6 Chord Progressions in the DORIAN Mode
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- Опубліковано 6 тра 2024
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0:00 Intro
0:34 Relative modes
1:45 Parallel modes
2:09 Dorian mode qualities
5:30 Progression 1
6:31 Progression 2
7:18 Progression 3
7:58 (Important pattern)
8:28 Progression 4
9:11 Progression 5
10:07 Progression 6
To Dorian mode is great for songwriting. And there's a logic to how you use it to craft cool chord progressions. Here, I explain using 6 classic songs in the Dorian mode.
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Rarely do you see people explain the modes from a practical point of view, how to actually apply them. Like really showing the progressions you can use. Good stuff.
Thanks! Yes, converting head knowledge to "hand knowledge" is what it's all about.
Absolutely!!! I have been thinking the same. Most tutorials focus on modes as scales, I suppose (and I'm thankful to people who make such videos) - but ignore how to actually use them. I completely agree. Thanks again.
This is garbage. Just garbage. You might as well just make a video of you smelling your own farts. I bet you think they smell really good.
Your hard hipster part says it all
My God. Someone has explained the modes in the most comprehensive manner.
This is hands down the best instructional video on modes I’ve ever come across.(in years)
Well done Mike!
FINALLY!!! Someone who actually explains modes that can be easily understood!!! Thank you!
Great video. Great examples of Dorian mode songs.
So well (visually stunning) explained! Please continue with this series!
Thank you so much.
Cheers! More to come on modes. 🤘
Absolute best explanation ever of modes.
exceptional teaching clarity thank you
It’s like sitting in the guitar class n watching the teacher teaching from a board in front. It’s so easy n comfortable to watch n understand it. Thanks a lot. I was tired of playing major & pentatonics. This really is very important fr me as a musician. ❤️❤️❤️❤️❤️❤️
I realized watching this how handicapped I am by being a visual learner . It also showed
me how some of us learn by ear with our eyes .
Music theory literally means "to see sound," so seeing in combination with hearing can definitely help.🤘
This is exactly what I needed to fully understand music theory! I've been specifically wondering what chords I can use to get that "wistful" sound! Your style of teaching is the best out there! Many thanks!
awesome video! really appreciate you being so thorough with the theory, whilst keeping it immersive and intuitive!
Love your voice, so clear and musical. Top notch content, fantastic thank you!
What a thoroughly enjoyable insight.
The craziest use of modes that I've seen is erik satie's gnossienne 2.
Where the piece has shifting colors moods and feels, because every 8 to 16 bars is a totally new mode it's utterly amazing.
I have no idea how he shifts from one mode to the next
Loved this! Thank you for this lesson!
There’s so much to extrapolate from this. It’s a whole new way of understanding keys. Enough to keep me busy for hours. Great lesson, Thank You.
This is the best video on modal chord progressions I’ve seen to date! Please do more!!! All the other modes please.
Fantastic! This is great.
This was very helpful!!!
You are so AwEsOme...I so appreciate you and what you do. And I am accomplished performer and music lover for many years.
Congratulations on a great video. For the graphics and good explanation and the examples to make sense of it all. And for choosing a topic that doesn't get much attention...how to use modes. Thanks
You just blew my mind.
First time your channel popped up for me. I enjoyed this video. Thank you.
Brilliant. Subscribed!
That chart at 2:00 is SUPER helpful!
Awesome visuals to illustrate relations between notes, modes, and chords!
So good. Thanks!
This is the best theory lesson I have seen. You really cleared up Dorian progressions and scale. I truly appreciate you.
Very good explanations and examples of real tunes.
As always you've done an amazing job. Thank you for all the help with all this theory.
Cheers!
Amazing bro rlly, thank you!
Amazing Content dude! very well articulated.
And after playing in Dorian for a while, switch to Ionian or Aeolian to either revel in the harmony of the major or really feel the emotion of the minor. Great way to build/release tension between songs.
Useful diagrams, thanks!
Linoleum scale floors me..good video! 🤙🎶
Very well done! I have "Liked & Subscribed".
With the inclusion of harmony though the scale , this finally nakes sense. I will use this in my teaching as i find it the best presentation.
Thanks for the tips
This is such a usefull video on modes! Thanx a lot!
this was very helpful thank you.
For music theory you've become my go to guy!
Thank you for the information. you just help me Rise above my plateau
Great showcase
Really cool, commenting for the algo ;)
Thank you!
just got schooooooled. thanks mike
Music is a gift of God
Thank you for doing God's work here on earth !!!
Namaste'
Namaste.
@@mikegeorge360 Right on Bro ! Simply INSPIRATIONAL !!!
This isn't 'clear',
it's 'very clear',
...and even that is an understatement!
Liked, subscribed, banked and shared.
thanks very much. I find modes really confusing and this has helped a lot.
Excellent tutorial
Thank you!
Thank You so much for this explanation of modes. Been stuck with some typical chord progressions for years. Very well put. Made my Eureka moments in modes. The raised 6th which is a characteristic note. And a characteristic note is the one different from the functional modes that is Aeolian and Ionian. ❤❤ Thanks a lot. This will help me unlock other modes!
A lot of info in one video! 🎉🎉🎉
For a person who has two first names, you do some excellent videos
You and David Bennett Piano are the best theory teachers on this website!
Cool... Thanks
excellent!!! I've learned so much thanks to you.....
Also, do you know what principles to uses when playing gospel and jazz? I know the chords, but I dont understand how people come up with sweet progression.... Thanks
Just wow! 👍
Wow. Theory does my head in. I used to think it was because I was stupid. No one, no one has explained this as well as you. Major light bulb moment this morning. Thanks Mike. Subscibed
The Dorian mode is a palindrome in that if you reverse the intervals, you still get the Dorian mode. This is opposed to, say the Major mode, where if you reverse the intervals, you get the Phrygian mode or the Minor mode, where if you reverse the intervals, you get the Mixolydian mode.
I knew Boulevard of Broken Dreams was a dorian song, but I had no idea it sounds the same as Mad World.
This what a teacher should sound like!!
Good explanation of modes! It would be wonderful to see modes explained in a jazz context by adding the 7th scale degree.
Yayyyy ! Finally got modes ! It’s the diatonic chord progressions following the modal scale not the scale itself ! All the guff (in other vids) about tonal centres forget to mention that !
I would argue that "Wicked Game" is an example of Mixolydian as what you have labeled as the IV chord feels more like homebase and should be the I chord.
Ole Gilmour loved it
i would love to get your perspective on the other anhemitonic heptatonic scales (melodic minor, harmonic minor, etc) and their modes, do the "rules" of a nice progression carry over to other scales? thank you for your videos. wisdom galore
I'm so glad I found your channel. What a great channel especially with all the visualization effects you're including. GREAT work man. Loved this video. I'm noticing you're doing lots of videos on Dorian. Can you do a similar video to this but on Mixolydian, perhaps also on Lydian? It'll be great if you can cover this extensively and deeply all modes. Why are you focused on Dorian more? (just curious).
Thanks for your feedback -- and I'm so glad you're here. Yes, I'll definitely do more videos that explore Mixolydian and the other. I love Dorian, and all the modes.🤘
@@mikegeorge360 Man, you really are great. Truly! I've watched youtube videos on modes lots, and I think only now I really start getting the point. I only mentioned other modes cause noticing you have so many good videos on Dorian and less on others. This particular video going over the chords, their functions and demonstrating a few chord progressions is really the best videos to understand modes. Thanks for your work man!!
What the actual f**k! I’ve watched so many vids on modes and this is the first one the explained the difference between relative and parallel modes and something finally clicked. Thank you.
Great video, i think it will help me.. if i could only memorize the notes in each key without having to write it out and use my fingers to count and be sure i didnt miss any flats or sharps..
Amazing lesson!! Beautiful graphics, too! which software did you use for the graphics, please?
subscribed immediately
Regarding the 'Karma Police' progression, why wouldn't that bIV F maj chord make it A Aeolin mode?
Wonderful explanation! I have a question though, there’s a song called “fate” by H.E.R that uses that Minor 1 to Maj4 movement but then she sort of resolves on a Maj5… in Dorian that 5 is minor so what mode would that be in? The progression juggles from Dm - Gmaj and then resolves on Amaj. Any thoughts??
Have you discussed the logic behind the colored shapes on your guitar, specifically as they relate to the theory, in one of your videos. I've watched several and I dont believe I've seen an explanation.
I have been trying to understand modes, watched a couple dozen and never understood any. Including this one. In fact, I'm more confused than i was before.
Great work again Mike. One question: At 3:30 in your diagram of the Dorian mode chords, you signify the Key as D. Isn't the key still C if you are in D dorian?
Theorically yes, we can say that we are at the same time in A minor (wich is the the relative minor of C major) and all the other modes with relative Key... it all depends the way you want to "Think" your progression, because all the chords contained in D dorian are the same contained in C major and A minor, but just in a different position on the scale.The crucial thing is the way and in wich order you choose to use them
You love the sound of your own voice😴
Wouldn't call the second chord inKarmaPolicaD or IV, more an Am over F#, being a vi, so an F#min7b5. It share notes with D, but hasa way darker sound and the F# in bass is essential. Good stuff though
hi do you have all this images for download on members area thanks
What are those colored stickers on your fretboard called, and how do they help?
Min 7:05 The Corrs - only when a sleep
I have not understood a particular thing: why is the 6th grade "raised", as we said at 2:54, even if we say that it can be derived by the Ionian mode by lowering the 7 and the 3?
Moreover, why is the 6th grade so importante, as we pick up mostly chords containing the 6th?
I had two pet fish named Lydian and Dorian. I told them apart by their scales.
i think on the Drive example your v chord change is on the wrong line - it should be up one or something cheers thanks
Hi Mike. I would love the opportunity to talk to you directly if thats possible? My name is Richard - from Richards Guitars
I dont understand the last progression... how is that not just Am with the F instead of the F#?
💜👁
The use of the word “key” is probably one of the more confusing terms in music theory. Saying a progression is in the key of F (F Dorian) is wrong in terms of key signature because the key is really Eb. It’s weird that we don’t have another term to address that… I’ve heard “street key” and “tonal center”. Essentially the only time we can really say a progression is in a “key” is when all chords are diatonic as borrowing chords changes the key or goes “outside”. The only reason I mention this is because many musicians I encounter at jams don’t know this and think “key” is just the first chord of the progression.
So a song might be Am Dorian (key=G) and they will play Am (key=C). Sorry I just find it strange
Handsome man
it s to much for me😂😎
In your example of D minor Dorian, D minor is the key center, not tonic. The tonic remains C. That's how I was taught to look at it. Thanks for the video.
Why talk so fast? It becomes confusing.
Change the speed of the vid ?
why you talking so fast? slow down man, theres no rush dude.
For heavens sake, slow down! Take a breath, give us a break to take in each point! Bye bye.
There’s this wonderful function called “pausing”, I suggest you use that.
@@GracefulEloquence. I’m the viewer, the customer. The presenter should be thinking of me and the rest of the audience, not me working out when to hit pause. I suggest you reverse your thinking.
@@josephinebennington7247 me me me me
Amazing!!!
excellent mate
Don't memorize these, teach your ears to remember the sound. Never freeze yourself like a frozen fish, make your notes free. Remember, music is freedom.