Thanks, commenters). FYI, ATM there are 18 in-depth classes on YT + Ustream under my name including Bill Evans, Dave McKenna, Charles Ives, walking bassline clinic, playing outside the changes, Frank Zappa, Charlie Parker, Eric Dolphy, the Marx Bros, Bruce Hornsby, Grateful Dead, Lennie Tristano, Dick Hyman, Eric Dolphy, Oscar Peterson, Liberace, etc.. All free, no commercials:) Blessings and keep swingin! Dave Frank
WOW beautiful version of yesterday!!! Youve really got the spirit of Lennie in your playing, with your own individual take on things well done - you have an amazing handle on walking bass which gives the piano so much extra depth and dimensions
I am not a musician and i know nothing about jazz technics... i cannot read music either. But i feel the jazz so much. Right now your teaching is so intense, direct and meaningful that in few minutes i got a much deeper insight. Grazie maestro. Peace from italy.
thank you for writing) You may enjoy a visit to the master class archive at www.davefrankjazz.com, there are 27 classes like this one, all free w no commercials) Blessings from NYC!
Hey! Dave, You are a great guy, a grand professor, a convincing teacher and a magnificient piano player! Thank you so much for sharing everything that you know. Greetings from Montreal!
my strongest music desire is jazz and this one of the most awesome playing i ever heard. i love Keith Jarrett,Bill Avon s and many more ,but you and Lennie are awesome. thanks for sharing your blessings with the world.
Your video explained music in a way that I never knew before. Now, I can appreciate what it being played instead of feeling lost. Thank you for making this video.
Veramente Bravo, You are monster, Lennie era originario di Aversa un paese a 100 km dal mio di paese, sono sicuro che sarebbe fiero del lavoro che fai sul suo approccio musicale, Bravo Bravo Bravo
Man, you're good!! A wealth of knowledge is contained in this video and it's so clearly explained Thanks so much for offering so much help Dave. You rock and deserve to always be blessed! Keep doing what you do and i'll keep watching, playing and learning. Peace!
Very nice. My Father also took lessons from Mr. Tristano. His influence on my Father and me as a musician is unparalleled. Very nice lesson on Lenny Tristano's magnificent talent.
thank you for writing) Please enjoy a visit to the master class archive at davefrankjazz.com for 53 in-depth master classes, all free) Including 4 more classes on Lennie!
I think that the "mantra" you played at 27:10 is 5/8 against 4/4. if you keep playing the phrase it lines up after 5 measures. Really wonderful material, thank you for these masterclasses!
amazing amazing amazing.........one of the most underrated pianists. a pianist's pianist that could do everything & scare you half to death. wow........... thank you so much for sharing. again .......wow.......
The first time I heard Tristano, I knew he was a genius, it's so nice to talk about him and share your experience with such a colossus! Thank you so much Dave , this is spot on! Wish you a happy new 2012, keep up with the deep stuff!!!
from Spain!!! excelent master class and really a real lover for jazz!!! I learn a lot from you ! go on with your youtube master class !!Thanks a lot and merry cristmas!
Invaluable information from a gifted pianist...made more unusual for his being such a totally giving person...Many thanks for posting a LARGE body of work to draw on! Thanks again for sharing all you know about Andrew Lloyd Weber (I kid! I KID!!)
Hi Dave. I have listened to Lennie thousands of times on these recordings since first introduced to his music by my high school chum Vic Lesser in 10th grade (1970) who studied with Lenny Popkin at the time. This music has nourished me through thick and thin and I never tire of it as i never tire of Bach's piano music (or Prez for that matter.). I did get to hear Sal Mosca a few times in 1971, along with Popkin. I wanted to thank you for this lesson. I am finally learning piano now and improvising, and this was very helpful, to understand what Lennie did technically which explains to my why his music is so thrilling, esp all the stuff on New Tristano, which must be my favorite of all. As you said, "one of the great moments in jazz history"...a kind of spiritual equivalent to Roy Eldridge's Heckler's Hop or any of a number of Prez's solos like Honeysuckle Rose or Shoe Shine Boy. . Up until now i have just been listening closely, but without the benefit of any formal training. Its so exciting to see someone else so thrilled by this music as you are, and for damn good reason. Thanks again for this great lesson, Eyton Shalom
Thanks for writing) I knew Victor well in our Tristano days..please enjoy 39 free in-depth master classes at www.davefrankjazz.com, and I'm hoping a new Lennie class on C Minor Complex will be online soon) Blessings and keep swingin!
I cant wait D. C and G minor complex have both always been about the most thrilling music i know...I turned my music theory/piano teacher on to Lennie and she was pretty amazed. Thanks again.
Hello Marius ! Nice to meet you here! Great video of Dave Frank... I just love Lennie Tristano and it's so great to hear the stories of someone, who studied with him personally. Greetings from Amsterdam... :~) Jens (~:
Dave: You are f..ing amazing.. AND: the important stuff- you have a tremendous heart, and a giving teacher.. I have played jazz my whole life, and YOU are helping me move forward in so many ways.. I am grateful that you are here and helping the planet with clarity, heart, swing, love, inspiration etc. Thank you sooo much Dave Austin..( also went to Boikley in Boston) Worked with Ray Santisi .. (you are a better teacher by the way)..
+Spenser T Thank for writing) Please enjoy a visit to the master class archive at www.davefrankjazz.com, there are currently 32 in-depth classes, all phree)
Dave, you mentioned that Lenny had you practice scales with two, three and four fingers. I tried that today on some Hanon-like patterns. I also tried using two, three or four fingers in limited combinations over some of the basic rhythmic groupings for improv. Specifically, I avoided using the thumb. I instantly found that this approach forces me out of playing lines by habitual muscle memory, and instead induces new small motifs and helps my lines begin to open up. I would be very interested to know more about Lenny's limited finger scale methods. Thanks!
I keep hearing You And The Night And The Music in this, and also, in terms of your question of what Lennie is doing rhythmically, I go to the music of Carl Stalling, and the soundtrack work of Eddie Sauter. (the incredible Mickey One Soundtrack with Stan Getz) but I always hear bebop in his phrasing.... I have always wondered what Tristano would have done with Brazilian music.
Great lesson Dave! I enjoyed it very much! Interesting aspect for me in Lennie's playing is, that the walking bass line is very steady and with his right hand he seems to shift the time just a fraction ... two different times at the same time..... greetings from Amsterdam :~)Jens(~:
I was made aware of Lennie through the work of Woody Mann. I am not into keyboards but I did find this inspirational and I can see much of Lennie's work in Woody's own compositions.
I grew up with Woody) He's a great guy and musician..please enjoy a visit to the master class archive at www.davefrankjazz.com for 42 in-depth master classes, all free.
Met Woody in 1998 at Wirral Guitar festival and went to the 1999 / 2000 IGS New York. Hop to catch up with him in the UK next year. Reading his book "Just Play" now.
*NEWS* My teacher LENNIE TRISTANO has just been inducted into the Jazz at Lincoln Center hall of Fame!! This will include a plaque, musical examples, etc, in the prestigious hall. This one's for you with fond memories and lifelong gratitude:) ua-cam.com/video/5ay6TsZkC54/v-deo.html
That is an improvisation on the tune What is this thing called love. Go a little further into the class and you'll hear alot of that style haha. Who would you kill? haha, thanks for writing)
tis "Yesterdays".. yeah, great song, a well-known standard eg check out Art Tatum (one of the only films of him) & Miles Davis playing it on youtube! mmm
The Mantra-thing: 8th-notes grouped in 5 (2+3). Performed as 2 eighth-notes+1 eightnote/2 sixteenth notes+1 eight note. 4 against 5 over double time. No?
GeorgeCrumb,Stockhausen 's piano pieces have nothing on Tristano. Descent into the maelstrom visits atonality,athematicism,metric displacement,independent lines over other lines,new approach to glissandos, so much radical ideas i cant even catalogue them all. He knew everything was music just like Cage. This is fabulous by any measurement.
Dave, I love this lesson, but I cant seem to find a lead sheet for "Becoming" anywhere. could you pass us over the changes that Lennie used on that album?
no hairstylist this time? If anyone did skip for Tristano's dedication piece, you missed out on something ridiculous, genius, so efin entertainingly brilliant. but i know no one would have. Cheers Dave
Wonderful playing, great information, nice camera work, but, sadly, it seems the sound was not recorded properly and is distorted and the microphone was not placed properly. This is not to dis anyone, it's just very unfortunate. Hard to know where in the chain it went wrong. Nevertheless, thanks for this offering. Very generous of you to make this available.
I'd be interested to know what you think about the fact that in the recording, we can hear Lennie is clearly slowing down at times. The tempo is not fixed. Clearly, this is not a problem when one is playing solo. That said, I found myself not liking how it sounds, as it just comes off as draggy, as if the performer couldn't keep up with themselves; which is clearly not the case, as Tristano was a virtuoso and we have several instances of him playing in perfect time. My point is: what do you think aesthetically about this? Is this something people should be wary of (or at least very aware of) when practicing this style?
You sound just like Lennie ....and just about anybody else you want to sound like and mimic. ... yet your general originality is un-fathomable in your public performance, incorporating it all. thanks. perfect time to find the teacher when the student is still ready at 55. Mike.
I grew up in Queens. went to Queens College and Queensboro ....met a guy named David Zinn that turned me on to Tristano and Powell in 1978. I was already into Bill Evans then and left the rock scene..
Mike Davino Think down on them clusters from the melody. I've studied privately with Chuck Mahronic (ASU) Chris Parker OCC NY and Portland Oregon, and Dan Delaney these past 15years
In Hollis? Yes. and perhaps at the Northern Lights Jazz Bar on Northern Blvd in the early 70's? ..... Dave,Thanks for the input. ....just finishing the video now with descent into the maelstrom. This is just wonderful.
![Lennie Tristano - Lullaby of the Leaves (Copenhagen 1965) [official HQ video]](http://i.ytimg.com/vi/xT0LKbq8Ko8/mqdefault.jpg)
Happy Birthday Lennie Tristano!! I miss him and have wonderful memories of studying with him)
Thanks, commenters). FYI, ATM there are 18 in-depth classes on YT + Ustream under my name including Bill Evans, Dave McKenna, Charles Ives, walking bassline clinic, playing outside the changes, Frank Zappa, Charlie Parker, Eric Dolphy, the Marx Bros, Bruce Hornsby, Grateful Dead, Lennie Tristano, Dick Hyman, Eric Dolphy, Oscar Peterson, Liberace, etc.. All free, no commercials:)
Blessings and keep swingin!
Dave Frank
WOW beautiful version of yesterday!!! Youve really got the spirit of Lennie in your playing, with your own individual take on things well done - you have an amazing handle on walking bass which gives the piano so much extra depth and dimensions
You never cease to amaze me Dave! I think you belong in that elite class, a truly underrated pianist of our time. Keep it up man!
I am not a musician and i know nothing about jazz technics... i cannot read music either. But i feel the jazz so much. Right now your teaching is so intense, direct and meaningful that in few minutes i got a much deeper insight. Grazie maestro. Peace from italy.
thank you for writing) You may enjoy a visit to the master class archive at www.davefrankjazz.com, there are 27 classes like this one, all free w no commercials) Blessings from NYC!
Dave, you are definitely a great teacher. You make it all clear and so simpler. Thank you so much for your time, pedagogy, love of it. My very best.
Lennie Tristano is my favourite pianist!!!! love his murmuring swing awww
Masterful playing Dave, from both you and Lennie. Many thanks for all the wonderful lessons you're giving us !
$2 pops!
Missed this a year ago when you first posted... but caught it today. Thanks so much. Really enjoyed it.
Thanks for sharing your knowledge and experience. You are a beautiful player and a beautiful man.
+harrissimo Thank you for writing. I'll give my wife this information immediately) Please enjoy the master class archive at www.davefrankjazz.com!
for Papa Lennie
Hey! Dave, You are a great guy, a grand professor, a convincing teacher and a magnificient piano player!
Thank you so much for sharing everything that you know.
Greetings from Montreal!
my strongest music desire is jazz and this one of the most awesome playing i ever heard. i love Keith Jarrett,Bill Avon s and many more ,but you and Lennie are awesome. thanks for sharing your blessings with the world.
So generous and wonderful teacher. Thank You!
Your video explained music in a way that I never knew before. Now, I can appreciate what it being played instead of feeling lost. Thank you for making this video.
+Vigilance247 YAY! Please enjoy a visit to the master class archive at www.davefrankjazz.com, there are 32 of these for your free enjoyment)
Thanks a lot. This is information worth knowing, and if you hadn't taught it, I'd never have heard it! Thanks!
Yesterdays starts at 5:30. Thanks so much Dave Frank LT is a big deal to me.
Veramente Bravo, You are monster, Lennie era originario di Aversa un paese a 100 km dal mio di paese, sono sicuro che sarebbe fiero del lavoro che fai sul suo approccio musicale, Bravo Bravo Bravo
Thank you for writing, that is very interesting, how did you know that?
Great stuff, Dave. Thanks!
One of the best interpreters of Lennie´s beat and sensous style. Thanks for sharing your talent!
What a beautiful way to share your passion for music. Thank you! :)
You may enjoy 21 additional in-depth classes here ua-cam.com/users/Dfrankjazz
:))
Wonderful!
Man, you're good!! A wealth of knowledge is contained in this video and it's so clearly explained Thanks so much for offering so much help Dave. You rock and deserve to always be blessed! Keep doing what you do and i'll keep watching, playing and learning. Peace!
A Lennie Tristano cd fell in my hands around 4 years ago,it felt innovative indeed!:-)
Very nice. My Father also took lessons from Mr. Tristano. His influence on my Father and me as a musician is unparalleled. Very nice lesson on Lenny Tristano's magnificent talent.
thank you for writing) Please enjoy a visit to the master class archive at davefrankjazz.com for 53 in-depth master classes, all free) Including 4 more classes on Lennie!
So glad I found this as I have always been intrigued by Tristano and there's more here .I will be enjoying this for weeks!
Thanks for the great lesson. I would love to see you do something about Warne Marsh as well.
+Ali Murat Cengiz me too!
Good job Dave !
Thank you for writing, please enjoy a visit to the master class archive at davefrankjazz.com for 54 in-depth classes, all free)
Dave, Thanks for a closer look at this genius. What an incredible teacher he must have been. I just heard a recording of "Wow." WOW!!
I think that the "mantra" you played at 27:10 is 5/8 against 4/4. if you keep playing the phrase it lines up after 5 measures. Really wonderful material, thank you for these masterclasses!
your teaching style of speaking while you play LH walking bass is inspiring!! Must take practice hey!!
Absolutely brilliant. I love your lines! So much diversity.
BEAUTIFUL. Thanks DAVE
Nice Composition and Performance Sir Dave Frank !!
Very entertaining and informative of a figure in jazz with whom I was unfamiliar. Thanks!
Very interesting !
Thanks
amazing amazing amazing.........one of the most underrated pianists. a pianist's pianist that could do everything & scare you half to death. wow........... thank you so much for sharing. again .......wow.......
The first time I heard Tristano, I knew he was a genius, it's so nice to talk about him and share your experience with such a colossus! Thank you so much Dave , this is spot on! Wish you a happy new 2012, keep up with the deep stuff!!!
GREAT DAVE, THANKS FROM LIMA, PERU
Love it Dave! I'm glad I could finally see it!
Marcus
i enjoyed that
enjoying your playing, Dave. Great skill.
from Spain!!!
excelent master class and really a real lover for jazz!!!
I learn a lot from you ! go on with your youtube master class !!Thanks a lot and merry cristmas!
Invaluable information from a gifted pianist...made more unusual for his being such a totally giving person...Many thanks for posting a LARGE body of work to draw on!
Thanks again for sharing all you know about Andrew Lloyd Weber (I kid! I KID!!)
Hi Dave. I have listened to Lennie thousands of times on these recordings since first introduced to his music by my high school chum Vic Lesser in 10th grade (1970) who studied with Lenny Popkin at the time. This music has nourished me through thick and thin and I never tire of it as i never tire of Bach's piano music (or Prez for that matter.). I did get to hear Sal Mosca a few times in 1971, along with Popkin. I wanted to thank you for this lesson. I am finally learning piano now and improvising, and this was very helpful, to understand what Lennie did technically which explains to my why his music is so thrilling, esp all the stuff on New Tristano, which must be my favorite of all. As you said, "one of the great moments in jazz history"...a kind of spiritual equivalent to Roy Eldridge's Heckler's Hop or any of a number of Prez's solos like Honeysuckle Rose or Shoe Shine Boy. . Up until now i have just been listening closely, but without the benefit of any formal training. Its so exciting to see someone else so thrilled by this music as you are, and for damn good reason. Thanks again for this great lesson, Eyton Shalom
Thanks for writing) I knew Victor well in our Tristano days..please enjoy 39 free in-depth master classes at www.davefrankjazz.com, and I'm hoping a new Lennie class on C Minor Complex will be online soon) Blessings and keep swingin!
I cant wait D. C and G minor complex have both always been about the most thrilling music i know...I turned my music theory/piano teacher on to Lennie and she was pretty amazed. Thanks again.
agreed, I hope the video came out well)
great lesson, thank you
Hello Marius ! Nice to meet you here! Great video of Dave Frank... I just love Lennie Tristano and it's so great to hear the stories of someone, who studied with him personally. Greetings from Amsterdam... :~) Jens (~:
new york New York....dirty dirty dirty dirty hahah
great lesson man! thank you
BTW-that "mantra" rhythm that you were playing with all that filigree in it was a 5/4 figure against the 4/4...very whacky and fun!
gorgeous!!!!!!!!!!
amazing videos, very useful material for us, self-taught musiciens!! (in french hahaha), thanks for these wonderful uploads!!!
thanks for writing, hi from NYC, please enjoy a visit to the master class archive at davefrankjazz.com for 54 in-depth master classes, all free)
Excelente!!!! Muchas gracias! Dave!!!!
gracias por escribe, hola de NYC)
Love your chords on Yesterdays....
Dave: You are f..ing amazing.. AND: the important stuff- you have a tremendous heart, and a giving teacher.. I have played jazz my whole life, and YOU are helping me move forward in so many ways.. I am grateful that you are here and helping the planet with clarity, heart, swing, love, inspiration etc.
Thank you sooo much
Dave Austin..( also went to Boikley in Boston) Worked with Ray Santisi .. (you are a better teacher by the way)..
Bravo !
Thanks a lot
Priceless!
+Spenser T Thank for writing) Please enjoy a visit to the master class archive at www.davefrankjazz.com, there are currently 32 in-depth classes, all phree)
Dave, you mentioned that Lenny had you practice scales with two, three and four fingers. I tried that today on some Hanon-like patterns. I also tried using two, three or four fingers in limited combinations over some of the basic rhythmic groupings for improv. Specifically, I avoided using the thumb. I instantly found that this approach forces me out of playing lines by habitual muscle memory, and instead induces new small motifs and helps my lines begin to open up.
I would be very interested to know more about Lenny's limited finger scale methods.
Thanks!
write to me at Dfrankjazz@aol.com
I keep hearing You And The Night And The Music in this, and also, in terms of your question of what Lennie is doing rhythmically, I go to the music of Carl Stalling, and the soundtrack work of Eddie Sauter. (the incredible Mickey One Soundtrack with Stan Getz) but I always hear bebop in his phrasing....
I have always wondered what Tristano would have done with Brazilian music.
Great lesson Dave! I enjoyed it very much! Interesting aspect for me in Lennie's playing is, that the walking bass line is very steady and with his right hand he seems to shift the time just a fraction ... two different times at the same time..... greetings from Amsterdam :~)Jens(~:
totally beautiful :·) i feel happy!!!
MASTERY!
Great!
I was made aware of Lennie through the work of Woody Mann. I am not into keyboards but I did find this inspirational and I can see much of Lennie's work in Woody's own compositions.
I grew up with Woody) He's a great guy and musician..please enjoy a visit to the master class archive at www.davefrankjazz.com for 42 in-depth master classes, all free.
Met Woody in 1998 at Wirral Guitar festival and went to the 1999 / 2000 IGS New York. Hop to catch up with him in the UK next year. Reading his book "Just Play" now.
Lennie was the MAN!
Thank you very much for this videos Frank, We really apreciate it. Take good care of yourself. Have a nice day
please enjoy a visit to the master class archive at www.davefrankjazz.com, for 41 in-depth master classes, all free for you)
Excellent! Thanks for the great information and the great music. By the way, it sounds like Bach on reefer. ;)
thanks a lot!
wow and very cool. I had no idea..
Lennie was the greatest)
*NEWS* My teacher LENNIE TRISTANO has just been inducted into the Jazz at Lincoln Center hall of Fame!! This will include a plaque, musical examples, etc, in the prestigious hall. This one's for you with fond memories and lifelong gratitude:)
ua-cam.com/video/5ay6TsZkC54/v-deo.html
Soooo cool🥰
27:29 He's repeating a lick in 5:8, hence why it goes over the bar line
great, thanks for writing
Hi!just amazing dave!do you know anything about the chord formulas/construction ? and how it progresses to two hand chords and block chords ? thks!
What is that piece in the beginning? I LOVE that style and sound.
I would kill to be able to play like you, Mr. Frank!
That is an improvisation on the tune What is this thing called love. Go a little further into the class and you'll hear alot of that style haha. Who would you kill? haha, thanks for writing)
you make me laughing .Thank you very much.
you are wonderful , not only lecture but also comportement.
hi, there are 21 free in-depth master classes on UA-cam and Ustream, you will enjoy them) Where are you located?
tis "Yesterdays".. yeah, great song, a well-known standard eg check out Art Tatum (one of the only films of him) & Miles Davis playing it on youtube! mmm
The Mantra-thing: 8th-notes grouped in 5 (2+3). Performed as 2 eighth-notes+1 eightnote/2 sixteenth notes+1 eight note. 4 against 5 over double time. No?
Sweet.
GeorgeCrumb,Stockhausen 's piano pieces have nothing on Tristano. Descent into the maelstrom visits atonality,athematicism,metric displacement,independent lines over other lines,new approach to glissandos, so much radical ideas i cant even catalogue them all. He knew everything was music just like Cage. This is fabulous by any measurement.
Dave, I love this lesson, but I cant seem to find a lead sheet for "Becoming" anywhere. could you pass us over the changes that Lennie used on that album?
well.. there's a more recent & amazing 1965 Miles version from the Plugged Nickel CDs/box set.
crazy dad, crazy!
wow the speeding up @ 33:00 is amazing indeed gotta try that :):)
You the boss
Ostinato is wat your talking about or rythmic sequenceing at 27:11
Hi Dave, couldn't find the notes on your website. Maybe you could post a link. Thanks.
what song are you playing at 6:00?
What was the name of the song at 5:27? It's amazing...
*That* version contains my most favorite sax solo - words fail me.....
no hairstylist this time?
If anyone did skip for Tristano's dedication piece, you missed out on something ridiculous, genius, so efin entertainingly brilliant. but i know no one would have.
Cheers Dave
Wonderful playing, great information, nice camera work, but, sadly, it seems the sound was not recorded properly and is distorted and the microphone was not placed properly. This is not to dis anyone, it's just very unfortunate. Hard to know where in the chain it went wrong. Nevertheless, thanks for this offering. Very generous of you to make this available.
SubconsciousLee, Hot House, and What is it Called?? Love??
yes)
@guero272727 Neither. It's coming from a midi system just out of sight. Dave, you scoundrel! :)
38:29 ... is it dave or is it lenny - ? we turn around, but 1&3 never felt soooo good.
Daves playing is very different to Lennies but very interessant.
thanks for writing, please enjoy a visit to the master class archive at www.davefrasnkjazz.com for 44 in-depth master classes, all free for you)
I'd be interested to know what you think about the fact that in the recording, we can hear Lennie is clearly slowing down at times. The tempo is not fixed. Clearly, this is not a problem when one is playing solo. That said, I found myself not liking how it sounds, as it just comes off as draggy, as if the performer couldn't keep up with themselves; which is clearly not the case, as Tristano was a virtuoso and we have several instances of him playing in perfect time. My point is: what do you think aesthetically about this? Is this something people should be wary of (or at least very aware of) when practicing this style?
can you give me a couple of examples on the video of what you are referring to?
I have a large body that's for sure)
Yo don corroleone
I try to GET OUT, but they always BRING ME BACK IN(
You sound just like Lennie ....and just about anybody else you want to sound like and mimic. ... yet your general originality is un-fathomable in your public performance, incorporating it all. thanks. perfect time to find the teacher when the student is still ready at 55. Mike.
I grew up in Queens. went to Queens College and Queensboro ....met a guy named David Zinn that turned me on to Tristano and Powell in 1978. I was already into Bill Evans then and left the rock scene..
Mike Davino I used to go see Lennie every week in Hollis, great times. Thanks for your comments..
Mike Davino Think down on them clusters from the melody. I've studied privately with Chuck Mahronic (ASU) Chris Parker OCC NY and Portland Oregon, and Dan Delaney these past 15years
In Hollis? Yes. and perhaps at the Northern Lights Jazz Bar on Northern Blvd in the early 70's? ..... Dave,Thanks for the input. ....just finishing the video now with descent into the maelstrom. This is just wonderful.
Lenny Tristano was a great artist, but ultimately you should be playing like (you) not Lenny Tristano.
Thanks for your feedback, blessings and keep swingin.
Thank you for your feedback, blessings and keep swingin..Here's a piece you might enjoy: ua-cam.com/video/GYK1ftKehRY/v-deo.html