Just for the record, anyone who is not captivated by Kanami is dead, whether they know it or not. (Of course, to a significant degree, this could be said for the other four members, as well as the band as a whole).
I love that you guys used the word "conversation", as opposed to "duel" or "battle" that so many others have. They, in no way, are fighting each other.
While they are all great musicians, I have long felt that MISA is in the conversation for best rock bassist in the world today. Re. Miku, her rhythm line during the "conversation" also adds a huge element of energy and anticipation, as she takes the chords higher and higher--but people miss is unless they are listening for it.
Band Maid being Band Maid at it's finest !!!!!! If you noticed,,,,after covid, Akane's speed has grown tremendously. She spent alot of hours being the kit working on her double bass skills....and now she is really on another level. I am a drummer and can tell you her feel, touch and precision is second to no one !!! And I don't know how.....but she always finds the perfect beat or fill that totally fits the song.
On their 2023 tour, this became a highlight moment in most of their performances. There are dozens of clips of various versions of it up on YT and they are all fun to watch. Best rock band in the world now!
I totally agree. Saiki-san is never awkward on stage hence that level of comfort the audience always feels with her. It also helps that she's rarely off key! She's really amazing that way.
It was one of the highlights of the 10th anniversary concert at the Yokohama Arena, but far from the only one - in fact, there were only highlights! Surprise after surprise, emotion after emotion, wonder after wonder. A must-see!
One thing I love about Band Maid, when it's time for the members to do their solos, they don't take it overboard. The solos are always tasteful and always stay within the song's main melody line, unlike in other rock bands when the solos go off in so many different tangents that it they don't feel like it's part of the song anymore.
Again, my three favorite reactor quotes from Band Maid's "early years" (2016-17, in this case): (a) "Oh c'mon, that's not really them playing those instruments" {Well, my guess is "Yes"}; (b) "They'll never be able to keep this up -- women have no stamina" {They're in their 10th year as a band, and the concert that this song came from was 3 1/2+ hours long and contained 33 songs...}; (c) "Man, they go for every cliche in the book" {There is a difference between creative integration of your own stylings and iconic formats. as compared to enslavement to historic formulas, without the injection of any meaningful form of creativity by the artist/performer}. Band Maid honors tradition, but is constantly evolving in terms of form, content and technical performance. They are not close to "plateauing" (peaking) yet. Band Maid Forever!!!!!
What many people fail to hear is during the "Conversation" Miku joins in, in the left channel part way through, after Kanami's second "Interjection", playing octaves to Kanami's guitar. Then as Kanami went head to head, Miku mirrored Kanami's riff, leading to a much fuller sound.
I saw Band-Maid live on October 21, 2022 which was a month after the Unleash EP was released. I was hoping that Band-Maid would play Hate? but it was not part of their 18 song set. The song would make its live debut less than a week later in NYC. The Dallas show confirmed that they were a very good live band. I knew they would improve, but I had no idea how far and fast that improvement would be. I watched their August 2023 Lollapalooza performance on television and I was blown away (Hate? was a big highlight). Move ahead almost 4 months to the huge Yokohama Arena show and Band-Maid proved themselves to be a great live band that now belong in front of crowds in the tens of thousands. When Saiki heard this song as an instrumental (which Kanami wrote during the dark early days of the pandemic), she thought Kanami, along with Akane, had put a lot of anger into it. Kanami denied it was an angry song, but Saiki wrote the lyrics with that theme, to say the least. When I first heard the song and deciphered the lyrics, it gave me Carly Simon "You're So Vain" vibes. I agree with y'all's interpretation that the song is not really about real hate, but it is about the rage felt when suffering the ultimate betrayal by the person you love. The over the top, and at times amusing, lyrics are very much verbal revenge resulting in nuclear annihilation of the relationship (I watched Fallout, so nuclear annihilation is on my mind).
I watched my DVD of this concert yesterday and made it a point to focus on Akane exclusively. Needless to say I was in awe of her performance. It was 33 songs worth of absolutely beautiful and powerful drumming and she was smiling from ear to ear the entire time. 😁
Great powerful, hard driving song made more awesome when one realizes that this is Band-Maid's 27th song of a 33 song setlist. Simply amazing performance.
One of, if not the best live performances recorded from the ladies on video, probably the most aggressive lyrics in their catalog and a conversation between 3 world class musicians that you rarely hear anymore. Yes, I'm including Akane because her beat carries this conversation relentlessly from start to finish. ❤🔥🤘🏻 _____________________ 「 _"Our rock never dies ever. Forever!"_ 」 - from *BAND-MAID* - 'Manners' ♬🕊
Great reaction guys. Yes, this is the new de facto BAND-MAID Live video. The triumvirate conversation is outstanding (yes, don't forget Akane). Not only do they smile throughout but I and you do too. THIS IS BAND-MAID. 🔥🔥🔥🔥🔥Peace. 4.66
Thanks for the reaction and comments. Good to see you gents reacting to Band-Maid again. This is the ultimate F*Off song, composed and performed only the way Band-Maid can. Saiki was definitely on FIRE throughout the entire concert, as were all the ladies. What's criminal is that these ladies don't have a greater fanbase around the world. You should check out their other official live videos from the same venue. They're all fantastic. Cheers!
In case anyone is interested in checking out our BAND-MAID Playlist, which now includes the above episode, it can be seen HERE: ua-cam.com/play/PLzwQo9bDDsIx6klQDDDhaAAddBEdF3Fla.html Enjoy!
Interesting interpretation of the song, it was apparently writen by Saiki and aimed at the husband of a close friend who sheated on her friend during COVID.
In the Tokyo Garden theater show there is a spectacular bass and drums introduction to this song. In fact, they always change the arrangements in some way.
In an interview, Saiki explained about the "?" mark in the title of this song. When Saiki wrote the lyrics, she wanted to use the phrase "I hate you". She decided the title to be "HATE", and then she realized that "HATE" could be read "はて" in Japanese. Because "はて" is typically used in question, she put "?" to make the title "HATE?". I'm sure that Saiki was smiling a lot when decided on this title with "?" because she guessed that English speaking fans would be puzzled by it.😏 "はて?" can be translated as "What?"😉
@@GaryHolloway-810 Those two (Kanami and MISA) have done that with each other thousands and thousands of times over the years, practising and putting songs together. You can't just take 2 guitarists and throw them together and be able to perform at that level. They're in each others heads and actually talking in a way only they know. It's magic.
@@80mtnSurely it's significant that the number of reasons they are awesome has now exceeded the speed of light in miles per second. Surely this was the moment that Pigeon English has melded with quantum physics and MISA has become the source of all gravitational waves in the universe. Now they are faster, so.even light cannot escape from their 'Black Hole' 😮
The looks of excitement on your faces when you simultaneously realized it was another "conversation" between Kanami n Misa was priceless! On Saiki, their latest vid, Endless Story, is the finale of their 10th anniversary tour. She really cranks it up a few notches and it is, without a doubt, her finest and most heart-felt performance. **VERY IMPORTANT** When you react to it, you MUST have the closed captioning ON in order to know what she is saying to the crowd in order to get the full understanding of the situation. Believe me, it's incredibly emotional. (Have tissues handy!) Thanks again for another great reaction! 🤘🤩🤘
BAND‐MAID concert at Yokohama Arena, Yokohama, Japan on November 26, 2023 Setlist 01) DOMINATION 02) glory 03) alone 04) Play 05) Unleash!!!!! 06) Thrill 07) Shambles 08) Don't you tell ME 09) After Life 10) Sense 11) influencer (New intro with Miku guitar solo) 12) from now on 13) Daydreaming (New intro) 14) Memorable 15) about Us 16) Mirage 17) Bubble 18) Rock in me 19) Different (Acoustic - Saiki and Kanami only) 20) anemone (Acoustic - Saiki and Kanami only) 21) Choose me (Saiki solo on piano) 22) onset 23) Brightest Star 24) FREEDOM (New intro) 25) BLACK HOLE (New intro with Akane drum solo) 26) DICE (New intro with Misa bass solo) 27) HATE? 28) NO GOD (New intro) 29) Magie 30) Manners 31) Choose me (Normal version) 32) FORWARD (New arrangement) 33) endless Story
Excellent reactions!! Maybe you also try to another BandMaid marason reaction to their instrumentals like From Now On, Onset, without holding back, don’t be long and Giovani
I smiled and laughed when you brought this one up. I can't get tired of watching this., Saiki wrote the lyrics and they're nastily hilarious. I guess it's actually about one of Saiki's friends whose boyfriend cheated on her during covid, at least that's the story I saw, I could be wrong.
Great reaction guys and Saiki wrote the lyrics. There was a lot of cheating occurring during covid lock down in the press at this time and Saiki was pissed. The singer LISA (a friend of Akane) was also affected by this as her husband was caught cheating and created a big scandal.
Don't You Tell Me was a conversation, HATE? is an all out argument. Great use of dynamics. Lalalalala I'm not listening to your rebuttal! Thanks for the reaction! Cheers!
In keeping with the nature of the song it was not a conversation. That was a full blown argument. Ending in a screaming match when they are both playing over the top of each other. Of course the woman wins with Kanami's blistering solo rant.
Regarding the lyrics, I strongly disagree with your takes. Despite the (ironic?) question mark, I think it's very clear there is no remaining love for the subject of the song. It is as clear a f@#!-off song ever written. If there is any self-reproach it's that the narrator put up with the garbage as long as she did. As for whether this was a woman telling off a man or not, it's pretty obvious throughout -- from Miku's "Why don't you try to understand me?" to the cutting and hilarious "ten minutes of limp gymnastics". A fantastic song, with brilliant performances from every member of the band. The best break-up song ever.
I think there is an indication from which perspective it is written, the "Tеn minutes of limp gymnastics" line. This combined with them being women makes it pretty clear to me that it is written from a female perspective.
Nah, you got it all wrong lol. I can see why you think the song is about that, but Saike is pissed at her FRIEND's ex :) We can only imagine being on the receiving end of her anger if we were her ex. :D
That's no conversation. That's an argument. Put into the context of the song and its lyrics, this is an argument between the guy (bass) and the girl (guitar). The bass starts the argument, the guitar answers back, the bass says something smart, the guitar mocks the bass by copying the same riff right back, then the argument becomes a shouting match that ends with the guitar (the girl) having the final word ending the argument. Saiki then finishes the song with one final tempered angry Lalalala, LALA LALALALA!!!! I HATE YOU! DON'T GIVE A SHIT NO MORE! 😂😂
Saiki wrote the lyrics and she is pi$$ed. Some different back stories as why she wrote it. One story is she wrote them after a friend's husband cheated. Another is more personal, I understand she''s had problems with men. Japanese culture has a problem with strong, independent women.
We only hard the songs that we've reacted to from them (all in the playlist linked in the pinned comment), so we don't know which songs came before or after others. However, we have not felt that their songs lost structure or are chaotic in a negative way at any time. We've loved all the songs we covered. B-M are one of our favourite bands.
I disagree. Different, itself, is different from their "normal" style. And as an example, Manners released about a year later, is very structured in a classic rock vein.
Your opinion is valid. But are you saying this song has no structure? Or how about "Memorable" a completely different style of song, a ballad in fact. Really? You might not like them (fair enough) but no structure is in my opinion ludicrous.
At most I'd say their later catalog is generally proggier or more interactive or matches different moods. If that's not your cup o' tea, that's totally fair. But Kanami rarely deviates much from traditional song structures: you're always going to get clearly defined verses, choruses, bridges, a solo or two, intro and outro, etc.
There is no dead weight, no weak link, in Band-Maid. All talent, all effort, all respect.
A reactor said " Miku is the Swiss Army knife of Band-Maid ". I totally agree.
This is without doubt one of BAND-MAID's most awesome standout out live performances & lead/bass conversation. The whole Yokohama show was amazing :)
Truthometer = 1000. 🔥🔥🔥🔥🔥
Just for the record, anyone who is not captivated by Kanami is dead, whether they know it or not. (Of course, to a significant degree, this could be said for the other four members, as well as the band as a whole).
@@bruceveary1758 And i agree with every word you say.😁
@rogerchance9074 Haha. Great as long as it's not Real Life couples Belle desperate to show us her puppies.😏
@@GaryHolloway-810 Do you think that you could speak to my wife for me?
I love that you guys used the word "conversation", as opposed to "duel" or "battle" that so many others have. They, in no way, are fighting each other.
Best rock performance last 10 years
Best rock band on the earth❤️
While they are all great musicians, I have long felt that MISA is in the conversation for best rock bassist in the world today. Re. Miku, her rhythm line during the "conversation" also adds a huge element of energy and anticipation, as she takes the chords higher and higher--but people miss is unless they are listening for it.
Band Maid being Band Maid at it's finest !!!!!! If you noticed,,,,after covid, Akane's speed has grown tremendously. She spent alot of hours
being the kit working on her double bass skills....and now she is really on another level. I am a drummer and can tell you her feel, touch and
precision is second to no one !!! And I don't know how.....but she always finds the perfect beat or fill that totally fits the song.
On their 2023 tour, this became a highlight moment in most of their performances. There are dozens of clips of various versions of it up on YT and they are all fun to watch. Best rock band in the world now!
The version on my channel was recorded a few months before the full conversation was added. :(
I totally agree. Saiki-san is never awkward on stage hence that level of comfort the audience always feels with her. It also helps that she's rarely off key! She's really amazing that way.
I will add that she is very graceful as well.
It was one of the highlights of the 10th anniversary concert at the Yokohama Arena, but far from the only one - in fact, there were only highlights! Surprise after surprise, emotion after emotion, wonder after wonder. A must-see!
One thing I love about Band Maid, when it's time for the members to do their solos, they don't take it overboard. The solos are always tasteful and always stay within the song's main melody line, unlike in other rock bands when the solos go off in so many different tangents that it they don't feel like it's part of the song anymore.
Again, my three favorite reactor quotes from Band Maid's "early years" (2016-17, in this case): (a) "Oh c'mon, that's not really them playing those instruments" {Well, my guess is "Yes"}; (b) "They'll never be able to keep this up -- women have no stamina" {They're in their 10th year as a band, and the concert that this song came from was 3 1/2+ hours long and contained 33 songs...}; (c) "Man, they go for every cliche in the book" {There is a difference between creative integration of your own stylings and iconic formats. as compared to enslavement to historic formulas, without the injection of any meaningful form of creativity by the artist/performer}. Band Maid honors tradition, but is constantly evolving in terms of form, content and technical performance. They are not close to "plateauing" (peaking) yet. Band Maid Forever!!!!!
Well, you know how it goes. Those who can't play, react.
@@eatsmylifeYT I'd say something, but I have to live here.
What many people fail to hear is during the "Conversation" Miku joins in, in the left channel part way through, after Kanami's second "Interjection", playing octaves to Kanami's guitar. Then as Kanami went head to head, Miku mirrored Kanami's riff, leading to a much fuller sound.
She does such a lot of that kind of thing these days. Frequently doing a "subsolo" under kanami and/or misa.
I've heard that the question mark is a Japanese pun on how the English word hate is spelled.
I saw Band-Maid live on October 21, 2022 which was a month after the Unleash EP was released. I was hoping that Band-Maid would play Hate? but it was not part of their 18 song set. The song would make its live debut less than a week later in NYC. The Dallas show confirmed that they were a very good live band. I knew they would improve, but I had no idea how far and fast that improvement would be. I watched their August 2023 Lollapalooza performance on television and I was blown away (Hate? was a big highlight). Move ahead almost 4 months to the huge Yokohama Arena show and Band-Maid proved themselves to be a great live band that now belong in front of crowds in the tens of thousands.
When Saiki heard this song as an instrumental (which Kanami wrote during the dark early days of the pandemic), she thought Kanami, along with Akane, had put a lot of anger into it. Kanami denied it was an angry song, but Saiki wrote the lyrics with that theme, to say the least. When I first heard the song and deciphered the lyrics, it gave me Carly Simon "You're So Vain" vibes. I agree with y'all's interpretation that the song is not really about real hate, but it is about the rage felt when suffering the ultimate betrayal by the person you love. The over the top, and at times amusing, lyrics are very much verbal revenge resulting in nuclear annihilation of the relationship (I watched Fallout, so nuclear annihilation is on my mind).
I watched my DVD of this concert yesterday and made it a point to focus on Akane exclusively. Needless to say I was in awe of her performance. It was 33 songs worth of absolutely beautiful and powerful drumming and she was smiling from ear to ear the entire time. 😁
Great powerful, hard driving song made more awesome when one realizes that this is Band-Maid's 27th song of a 33 song setlist. Simply amazing performance.
One of, if not the best live performances recorded from the ladies on video, probably the most aggressive lyrics in their catalog and a conversation between 3 world class musicians that you rarely hear anymore. Yes, I'm including Akane because her beat carries this conversation relentlessly from start to finish. ❤🔥🤘🏻
_____________________
「 _"Our rock never dies ever. Forever!"_ 」 - from *BAND-MAID* - 'Manners' ♬🕊
Great reaction guys. Yes, this is the new de facto BAND-MAID Live video. The triumvirate conversation is outstanding (yes, don't forget Akane). Not only do they smile throughout but I and you do too. THIS IS BAND-MAID. 🔥🔥🔥🔥🔥Peace. 4.66
Yep totally right Jk, this is the must see performance for reactors, even over "Domination".😮
@rogerchance9074 Lol. That's me that is.🙋♂️
@rogerchance9074 Yay. Gary is now a Jersey Maidiac!. 😲
@rogerchance9074 Can't see any comments. 0 for 7.
Thanks for the reaction and comments. Good to see you gents reacting to Band-Maid again. This is the ultimate F*Off song, composed and performed only the way Band-Maid can. Saiki was definitely on FIRE throughout the entire concert, as were all the ladies. What's criminal is that these ladies don't have a greater fanbase around the world. You should check out their other official live videos from the same venue. They're all fantastic. Cheers!
A I see it: MISA and Kanami are in a shouting match, and Akane is the neighbor banging on the wall.
In case anyone is interested in checking out our BAND-MAID Playlist, which now includes the above episode, it can be seen HERE: ua-cam.com/play/PLzwQo9bDDsIx6klQDDDhaAAddBEdF3Fla.html
Enjoy!
Interesting interpretation of the song, it was apparently writen by Saiki and aimed at the husband of a close friend who sheated on her friend during COVID.
In the Tokyo Garden theater show there is a spectacular bass and drums introduction to this song. In fact, they always change the arrangements in some way.
In an interview, Saiki explained about the "?" mark in the title of this song. When Saiki wrote the lyrics, she wanted to use the phrase "I hate you". She decided the title to be "HATE", and then she realized that "HATE" could be read "はて" in Japanese. Because "はて" is typically used in question, she put "?" to make the title "HATE?". I'm sure that Saiki was smiling a lot when decided on this title with "?" because she guessed that English speaking fans would be puzzled by it.😏
"はて?" can be translated as "What?"😉
Todo gracias a Miku! Ella hizo que esto fuera posible... ❤
Kanami wrote this during Covid and had a lot of angst. It comes out in this.
Thanks you guys! That was a really great reaction analysis, for real. The editing in of what you were referencing was a cool bonus! 🙂 1000 upvotes -po
And they said "Conversation" the way it always should be instead of duel or battle :)
@@GaryHolloway-810 Those two (Kanami and MISA) have done that with each other thousands and thousands of times over the years, practising and putting songs together. You can't just take 2 guitarists and throw them together and be able to perform at that level. They're in each others heads and actually talking in a way only they know. It's magic.
@@80mtn Yep it's an innate understanding between the two of them. Nothing has to be said because it's synergy when they look into each others eyes :)
@@GaryHolloway-810 This is reason 186,492 why they're awesome!
@@80mtnSurely it's significant that the number of reasons they are awesome has now exceeded the speed of light in miles per second. Surely this was the moment that Pigeon English has melded with quantum physics and MISA has become the source of all gravitational waves in the universe. Now they are faster, so.even light cannot escape from their 'Black Hole' 😮
The Maids are simply the best band on the planet. I would put them up against anyone.
The looks of excitement on your faces when you simultaneously realized it was another "conversation" between Kanami n Misa was priceless!
On Saiki, their latest vid, Endless Story, is the finale of their 10th anniversary tour. She really cranks it up a few notches and it is, without a doubt, her finest and most heart-felt performance.
**VERY IMPORTANT**
When you react to it, you MUST have the closed captioning ON in order to know what she is saying to the crowd in order to get the full understanding of the situation. Believe me, it's incredibly emotional. (Have tissues handy!)
Thanks again for another great reaction!
🤘🤩🤘
Miku's backing vocals are great but her guitar part during the verse is sick.
BAND‐MAID concert at Yokohama Arena, Yokohama, Japan on November 26, 2023
Setlist
01) DOMINATION
02) glory
03) alone
04) Play
05) Unleash!!!!!
06) Thrill
07) Shambles
08) Don't you tell ME
09) After Life
10) Sense
11) influencer (New intro with Miku guitar solo)
12) from now on
13) Daydreaming (New intro)
14) Memorable
15) about Us
16) Mirage
17) Bubble
18) Rock in me
19) Different (Acoustic - Saiki and Kanami only)
20) anemone (Acoustic - Saiki and Kanami only)
21) Choose me (Saiki solo on piano)
22) onset
23) Brightest Star
24) FREEDOM (New intro)
25) BLACK HOLE (New intro with Akane drum solo)
26) DICE (New intro with Misa bass solo)
27) HATE?
28) NO GOD (New intro)
29) Magie
30) Manners
31) Choose me (Normal version)
32) FORWARD (New arrangement)
33) endless Story
Excellent reactions!! Maybe you also try to another BandMaid marason reaction to their instrumentals like From Now On, Onset, without holding back, don’t be long and Giovani
I smiled and laughed when you brought this one up. I can't get tired of watching this., Saiki wrote the lyrics and they're nastily hilarious. I guess it's actually about one of Saiki's friends whose boyfriend cheated on her during covid, at least that's the story I saw, I could be wrong.
this is not a duel, this is a round of gossip to match the text
That much energy on song #27 of the night. Insane!!!
They have it. They feel it. They got The Groove 🔥❤️ Magical band 🤘🔥❤️
MISA MISA MISA...sorry, I just had too 😉 Nice reaction as always!
Great reaction guys and Saiki wrote the lyrics. There was a lot of cheating occurring during covid lock down in the press at this time and Saiki was pissed. The singer LISA (a friend of Akane) was also affected by this as her husband was caught cheating and created a big scandal.
I just noticed the Spalding-Lakers basketball on the bookshelf behind Itai -- class will out (that comment is meant for both of you)!
I believe Miku’s cynical “Why don’t you try and understand me?” Was coming from the man that the anger is directed at.
Don't You Tell Me was a conversation, HATE? is an all out argument. Great use of dynamics. Lalalalala I'm not listening to your rebuttal! Thanks for the reaction! Cheers!
You guys missed some laugh out loud moments by having the closed captions off.
There are English subtitles.
👍👍👍👍👍
In keeping with the nature of the song it was not a conversation. That was a full blown argument. Ending in a screaming match when they are both playing over the top of each other. Of course the woman wins with Kanami's blistering solo rant.
The woman won and the truth is out...MISA actually IS Geddy Lee 😮
Regarding the lyrics, I strongly disagree with your takes. Despite the (ironic?) question mark, I think it's very clear there is no remaining love for the subject of the song. It is as clear a f@#!-off song ever written. If there is any self-reproach it's that the narrator put up with the garbage as long as she did. As for whether this was a woman telling off a man or not, it's pretty obvious throughout -- from Miku's "Why don't you try to understand me?" to the cutting and hilarious "ten minutes of limp gymnastics". A fantastic song, with brilliant performances from every member of the band. The best break-up song ever.
"I don't care if you die out" sums up her current feelings
You might enjoy the entire concert, now on Blu-ray.
Apparently, SAIKI wrote this song about the cheating husband of a friend.
What a great line "Ten minutes of limp gymnastics"... Dude!
I think there is an indication from which perspective it is written, the "Tеn minutes of limp gymnastics" line. This combined with them being women makes it pretty clear to me that it is written from a female perspective.
Nah, you got it all wrong lol. I can see why you think the song is about that, but Saike is pissed at her FRIEND's ex :) We can only imagine being on the receiving end of her anger if we were her ex. :D
🐺LOVEBITES RULES🐺
That's no conversation. That's an argument. Put into the context of the song and its lyrics, this is an argument between the guy (bass) and the girl (guitar). The bass starts the argument, the guitar answers back, the bass says something smart, the guitar mocks the bass by copying the same riff right back, then the argument becomes a shouting match that ends with the guitar (the girl) having the final word ending the argument. Saiki then finishes the song with one final tempered angry Lalalala, LALA LALALALA!!!!
I HATE YOU! DON'T GIVE A SHIT NO MORE! 😂😂
Saiki wrote the lyrics and she is pi$$ed. Some different back stories as why she wrote it. One story is she wrote them after a friend's husband cheated. Another is more personal, I understand she''s had problems with men. Japanese culture has a problem with strong, independent women.
After " Different" , they lost the structure in their songs , and their music became something like chaos ,in my opinion. I liked their old style .
We only hard the songs that we've reacted to from them (all in the playlist linked in the pinned comment), so we don't know which songs came before or after others. However, we have not felt that their songs lost structure or are chaotic in a negative way at any time. We've loved all the songs we covered. B-M are one of our favourite bands.
I disagree. Different, itself, is different from their "normal" style. And as an example, Manners released about a year later, is very structured in a classic rock vein.
Your opinion is valid. But are you saying this song has no structure? Or how about "Memorable" a completely different style of song, a ballad in fact. Really? You might not like them (fair enough) but no structure is in my opinion ludicrous.
At most I'd say their later catalog is generally proggier or more interactive or matches different moods. If that's not your cup o' tea, that's totally fair. But Kanami rarely deviates much from traditional song structures: you're always going to get clearly defined verses, choruses, bridges, a solo or two, intro and outro, etc.