@@thecognacsipper Bill wrote Blue in Green for the Kind of Blue album but it was eventually credited exclusively to Davis, who only had a minimal part in its writing. When Evans requested royalties from the song, Davis payed him a 25 dollar cheque.
Glad you liked this, Greyson! I actually had to stop listening to Bill Evans when I was in college, because I was starting to always sound like a "not-so-great fake Bill Evans." Now I can go back and enjoy his music without sounding so much like him. Give it a try yourself with Giant Steps.
I don't think I've ever seen anyone so lovingly emulate what Bill's approach is. I thought it not possible, as mostly it just comes across as a caricature, too much effort. But not this one, this one was spot on. Bravo. I love it.
Really great work and a fun idea I’m going to think about. Such a wonderful interpretation of Bill evans. His rhythm is so unique and something that continually pulls my ear in and you got it!
Thanks Brian! It's fun to explore these things, and then we can ask ourselves, "How would I play this in my own way?" Just like Bill Evans and John Coltrane did?
@@Tabu11211 Great piece! I have that in a book of Ravel's music I used to play through. Yes, Ravel influenced much of jazz, at first through the stride pianists like Willie The Lion Smith and also through silent movie music which Ellington and all the early songwriters heard.
This is an amazing interpretation of Giant Steps in Bill's style. I'd love to transcribe this at some point, do you happen to already have this transcribed somewhere or was it completely impromptu?
Nice playing. . A barrage of notes is a style that can be overdone. It's fun to do do the Donna Lee a full speed' but that is a choice and I like to see variety. I play a classical guitar piece like Bourree in E minor, but prefer to change it up. Like to throw a little classical gas in. A little Blue grass lick thrown in ala Brent Mason style is fun. and refreshing.
Probably in private, when practicing. I think most musicians would have checked it out at some point. Especially since he had played with Coltrane in Miles Davis's group.
Thanks, Chuck. I actually had to stop listening to him when I was younger, because everyone seemed to be imitating him in a very surface-y way. Now I can listen to him without directly copying.
KeyboardImprov Yes you’re right, many did try to copy his style, the same thing with other great players of other instruments. A million sax players tried to sound and play like bird, but no one really could. I forgot to ask you if you listen to Keith Jarrett very much. Keith is my all time favorite pianist, and very difficult for others to copy his style. He’s just a monster that in my opinion no one comes even close to. I never get tired of listening to his wonderful playing.
@@chuckc7375 Agreed! And yes, Keith Jarrett is my favorite, although I love many others almost the same. Ellington too. It's better to learn from Keith's approach, and not copy his specific style.
KeyboardImprov You’re absolutely right, it is better to learn from his approach then to try and copy his style. I’m a drummer myself and been influenced by many drummers, but I try very hard not to focus too much on my favorite drummers. I believe every player should ultimately find their own way on their instrument without trying to play just like their favorite musicians.
@@rondrotoskeyboardimprov9453 I mean, some of it I think is that people play Giant Steps like they're playing a single note instrument, even if they're not, and you've got this complicated rhythmic interaction between the hands. To some extent I think Giant Steps is just a really extreme example of people imitating the most famous recording, because I think Giant Steps still befuddles people. There's this great Barry Harris video about it which actually in my sidebar right now where he complains about how everyone plays Giant Steps the same way and not very musically. I think the changes come so fast and are so unusual that people don't know what to do with it besides play a bunch of arpeggios. And then you end up sounding like Coltrane.
@@aravartanian7578 You've made an excellent analysis, Ara! To play it like Bill Evans, you just have to identify a few elements of Evan's style and mimic them. Like playing with a softer touch, rounding out the phrases, playing chords in the LH to accent the phrases in the way that Evans does, and, most importantly of all, using Evans' technique of rhythmically displacing the phrases, which he learned from Thelonious Monk. Give it a try!
Thanks a lot for this video, too much traditionnal jazz nazi want you to play a certain way cause THEY think its a rule to play just like in the 40s or 50s, but as you said people from this area were not thinking like that at all.
Lmao algorithm thinks this is another meme video on giant steps.
The wrong passenger got on the train... but it was a good one actually.
@@OscarGeronimo nice
it also knows how much bill evans i listened to today
That was an astonishingly good Bill impression. Nice job
Thanks! I spent about 10 years playing on Broadway and working with actors, so doing a Bill Evans impression was fun.
What if bill evans wrote giant steps - miles would have said, that he had written it 😂
Ha! Good one, and possibly true!!!!!!
Also...has any of you ever thought of Bill playing "Naima" or "Waltz for Ruth"? Let that sink in...
Ciro Casarin Naima is not so far away.
I don't understand the reference could somebody kindly explain please?
@@thecognacsipper Bill wrote Blue in Green for the Kind of Blue album but it was eventually credited exclusively to Davis, who only had a minimal part in its writing. When Evans requested royalties from the song, Davis payed him a 25 dollar cheque.
I don’t know much about Jazz but that seemed like a pretty good impression of Bill Evans style. 😎
Thanks - this was fun!
Bravo
Ahhhh, this was incredible - you totally got Bill Evans' style down! Great little lesson here
Glad you liked this, Greyson! I actually had to stop listening to Bill Evans when I was in college, because I was starting to always sound like a "not-so-great fake Bill Evans." Now I can go back and enjoy his music without sounding so much like him. Give it a try yourself with Giant Steps.
Oh Ron !!!! You have DONE it Sir ! Yaaay!
Thank you so much!
I don't think I've ever seen anyone so lovingly emulate what Bill's approach is. I thought it not possible, as mostly it just comes across as a caricature, too much effort. But not this one, this one was spot on. Bravo. I love it.
Thanks Matt, that's a wonderful thing to say :)
Is right! There’s a young guy one UA-cam who plays Giant Steps in the style of Chopin. 😉
Love it, can you do a recording of a full length improv cover?
Wow - very cool to see the same tune played in such different styles...
Great advice and wisdom...Thanks Ron...
Thanks Paul. Give it a try, on any tune you know well.
Great hearing that.
Give it a try! Or on another tune.
I've watched this way to many times!
Perhaps the most instructive jazz video I've seen. Soooo great. Thank you!
Thanks Brian. I had fun with this one!
Wow you really nailed Evans’ angle and approach! What a delight! Great insight.
Thanks :)
Really great work and a fun idea I’m going to think about. Such a wonderful interpretation of Bill evans. His rhythm is so unique and something that continually pulls my ear in and you got it!
Thanks Brian! It's fun to explore these things, and then we can ask ourselves, "How would I play this in my own way?" Just like Bill Evans and John Coltrane did?
Genius!
Great advice!!
Give it a try, on several tunes.
Great lesson - thank you for this!
Thanks taopagan!!!
Omg so accurate! Really nice
Thanks Ahmet - it's fun to try things like this :)
Next play Giant Steps like Ravel!!
That's for you to figure out! :)
@@rondrotoskeyboardimprov9453 check out ravel ondine :) he uses the same changes but in minor its so wild! Thank you for replying.
@@Tabu11211 Great piece! I have that in a book of Ravel's music I used to play through. Yes, Ravel influenced much of jazz, at first through the stride pianists like Willie The Lion Smith and also through silent movie music which Ellington and all the early songwriters heard.
This is an amazing interpretation of Giant Steps in Bill's style. I'd love to transcribe this at some point, do you happen to already have this transcribed somewhere or was it completely impromptu?
Thanks! It was just impromptu, but I'd love to see a copy if you do transcribe it.
What a wonderful video!
Thanks Omer - I had a lot of fun doing my Bill Evans impersonation! Give it a try yourself :)
@@rondrotoskeyboardimprov9453 Haha indeed! I'm trying to do that every day, he is my favorite :)
@@OmerVexler Hmmm... maybe you have to hunch over more! lol
The impression was out of this world, bravo!
Thanks Miguel, I appreciate that very much. Give it a try yourself :)
1:28
nice bro
🎼🎹🎼👊🏼👏👏👏👏
Thanks!!!
Nice
Thanks fantasmarius!
Nice playing. . A barrage of notes is a style that can be overdone. It's fun to do do the Donna Lee a full speed' but that is a choice and I like to see variety. I play a classical guitar piece like Bourree
in E minor, but prefer to change it up. Like to throw a little classical gas in. A little Blue grass lick thrown in ala Brent Mason style is fun. and refreshing.
Definitely! Good idea with the Bouree :)
I wonder how Keith Jarrett would play this tune. I don’t think he ever recorded this tune, but it would be really interesting to hear his rendition.
That's interesting to think about. He tends to avoid these kind of tunes, but I agree that it would be fascinating to hear him play it!
I wonder if Bill Evans ever did play it ?
Probably in private, when practicing. I think most musicians would have checked it out at some point. Especially since he had played with Coltrane in Miles Davis's group.
You obviously listened to a lot of Bill Evans to capture his essence. That was definitely bill’s style
Thanks, Chuck. I actually had to stop listening to him when I was younger, because everyone seemed to be imitating him in a very surface-y way. Now I can listen to him without directly copying.
KeyboardImprov Yes you’re right, many did try to copy his style, the same thing with other great players of other instruments. A million sax players tried to sound and play like bird, but no one really could. I forgot to ask you if you listen to Keith Jarrett very much. Keith is my all time favorite pianist, and very difficult for others to copy his style. He’s just a monster that in my opinion no one comes even close to. I never get tired of listening to his wonderful playing.
@@chuckc7375 Agreed! And yes, Keith Jarrett is my favorite, although I love many others almost the same. Ellington too. It's better to learn from Keith's approach, and not copy his specific style.
KeyboardImprov You’re absolutely right, it is better to learn from his approach then to try and copy his style. I’m a drummer myself and been influenced by many drummers, but I try very hard not to focus too much on my favorite drummers. I believe every player should ultimately find their own way on their instrument without trying to play just like their favorite musicians.
Can anyone describe what makes it Bill Evansy?
Great question! Can you find one or more specific points of contrast between the Coltrane approach and the way I played it like Evans?
@@rondrotoskeyboardimprov9453 I mean, some of it I think is that people play Giant Steps like they're playing a single note instrument, even if they're not, and you've got this complicated rhythmic interaction between the hands.
To some extent I think Giant Steps is just a really extreme example of people imitating the most famous recording, because I think Giant Steps still befuddles people. There's this great Barry Harris video about it which actually in my sidebar right now where he complains about how everyone plays Giant Steps the same way and not very musically. I think the changes come so fast and are so unusual that people don't know what to do with it besides play a bunch of arpeggios. And then you end up sounding like Coltrane.
@@aravartanian7578 You've made an excellent analysis, Ara! To play it like Bill Evans, you just have to identify a few elements of Evan's style and mimic them. Like playing with a softer touch, rounding out the phrases, playing chords in the LH to accent the phrases in the way that Evans does, and, most importantly of all, using Evans' technique of rhythmically displacing the phrases, which he learned from Thelonious Monk. Give it a try!
I didn't know mark ruffalo was god at jazz piano?
You didn't? :)
Freak of nature
Plot twist: he did
Ha!
Thanks a lot for this video, too much traditionnal jazz nazi want you to play a certain way cause THEY think its a rule to play just like in the 40s or 50s, but as you said people from this area were not thinking like that at all.
Exactly!
too short!
Cigarette missing.
Coltrane immediately objected from the grave, he’d rather have Garland or Tyner cover GS.😉
...but he didn't.
1:47
1:44