Hi Giampaolo, I’m considering buying the le prism could you confirm the exact power supply I would need as I can’t find a clear answer anywhere. I’ve assumed it’s 5.5mm x 2.1mm centre negative min 500ma.
Ciao complimenti per tutto. Vorrei chiederti , in quanto ti considero una fonte autorevole (ho letto tutto il tuo sito): ma su una mascherina con fender custom shop fat 50 (pickup centrale i nreverse wound) se volessi mettere un ssl5 al ponte devo prendere lo standard o la versione rwrp? È vero che non bisogna collegare il tono , il no hum in posizione 2 e 4 si perde? Scusa se te lo chiedo ma ne sto leggendo di tutti i colori online e sempre con pareri diversi. Grazie e complimenti per il canale.
Ciao sulla Black Strat replica il pu al ponte è montato reverse (quindi con bianco e nero invertiti) per evitare di avere poi pu in controfase tra loro quando usi la combinazione neck/bridge. Il selettore neck/bridge non fa altro che sommare il segnale del pu al manico (neck) al segnale di uscita... qualsiasi sia la selezione dello switch. Ma la modalità usata poi da Gilmour (in alcuni casi) e quella con bridge+neck. Per capire come collegarli è fondamentale capire se gli altri due sono normali o reverse e di conseguenza girare o meno l'altro pu. La soluzione migliore sarebbe sempre quella di fare dei test per capire se i pu stanno funzionando correttamente... se c'è un problema di controfase te ne accorgi perchè il segnale di uscita è molto ovattato. Personalmente alla fine ho trovato la pace con un set di pickup custom.
@@GiampaoloNoto grazie per la risposta, mi conforta veramente. Perchè nonostante mi si veramente armato di pazienza nel leggere tutto non è assolutamente facile trovare il giusto impasto.complimenti e grazie ancora
Hi... yes it is possible... Le Prism is designed to be used also with keyboards... by adjusting the input signal. On the Cicognani website you can find the user manual... on page 14 there are all possible connections. Here is the link www.cicognani.eu/wp-content/uploads/2023/10/LE-PRISM-manual.pdf
@@GiampaoloNoto The differences seem to be the stereo effect on Le Prism and that Le Prism costs more. What more can Le Prism do that the Pompeii cannot? Somebody should tell Cicognani to add an entry on his News page. You shouldn't be able to visit his website without discovering this new product. I went on the website and missed entirely that he had a new Binson Echo product. Someone who was selling me an older model Binson effect just happened to mention Le Prism (after the purchase was made). It sounds like Le Prism is just a stereo version of the Pompeii 603. Thanks.
Le Prism and Pompeii share the same construction concept... they are both excellent echoes. Le Prism has a "stereo" output (a very particular and unique stereo mode) and has the possibility of selecting any combination of heads and feedback (4+4)... while Pompeii has "fixed" combinations... like on the Binson. But then again, they're both great echoes... I have them both!
@@GiampaoloNoto Grazie mille! It looks like the Pompeii and Le Prism can be seen as recreations of the P.E. 603 (1967) and a stereo version of the P.E. 603-T (1969), respectively, where the latter was available in 1970. UPDATE: The plain P.E. 603 has a rotary knob with 12 selections/12 multi-head combinations (as did the P.E. 603-TE) and no way to select repeats/feedback on heads that were not selected for an initial single echo (playback), compared to the 603 variants (603-T, 603-TU, 603-Stereo), which had selectable multiple repeats/feedback for each head and had buttons for single echo (playback) and for multiple repeats (feedback) that allow 15 multi-head combinations (adding three new combinations: Heads 1 & 4, Heads 1 & 2 & 4, and also Heads 1 & 2 & 3 & 4, which could not be done on versions the versions with a rotary selector). Stereo effect is pretty intuitive and easy to assess whether it matters. I'm not at all sure how much of a difference it makes to be able to change the feedback on each head, or whether the three additional combinations are that useful. Yours is the only demo of Le Prism, and while there are demos of other devices with both of these features, such as the Volante, the original P.E. 603-T, and so on, it is still difficult to see whether or how much of a difference that makes. Thank you so much for your demo and for your replies on this topic!
![POMPEII T1: Tech Overview with sound designer Guglielmo Cicognani [ITA/SUB ENG]](http://i.ytimg.com/vi/Br_hRvyKyYY/mqdefault.jpg)
![POMPEII T1: Tech Overview with sound designer Guglielmo Cicognani [ITA/SUB ENG]](/img/tr.png)
Hi Giampaolo, I’m considering buying the le prism could you confirm the exact power supply I would need as I can’t find a clear answer anywhere. I’ve assumed it’s 5.5mm x 2.1mm centre negative min 500ma.
yes the power supply is 12vdc 500mA Negative Tip
Standard connection... like Boss
Ciao complimenti per tutto. Vorrei chiederti , in quanto ti considero una fonte autorevole (ho letto tutto il tuo sito): ma su una mascherina con fender custom shop fat 50 (pickup centrale i nreverse wound) se volessi mettere un ssl5 al ponte devo prendere lo standard o la versione rwrp? È vero che non bisogna collegare il tono , il no hum in posizione 2 e 4 si perde? Scusa se te lo chiedo ma ne sto leggendo di tutti i colori online e sempre con pareri diversi. Grazie e complimenti per il canale.
Ciao sulla Black Strat replica il pu al ponte è montato reverse (quindi con bianco e nero invertiti) per evitare di avere poi pu in controfase tra loro quando usi la combinazione neck/bridge.
Il selettore neck/bridge non fa altro che sommare il segnale del pu al manico (neck) al segnale di uscita... qualsiasi sia la selezione dello switch.
Ma la modalità usata poi da Gilmour (in alcuni casi) e quella con bridge+neck.
Per capire come collegarli è fondamentale capire se gli altri due sono normali o reverse e di conseguenza girare o meno l'altro pu.
La soluzione migliore sarebbe sempre quella di fare dei test per capire se i pu stanno funzionando correttamente... se c'è un problema di controfase te ne accorgi perchè il segnale di uscita è molto ovattato.
Personalmente alla fine ho trovato la pace con un set di pickup custom.
@@GiampaoloNoto grazie per la risposta, mi conforta veramente. Perchè nonostante mi si veramente armato di pazienza nel leggere tutto non è assolutamente facile trovare il giusto impasto.complimenti e grazie ancora
Hey Giampaolo
I intend to use it for my Stage 3 and Prophet 6 keyboard. is it possible ? and that possibility thought into?
Hi... yes it is possible... Le Prism is designed to be used also with keyboards... by adjusting the input signal.
On the Cicognani website you can find the user manual... on page 14 there are all possible connections.
Here is the link
www.cicognani.eu/wp-content/uploads/2023/10/LE-PRISM-manual.pdf
Can this pedal do everything the Pompeii can do? I am thinking of replacing my Volante
Yes... Le Prism can do everything Pompeii does... and more... and in "stereo"
@@GiampaoloNoto The differences seem to be the stereo effect on Le Prism and that Le Prism costs more. What more can Le Prism do that the Pompeii cannot?
Somebody should tell Cicognani to add an entry on his News page. You shouldn't be able to visit his website without discovering this new product. I went on the website and missed entirely that he had a new Binson Echo product. Someone who was selling me an older model Binson effect just happened to mention Le Prism (after the purchase was made). It sounds like Le Prism is just a stereo version of the Pompeii 603. Thanks.
Le Prism and Pompeii share the same construction concept... they are both excellent echoes.
Le Prism has a "stereo" output (a very particular and unique stereo mode) and has the possibility of selecting any combination of heads and feedback (4+4)... while Pompeii has "fixed" combinations... like on the Binson.
But then again, they're both great echoes... I have them both!
@@GiampaoloNoto Grazie mille! It looks like the Pompeii and Le Prism can be seen as recreations of the P.E. 603 (1967) and a stereo version of the P.E. 603-T (1969), respectively, where the latter was available in 1970.
UPDATE: The plain P.E. 603 has a rotary knob with 12 selections/12 multi-head combinations (as did the P.E. 603-TE) and no way to select repeats/feedback on heads that were not selected for an initial single echo (playback), compared to the 603 variants (603-T, 603-TU, 603-Stereo), which had selectable multiple repeats/feedback for each head and had buttons for single echo (playback) and for multiple repeats (feedback) that allow 15 multi-head combinations (adding three new combinations: Heads 1 & 4, Heads 1 & 2 & 4, and also Heads 1 & 2 & 3 & 4, which could not be done on versions the versions with a rotary selector).
Stereo effect is pretty intuitive and easy to assess whether it matters. I'm not at all sure how much of a difference it makes to be able to change the feedback on each head, or whether the three additional combinations are that useful. Yours is the only demo of Le Prism, and while there are demos of other devices with both of these features, such as the Volante, the original P.E. 603-T, and so on, it is still difficult to see whether or how much of a difference that makes. Thank you so much for your demo and for your replies on this topic!
When is this available to purchase? Where?
Is already available for sale... check official website for dealers in your country
www.cicognani.eu/le-prism/
Fantaatico!!!
Grazie!!