the guitar tone at 4:30ish? The sorta wailing sounding one, I’ve heard it all over
This was the the First TMV song I ever heard.
Holy fuck my ears what is this shit 1:00
+Adrien Brody EAR RAPE
Great, ain't it?
this is a master piece, ain’t??
What a masterpiece
Great song and great album. However, the ambient noise was always a self-indulgent habit I wish they could have dropped. It would be MORE progressive to edit down the album by removing the ambient “textures.”
bad take, listen to some Throbbing Gristle and u might get it
@@m.f.3347 hard pass
Lacrette! quemal dito dico!
The only problem with this song is that the beginning is the best part, well the part after the 4 minute intro.
What do you mean the bed of broken windows part is a fucking amazing climax to the song and segways well into the reprise of sarcophagi (which would have been the transition point to Cygnus had the record label not have been shit brained)
nah the acoustic section is the best especially when cedric starts yelling
Awesome!
4:34
Great song, but why is the ear rape louder than the rest of the song?
Michael Edwards because it's an ear raping intro
Because
Because it has been mastered poorly I think.
@@elvislegg8634 this. The mix is not the best but damn is such a cool track
wtf was i listening to this in my teens i mean they make damn good music but...this shit is creepy as hell...my dad introduced me to pink floyd though after he heard me listening to them...he was like my band copied his band but he was telling the truth lmmfao...
Copied? All music is based on previous music to some extent
@@rayancharafeddine4982 totally true, and pink floyd doesnt even have this kind of agressiveness they carry from ATDI, i mean yeah its prog rock and its really trippy but thats the only thing similar imo
If Mars Volta sounds like anything it's Led Zeppelin not fucking Pink Floyd.
@@nebojsadurmanovic2268 they sound like both....he actually introduced me to pink Floyd AND led Zeppelin when I was younger.
Intro would fit in with the Dead Money DLC of Fallout New Vegas
Frances is great. But there's so much bullshit that it becomes a chore at times. I get the ambiance is a part of this band's soul, but holy shit I just wanna listen to the fucking song! I'm sick of having my ears torn out by the intro of this, or the outro of Cygnus, and seriously if I wanna listen to birds I can go to my back yard.
EDIT: I'm gonna give this song's outro a pass since it ends with the guitar used in the Cygnus intro, which makes the segway absolutely PERFECT.
Some people dont have backyards.
Not a good song, or álbum, to listen to if you're high. But awesome if you only having drinks. Took me 12 years to figure that out.
You gotta be shitting me. Great album to be high to.
@@alvinduran5540 I totally agree, I really love to dance to cassandra gemini being high heheeh
I gotta disagree lmaooo i love being high while listening to The Mars Fucking Volta ! 😂
Try it on shrooms..
Definitely a bad idea.
@@viscg88 lsd, man. I was damn high and listened to ambuletz, i'll never forget the trip
Great song, but i hate whispered lyrics.
Maybe if they cut off the filler of all the tracks they MIGHT have been able to fit this in.
***** Yes, beggining (first 4 minutes) of Miranda. Cygnus' ending, last 3 minutes of The Widow, ending of L'Via and the noodling parts of Cassandra.
+MistahLightningBolt might've just not fit the album. doesn't necessarily have to do with the amount of minutes on the album
+Animalz BLC I agree with this. As it is, Frances the Mute (the album) feels more coherent and complete beginning and ending on the same melody. Frances the Mute (the single), while an excellent song, doesn't flow as well with the rest of the album. It works as more of a prelude to the album.
+MistahLightningBolt Every coda has a point to the story of the album, even the telephone at the beginning of this. the soundscape in miranda tells you the story takes place in puerto rico etc. etc.
+Skullkan6 a perfect movie in music form
such a contrast to the shit they've released this year..10 years waiting for blacklight shine, graveyard love and vigil...
Someone should do a remaster/mix of this cd as a new release with this song and without the noises.
REALwoombath Here you go buddy ua-cam.com/video/smt34ZmeczQ/v-deo.html
It already exists. search the album on YT. there's a download link too
REEEEEEEEEEEEEEE I do not agree
the noises are essential, tension and release
11:24 those Björkish phrases i use to love from cedric
my 2 fav artists yaaaa
Please... I've never listened to Björk but if her work sounds anything like this I will listen to the entire discography... I need recommendations