Music Theory for Beginners | Dominant 7th Chords and I IV V Blues Chord Progressions | Berklee 18/20
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- Опубліковано 17 гру 2020
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In this series of videos, Berklee Online course author and Harmony and Jazz Composition Department Chair George Russell, Jr. details how to develop your musicianship. Through several exercises and practical application, he touches upon topics such as the major and minor scale, major and minor triads, and the minor pentatonic scale. George also defines concepts such as ear training, harmony, tonal center, and intervals. You will use these subjects to develop the foundation needed to understand the various applications of music theory. In order to get the most out of the course, George recommends that you have an accessible piano or keyboard to fully engage and participate and gives tips on practice time.
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About George W. Russell, Jr.:
George W. Russell, Jr. is a performer, a composer, and an educator. His performances range from a solo piano, to a groove-oriented jazz trio, to a soulful, fresh-sounding larger ensemble that arouses the listener's intellect and, most importantly, touches their soul. George is the Chair of the Harmony Department at the Berklee College of Music. Prior to becoming Chair, he served as a professor of Harmony and Piano at Berklee. George has been awarded the Ted Pease Award for Excellence in Teaching, along with the Curriculum Development Award for the Writing Division. George has also been recognized with the highest award that Berklee gives to faculty, the Most Distinguished Faculty Award.
About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
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Music Theory | George Russell | George Russell, Jr. | Major Scale | Minor Scale | Triads | Chords | 7th Chords | Minor Pentatonic Scale | Intervals | Harmony | Tonal Center | Ear Training
![How To Write Progressions using min7, maj7, and Dominant 7th chords [Songwriting - Music Theory]](http://i.ytimg.com/vi/3JizNRwHYNY/mqdefault.jpg)
Last guy had the most bluesy lyrics 😂
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Brilliant and fun video, thank you!! The chord changes are the most challenging during blues playing as there are too many things need to be followed like correct notes, rhythm, emotions.. This video is super helpful!
THIS WAS SO HELPFUL! Thank you
Best instructor ever!!!
Very clear.
Best ever.
This was delightful and easy to understand, thank you for sharing! This made me want to make up lots of fun lyrics about mundane life events 😂❤
Excellent teaching onblues really students are blessed to learn good teacher God bless you all
Solid video
I was arpeggiating the F7 chord and accidentally figured out how to play part of "Color My World" by Chicago. Thanks George. :-)
How are you doing?
Just want to tell you that you are the best,
Nice presentation indeed 😆 however I don't know which minor pentatonic scale is being used. If the harmony is I7, IV7, V7 then which tone are we using for the pentatonic minor scale?
In the example, if I7 is C7 then are we supposed to use the Cm pentatonic scale? If that's the case,, then I guess that the E♭in the minor pentatonic is going to clash with the E for the C7 chord 😳 Also, about using the blues scale as well?
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