Right, but as a lover of this channel & films, & seemingly the planet you live on, maybe something a little more scathing is appropriate to get that message across?
Great video. Your work is really great. I understand having sponsors, but careful with what you allow to have you approval. If it ends up being a scam, your name will be related to it.
@@michaelfernandez7448 ask yourself, what does this thing do? Is it a product? Is it a service? Is it a legally enforceable right (ie trademark, copyright, patent, contractual obligation, etc.) Is it a trusted currency that would be accepted at your local subway? If the answer to all of these questions is no, what you are purchasing is worthless.
It's called Machiavellian. He sold out his values & integrity for a profit. I'm a little surprised too, since nearly all his videos are about integrity at their core. I guess his was worth whatever $ the sponsor paid him.
This isn't completely accurate (I worked on the movie) but I agree with the basic argument of taking the time get it right. We certainly did. Can we please also give a shout out to Peter Pound, who was the principal vehicle designer on the film but also did storyboards? He seems to always be overlooked. Cheers.
@@John-Doe-Yo - all good. There was a written document done before the storyboards done - it wasn't a script as such, more a detailed outline of the story that George worked out with Brendan McCarthy over the course of several months. Storyboarding began in August - September 1999, with Brendan sketching out rough concepts for shots, which were then handed over to Peter Pound to draw up properly to a decent level of clarity. I started in November 1999 as progress was too slow, and we continued like that for about fifteen or so months until both Brendan and Peter moved on to other things - Peter to work on vehicle designs, and Brendan onto his own (unproduced) project. Then George worked with me solo on the last act of the film - the chase back to the Citadel. We finished in November 2001. There were some small tweaks and fixes over the next few years as the film went into pre-production three times, but it essentially stayed about 80% faithful to the original boards. Hope that helps!
@@marksexton8276 was there ever a second movie drawn out? Or any ideas for a second movie? I absolutely loved this movie and it was a magical movie for me when it released. You could clearly see beyond the story of the movie. You could see how much love and work went into this. It absolutely blew my mind. I know the second movie “wasteland” is stuck in production. But can we ever look forward to a part 2?
I dunno how true this is or not but the mad max movie would be edited by his wife and she had no prior experience to editing but he was persistent saying to his wife that if a man edited the fury road film it would just be another action flick and the movie went to win awards for her work!!
Margaret Sixel, George Miller's wife, had edited Happy Feet (2006) and Babe: Pig in the City (1998) for him before. Mad Max: Fury Road was clearly the biggest project she'd tackled, but she had the benefit of footage that had been shot to the meticulous storyboards this video discusses. She wasn't assembling random footage attempting to create a story like some movies can be. That's not to say all the hard work was done for her by others and she was "editing by numbers", but rather that the whole production was structured to get what was needed so there was much more wheat than chaff for her to work with. Re-watched it some time back and it's a master class in action direction and editing. You're never confused as to the geography of the scene, where the players are and how they're related to each other. It could've been shakycam visual noise done improperly, but she and her team culled 470 hours of footage into the final product.
Success! I watched the ReBoot episode and loved it. I watched THIS episode and loved it. You have persuaded me to watch Mad Max, and I hope I love it. You have succeeded!
Been a pretty long time viewer of the channel but disliked and unsubscribed when it got to the sponsor segment. If you want the actual Earth to look like mad Max we should definitely keep promoting them though. Definitely disappointed in the lack of research or the lack of care in that sponsor.
Whoops, unsubscribed. Next time, don't accept bad sponsors that literally make me doubletake and feel sick. The money isn't worth the lack of integrity. Sucks because I love your videos and now I just have a bad taste in my mouth. So, I'll change that "love" into "loved" and stop watching here.
I love this movie, I saw it 6 times in theatres (4x with regular pricing, 2 times discounted when it was rereleased as part of a classic film festival of sorts). More Mad Max please!
FR was SO GOOD at what they wanted it to be- that I honestly didn’t even realize that I basically just watched a 2hr car chase scene (side note; too long car chases are a BIG action movie pet peeve of mine!)
Car chases in most films generally bore the shit out of me. Most are just not shot....well. Not all directors can do it. There have been a small handful of films with car chases that I think are pretty brilliant though. Peter Yates' "Bullitt" comes to mind. As well as William Friedkin's "The French Connection". Fine car chases that will not put you to sleep. And basically just great crime films, each of them, all around.
MMFR is one of my absolute all time favorite films. The thing I love about it is its perfect marriage of practical effects and digital effects(CGI, color grading, etc). It uses the digital effects where it actually needs to instead of overwhelming us with digital images, which I think most people seem to agree don't actually entertain as much as hollywood wants to think it does.
I also don't get when people say this movie is entirely a car chase because it's not, there are plenty of moments that break it up. But the main reason this is my least liked Mad Max movie (still like it though) is because it's barely a Mad Max movie. It's really a Furiosa film which is odd considering they have a Furiosa film planned although I believe it's a prequel so I only hope the sequel they have planned focuses more on Max and not Furiosa after this would've just been a Furiosa trilogy lol. But that fact that we'll have 6 Mad Max films is awesome. I really wish Mad Max was franchised more. Even if franchises are what ruins or kills IP and the medium itself.
Beyond that, all of which is correct, the movie looks absolutely nothing like a Mad Max film. The artwork is garish and looks nothing like a Mad Max film, the characters act nothing like characters in a Mad Max film. It is just plain awful, stem to stern.
I once thought of Mad Max: Fury Road is yet another cash grab by the studio, (it was before I watched the movie), but after watching this video, it became clear that the movie was well-thought by people like George Miller
Oh, "Mad Max: Fury Road" was a major lesson learned for me, personally. I also thought this film was going to be a debacle when I read it was going into production. My basic argument was: "Who is really asking for another 'Mad Max' film these days?" In my defense, honestly, it didn't seem like too many people were. But little did I know how much vision George Miller was going to put into this thing. Then it comes out and suddenly people-whose-opinions-I-respect are naming it as a possible front runner for the Best Director Oscar. And then I finally see it myself, and of course I have to readily acknowledge that it is, despite the odds, kind of a modern masterpiece. It's something I adhere to pretty strictly now as a result: now matter how absurd a film may look, I do not judge anything until I have seen it myself. There are certain rare exceptions, but otherwise- I do not just judge any film I have not seen. And anyone else's "opinion" about any film *they haven't seen* is essentially worthless to me.
And then….you put this script away in a drawer because the filming gets cancelled at the last moment in 2001…and then doesn’t start up again for ELEVEN YEARS….and THEN doesn’t get released for ANOTHER THIRTY MONTHS….and THEN BECOMES.A MASSIVE HIT THAT WINS SIX OSCARS!
are you guys required to put the ads in the middle of the essay? it's really disruptive to the flow and how i'm following. if you put them at the beginning or the end it would be less jarring
Only if they have the budget and passion, like with One Punch Man S1. Some manga just don't translate to the screen, like the Junji Ito collection for example
@@1894db Junji Ito is the exception, rather than the rule. Of course its never a 100% translation, but usually the Mangaka does like 70-80% of the director's work.
@@jascrandom9855 I wouldn't call it the exception. If you've ever watched Naruto or One Piece you'll notice how bad it gets when they're trying to stretch 16 pages into an episode. In general if the animators don't have the time/budget/talent, an epic scene becomes a derpy meme real fast.
@@1894db You do realize that same argument applies to every project ever, right? Not enough time or passion but it's due in the morning so slap some glue on those popsicle sticks and call it done enough! In anime's defense, their schedules are grueling. They also use their platform to try out new techniques. AoT's outlining and 3DMG were a huge success, whereas Naruto's Pain fight... well, we know they were trying out a more fluid style to see if it did anything cool and we all now know it doesn't work. We get some laughs, animators learn from a studio that had the budget to experiment, win-win imho. As for some things not translating well, that falls on the translator and director. Give me any other studio besides OG Ghibli that could tell My Neighbor Totoro with that run time and make it half as charming and attention grabbing. When you look at the story board and sparsity of the script, it's honestly a wonder Totoro works at all, yet here we are thanks to Miyazaki's ability to add details everywhere. Same for anyone translating a manga to anime, if they don't have the same vision or ability to generate atmosphere you get forgettable anime that just kind of existed. But add an amazing story and a studio with a director who is attentive enough to shift focus on the genre and highlights? You get classics like Death Note and Stein's Gate. (Even compare Wolf's Rain and Cowboy Bebop. Same studio and production, very different atmospheres and character dynamics and storytelling approaches, but the director kept it all together because they knew what to prioritize in the translations.) The visual medium of anime can be breathtaking. The stories told are limited only by the imagination... and irl limitations. It comes down to making sure the people with the right skills are doing the right part, and yes, given adequate resources.
Part of a hard reboot? But it's made by the same guy who made the other 3 (much better) films. And if I'm nit mistaken, he said it's a continuation of the story. So if anything it's just a soft reboot because of recasts.
I watched this whole video because I love your work and love Fury Road and love the story you told. But I skipped part your NFUCKINGT sponsor ad. I don't want to unsub, but don't push that money laundering crap. It's destroying the environment, it's a huge pyramid scheme scam.
A little fun fact I read about this movie Most-if not all-of the scenes are happening at the center of the screen. That way, your eyes don't have to move a lot.
@@Nerdstalgic You reply to the gushers, but you won't respond to 25% of the comment section calling you out, for putting your own profits over the well being of others & the planet? You're entire schtick is about "integrity", & then you reveal to all of us that you have none. Nice Machiavellian move sellout.
Does Reboot have any interesting production history that it's worth making a video about. I freaking love that show to this day. Jokes that flew over my head as a kid I can now appreciate as a much older kid. I always loved the detail that Hexadecimal could only change her mask and by extension her facial expression when her face was hidden from the camera's POV. That's nerdy nostalgia right there.
Stands as the second largest missed opportunity in modern film. They'll never admit it, but having Mel Gibson in Fury Road instead of Tom Hardy would've been the most ideal for fans and made much more money. Abrams' garbage Star Wars trilogy is number one for purposely not reuniting the big three.
glad to come to the comments and see i’m not the only person here put off by the sponsorship. honestly i thought it was a joke at first.
Seriously. I thought he was joking. Really let down by this guy. Huge bummer cause I recommend this channel to tons of my friends
Yeah, I thought he was joking
This movie is a masterpiece. Love this channel, maybe rethink the sponsor though.
Right, but as a lover of this channel & films, & seemingly the planet you live on, maybe something a little more scathing is appropriate to get that message across?
Literally paused the video and said "aw fuck" when the sponsor came on
Why?, i didn't get what the sponsor was about
Who cares? It's not Raid Shadow Legends or Butcher Box
@@koinaisk what he's sponsoring is a scam
Great video. Your work is really great. I understand having sponsors, but careful with what you allow to have you approval. If it ends up being a scam, your name will be related to it.
"If"
i don’t understand how it could be a scam
@@michaelfernandez7448 ask yourself, what does this thing do? Is it a product? Is it a service? Is it a legally enforceable right (ie trademark, copyright, patent, contractual obligation, etc.) Is it a trusted currency that would be accepted at your local subway? If the answer to all of these questions is no, what you are purchasing is worthless.
@@brooza664 more like when. Its a scam.
>NFT sponsorship
Hate to see it
Honestly instant unsub... so dissapointing.
Yeah lmao I was so engrossed through the first half and that ad almost brought focus out of the rest of the video for me
yep video paused and unsubbed at that ad
great video as always, the sponsor is the worst thing i ever saw you doin what happened there ?
It's called Machiavellian. He sold out his values & integrity for a profit. I'm a little surprised too, since nearly all his videos are about integrity at their core. I guess his was worth whatever $ the sponsor paid him.
Good video but gotta say that the choice of ad left a bad taste for the rest of the runtime...
NFT sponsor? Seriously? Pretty disappointing to see promotion of that as a sponsor...
Yeah that scam really needs to be shutdown
Yeah, the moment I saw that I was like, "bruh?"
Seriously, look at what movie we're taking about here
I guess scams generally do pay pretty well for marketing...
Ikr, i was really enjoyin what he had to say about the movie and how the "script" was made then i saw the sponser. Left a poor taste in my mouth
Cool video, bummer sponsor.
Great movie and video, awful sponsor.
The sponsor is very fitting, we've never been so closer for a Mad Max future!
Love you and your vids but that sponsor makes me sad to see u drop this low
Ah hell nah
You fell off for taking an NFT sponsorship
Extremely ironic that you're promoting something that destroys the environment on a video about a movie with a destroyed environment. Not great.
Yep, he's lost a subscriber.
Don't let your salty tears soil the Earth.
Yeah, that’s gross. I’m unsubbing…
Man just wanna put some food on his plate
@@ghiacciolitelite6915 oooh no, how ever will he survive without you watching
Mad Mad Fury road is one of the coolest films I’ve ever seen… A masterpiece in action, visual spectacle, and worldbuilding
Good vid, but bad sponsorship
Nice vid, horrible sponsorship.
I thought it was a joke when he first brought it up
@@jonathanhobson7534 Yess, haha
Kind of in the dark here. Can you clarify?
Great video! Awful sponsor...disappointing.
This isn't completely accurate (I worked on the movie) but I agree with the basic argument of taking the time get it right. We certainly did. Can we please also give a shout out to Peter Pound, who was the principal vehicle designer on the film but also did storyboards? He seems to always be overlooked. Cheers.
which part wasn’t completely accurate ? You can’t just say that and blue ball us lol
@@John-Doe-Yo - all good. There was a written document done before the storyboards done - it wasn't a script as such, more a detailed outline of the story that George worked out with Brendan McCarthy over the course of several months. Storyboarding began in August - September 1999, with Brendan sketching out rough concepts for shots, which were then handed over to Peter Pound to draw up properly to a decent level of clarity. I started in November 1999 as progress was too slow, and we continued like that for about fifteen or so months until both Brendan and Peter moved on to other things - Peter to work on vehicle designs, and Brendan onto his own (unproduced) project. Then George worked with me solo on the last act of the film - the chase back to the Citadel. We finished in November 2001. There were some small tweaks and fixes over the next few years as the film went into pre-production three times, but it essentially stayed about 80% faithful to the original boards. Hope that helps!
@@marksexton8276 great work 😊!
@@marksexton8276 was there ever a second movie drawn out? Or any ideas for a second movie? I absolutely loved this movie and it was a magical movie for me when it released. You could clearly see beyond the story of the movie. You could see how much love and work went into this. It absolutely blew my mind. I know the second movie “wasteland” is stuck in production. But can we ever look forward to a part 2?
I'm still waiting for an official book to be released of the complete storyboards
Simply incredible. And those last lines....whew!
I dunno how true this is or not but the mad max movie would be edited by his wife and she had no prior experience to editing but he was persistent saying to his wife that if a man edited the fury road film it would just be another action flick and the movie went to win awards for her work!!
I think she did but not an action movie
Smells like horse shit
@@deucebartholomew3651 well it is a UA-cam comment so it probably is
That sounds like when George Lucas’ wife saved A New Hope in the editing room
Margaret Sixel, George Miller's wife, had edited Happy Feet (2006) and Babe: Pig in the City (1998) for him before. Mad Max: Fury Road was clearly the biggest project she'd tackled, but she had the benefit of footage that had been shot to the meticulous storyboards this video discusses. She wasn't assembling random footage attempting to create a story like some movies can be. That's not to say all the hard work was done for her by others and she was "editing by numbers", but rather that the whole production was structured to get what was needed so there was much more wheat than chaff for her to work with.
Re-watched it some time back and it's a master class in action direction and editing. You're never confused as to the geography of the scene, where the players are and how they're related to each other. It could've been shakycam visual noise done improperly, but she and her team culled 470 hours of footage into the final product.
unsubbed due to sponsor choice
I was lucky enough to see MM Fury Road in Sydney AU with aussies. It was amazing. One the best movie experiences ever.
You are promoting a scam!
Success! I watched the ReBoot episode and loved it. I watched THIS episode and loved it. You have persuaded me to watch Mad Max, and I hope I love it. You have succeeded!
Been a pretty long time viewer of the channel but disliked and unsubscribed when it got to the sponsor segment. If you want the actual Earth to look like mad Max we should definitely keep promoting them though.
Definitely disappointed in the lack of research or the lack of care in that sponsor.
Same.
Who cares
Who?
Never knew that it was made without a script but it makes so much sense. Clearly a passion project made to be told visually
Sponsorship is trash
2 love your content keep up the good work
Thank you, keep watching and we'll keep making!
Whoops, unsubscribed. Next time, don't accept bad sponsors that literally make me doubletake and feel sick. The money isn't worth the lack of integrity. Sucks because I love your videos and now I just have a bad taste in my mouth. So, I'll change that "love" into "loved" and stop watching here.
I’m waiting to see if there’s any follow up to the many comments talking about this shitty decision if there isn’t I’m walking too.
Time to go watch this on my new 4k OLED TV. Gonna be so sweet
I love this movie, I saw it 6 times in theatres (4x with regular pricing, 2 times discounted when it was rereleased as part of a classic film festival of sorts). More Mad Max please!
Bro I love your videos
I've enjoyed every 1
Can't wait till u get that 1m
Having just watched Jodorowski's Dune, he worked with Moebius to storyboard the whole film in the same way that Miller worked with his illustrator.
The movie "The Duel" is basically one physco in a truck chasing a guy for two hours.
FR was SO GOOD at what they wanted it to be- that I honestly didn’t even realize that I basically just watched a 2hr car chase scene (side note; too long car chases are a BIG action movie pet peeve of mine!)
Car chases in most films generally bore the shit out of me. Most are just not shot....well. Not all directors can do it.
There have been a small handful of films with car chases that I think are pretty brilliant though. Peter Yates' "Bullitt" comes to mind. As well as William Friedkin's "The French Connection". Fine car chases that will not put you to sleep. And basically just great crime films, each of them, all around.
The first half is a Chase. The second half is a Race.
I wish I have a silver spray paint to paint my mouth and teeth while others watching me go to Valhalla.
MMFR is one of my absolute all time favorite films. The thing I love about it is its perfect marriage of practical effects and digital effects(CGI, color grading, etc). It uses the digital effects where it actually needs to instead of overwhelming us with digital images, which I think most people seem to agree don't actually entertain as much as hollywood wants to think it does.
this movie is so amazing to rewatch on a good system. pure eye candy
Boy do I regret not seeing this in theatres at the time.
It would have been ironic if this movie had won any writing/screenplay awards. I don't know if it won any.
Yeah yeah yeah Monday’s Nerdstalgic! Loved this movie and that simplicity led to some thrilling scenes and gripping film
I came here for the ReBoot Reference... I was not disappointed. That show inspired me so much! It doesn't get the credit it deserves.
I also don't get when people say this movie is entirely a car chase because it's not, there are plenty of moments that break it up. But the main reason this is my least liked Mad Max movie (still like it though) is because it's barely a Mad Max movie. It's really a Furiosa film which is odd considering they have a Furiosa film planned although I believe it's a prequel so I only hope the sequel they have planned focuses more on Max and not Furiosa after this would've just been a Furiosa trilogy lol. But that fact that we'll have 6 Mad Max films is awesome. I really wish Mad Max was franchised more. Even if franchises are what ruins or kills IP and the medium itself.
Beyond that, all of which is correct, the movie looks absolutely nothing like a Mad Max film. The artwork is garish and looks nothing like a Mad Max film, the characters act nothing like characters in a Mad Max film. It is just plain awful, stem to stern.
Totally awesome. I have even more respect for this show now
A reminder to all the wannabe film buffs in the comments section that Fury Road contains over 2000 digital effect shots.
absolutely. when you compare it to so many hollywood ‘films’ that are rushed out most of them don’t even have a proper ending ??!
I once thought of Mad Max: Fury Road is yet another cash grab by the studio, (it was before I watched the movie), but after watching this video, it became clear that the movie was well-thought by people like George Miller
Oh, "Mad Max: Fury Road" was a major lesson learned for me, personally. I also thought this film was going to be a debacle when I read it was going into production. My basic argument was: "Who is really asking for another 'Mad Max' film these days?"
In my defense, honestly, it didn't seem like too many people were. But little did I know how much vision George Miller was going to put into this thing. Then it comes out and suddenly people-whose-opinions-I-respect are naming it as a possible front runner for the Best Director Oscar. And then I finally see it myself, and of course I have to readily acknowledge that it is, despite the odds, kind of a modern masterpiece.
It's something I adhere to pretty strictly now as a result: now matter how absurd a film may look, I do not judge anything until I have seen it myself. There are certain rare exceptions, but otherwise- I do not just judge any film I have not seen.
And anyone else's "opinion" about any film *they haven't seen* is essentially worthless to me.
This movie has everything I love about movie experience. It's incredible.
It's basically what Michael Powell would refer to as "a composed film".
Why didn't he talked about Gorge Miller's wife editing the film ?
what a lovely day!!
And then….you put this script away in a drawer because the filming gets cancelled at the last moment in 2001…and then doesn’t start up again for ELEVEN YEARS….and THEN doesn’t get released for ANOTHER THIRTY MONTHS….and THEN BECOMES.A MASSIVE HIT THAT WINS SIX OSCARS!
are you guys required to put the ads in the middle of the essay? it's really disruptive to the flow and how i'm following. if you put them at the beginning or the end it would be less jarring
What a lovely day!
Now realize that this is kinda why Anime is so awesome visually.
Only if they have the budget and passion, like with One Punch Man S1. Some manga just don't translate to the screen, like the Junji Ito collection for example
@@1894db Junji Ito is the exception, rather than the rule. Of course its never a 100% translation, but usually the Mangaka does like 70-80% of the director's work.
@@jascrandom9855 I wouldn't call it the exception. If you've ever watched Naruto or One Piece you'll notice how bad it gets when they're trying to stretch 16 pages into an episode. In general if the animators don't have the time/budget/talent, an epic scene becomes a derpy meme real fast.
@@1894db You do realize that same argument applies to every project ever, right? Not enough time or passion but it's due in the morning so slap some glue on those popsicle sticks and call it done enough!
In anime's defense, their schedules are grueling. They also use their platform to try out new techniques. AoT's outlining and 3DMG were a huge success, whereas Naruto's Pain fight... well, we know they were trying out a more fluid style to see if it did anything cool and we all now know it doesn't work. We get some laughs, animators learn from a studio that had the budget to experiment, win-win imho.
As for some things not translating well, that falls on the translator and director. Give me any other studio besides OG Ghibli that could tell My Neighbor Totoro with that run time and make it half as charming and attention grabbing. When you look at the story board and sparsity of the script, it's honestly a wonder Totoro works at all, yet here we are thanks to Miyazaki's ability to add details everywhere. Same for anyone translating a manga to anime, if they don't have the same vision or ability to generate atmosphere you get forgettable anime that just kind of existed. But add an amazing story and a studio with a director who is attentive enough to shift focus on the genre and highlights? You get classics like Death Note and Stein's Gate. (Even compare Wolf's Rain and Cowboy Bebop. Same studio and production, very different atmospheres and character dynamics and storytelling approaches, but the director kept it all together because they knew what to prioritize in the translations.)
The visual medium of anime can be breathtaking. The stories told are limited only by the imagination... and irl limitations. It comes down to making sure the people with the right skills are doing the right part, and yes, given adequate resources.
@@Undomaranel that's fair, tho I'd still argue that having manga as storyboards isn't the secret sauce of anime the way storyboards were for Fury Road
Best movie to watch when your stoned af
Mad Max was a tough hero. I'm impressed with this informative video.
To know that George Miller was influenced by the 3D animation Reboot is insane... 👌👌👌
First time I've ever disliked one of his videos
Fantastic
I really like the movie, and to be honest I didn't really care about the action l just really enjoyed the characters
Love this movie so much
Halloween made 170 million off the same budget. 70 million dollars more. So Mad Max was not the most profitable movie ever.
That was amazing! More of this please.
Has the comic book been published?
Very epic movie 🔥🔥🔥 can watch it any time and it’s still entertaining
One of my all time favorite films!
you still doin video game commentary?? haven't seen one in a while dude
Can you talk about Kaitou Joker?
I want to buy an Art of Fury Road jus for those storyboards.
sorry, but Mad Max was filmed in Namibia & Cape Town. Not Australia
Best action movie of all time. Don't @ me
Part of a hard reboot? But it's made by the same guy who made the other 3 (much better) films. And if I'm nit mistaken, he said it's a continuation of the story. So if anything it's just a soft reboot because of recasts.
I watched this whole video because I love your work and love Fury Road and love the story you told. But I skipped part your NFUCKINGT sponsor ad. I don't want to unsub, but don't push that money laundering crap. It's destroying the environment, it's a huge pyramid scheme scam.
Just Write already did a video essay on this topic
Literally watched this movie for the first time with my wife yesterday. Weird timing
Never seen this movie and I hate spoilers but I freaking love your voice, so I'm here listening.
A storyboard is a visual script.
It's a pretty fun friken movie. I dunno if it has a ton of meaning tho. But, sheeeh.
Now i see why this video bombed in views HAHAHAH
A little fun fact I read about this movie
Most-if not all-of the scenes are happening at the center of the screen. That way, your eyes don't have to move a lot.
Two things I love about this movie 1. The cars 2. The color
Great content... Love from India 🇮🇳❤️
Thank you!
@@Nerdstalgic You reply to the gushers, but you won't respond to 25% of the comment section calling you out, for putting your own profits over the well being of others & the planet? You're entire schtick is about "integrity", & then you reveal to all of us that you have none. Nice Machiavellian move sellout.
Does Reboot have any interesting production history that it's worth making a video about. I freaking love that show to this day. Jokes that flew over my head as a kid I can now appreciate as a much older kid. I always loved the detail that Hexadecimal could only change her mask and by extension her facial expression when her face was hidden from the camera's POV. That's nerdy nostalgia right there.
lol ad, unsubbed
Nice
Show not tell at it’s best
Super dissapointed by the ad. unsubbed for now.
I doubt you will but will you do a video on the sly cooper franchise it was always my favorite and is criminally underrated
HAIL V8
Best video yet I think…
👍👍
Can YT add a LOVE (like a like but x11) button plx
Bruh...
Damn I've loved this movie. I'm going to go watch it again.
Still never seen it.
Ignore these cancel culture crybabies. Keep doing what you're doing. I'm a new subscriber and I love the videos.
Its clear you don't understand what they're talking about
Stands as the second largest missed opportunity in modern film. They'll never admit it, but having Mel Gibson in Fury Road instead of Tom Hardy would've been the most ideal for fans and made much more money. Abrams' garbage Star Wars trilogy is number one for purposely not reuniting the big three.
I agree with you on all of this. Where's Mel Gibson?
@@robotsaysbeebooboop thanks. hardy was not good at all in this role.