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THIS MASTERING SESSION ISN'T ROCKET SCIENCE...
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- Опубліковано 4 жов 2017
- Check out Crane MUSIC his channel:
/ @bobbycrane
Support me by becoming a Patron:
/ whiteseastudio
Check the studio here:
whiteseastudio.com
Follow me on Twitter @whiteseastudio
Professional mastering, very rare on youtube. Thanks for your tips!!
I'm really learning a lot. Great videos. Really cool track too.
Great video and I like his music! My compositions tend to be dynamic, so this was especially interesting to me. Thank you!
Pete Musgrove thanks for the compliment!
Righteous Surgical Tutorial! TYVM!
I am really learning bits on your Channel. Producing DnB is a different World, but most tips you give are translatable into every Genre.
Great ideas and smart way to achieve them!
6 bands! Hmm sounds interesting! Thx for blowing my mind on mastering today!!!
The automation is also a pro technique 👌🏻👌🏻👌🏻👌🏻🥳🥳🥳
thanks for ur knowlege very helpfull
Great video
i learned so much today. Damn!
great video automating the limiter is a cool trick
the pro-l tricks were very helpful!
cool jacket!!!
7:34 ok makes sense
I feel like he's selling Snake Oil.
Did the tune too.
Solo X-OR in tools will let you switch solos seamlessly between tracks without adding them to playback :)
Oversampling on limiters will improve the sound in direct proportion to the amount of gain reduction you're getting. Limiters create distortion when the gain reduction is high, and the oversampling stops the limiter from generating foldback aliasing into the signal (harmonics generated above Nyquist folding back into the 20Hz-20kHz range). At one point you're getting 6dB of gain reduction on your limiter. I would say if you're using a limiter to just catch odd peaks, oversampling is likely not adding anything. But, the amount of gain reduction you're getting definitely calls for oversampling. You can hear how distorted it is, especially in the kick drum. It would sound better with oversampling, but with that much gain reduction you'll never avoid the distortion.
+BRBWaffles distortion! Me likey!
I did some sinewave tests with different lookahead limiters, and found FabFilter produced more distortion than any of the 3 lookahead limiters I tried (L2, UAD Precision Limiter, Pro-L). I think the increased distortion is exactly why so many people love Pro-L. Personally, I usually prefer to use some kind of harmonic distortion enhancer (such as the Sonnox Inflator) to Brickwall Limiting at all... but as long as it sounds good, that's all that matters.
I think that you cannot overcome that something will distort when limiting it hard, and if you can’t overcome it, you have to make use of it..
Out of curiosity, check out the free plugin LoudMax. A lot of folks at KVR claim it to be one of the most transparent limiters available.
@@Whiteseastudio you can avoid that more clipping distortion if you have a bit more pumping, if you have used elephant you can hear this difference in the different algorithms. Waves L1 is an example of the distortion from short attack and releases.
Could you make a review on the Sonic Anomaly Unlimited limiter? Some people say it's better than Limiter No. 6.
When multiband compressing do you solo the bands or you do it with the whole track playing
Nice video! Whats the name of the song/artist?
hey i didn‘t really understand why his track would get turned down by the loudness algorithms... could anyone explain it to me? i‘m having similar issues
If the loud part of the track is too loud it gets turned down. With the track being so dynamic, the only place to get an accurate read on how loud everything can be before things get turned down is the drop, but notice how the drops have been bricked walled with limiting. This is fine if nothing nothing else has been - oof the verses reach the same visual level. So actually those drops are actually insane in volume.
Did you think about using normalization on the quieter parts to save you using automation on the limiter?
Normalising only a part of the track would give problems in joining up the parts again....
Hello: Nice video, great topic and good job on mastering that song. But, I wish you would spend more time playing the track--especially when you were A/Bing the multi-band section! Are you trying to keep the video below 10 minutes, because some of us would like more time to listen to the differences and nuances. I grew up listening to complete albums. And I'm sure that you spent a fair amount of time doing this master (sounds like it, anyway), I just want a little more music, so I can hear the difference. Thanks!
I'd really want to remix this, the chorus pads are taking up so much room it doesn't sound loud but obviously is. A tiny bit of side chaining would drastically change how that sound and this verse percussion sounds are super loud compared to everything.
U R Pro-MB settings on attack and release values are pretty unusual.
Look pretty usual to me 😳
Well, for example, the 'second one' for the kick with that fast attack and fast release it's not quite 'normal' but there are no rullz and the track sounds g00d. I like to check presets from others and maybe I`ll try u r ideea t00.
It will be fun when I overlay this preset to a drum n bass track.
I know, you normally want slower attack, but if I did that on this track, it clogged up... So its again about what sounds good, not what is usual ;-)
The tracks is awesome :0 can you drop the name? Thanks!
The track isn’t published yet 🤔
White Sea Studio well, that's kinda obvious, but the band/producer?
I actually don’t know, let’s wait until CRANE music is here ;-)
just seen you posted the link, sorry for wasting your time!
ThePhantomJack you didn’t waste anyone’s time! I’m so glad you’re interested :) artist name is, CRANE. This song is called Evil, and it’ll be releasing in three weeks! 🙀
Geen oversampling? ;)
This Automation thing you learned at the real mastering session? Because he did the same.
15ips on the tape?
+Daniel Duskin i think it was on the german equivalent of 30
Sounds really great!
37 zentimiters per sekunde
Do I even want to know the cost of that tape machine? Or will I cry?
I payed a plate of chinese food for it...
Bro can you make a video on mixing Hiphop. Wanna hear ya take on it
Dayum! That's all fucked up.
watching this as a mastering engeneer i never consider using as much gain on a single limiter.
a professional mastering prozess would look way different. thumbs up for your automation work but you shuld find a way to ganinstage thru your plugin or hardware chain instead boosting the volume with a single limmiter plugin ;)
Crane MUSIC channel - no content...WTF?
Ok, where do I start. Interesting concepts. Still: THAT much content below 50Hz, heck, down to 20Hz - good luck on a club or huge PA system with that track. Second, with the target level I assume you are going for, -1dB is the absolute minimum headroom if the track ever gets downsampled for a streaming platform. Inter sample peaks, need I say more. No, not fabfilter Pro-L - in the encoder Spotify, Apple, Deezer, you name it, is going to employ. Thirdly, In my experience it is way more effective to engage some macro dynamics management on the track BEFORE the limiter stage....