Playing Beethoven's Fifth - Firebrand Performance

Поділитися
Вставка
  • Опубліковано 28 лип 2024
  • Beethoven's Symphony No. 5 in C minor performed by Orchestre Révolutionnaire et Romantique. An orchestra founded in 1989 by John Eliot Gardiner, specialising in classical and romantic music using the principles and original instruments of historically informed performance.
    00:00 - John Eliot Gardiner’s Introduction
    02:21 - Principals Rehearsal
    09:18 - Movement I - Allegro con brio
    16:07 - Movement II - Andante con moto
    24:46 - Movement III - Scherzo - Allegro
    32:13 - Movement IV - Allegro
    John started a period instrument orchestra because at that time symphony orchestras were still playing Beethoven as though he was a much later 19th century romantic composer, rather than the firebrand that we all know that he really was. This is the quality that they aspire to capture in rehearsals and performance of this symphony. By playing his music on instruments that Beethoven himself would have heard and recognised, paradoxically you’re getting back to something much more raw, much more immediate and contemporary, than the very plush, well-rounded sounds of a modern orchestra.
    The challenges are immense because these instruments of Beethoven’s are hugely fragile and compromised, if you push them too hard they splinter, they crack, they squawk. You’re using gut strings that have a habit of cracking and splitting, or breaking under pressure. You’re using woodwind instruments that are much less technically rounded and smooth than their modern counterparts. And you’re using brass instruments that can’t play the whole chromatic scale, particularly the horns, without manipulations of the left hand inside the bell. Those are extraordinarily difficult technical challenges, and yet marvellously rewarding if you can overcome them. The result is a much more multi-layered strata of sounds, not all curdling and amalgamating in the way that they tend to do in a modern symphony orchestra.
    Subscribe to Element 18 - bit.ly/337R2uO
  • Розваги

КОМЕНТАРІ • 16

  • @h-zhao
    @h-zhao 3 місяці тому +5

    The greatest performance of Beethoven’s 5th Symphony ever!

    • @srothbardt
      @srothbardt 12 днів тому

      One of the greatest, no doubt.

  • @zhiangJiang-dq6xn
    @zhiangJiang-dq6xn 7 місяців тому +5

    very very...wonderful👍👍👍

  • @chrisnewport7826
    @chrisnewport7826 Рік тому +6

    Wonderful!

  • @benbenijaspers
    @benbenijaspers 21 день тому

    Simply the best.

  • @terrycloth6380
    @terrycloth6380 2 роки тому +4

    Excellent

  • @goransteen5411
    @goransteen5411 4 місяці тому +1

    Wonderful raw autentic time sound

  • @AlexandrosV
    @AlexandrosV 6 місяців тому +1

    John Eliot Gardiner BEST OF THE BEST!!

  • @giovannibrunoro1055
    @giovannibrunoro1055 2 місяці тому +1

    the best fifth ever

  • @pedroruiz193
    @pedroruiz193 3 місяці тому +1

    4:44 That's the timbre Beethoven wanted to be heard, but of course.

  • @thregar
    @thregar 3 місяці тому

    Absolutely superb!

  • @srothbardt
    @srothbardt 12 днів тому

    Notice strings stand up. I believe this is based on much earlier practice, to project the sound more.

  • @elortocuadrado4609
    @elortocuadrado4609 Рік тому

    41:00 Melissa Rauch from The big bang theory there with the broken cat-string on the violin xd

  • @miamadojesus
    @miamadojesus 5 місяців тому

    Es muy lamentable que estos vídeos tan interesantes NO estén SUBTITULADOS al ESPAÑOL...🇪🇸😞🤦🇪🇸

  • @pedroruiz193
    @pedroruiz193 3 місяці тому

    5:38 Lol, that's why they don't do it in modern orchestras.

  • @user-jp9js9th8o
    @user-jp9js9th8o 7 місяців тому

    too nervous for my... sounds like played under pressure...I miss the warmth of e.g. the interpretations from the Hanover Band