Pinchas Zukerman - Tchaikovsky: Sérénade mélancolique - Valery Gergiev/Mariinsky Theatre Orchestra
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- Опубліковано 11 лип 2020
- Pyotr Ilyich Tchaikovsky (1840-1893) - Sérénade mélancolique in B-flat minor for Violin and Orchestra, Op. 26 (1875)
Pinchas Zukerman, violin
Valery Gergiev, conductor
Mariinsky Theatre Orchestra
Everytime I listen to Pinchas Zukerman i fall more in love with the violin..... Thank you Pinchas Zukerman for your beautiful sound..... ❤❤
Violinists improve themselves when listen to Zukerman.
Yes, if we can bear to hold our instruments again.
@@DanielMasmanian we will but with much joy
@@sonviolin how wonderful. You've got it perfect.
Bravo, Absolutely Amazing!🤩
Magnifique ! Mille mercis....
Gracias!! ❤️❤️
Amazing sound! Unique!
His Del Gesù violin has very special sound which I like very much make music more deep and soulful.
MAGNÍFICO!
Amazing!!!!!!!!!
So beautiful
Tuyệt vời
That Zukerman sound!
Wonderful
A big fat chocolate sound on a extremely responsive Del Gesu. That's Zukerman.
I think he is more than that, his phrasing is beautiful, his choices of tempo, rubato, changes of colors...a true artist.
@@gsm2424 Very true,
I couldn't agree more! Never understood the overatedness of his playing when compared with several other violinists.
He may be "talented" in playing violin but he's a sad little pathetic racist, and not fit to be called a "master"
Just look up on he's long standing hatred and racist rant on Asian musicians and students.
I suspect his hatred is born from the fact "he shared the Leventritt Prize with the Korean violinist Chung Kyung-wha in 1967" and it's a little know fact that it WAS NOT a fair contest, Zukerman made a mistake but he was given a special treatment and allow to go second time. Even after that, he still couldn't beat Chung, they ended up sharing the prize.
Why is this a big deal? think about it. It was 1967, back then it was almost impossible for woman win the prize (let alone an Asian woman) due to a long standing patriarchy and sexism. Plus the deep rooted racism. But this the decision was still "shared" prize.
This must have hurt his pride very early on and later developed into a racist hatred born out of the inferiority complex on Asians :p
@@kydelshaunson2019 you clearly know your stuff,this information is new to me but I strongly disagree he is racist.I don’t think Zuckerman gives two hoots about this competition,we both know they are both fantastic fiddle players and I’m sure Zuckerman would readily acknowledge that Kyung wha can really play.He is quick to praise other players,just look what he has to say about James Ehnes; he’s very complimentary,not someone who is mean spirited and nasty.He recently gave one of his bows to a fiddle player in the RPO who had a naff bow,whilst conducting,simply as an act of kindness.Zuckerman is a straight talking new yorker who can be misinterpreted.He teaches and gives his time to students of all colours irrespective of race.He was trying to be funny,pointing out that certain races are better at some things rather than others.Unfortunately that’s true and not rascist,just get over yourself.
Unico
amazing.... is this his latest concert?
✨️❤️🇹🇳
Beautiful! Thank you. From when is the recording?
He may be "talented" in playing violin but he's a sad little pathetic racist, and not fit to be called a "master"
Just look up on he's long standing hatred and racist rant on Asian musicians and students.
I suspect his hatred is born from the fact "he shared the Leventritt Prize with the Korean violinist Chung Kyung-wha in 1967" and it's a little know fact that it WAS NOT a fair contest, Zukerman made a mistake but he was given a special treatment and allow to go second time. Even after that, he still couldn't beat Chung, they ended up sharing the prize.
Why is this a big deal? think about it. It was 1967, back then it was almost impossible for woman win the prize (let alone an Asian woman) due to a long standing patriarchy and sexism. Plus the deep rooted racism. But this the decision was still "shared" prize.
This must have hurt his pride very early on and later developed into a racist hatred born out of the inferiority complex on Asians :p
@@kydelshaunson2019 I am Asian and I do not feel particularly offended by his remark about Asian violinists being technically perfect but lacking in personal touch and emotions. It is true to certain extend that Asians are trained like precision machines or test takers in almost all academic fields including musical art. To me, his remark is just a bit insensitive in today's society. But this is typical Zukerman speak and (he curses and uses the f- word a lot).
Kyung-wha Chong may have done better in that contest. But in terms of musicality, she is no match. Where is she today?
And again without shoulder rest.
The Concermaster is from Munich Philharmonic...
Yeah, and nowadays he's a Naziputinian, like his boss
He is the best!!!
Made my life!
Zuckerman, the best for all times.
Not one dishonest sound . That is Zukerman.
Very different character in this piece.
He uses the music for this. Not so good.
and you are some very good musician I take? A master? That could even play a 1000000000000000000000000000000000000000000000000000000000000000th as good as zukerman can? Right, I thought not
@@DankChallenger Imagine an actor in a play using the script in a performance. Did Heifetz, Milstein, Stern ever use music in a performance with an orchestra? Perlman? Students? Usually the contract to play insists that a performance must be from memory.
@@davidjacobson9907what an ignorant comment 🤦
Какой кошмар, какой позор !
Тоска смертная, ни уму ни сердцу, Ремесленник да ещё и старый. Ужас,
Кстати, как насчёт того, чтобы выучить наизусть?
Такие пьесы выучиваются за полчаса!😂
Sehr schlecht.
Er muss sich schämen.
Very bad.
1:48 bassoon intonation so bad..
Haahha 😂
@@melissat9120 So you are the bassonist?