So grateful for the history, background and the evolution of the great Raga. But, how is this Raga as popular in the Tamil/South Indian music too? Can someone enlighten us? Grateful for this gift but for the missing name of the tabla accompanyist. Best regards.
Fantastic recording, as usual. I am so glad that Panditji has chosen to play a long alaap. In most of his recent recordings on UA-cam, he seems to skip the alaap. That takes a delicious development out of the raag, leaving me wanting it desperately. Truly the doyen of the Imdadkhani gharana currently.
Awesome
Absolute top stuff. Real music. Like in the old days✨
So grateful for the history, background and the evolution of the great Raga. But, how is this Raga as popular in the Tamil/South Indian music too?
Can someone enlighten us?
Grateful for this gift but for the missing name of the tabla accompanyist.
Best regards.
Fantastic recording, as usual. I am so glad that Panditji has chosen to play a long alaap. In most of his recent recordings on UA-cam, he seems to skip the alaap. That takes a delicious development out of the raag, leaving me wanting it desperately. Truly the doyen of the Imdadkhani gharana currently.