Thanks, I have all the three, I use Sartorius in all my Bouguereau master copies flesh tones, because of it's lower chroma, Red Ochre and Madder (Alizarin) mix I use for lips or ruddy areas, Rembrandt use it that kind of mix according to scientific research. I also have your blue ridge and lemon ochre! Amazing amazing pigments
Just wondering why you started with the addition of lead white and then compared it to the results of the addition of titanium white, but then the remainder of the mixtures used titanium only. Love see your glorious rich paints! Thank you.
I was wondering that about Alizarin Crimson, maybe combined with lightfast pigments will made it more light fast, the same way the yellow Quinacridones in PO48 are stabilised with the red shades that are stable
Typically, if a pigment is not lightfast, it cannot be "stabilized" by adding another pigment to it. The fugitive pigment will simply alter the color of the mixrture.
In the video you mentioned substituting for Vermilion Red. Did you mean Venetian Red or were you referring to the Alizarin/Venetian mixture (also available as Rublev Tuscan Red)?
…I answered my own question, I think. Tuscan Red, as it appears on your website is much less warm than Vermilion. Venetian Red appears more similar. Is this correct?
@@tesstraylor57I love Venetian red. In my opinion it is a near perfect, mid chroma replacement for vermillion. I paint mostly with earth colors, and if your values are just right you can make it sing.
@@tesstraylor57 Tuscan Red is a mixture of hematite and alizarin crimson. A mixture of Venetian red and alizarin crimson more closely resembles vermilion in tints, but Venetian red by itself is also fairly close.
Lovely color! You mentioned it could be a good substitute of Vermilion (although not as intense chromatically)… but it will be eventually available again your Genuine Vermilion, right?….
As of right now I think they have too many other things ahead of manufacturing vermillion. I do know that is something they still want to do, but don’t have the time to put towards it. I very much want vermillion to come back. I have been mixing what I have left 1:1 with wollastonite or Velazquez medium, and have been supplementing it’s use with cinnabar unless I just need that extra punch in chroma.
This video is oure gold. Thank you both 😘
I just placed my first order with you. Among the various paint colors I chose, I picked Venetian Red. Excited to get my order!
Thank you for your patronaage.
DANG. Y’all really know how to sell pigments. I really love that Venetian Red. Oh MYYYYYY.😍
Thanks, I have all the three, I use Sartorius in all my Bouguereau master copies flesh tones, because of it's lower chroma, Red Ochre and Madder (Alizarin) mix I use for lips or ruddy areas, Rembrandt use it that kind of mix according to scientific research. I also have your blue ridge and lemon ochre! Amazing amazing pigments
Thanks. This is good information
Just wondering why you started with the addition of lead white and then compared it to the results of the addition of titanium white, but then the remainder of the mixtures used titanium only. Love see your glorious rich paints! Thank you.
The reason is that titanium white is used as a tinting white in most color swatches and tutorials.
I was wondering that about Alizarin Crimson, maybe combined with lightfast pigments will made it more light fast, the same way the yellow Quinacridones in PO48 are stabilised with the red shades that are stable
Typically, if a pigment is not lightfast, it cannot be "stabilized" by adding another pigment to it. The fugitive pigment will simply alter the color of the mixrture.
In the video you mentioned substituting for Vermilion Red. Did you mean Venetian Red or were you referring to the Alizarin/Venetian mixture (also available as Rublev Tuscan Red)?
…I answered my own question, I think. Tuscan Red, as it appears on your website is much less warm than Vermilion. Venetian Red appears more similar. Is this correct?
@@tesstraylor57I love Venetian red. In my opinion it is a near perfect, mid chroma replacement for vermillion. I paint mostly with earth colors, and if your values are just right you can make it sing.
@@tesstraylor57 Tuscan Red is a mixture of hematite and alizarin crimson. A mixture of Venetian red and alizarin crimson more closely resembles vermilion in tints, but Venetian red by itself is also fairly close.
@@RublevColours Thanks!!
Lovely color! You mentioned it could be a good substitute of Vermilion (although not as intense chromatically)… but it will be eventually available again your Genuine Vermilion, right?….
As of right now I think they have too many other things ahead of manufacturing vermillion. I do know that is something they still want to do, but don’t have the time to put towards it. I very much want vermillion to come back. I have been mixing what I have left 1:1 with wollastonite or Velazquez medium, and have been supplementing it’s use with cinnabar unless I just need that extra punch in chroma.
The Chinese manufactuer of our vermilion was closed due to the COVID lockdown in China. We hope they will resume manufacturing the pigment this year.
That's my big question. How do I get Vermilion out of the my art supplies?
You can use cadmium red light as a substitute for vermilion.
I had the impression that Venetian red was more brownish…
In some brands it may be!