1 часть сонатное аллегро 0:18 - вступление экспозиция 2:45 - главная партия 3:15 - связующая партия 3:47 - побочная партия 3:59- заключительная партия опять повторяется экспозиция 4:12 - главная партия 4:41 - связующая партия 5:15 - побочная партия 5:25 - заключительная партия 5:38 - разработка. реприза 7:30 - главная партия связующей партии нет 8:04 - побочная партия 8:15 - заключительная партия 8:41 - кода 2 часть вариации 10:22 - первая тема 11:59 - вторая тема 13:30 - 1 вариация на первую тему 14:38 - 1 вариация на вторую тему 16:10 - 2 вариация на первую тему 17:14 - 2 вариация на вторую тему 3 часть менуэт 19:53 - основная тема 21:44 - трио 23:01 - основная тема 4 часть финал 25:15 - золотой ход валторны 25:22 - главная партия 27:21 - разработка реприза 28:45 - главная партия
Haydn est contemporain de Beethoven au début du XIXe siècle. Les symphonies de Haydn en particulier les dernières sont enjouées, harmonieuses, mais restent dans l' esprit galant du XVIIIe siècle. 😀
It's a great performance but am I dreaming or are the first violins on the RIGHT of the conductor?? Why would you put the concertmaster, who has a fantastic solo in the second mvt with the back of his violin to the audience? Seems quite unecessary to me.... Strange decision
Bravo from a 61 year old Haydn admirer! Great timbre, great balance.All the notes correct. That is the starting point. Then come brilliance and this performance has that. Thank you from George Fredrik in UK. [Half Norwegian].
C' est vrai , on sent tout de suite dans cette symph. Les réminiscences de la musique beethovenienne. Haydn est contemporain de Beethoven vers les années 1800.
A TERRIFIC performance of one of my favorites. This orchestra is just the right size for this work, but it is more than that. It was balanced so you could hear everything throughout, such as the double basses and the winds playing together in some of the quieter passages in the fourth movement. In this performance it is possible to hear just exactly how magnificent an orchestrator Haydn was. One other touch I liked a lot -- these days, the drumrolls are often ornamented, but I think they should not be. Here the tympanist played the opening one straight, and ornamented the one that comes near the close of the movement. I liked that much better. I will be looking for other performances of this wonderful group.
A great comment; for me a crucial thing is the splitting of the violins - something that Haydn - Mozart, and Beethoven as well - all expected. It is astonishing to me that so many conductors/orchestras today - oblivious to the fact they are destroying the composers’ careful balance - mass all the violins to the conductor’s left, and bank up all the bass on the right, which musically, makes no sense whatsoever,
@@elaineblackhurst1509 Thanks. One of my favorite performances on You Tube is of Schubert's Sixth Symphony by the Frankfurt Radio Symphony conducted by Antonello Maricorda. He splits the violins, with the firsts to the audience's left and the seconds to the right, with the cellos in the center (though memory tells me that the basses are all behind the second violins). It is a good and winning performance -- or it won me, anyway.
Fabuleuse symph. Très concertante, elle est de la même veine que les premières oeuvres orchestrales de Beethoven. Haydn est contemporain de Beethoven vers les années 1800.❤📯📯
Oh my god, this is the best drumroll interpretation i have ever heard. Maestro and the orchestra has played all the joys , the solemnity what Joseph Haydn composed in this masterpiece. Thank You so much, Kiitos !
The timpani solo around 8:45 is not in the score. It is a meaningful cadence. However, why not also in the beginning? The indication is the same (Solo Intrada)
Thanks for the upload. Overall very enjoyable performance.particularly the last movement taken at a brisk but not too frantic pace as some other conductors are inclined to do.
1 часть сонатное аллегро
0:18 - вступление
экспозиция
2:45 - главная партия
3:15 - связующая партия
3:47 - побочная партия
3:59- заключительная партия
опять повторяется экспозиция
4:12 - главная партия
4:41 - связующая партия
5:15 - побочная партия
5:25 - заключительная партия
5:38 - разработка.
реприза
7:30 - главная партия
связующей партии нет
8:04 - побочная партия
8:15 - заключительная партия
8:41 - кода
2 часть вариации
10:22 - первая тема
11:59 - вторая тема
13:30 - 1 вариация на первую тему
14:38 - 1 вариация на вторую тему
16:10 - 2 вариация на первую тему
17:14 - 2 вариация на вторую тему
3 часть менуэт
19:53 - основная тема
21:44 - трио
23:01 - основная тема
4 часть финал
25:15 - золотой ход валторны
25:22 - главная партия
27:21 - разработка
реприза
28:45 - главная партия
This is a fantastic performance of the Drum Roll Symphony! It should have many more views! I will definitely be returning to it.
Good
Haydn est contemporain de Beethoven au début du XIXe siècle.
Les symphonies de Haydn en particulier les dernières sont enjouées, harmonieuses, mais restent dans l' esprit galant du XVIIIe siècle. 😀
🎉❤❤❤❤
A masterpiece played by a great Orchester and Director!
It's a great performance but am I dreaming or are the first violins on the RIGHT of the conductor??
Why would you put the concertmaster, who has a fantastic solo in the second mvt with the back of his violin to the audience? Seems quite unecessary to me.... Strange decision
Haydn has form on doing this, he tried to show a little love to the second violins and everyone else!
Bravo from a 61 year old Haydn admirer!
Great timbre, great balance.All the notes correct. That is the starting point. Then come brilliance and this performance has that.
Thank you from George Fredrik in UK. [Half Norwegian].
One of the strengths of this performance is the prominent clarinet sound. This is one of 5 late symphonies in which Haydn uses clarinets.
C' est vrai , on sent tout de suite dans cette symph. Les réminiscences de la musique beethovenienne.
Haydn est contemporain de Beethoven vers les années 1800.
A TERRIFIC performance of one of my favorites. This orchestra is just the right size for this work, but it is more than that. It was balanced so you could hear everything throughout, such as the double basses and the winds playing together in some of the quieter passages in the fourth movement. In this performance it is possible to hear just exactly how magnificent an orchestrator Haydn was. One other touch I liked a lot -- these days, the drumrolls are often ornamented, but I think they should not be. Here the tympanist played the opening one straight, and ornamented the one that comes near the close of the movement. I liked that much better. I will be looking for other performances of this wonderful group.
Thank you for your kind words. Fee free to enjoy more music from our orchestra at ua-cam.com/users/tapiolasinfonietta
A great comment; for me a crucial thing is the splitting of the violins - something that Haydn - Mozart, and Beethoven as well - all expected.
It is astonishing to me that so many conductors/orchestras today - oblivious to the fact they are destroying the composers’ careful balance - mass all the violins to the conductor’s left, and bank up all the bass on the right, which musically, makes no sense whatsoever,
@@elaineblackhurst1509 Thanks. One of my favorite performances on You Tube is of Schubert's Sixth Symphony by the Frankfurt Radio Symphony conducted by Antonello Maricorda. He splits the violins, with the firsts to the audience's left and the seconds to the right, with the cellos in the center (though memory tells me that the basses are all behind the second violins). It is a good and winning performance -- or it won me, anyway.
Londonas simfonija Nr. 103 Es dur (ar timpānu tremolo) - 1.d. g.p 02:45
1.d. bl.p. 03:48
2.d. 1.tēma 10:22
2.d. 2.tēma 11:59
3.d. tēma 19:53
4.d. g.p. 25:15
Fabuleuse symph. Très concertante, elle est de la même veine que les premières oeuvres orchestrales de Beethoven. Haydn est contemporain de Beethoven vers les années 1800.❤📯📯
Oh my god, this is the best drumroll interpretation i have ever heard. Maestro and the orchestra has played all the joys , the solemnity what Joseph Haydn composed in this masterpiece. Thank You so much, Kiitos !
The timpani solo around 8:45 is not in the score. It is a meaningful cadence. However, why not also in the beginning? The indication is the same (Solo Intrada)
I love everything about it, a joy to watch with a lovely age range of enthusiastic musicians and a joy to hear as always.
29:30 horn fau paux
Thanks for the upload. Overall very enjoyable performance.particularly the last movement taken at a brisk but not too frantic pace as some other conductors are inclined to do.
Can't listen to this, interrupted by ads
Una orchestra che suona alla” viennese”. Gioia pura per questi colori orchestrali
Lovely lovely all glorious wishes to every artist. Hats off Hats off.
Lovely interpretation, great playing and well recorded, but I am also a little disturbed by the reversed configuration.
25:05 26:26
Excellent