👍🏻 Nice tutorial. Good technical tips for creating harmonious sounding music endings. Liked, subscribed and even saved the YT link for repeated listening. Thanks for sharing the know-how. ☀️
I am so glad to see this channel growing. Your team makes fantastic content. No fluff, always incredibly useful content. I’ve been a filmmaker for 6 years now and I still find myself learning new things from this channel. Serious thanks and keep up the great work!!
Great advice. There is also an interesting option with cropping without counting the beats in the track, everything is done by DaVinci on the Fairlight page. There is a grid tool on the panel, you need to specify the BMP of the track and DaVinci will indicate where to make the CUT. I would like to see all the possibilities of this tool, otherwise everyone forgot about it.
Your advice has proven to be valuable, without the need to use Fairlight. Although I would like to update the reception in memory with the expectation of Fairlight 🤞
If I could add my 2 cents as an audio guy, I see a lot of video editors make this mistake. Add a very short fade on either end of any cuts you make to avoid pops and clicks that may be created from not cutting at a zero crossing. Thanks for all you do 🙌
I think Resolve already does this internally. Makes sense, because otherwise nearly every cut would click, statistically. Users would notice and complain instantly. They don't want to bother with low-level technical details such as manually finding zero-crossings every single time. So far I got away with pretty wild signal jumps at the cuts, which would have sounded awful in other programs. Also, Resolve seems to recognize and optimize manually drawn cross-fades between two tracks (as seen in the video) for constant volume. This also increases usability a lot and is what makes Resolve such a great piece of software: It tries to solve the users' actual problems as smart as it can, i.e., without forcing them to get into the nitty-gritty "computer crap".
Great video and information! I was trying to refine the reverb of just the last word of an audio track. I got it to work but wasn't clear at to why it was so complicated! Thank you!
Sweet as always, I have used all these techniques except the ring out, I do it differently, but this way is easier & faster, the effects at the end of the ring out, I done those. Thanks so much for what you guy's do.
@@team2films You guys are taking this channel to what yt, was before, a place where one looks for a solution to their problems and finds it, many now try to sell you something and waste your time, trying to make jokes, nonsense, you guys go straight to the point and are always well prepared. Thanks!
@@reyvaz2951Ah, thanks for saying that. It's nice to know people appreciate what we are trying to do. We're trying to be discerning with any sponsorships we take on too, don't want it to ever water down the quality of efficiency of the information we share.
Is there a reason why you didn’t use Fairlight to control and add the reverb? An automated FX bus with a reverb on it could have done the same thing in seconds.
Hello, thanks for watching and thanks for the good question. Yes, automation on a bus with the reverb effect could allow you to do this in one track. However, if you change the edit and move the music left or right, the automation will need to be updated too. There are several advantages to the method we demonstrated. It's easy to move the music in your edit, just grab the clips and move them. It's a simpler technique. We've not had to teach people how to use busses, or how to use the Fairlight page. It's much easier when you've got multiple ring outs in the same edit. You don't need to build the reverb effect for each. Hope that helps? Of course, there is always more than one way to achieve the same end result.
Great Video! Question though: Wouldn’t the ring out effect work the same if you added reverb on the original clip and keyframed to “engage” only in the last phrase? I’m new to DaVinci so I don’t know if this option is there, but in Logic Pro that’s how we usually work with different audio effects. We automate(keyframed) them.
Yes, you can keyframe the reverb. However the reverb will still only last the duration of the clip. Some people get around this by adding silence to the end of the song so it can be extended. This can be done by compounding the clip and adding blank space at the end. That's why we like the reverb track method as it's less clicks... and if you have multiple songs that you want to ring out, you don't have to setup a separate reverb effect for each. Just push the last note down into the reverb track. Does that make sense?
@@team2films oh wait! If you already have a music clip the reverb goes on the clip and not on the audio channel? You gotta have an empty track for the effect to go on the channel and not the clip? 🤪
@@zelkuthI see what you are saying. You could put the reverb on the track that already has the music clip in. But without automating the reverb volume it would be on for the entire song. So yes, you could do that. It's totally possible to do it the way you are suggesting. But it might be easier to use a separate ring out track.
I'm afraid that you are not counting quarter notes - you are counting 8th notes - when you listen to it there is a bass drum ( thud ) on the 1 and a light snare hit on the 2 and 4 - This is typical for a lot of music percussion. I think you're going to lose a lot of non musicians by doing that fast count. In a beat the snare is probably the peak of that waveform as well. I used to mark out the one on the track by pressing the M key while tapping my foot and laying down the marker for each bar. Then in a music video you can name the downbeat on choruses or guitar solos etc. And when your cutting the actual video - using the nav index for markers - you can jump straight to the right place in the song by just picking it from the list. For cutting to the music - if counting correctly finding the one on each bar is going to a better and easier cut. Seems like beat detection and BPM will probably be an easy AI add on - wouldn't be surprised if Resolve adds it on one of these updates.
Heya Jim. Thanks as always for watching. Always appreciate your comments. We're demonstrating the marker technique you described in our upcoming course. Should be ready in the next few weeks. Apologies if the graphic in the video shows the wrong count. I hope people find the editing techniques discussed are still relevant though. Yes, that would be an awesome feature for a future release of Resolve. Thanks as always for watching our videos! We really appreciate it.
@@lbarnard86 No worries. I think I just have to wait for my next life to be able to "hear" and make sense of what you guys are talking about. Is that you in the "Color Monkey intro?
When making a ring out not every time you have an entire audio track just for that, you can also compose the audio clip and add an adjustment layer and that way you can extend the clip and add the reverb to that
Yes, that's a good technique too. We prefer the track-based ring out method though because it requires less clicks and it's easier to edit/modify your music after you've made the ring out. That's especially true when you have more than one ring out in your edit, or you've set up the ring out track in a timeline template. Thanks so much for watching and commenting.
Going to practice some of these mix techniques. Many times I do a fade in, cut to desired length and then fade out. Doesn't always sound that great. Thanks!!!
Very cool the tips about the riverb in the new tracks, I always struggling with this effect, thing to extend it with a compound clip, but seems worse the result. Thanks for the tips
@@Being-Mango I'm not sure EVERY modifier will fit in a single video :) We've got a course coming out in the next few weeks though that will be awesome for editors looking to learn DaVinci Resolve. We'll make an announcement soon.
I didn't have anything special to do, just lengthen and shorten a song. This function is incredible and has saved me from many situations. If they put this function in davinci, I would instantly buy the davinci license. :)@@team2films
Thanks for letting us know. I just logged in through an incognito browser session to try the coupon code and it seemed to work. It was showing a final price of $59.70 at the checkout. Add the coupon code 'Team2Films70'. You won't get the price unless you apply the coupon code. Can you try it again, just make sure there was nothing you missed and let us know if it works or you are still having problems? It's a steal at $60 for all your stock music for the entire year!
I do not understand why everyone thinks they need ALL of the BASE they can get!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! After 59 seconds THUMBS DOWN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
@team2films Your voice has NO higher frequency at all I can not understand you. Try going into the "Fairlight" tab. Make sure you have the "Master" visible then click the EQ, if EQ is NOT visible then click on the "+" just to the right of the "Effects" pull down to EQ. Double click on either the "Audio 1" of the "Bus 1" solid line beside the EQ. This will open up the EQ in DaVinci. Now, DO NOT restrict the high frequencies. You might even have to INCREASE some of the frequencies between say 1k and 2.5k, that is 1,000 hertz and 2,500 hertz. That is just about as clear as I can make it!
@@davescorneroftheworld1147 Thanks for the feedback and the tips for using EQ. Our dialogue definitely has plenty of high frequencies. Perhaps there is something wrong with your speakers or sound system? Our dialogue has been EQ'd, there is no low pass filter. In fact some presence has already been added to the mids and highs. The audio in his video plays well across a range of devices. There must be something wrong with your system? Thanks once again for watching though. We're so sorry you've been having problems with the audio.
@team2films There is NOTHING wrong with my $6,000 computer and surround sound on this computer. Mabey it is that MY computer is so MUCH better than yours YOU can NOT tell how inferior your computer is. I am not STUPED nor do have an inferior computer BUT thank you for telling me all about it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Nice work explaining these techniques. I got a similar intro 20 years ago by a veteran sound editor. Thumbs up for spreading good sound.
Thanks so much :)
👍🏻 Nice tutorial. Good technical tips for creating harmonious sounding music endings. Liked, subscribed and even saved the YT link for repeated listening.
Thanks for sharing the know-how. ☀️
I am so glad to see this channel growing. Your team makes fantastic content. No fluff, always incredibly useful content. I’ve been a filmmaker for 6 years now and I still find myself learning new things from this channel. Serious thanks and keep up the great work!!
Thanks so much. It's nice to know that people appreciate what we are trying to do. Great to have you here.
Great advice. There is also an interesting option with cropping without counting the beats in the track, everything is done by DaVinci on the Fairlight page. There is a grid tool on the panel, you need to specify the BMP of the track and DaVinci will indicate where to make the CUT. I would like to see all the possibilities of this tool, otherwise everyone forgot about it.
Yes, the overlay in the Fairlight page is excellent for editing music. Thanks for watching.
Your advice has proven to be valuable, without the need to use Fairlight. Although I would like to update the reception in memory with the expectation of Fairlight 🤞
If I could add my 2 cents as an audio guy, I see a lot of video editors make this mistake. Add a very short fade on either end of any cuts you make to avoid pops and clicks that may be created from not cutting at a zero crossing.
Thanks for all you do 🙌
That's a good tip, yeah, even if it's 'beat matched' it won't be a zero crossing. Wish we'd included that now!
In fact, there is even a separate tool for this in Fairight called “Batch Fades”.
@@jensgeumann7564 Great tip. Thanks for watching. We're planning to do more audio mixing content soon.
I think Resolve already does this internally. Makes sense, because otherwise nearly every cut would click, statistically. Users would notice and complain instantly. They don't want to bother with low-level technical details such as manually finding zero-crossings every single time. So far I got away with pretty wild signal jumps at the cuts, which would have sounded awful in other programs. Also, Resolve seems to recognize and optimize manually drawn cross-fades between two tracks (as seen in the video) for constant volume. This also increases usability a lot and is what makes Resolve such a great piece of software: It tries to solve the users' actual problems as smart as it can, i.e., without forcing them to get into the nitty-gritty "computer crap".
AWESOME IS THE WORD...RESPECT...!
Great video and information! I was trying to refine the reverb of just the last word of an audio track. I got it to work but wasn't clear at to why it was so complicated! Thank you!
Glad the video was helpful. Thanks for commenting.
Literally obsessed with this channel
Thank you so much. We appreciate having you here :)
Sweet as always, I have used all these techniques except the ring out, I do it differently, but this way is easier & faster, the effects at the end of the ring out, I done those. Thanks so much for what you guy's do.
Our pleasure, we're so glad you enjoyed the video.
@@team2films You guys are taking this channel to what yt, was before, a place where one looks for a solution to their problems and finds it, many now try to sell you something and waste your time, trying to make jokes, nonsense, you guys go straight to the point and are always well prepared. Thanks!
@@reyvaz2951Ah, thanks for saying that. It's nice to know people appreciate what we are trying to do. We're trying to be discerning with any sponsorships we take on too, don't want it to ever water down the quality of efficiency of the information we share.
Wow, often wondered how to do that ring out and didn't think it was possible without getting deep into Fairlight. Thanks!
So glad you enjoyed the video.
Thanks so much!
You are welcome.
Awseome Tips!
Thank-you so much!
BeatEdit is such a good tool for this!
We'll have to check that out! Thanks :)
She is the Dora the explorer guys and she explore good editing technics for as ❤
Hahah! Thanks so much, we're glad you are enjoying the videos.
and now i see why audio engineers are still needed, not bad for the very basics though.
Absolutely. But it's cool how much editors can do themselves now!
Is there a reason why you didn’t use Fairlight to control and add the reverb? An automated FX bus with a reverb on it could have done the same thing in seconds.
Hello, thanks for watching and thanks for the good question.
Yes, automation on a bus with the reverb effect could allow you to do this in one track. However, if you change the edit and move the music left or right, the automation will need to be updated too.
There are several advantages to the method we demonstrated.
It's easy to move the music in your edit, just grab the clips and move them.
It's a simpler technique. We've not had to teach people how to use busses, or how to use the Fairlight page.
It's much easier when you've got multiple ring outs in the same edit. You don't need to build the reverb effect for each.
Hope that helps? Of course, there is always more than one way to achieve the same end result.
INCREDIBLE.
Thanks!
I fall in love with her. She is amazing. Thanks
As I start my DaVinci Resolve journey this video is making my audio much smoother. Thank You so much 😄
So happy to hear! You are welcome.
Great Video! Question though: Wouldn’t the ring out effect work the same if you added reverb on the original clip and keyframed to “engage” only in the last phrase? I’m new to DaVinci so I don’t know if this option is there, but in Logic Pro that’s how we usually work with different audio effects. We automate(keyframed) them.
Yes, you can keyframe the reverb. However the reverb will still only last the duration of the clip. Some people get around this by adding silence to the end of the song so it can be extended. This can be done by compounding the clip and adding blank space at the end. That's why we like the reverb track method as it's less clicks... and if you have multiple songs that you want to ring out, you don't have to setup a separate reverb effect for each. Just push the last note down into the reverb track.
Does that make sense?
@@team2films oh wait! If you already have a music clip the reverb goes on the clip and not on the audio channel? You gotta have an empty track for the effect to go on the channel and not the clip? 🤪
@@zelkuthI see what you are saying. You could put the reverb on the track that already has the music clip in. But without automating the reverb volume it would be on for the entire song.
So yes, you could do that. It's totally possible to do it the way you are suggesting. But it might be easier to use a separate ring out track.
what display are you using?
LG Ultrafine 4K (in Natalie's shots) and Asus PA32UCXR (in Leon's shots).
great video! What camera do you shoot with in the studio ?
Kinefinity Mavo LF. This particular video was shot with the new Laowa Nanomorph 1.5x Anamorphic Zoom
wich led moniter you use ?
We're using monitors by LG and ASUS. We'll be making a review soon on the PA32UCXR. It's an awesome monitor!
I'm afraid that you are not counting quarter notes - you are counting 8th notes - when you listen to it there is a bass drum ( thud ) on the 1 and a light snare hit on the 2 and 4 - This is typical for a lot of music percussion. I think you're going to lose a lot of non musicians by doing that fast count. In a beat the snare is probably the peak of that waveform as well. I used to mark out the one on the track by pressing the M key while tapping my foot and laying down the marker for each bar. Then in a music video you can name the downbeat on choruses or guitar solos etc. And when your cutting the actual video - using the nav index for markers - you can jump straight to the right place in the song by just picking it from the list.
For cutting to the music - if counting correctly finding the one on each bar is going to a better and easier cut.
Seems like beat detection and BPM will probably be an easy AI add on - wouldn't be surprised if Resolve adds it on one of these updates.
Heya Jim. Thanks as always for watching. Always appreciate your comments.
We're demonstrating the marker technique you described in our upcoming course. Should be ready in the next few weeks.
Apologies if the graphic in the video shows the wrong count. I hope people find the editing techniques discussed are still relevant though. Yes, that would be an awesome feature for a future release of Resolve. Thanks as always for watching our videos! We really appreciate it.
Hk Jim. I am a non musician guy. Yes, you really confused me. Now, i feel lost. 😮😢
@@CatitoArceoh no! Is there anything we can do to help?
@@lbarnard86 No worries. I think I just have to wait for my next life to be able to "hear" and make sense of what you guys are talking about. Is that you in the "Color Monkey intro?
When making a ring out not every time you have an entire audio track just for that, you can also compose the audio clip and add an adjustment layer and that way you can extend the clip and add the reverb to that
Yes, that's a good technique too. We prefer the track-based ring out method though because it requires less clicks and it's easier to edit/modify your music after you've made the ring out. That's especially true when you have more than one ring out in your edit, or you've set up the ring out track in a timeline template.
Thanks so much for watching and commenting.
gem of a channel/video! i really wanna see how you did the new york text 👀
Going to practice some of these mix techniques. Many times I do a fade in, cut to desired length and then fade out. Doesn't always sound that great. Thanks!!!
Awesome, you'll love beat matching when you get the hang of it!
Very cool the tips about the riverb in the new tracks, I always struggling with this effect, thing to extend it with a compound clip, but seems worse the result. Thanks for the tips
Our pleasure, thanks for watching.
please make video about Time Stretcher , how to use it , because everything I try douse not work
Have you watched our speed ramping video?
is there any plug-in for resolve to change the audio duration automaticly like the remix feature in Premiere or Audition?
No, there isn't. But I think a lot of people would love to see that kind of a feature come to Resolve. Maybe in v20!?
You guys need a course. Even the most basic looking videos i learn something.
Thanks Brandon. We've actually just made a course. Should be releasing it next Friday. Stay tuned.
thank you! Is there is any alternative tool in DaVinci like remix tool in premiere pro ?
No, not currently. That's a popular request that a lot of people have mentioned though.
Teşekkür ederiz
Our pleasure. Thanks for watching.
Thank you for the informative video.
You are welcome :)
Yeah, good hints. Well done
Thanks for watching
Wow that was so good
Thanks so much
Great Tips Thanks
Glad they were helpful. Thanks for commenting.
Hey Can you make a video on explaining expressions and every modifiers in davinci resolve that would be really helpful for new editors
@@Being-Mango I'm not sure EVERY modifier will fit in a single video :) We've got a course coming out in the next few weeks though that will be awesome for editors looking to learn DaVinci Resolve. We'll make an announcement soon.
That would be great i am waiting for it.
adobe premiere remix is the best. it would be better to put this function in davinci as well
Yes, remix is great! It's still super useful to know how to do it manually though. Especially if you have something specific in mind.
I didn't have anything special to do, just lengthen and shorten a song. This function is incredible and has saved me from many situations. If they put this function in davinci, I would instantly buy the davinci license. :)@@team2films
Fantastic!! thanks
Glad you enjoyed it :)
my fav teacher!
Thanks Mark!
Thank you
You are welcome.
Is this ASMR for editors?
Maybe we should make a series!?
@@team2films hell yeah
Very helpful 👏
Thanks Luke!
great tutorial but the 70% coupon is not valid as advertised.you may want to let them know.
Thanks for letting us know. I just logged in through an incognito browser session to try the coupon code and it seemed to work. It was showing a final price of $59.70 at the checkout.
Add the coupon code 'Team2Films70'. You won't get the price unless you apply the coupon code.
Can you try it again, just make sure there was nothing you missed and let us know if it works or you are still having problems? It's a steal at $60 for all your stock music for the entire year!
@@team2films thanks I'll try again, I'm on a Mac/safari
just bought it, it worked, thanks!
Great tutorial!
Thanks so much for watching.
Incredible teaching, Please keep going!
Thank-you, we appreciate your kind support.
Great video as always!
Thank you so much
This is an amazing video, thank you
Thanks for commenting.
Love it
Thanks :)
I do not understand why everyone thinks they need ALL of the BASE they can get!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
After 59 seconds THUMBS DOWN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
I'm not sure what you mean! Can you explain?
@team2films Your voice has NO higher frequency at all I can not understand you. Try going into the "Fairlight" tab. Make sure you have the "Master" visible then click the EQ, if EQ is NOT visible then click on the "+" just to the right of the "Effects" pull down to EQ. Double click on either the "Audio 1" of the "Bus 1" solid line beside the EQ. This will open up the EQ in DaVinci. Now, DO NOT restrict the high frequencies. You might even have to INCREASE some of the frequencies between say 1k and 2.5k, that is 1,000 hertz and 2,500 hertz.
That is just about as clear as I can make it!
@@davescorneroftheworld1147 Thanks for the feedback and the tips for using EQ. Our dialogue definitely has plenty of high frequencies. Perhaps there is something wrong with your speakers or sound system? Our dialogue has been EQ'd, there is no low pass filter. In fact some presence has already been added to the mids and highs. The audio in his video plays well across a range of devices. There must be something wrong with your system? Thanks once again for watching though. We're so sorry you've been having problems with the audio.
@team2films There is NOTHING wrong with my $6,000 computer and surround sound on this computer.
Mabey it is that MY computer is so MUCH better than yours YOU can NOT tell how inferior your computer is.
I am not STUPED nor do have an inferior computer BUT thank you for telling me all about it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
@@davescorneroftheworld1147 Having a bad day?
BeatEdit for DaVinci Resolve by Mamoworld. You'll love it!
Will check it out! Someone else has recommended that too. Thanks
Beat Edit plug-in
Thanks for watching. Are you suggesting a plugin or requesting a feature?
Suggesting the plugin