Low Baritone vocal range challenge
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- Опубліковано 7 тра 2022
- Vocal range challenge, I'll start as a low Baritone
Apparently I got from C#2 to C#6, not all usable tho!
EDIT: I measured with a tuner before I did it on camera, but after posting I realized what's on camera is a D#2, but before I recorded and I measured my lowest it was a C#2, this super low range is inconsistent. It doesn't really matter tho, I really never sing this low on any song
Remember that this doesn't matter and it varies from person to person
Where are the true basses and high sopranos at? Curious to hear yours! Duet this and lets find out together! Join the fun
interested in how I aplly this to actual music? check Pneumothorax out! • Leo Maia - Pneumothora...
#vocalist #vocalchallenge #vocalrange #highnotes #lownotes #baritone #lowbaritone #duetthis #duet #leomaia #singer #singing #metalsinger #rocksinger #shorts - Розваги
Wait till I get my new apartment away from others 😅🤣
😂
That said, imo I think the trick for the highest and lowest parts of vocal range is to do it without increasing volume, if I get too loud and open and yell I cap out at B4
Who cares, do it. Their dog barks all day anyway
😭
Exactly like me hh
lmao
Dude you sounded like prince at A-5 that’s pretty good
Thanks! Cheers
And at C#2, Prince had some bass too
Sounded like cats fcking!
Tenor:
Subharmonic: Eb2
Lows: A2
Chest: A4
Mix: E5
Head voice and falsetto: F6
Whistles: C7
Awesome!!
That bottom note was an Eb2, but still very impressive😊
Could've been, I've used my cellphone tuner to test first then recorded trying to hit the same note. Maybe it was different on camera than what I measured pre camera
@@LeoMaiaProg Still amazing! Us baritones gonna stick together😊
@@isaiahfralix4423 absolutely! In the end, these extreme parts of the range really don't have much application in a modern rock / metal context, so I don't think it really matters, but empowering baritones within this context is an awesome thing that we need to do to each other for sure!
Yeah Eb2. I used my hearing to match his, and i matched it well. I cant reach C#2. Mine is D2 the lowest. E5 the highest at possible vocal register. Mine is 3 octaves and 1 note.
No importa que llegues a la primera nota del piano y a la última nota dada por el piano, si no puedes cantarlo, a eso se le llama tesitura ,en que parte de todo ese amplio rango puedes cantar ? ,
Yo hago el mi2 a pecho sin usar el recurso de vocal fry que usas un poco para poder darle profundidad, y hago voz de silbido hasta un fa6 pero eso no me interesa ya que son notas que no uso para mi estilo de canto crossover ,mi tesitura contable es de mi2 a un sib4 puedo subir con tecnica pero no me es necesario
Puedo bajar jasta un fa1 con vocal fry pero también no me sirve no lo uso , a menos que seamos dimashes
Damn, Bass Baritones are rare but your range is super-rare. I mean, people should know, you have trained yourself for years and you obviously do your vocal warm ups, to readily access those registers which might be difficult for most natural bass-baritones. Still, you can SANG.
Thanks! I meant low baritone as slightly above a bass, true basses should reach like B1 or something
But yes I have a lot of training, but for long thought that being a baritone would limit me to never sing as high as a tenor, which is a lie in contemporary singing (did another short about it recently) so I like to share what baritones can do with technique, as long as they're not afraid to use head voice
Cheers!
@@LeoMaiaProg I was told by many vocal coaches I think that a bass's low notes only need a strong E2 and ideally a decent C2.
@@bradycall1889 to assume the bass role in a classical section of a choir for example, sure. To sing heavy metal / hard rock? Not close...
@@LeoMaiaProg Okay I am no heavy metal fan so I can't either agree nor disagree 🤷🤷🤷
@@LeoMaiaProg Also, bass II requires E2, but bass I (which is not really "true" bass but more baritone) requires around G2, G#2, or A2.
Countertenor here
Lows:B2/C3
Chest:Eb4
Belting on mix:C#5
Head:Eb5 softly and Bb5
Whistle:from Eb6 to G7
Sweet!
me with only 1 octave:
😀😀😀😀😀😀
Explore your head voice!
Probably same
As a low baritone, with my lowest note being a C#2, seeing everyone else’s voices is very impressive!!
Cheers!
How long have you trained when I started training I could barely reach a2 in vocal fry but now I can reach an octave lower in chest voice
@@drawings7918you can reach a1 in chest voice?
“I’m a low baritone” he says while speaking in tenor range
Speaking is not directly associated with vocal type or even singing range. Especially when you're speaking after singing rock for a long time and got warmed up to higher range singing
Vocal type is related to where your voice is most resonance which really matters on an acoustic classical singing context where you have to cut through an orchestra unplugged, and very important for character role building in opera too. But it's not range
I've had many vocal coaches and they would always out me with the baritones when casting choir. One time they put me to do the bass as when I was 16 I could reach B1 easily and no one else could. I actually start getting plenty of head voice in my singing at C4 which is way lower than a typical "tenor" break as they can get more resonance in the 4th octave then baritones can
No, if you listen to his vocal weight and frequency (it's hard to hear because of room acoustics and the crappy phone mic), but you can hear him dropping down to E2(ish) in speaking voice with a lot of weight to it. I am a voice teacher and would classify him as a baritone without even hearing him sing. His C#2 was still in mode 1 voice (no true tenor is going to do a C#2 in mode 1). It's an obvious chest-fry mix, but still with chest connection. There are true basses that can only hit a C2 or C#2 using chest-fry... so for a baritone to do it is very impressive.... a tenor couldn't on their best day.
It's a bass.
speaking range does not determine voice type in most cases
What I learned: Just scream to expand your vocal range.
I wasn't screaming. When I used to scream, I wouldn't get past G4...
@LeoMaiaProg I meant no disrespect, your voice is incredible! Just the sheer power behind each is what I noticed ;)
@@artofket it's about resonance more than it is about power! Cheers
@@LeoMaiaProgYou and your A5 won't be able to sing a song whose main notes are in the C4-A4 range, so it's just a braggin.
@@bene4ka well then you should check some of my songs! Pneumothorax is well within that range up to D5, wintertide is all between C4 and C5
And April 3rd I'm releasing Passive Genocide where I sing from E2 to A5 on a 8 minute long song
Check the channel out first ;)
I love how immediately in the comments everybody, no matter the age, can sing down to the first octave. It's kinda funny because I'm completely sure most of these guys mistake fry with chest voice.
Well as long as they can use it in a musical context that's awesome, no matter how they hit it, if it sounds good it is good
I just feel like it's hard to apply such low range into music and sound good, on chest or fry
Hey! I believe I might be a low baritone as well. Comfortably I can hit an e2 to around c#4 when I feel strain. However I can also hit c6 and below with my head voice with ease...only issue I have is learning how to seamlessly transition from chest into my upper ranges. Any advice would be great kind sir!
So the missing piece apparently is mixed voice. I start to mix from C4. I got some other short videos on the channels with the tip that best worked for me!
It's strengthening the head voice first and then approaching the mix register by thinking head voice and applying compression
Of course that oversimplified it as it's just a series of short videos, but the principle that helped me is that + vowel modifications (which I also posted a short about)
Let me know if these help or what you would like me to make a video about!
He’s probably very young too. But stellar advice! I remember those days when I started singing around 17yrs old and those notes right in that range used to hurt so much. 😩 from c4 to g#4 the pain was something else lol but it was because I would sing Whitney/Mariah songs down an octave in straight up chest which is not good for a new voice starting out. 😅😅 Any higher than g# and my voice would automatically flip. C#6 was my limit no matter how hard I pushed or tried to stretch upwards. It was like a cement ceiling 😂 but I could hold it till Jesus’s return and in belt voice! Sounded like Patti labelle lmao. Didn’t learn to go higher till I started transitioning better and easing off the pedal. That helps a lot. Imagine your voice as a zipper on a coat getting zipped up, singing on the very edges of your vocal folds. Singing is like driving a stick shift car, as you accelerate or get higher, you have to know when to switch gears depending on what effect you’re going for ofc. The most basic, fundamental skill you WILL need though is achieving that even blend throughout your registers.
Ur range is over 9000 for sure. Love the dbz shirt
Cheers!
Look, this is absolutely NOT a competition but keep in mind that I pack 9 inches
And that's dynamic range, some head register can stretch it
Yes, though the low note was a Eb2 is quite impressive. Congrats!
Cheers!
Anyfing is freaking adoralrable. Impressive range.
Cheers! Trying my best to speak a non-native language, I'm happy you find it adorable
I love your song Passive Genocide mann. I sang one of the lines at minute 7:02 and i finally broke the fifth octave. I am a baritone, lowest currently is like E2, highest belt is like F4, highest ever heady mix is when i sang the lines that i mentioned, going to D5 (I listened again, your original key is like C#5 but i over did it and finally after two years i could hit the fifth octaves). And my falsetto could get to G#6. Ever since i hit puberty i haven't hit the fifth octave and your songs made me realise that vocal range doesnt matter and the most important thing is the technique that we used. Thank you for that and again, love Passive Genocide.😁
Really glad you like it man! Appreciate it
Cheers!
very impressive young man! this just made my day
My low is also around an Eb2-E2, but yours has way more punch to it. My notes sound pretty dead and dull up until B2 (B2 is my lowest note while maintaining a neutral larynx). I have a fairly "bright" boyish voice, but there's some audible weight to it. I sing pretty comfortably up until about Bb4. I feel like I'm in this weird gray zone between a high baritone and low tenor lol.
Yeah these Lows have always been easy and punchy for me, A#4 was not remotely achievable for a very long time, def my natural resonances lay way lower than yours
But hey, doesn't matter for contemporary singing! Range is range and we just need to change the approach to sing the notes based on our vocal type, where you sing with more chest voice I sing in head voice as an example, can still make both approaches sound good with a mic
I’m tenor and I my whistle is undeveloped.
I never spent time working on my whistle either! Can't use it properly on songs
Tenor: A2/Bb2 - B4/C5 full voice
B5/C6 head voice
🤘
Me: Tenor also (G2/G#2 - C#5/D5 full voice, E5/F5 head voice, A5 whistle)
@@ENVIRO500MK1I want to be Tenor but my Highest note is Only D4!😢😭
Incredible!
Thanks man! What matters is the control tho rather than the range, I've seen 2 octave range singers that are WAY better than 6 octave range singers for example 😅
I’m a baritone as well and sometimes I don’t understand my vocal range, some of the notes i hit is crazy to me! Btw your A5 was mixed! Eb2 (lowest) - C5 (Full voice, literally just chest) - Bb5 (mixed) - F6 (Head voice) - G7 (whistle). (Eb2 - G7) 5 octaves - 3 notes and one semi-tone. This is crazy to me, but maybe is due to the fact that since I was a kid, I’ve always tried to emulate what great singers do with their voice!
A5 was full head voice, just had a lot of twang / chord closure and such. But maybe you call that mix, I don't, my mix range is within the 4th octave
Yeah man thick vocal chords mean we baritones got a lot to stretch and shape to hit different notes!
@@LeoMaiaProg if you want, I can send you one video on insta that I have of me practicing my whistle register and hitting some notes between E6 - G7, sloppy runs on the whistles but I tried 😂
Oh wow! You can manage your voice so well 🤯🤯
I'm still learning how to sing but told me that i'm a high baritone and my vocal range is from B1 to C#6 by now but i sing awful by the moment 😅
Range doesn't matter much, neither does vocal classification (unless you're singing opera), controlling what you have is the key! No song requires us to sing over 4 octaves and stuff, good luck with your learning! Cheers
Amazing range my friend
Ty, cheers
How awesome! My vocal range goes from F#2 up to C#7. And on very good days I can go up to A7, but that doesn't happen often lol.
That's huge!
Good tone on that c#!
🤘
Baritone here: it's amazing that you can go a lot lower than me (f#2) but you are still able to hit my exact same high notes 🤓
Sweet! Tbh vocal classification just doesn't make sense anymore but people seem very restricted mentally about it so I try to counter this misinformation
Cheers!
Wow that’s deep!
Cheers!
That’s quite the range omg!
I’m stuck at c2
C2 is hella low!
@@LeoMaiaProg maybe I’m not C2
I just used an app that told me that my voice is high bass approaching baritone
So what ranges are those?
I’m new to music and singing !
@@bperez8656 well range is not vocal type, it's just range, forget about the labels and just focus on the range if you're not singing opera
Cheers
My range is around A#2-F#4 if it’s only based on what is comfortable and sounds best, though I can go up to a C5 and sustain it fairly well, but at the absolute far ends of my voice, I can push out an E2 for a few seconds and I can push up to around a G5 for a few seconds. I am somewhat new to singing though (I have only been trying to sing better for about a month now) and so I think I can push my comfortable range to be farther. I think as I am, I can extend my voice at least a semitones or two down and I definitely can go higher by around half an octave. Appreciate your content!
Surely studying techniques will make a huge difference on making use of that range! If you can hit a note, whether on a light falsetto or not, you can use techniques to make it usable in real songs
Cheers!
@@LeoMaiaProgbruh my voice is dropping rn my low went from A#2 in comfort to like G2 while I can extend down to F2/E2 in a full chest at reduced dynamic (basically just microphone but it isn’t super comfortable unless I’m 100% warmed up) and my high, I’ve been training it so it’s still around the G4 area, and maybe that will drop too but it used to be a little higher, just not sure exactly how much. My falsetto highest is still around Bb5 but that’s not relevant as I don’t care to fly through the fifth octave. Puberty is truly something, isn’t it? Everyone has been telling me my voice sounds deeper too so umm I might raise my speaking voice a bit so it doesn’t become something people remember me by lol
Mine is C#2-C6/C#6/D6
One time i could hit Eb6 whistle
24 years old.
(Though i haven’t practice enough)
F0 - E8 (the last “check” was a few months ago)
That is out of this world
@@LeoMaiaProgIt’s obviously a joke 😂
I appreciate a person talking about vocal ranges while wearing a Dragon Ball shirt. Got me with two things I know
What else to wear when trying to increase my vocal ki
Lyric tenor here!
Lows: somewhere near c#2 and B2
mids (chest): Eb4
Belting on mix: D5
High mix: G#5
Head: Bb5
C#2 pretty low for a tenor, cool!
@@LeoMaiaProg It isnt in chest voice. Is on subharmonics, fry and gutturals
@@doomedguy5930 ah I see, didn't consider subharmonics and gutturals on this I can't really clearly define the primary harmonic like that so can't put a real pitch on it
Bro has all the looks & range (G5 Gethseme) to be JC in JCS... Impressive.
Lmao
Yeah, imo a low baritone is a really special voice. Like you don't get soo low like a true bass (which is a rare thing in general) but you still can make your voice sound dark or heavy ("barys" in Greek).
I am low baritone as well, and deny any existence of a bass-baritone.
True words! Cheers
I love your voice style. Your tips are very helpful. I'm not sure what my fach classification is though. I'm currently taking lessons and use your videos as a supplement.
I'm glad it helps you! If you're singing contemporary music, vocal fach shouldn't really matter (got a video on it) and what you really need to know is where your vocal breaks are so you can change your resonance / modify your vowels on each to connect them (also many videos on those things lol)
Thanks for sticking by the channel!
C#2 to D5 and that D5 is really hurts me
Is it a light or pushy D5? Can you do it lightly even if you don't sound like what you wanted to?
@@LeoMaiaProg that D5 is on the verge and not pushy. I don't think i can do something with it
@@francesthemute4310 but can you go higher if you go super soft and weak with plain old falsetto? If yes then that D5 could become easier I think, as it wouldn't be the true cap of your range
Cheers
That's actually a D#2!!!!!!👍👍👍👍👍👍
Or an Eb2! That's the other name for it!!!!!!👍👍👍👍👍👍
@@clairethemusician968 yeah see the video description
A1-F4, i‘m a low bass
Insane lows for sure!
Having baritone but small vocal range🥲.
My vocal range began from F#3 for lowest and D#4 for highest....I can reach higher but not word able to produce, just whistles....
If you can teach higher you have the range, just means you need to find the technique to use it
Cheers!
I love music including voice ranges. I read that Baritones have a deeper sound and they are lower in range than tenors but they are not as deep as basses.
Typically yes, especially within a classical context these were used to assign characters to singers on opera and such
In a contemporary rock context however, anyone can sing anything, and you might find baritones singing very high and thin (like Geoff Tate) through contemporary vocal techniques such as mixed voice and head voice
c#2-A5 is a pretty amazing range! but how do you manage to give power to the a5? It doesn’t sound like a head voice note, it’s a mixed note I guess and it sounds really powerful, not airy and round like a head voice note or a falsetto
It is head voice. You just need to add vocal chord closure to it and cry. It's falsetto + compression basically
Cheers!
All these terms I am still getting my head round, head voice chest whistle 😮😮 and Joe to use them effectively 😮😮
You can ignore the terminology, just focus on the sound and how it should feel. If it feels wrong you need to change the sound in some way so it starts to feel right again and to change the sound you can only anatomically do that by changing your vocal tract shape and how you position your vocal chords
Cheers
can't do any of this without cracking lmao
Hard to learn easy to execute techniques 😬
Wow, your lowest note is lower than mine and your highest note is higher than mine.
I'm kinda jealous.
Thanks, you might be able to get past my highest note eventually with whistle, but tbh, those are not really useful on actual rock singing...
F2 to c5 here
He got laughing hard eti heyyyyyyyyyyyyyyy 😂😂😂😂
Hey
Mines B0-D4 chest and E4-F5 falsetto. I’m also working on subharmonics since I keep hitting subs on accident 🤣🤣
B0? Maybe you mean B1? Different countries count differently
B0 in chest? Dude is capping hard
Dude wearing Son Goku
That's right!
ur are correct. range isn't as important as vocal tone. those who have narrow range should concentrate more on their tone and pitch and style and diction.
Range is range, making all your range sound good is hard for sure, but it's fun to try!
Are you focusing on the overtone and harmonic displacement or are these your fundamental notes. Because the distinction can be quite complex to decipher. Singing carrots is a good resource for checking
The pitches are the fundamentals but as I get into middle and higher voices the secondary harmonics are boosted in relation to my lower voices, simply because vowel modifications required to sing there also change the frequency spectrum of the voice
But tuners will report the fundamental
@@LeoMaiaProg what’s your fundamental vocal range? I am able to put equal gain on my third harmonic as the first note (or equal gain on the 2nd overtone as the fundamental note) and it sound very airy and ethereal like
@@LeoMaiaProg what's your vocal range, just fundamental?
Sim, barítono! Porém não é um "low baritone"! Parabéns pelo "it's not a competition 👏🏻👊🏻
Tanto barítono que passa aqui dizendo que não chega perto dessas notas graves, outros que dizem que alcançam muito mais grave...
Única conclusão eh que rótulo não importa nada 😂
low Eb : 2 , chest F#4/G4, horrible cracking : G#4, riduculous falsetto : A4 E#5
If you get that falsetto into a nice head voice in full voice, the G#4 doesn't crack!
Now do your lowest without fry I dare you! Fellow baritone here, on a good day I get to a D2, but today I'm swinging between F2 and E2... It is what it is lol. Your high head voice is quite impressive tho 🎉
I get usually D2 to E2, the occasional C#2 is not sustainable for sure, the extremes of anyone's range are usually not consistently useable, so as I mentioned in the video it really doesn't matter but it's fun to try and measure it, but I honestly don't spend time trying to work out these extremes, prefer to spend the time being better at controlling the range that is not so extreme (so like E2 to E5 for example)
@@LeoMaiaProg wise choice! I found that I can only consistently use c#2 if I do ONLY low note warmups, so as you say, fun experiment but not really useful
Eb2-G#5-C#6, nice
🙌
You should try to sing child in time.. He went up to a5 and you could get it, thank you for your tips by the way they re making me get better 💪
Yeah I sing it! I think he reached a G5 tbh. My next single has a A5 in it tho (and C6 on the backing vocals) so stay tuned! On mixing stages right now
My vocal range is Eb1-E8! You are the best!❤️
I’m 8 years old!
@@DrakeLavenderZXShorts this is a really wide range as you vocal chords are super thin still and can stretch a lot. Keep using it all so you don't loose too much of it as you grow older
Keep singing!
@@LeoMaiaProg I’m 9 years old in 8 november!🥳
Can’t wait till i do mine duet on this😂
😅 I posted it on ttk first
@@LeoMaiaProgoh i don’t have that anymore😅😂
Great! Definitely subscribing 👍 (BTW Mine is C2-G#4 😬)
Cheers!
D2-A4, I hope I can get a few more lower notes as I get older.
Your voice will change indeed!
That’s not a weak whistle, it’s just not a whistle at all 😂
Bro became the THX intro
Wtf lmao
Bro that high! You should definitely do a cover of Painkiller by Judas priest
Interesting enough painkiller is not that high, it's just that Halford has a really screechy and bright head voice but is like mostly around A4
Hair metal sounds going on with your high
Gotta channel that inner Halford (even though he is bald lol)
A LOW BARITONE!!! You’re definitely not or I’m an inhuman bass. I’d give you baritenor at the lowest. Cuz my voice sits much lower in speaking range but I have more range at the top and low ends except in full voice at the top where you hit a5. I peak out at g5 and can only poke at the notes up that high not beautifully sustain them like you did…but I do use a more chest-heavy sound up there. Whistle/head peaks around f#-g6. Low end around a1 without vocal fry but very low volume and hella breathy.
I always peaked at G4 before I learned the techniques on how to be less chest heavy, thin out, use more head voice and narrow my vowels.
Low baritone is what my classical singing teachers classified me back when I studied classical singing. They would get me to sing all of the bass lines in choirs and stuff.
Vocal fach is not simply range and neither does speaking voice directly correlate to singing voice. The techniques I use to sing that high are simply not acceptable on a classical setting (vocal type only matters on a classical setting), it wouldn't work well in an acoustic setting against the frequencies that a orchestra produces
I can get to the 1 octave if I go very breathy but I don't count that as it's not usable at all imo. Or at least I never managed to make it work in a song
Cheers!
@@LeoMaiaProg I literally just typed some of this in another reply. Awesome! But you’re totally right.
Idk if im a high tenor or low tenor my range is E2-F5 but i can extend to F#6 using Whistle Note
It doesn't really matter unless you're singing opera, for modern stuff, just sing whatever you like and with this range you can sing most modern songs 🙌
Eb2-C#6
Awesome!!
Super Saiyan graphic for the high tone example... Opportunity missed.
Also my phone editing skills are. It great
My range is G0-Db7
Edit: My chest is around F#1-G4
That's alien!
That C#6 sounded very wierd for a whistle. Could that have been "super head voice" or any other kind of M3? But if your whistle is just this clean and controllable... wow.
I'm a bass-baritone btw
Chest voice: (A1) D2 - F4 (A4)
Head voice: B3 - G5 (Bb5)
Learnt subharmonics for fun. They are usable for me down to F1. Can hit a D1 on a good day, but it's pretty bad
To be fair it's not super controllable, I'm not sure I'd be able to always hit the pitch I want or do some runs or something with it. I don't really use it besides recording some ultra high backing harmony vocals, but never at lead vocals
It's a very different coordination than my head voice or falsetto and feels like a different register, and the only register above that according to the definitions is flageolet / whistle
@@LeoMaiaProg there is also that wierd thing called "super head voice". There is very few information about it on the internet, but apparently it's like a more connected version of whistle. Like we have falsetto/head voice in M2, but there is also an "extended version" of head voice, which is, apparently, still M2, but different or smth.
From a randon internet tred (not a proper source, but still:
"In my experience, not everyone has either whistle register or super head voice. To define the difference between the two (as I see it, and there is no general agreement on lots of register terminology in the vocal community):
Whistle register (“Laryngeal Mechanism 3” or “M3” for short): a very high, very thin, disconnected phonation that’s at the same general pitch range of whistling and is tonally similar. Often more accessible the more tired a voice is (this is anecdotal observation).
Super Head Voice (“Laryngeal Mechanism 2” or “M2”): an extended version of normal head voice range that is continuous, connected and qualitatively similar. Can go around an octave or so higher than “normal” head voice range. Requires extreme stretch & thinness in the vocal cords."
@@dmytrotsvyntarnyi799 but what I did in the video is not connected to my other registers, I need to "break" into it. Maybe it's connectable, but doesn't feel connected, hence why I felt like it fit the whistle register description more
Can't control the extremes the greatest whatsoever right now 😂 but including falsetto my range would be from around f#1 to c6
Well that would be near the largest possible human range, unless you're counting guttural noises or something like that. But you wouldn't be able to use all that in songs anyway, as long as you can control what you use in songs it's awesome!
@@LeoMaiaProg few people have had c1 chest. although I reckon this persons adding fry
@@thomasoneill4386no I recently hit an F1 (43.65Hz), as in the F above a C1, in my Musical Theatre style singing lesson in chest but I've recently started working on subharmonics and guttural kinda sounding notes (which I was able to hit in the lower end of the first octave)
@@LeoMaiaProg haha thanks I mean I've always said my voice can do impressive things but I need to work on the tone of my voice so that the "noises" I make are actually usable and sound nice, I also am needing to work on constriction in my upper part of my chest voice range. but reconising this is steps to being a better singer I guess 😂
With fry, I can go down to an E1, I can comfortably go down to a D2 and whistle register for me is a B5
Neat!
Mine is Eb2 low
C6 (mixed voice)
Bb6(whistle)
Wow soprano C on mixed voice is insane
Cheers
I definitely cannot go as low as this guy or belt just as high yet in mix but my head voice to whistle tone is well developed so we might have the same range in terms of octaves
🤘🤘🤘
Bro my nirmal voice is deep asf when i socialice i go high af lmao
Cool af! 😂
B0-D6 for my on-demand range. Other days, I can get to E0 and up to C7... and rarely both on the same day.
The extremes honestly don't matter it's just for fun, no song requires them, nice man, cheers!
@@LeoMaiaProg, exactly. Some of the best singers actually rarely have over 3 octave ranges. Tennessee Ernie Ford is one of my all-time favorite singers, he had a barely larger than 3 octave vocal range and VERY rarely sang above middle C or below F2.
Low note was legit, high ibe was just a scream, as a tenor my lowest is just f2 but without screaming I can go up to E5 with screaming C#6 sometimes Eb6 and with whisle C#8
This ain't screaming this is head voice in full voice, it's actually less volume than my chest notes. If I scream I tense up and lock and can't reach that note
Cheers
@@LeoMaiaProg cheers, thanks for explanation :)
@@LeoMaiaProg but after few cold beers I turn to a baritone lol Amd I can sing very low, but I lose middle register
Mine low notes: F#2 , belt notes: A#4 , Falsetto: Eb6, head voice: F5 What type of sound do I have?
I usually use chest voice after C4
Range is not enough to determine vocal fach! There's a lot of other factors at play, and if you're not singing classical / opera then it doesn't really make a difference
Ok. I get from C2 (tuvan throat singing)
To E7 (whistle register.) Which is quite about 5.3 octivs.
My lowest chest note is an F2. (I have to say, that C2 is my lowdest subharmonic anything below that was told me to be higher for some reason.)
Neat!
how did you do for the A5? and yet you are a baritone before all this work, what was your highest mark? because me it's G#4 and the lowest is the B1 how can I do to widen my treble in chest voice ? and head voice I go to E6! and whis and head voice I go to E6! and whistle notes up to B6 by chance!
Here's the catch: the A5 is head voice.
I start engaging head voice from C4 and by A#4 it's almost all head voice.
The thinking that you need to widen the chest voice and bring it up is what got me stick on G4 for years and years and years. If you can go to E6 on head voice, then you have the range. You need to get your head voice to sound better and fuller, you need to connect it to your chest voice, learn how to mix voice through proper vowel modifications and resonance placement
My channel has lots and lots of shorts videos on how to do that with many examples on how I start from falsetto and add thickness / compression / chord closure just enough to get into full voice, but remaining head voice dominant to achieve these tones, maybe a few of them could help?
B1-B5 (Lowest chest note to highest heady mix/head voice note). Including fry, falsetto and whistle register my range is D1-F#6.
Sweet!
@@LeoMaiaProg thanks! I didn't think you'd answer but I'm glad you did.
And I guess I am a lower baritone like you.
My comfortable chest range is Bb1 to A#4. I think thats pretty good
Yeah my pure chest comfortable stops at C4 then I need to start mixing above that. I could stretch my chest up to B4 but that's not comfortable so I don't do it
Slk papai muito forte
🤘
E3-D5-F#6 I’m a young soprano :))
Cheers!
Me and this guy have just about the exact same range, but he can use it much better than I can. He was right when he said RANGE MEANS NOTHING
Vocal fach does not limit you is what I say, it does impact where you're breaks are and how you should approach singing the lines, but if you can but something in your range, including soft falsetto, then you can put that to work in a contemporary music context with techniques
Cheers!
@@LeoMaiaProg Highly agree, i'm more just feeling that the tools mean nothing in comparison to how you use them. Definitely important for the singer to pay attention to these factors though
Actually I recently did a vocal test and my lowest is a F2 and highest is a C5 but I like being somewhere in between. I don't sing as well as I used to ever since my surgery near my vocal cords due to cancer but I think it's still fun to sing sometimes even though I'm pretty bad at it. Hard to believe I used to sing in a musical when I was in high school I'm so bad now😂
Yeah man I hear ya, my lung collapse and chest tube had a massive impact on me too and I actually changed completely how I approach singing due to it, fortunately came out as a much better singing
I'm sorry for your experience, I hope it's all good now!
@@LeoMaiaProg Oh man that's horrible I'm sorry that happened to you. You sound so amazing it's not even noticeable that you've had any difficulties like that! I think I should improve like you although I don't sing for any reason other than myself so it's not like anyone will hear me haha. But I love to learn about everything I can so learning how to sing well, something that is like a side hobby for me, would be amazing. I know how to play piano and slowly teaching myself to read sheet music. Just for fun. Elevating yourself to higher levels when nobody is looking is the best success in my humble opinion. Although I am not against posting progress or anything like that... That's important to. Sorry for my rambling just wanted to tell you that you're awesome not just with singing but just being alive. Keep living bro, the best life you can.👍🏽
For some reason I couldn't do weak whistle after having cold
The cold inflames vocal chords...
My lowest note in chest voice is E2 and highest is F4 without mixing/head voice
I haven't unlocked my mixed voice yet
Am I considered a baritone? And can you share tips on unlocking mixed voice🙏
Well it depends, it's not just about straight up range, it's about where you feel more comfortable singing and where your voice has the natural resonance. It doesn't really matter in contemporary singing, as with a microphone and technique you can sing anything and not just parts that sit within your natural resonance.
My #1 tip / first thing for unlocking mixed voice is to first strengthen your falsetto and having a powerful head voice
#2 is connecting chest and head with a very soft sound first, even if it's airy at first, and starting to build strength only after you got that coordination down
#3 is learning the cry mode coordination
#4 is learning the vowel modifications
For 1, 3 and 4 I got shorts videos vocal tips in my channel that helps you understand the concept behind it, maybe that helps you, I will make a connecting chest and head shorts video sometime in late July / August
Lmk if these helps!
@@LeoMaiaProg Thank you so muchh!!!!!
My vocal range is F3 (kinda muffled but i count it) in chest voice, A5 in mixed register, C#6 in head voice and A6 in whistle register
Neat!
Im 18,and on a good day my vocal range is likely to be around Bb1 - F#4,but on a regular day,even when talking much, C2-F#4(yeah i have to mention about Talking because i tend to lose my B1,also when laughing loudly lmao
Btw any tips for improving lower note?
The extremes of our range are usually inconsistent I think!
I don't know what you sing, but from a rock perspective, I never get lower than like E2 and even that is extremely rare, I don't work on my lowest part of the range since I can't find a use for it in what I sing
@@LeoMaiaProg i used to sing on a choir occasionally
And btw ,what is your morning vocal range
@@Unknown-ie4ve I don't know I really don't measure it multiple times a day, just did it for this video, I'm sure it changes often, but I just warm up always before singing and don't usually use the extremes of my range when i sing
Mine F2 - B5 - F#6
Amazing
@@LeoMaiaProg am i a baritone or contenor im confused 😕
@@user-nf5mr3wp5x do you sing classical music / opera? If yes, then it matters, and range is not enough to classify. If you don't, then it doesn't matter at all and just work your full range how it works better for you voice
G#1-F#4(mix)-A5(hv)
I’m a baritone as well with my useful range being from Bb1-A5. I can go lower than Bb1 but that’s my most consistent low note.
I used to get to B1 when I was younger but as my larynx developed I lost it
@@LeoMaiaProg interesting, I would think that your voice would deepen as you get older
@@-N-A- as the larynx thickens, the extremes are capped, both lower and upper I think...
Mine's C#2-A5/B5 but each register is kinda "disconnected"
I'm a C#2 - B4.
And I'm 14!
Cool stuff! Your voice will change a lot as you go, you'll only see it increase by taking care of your voice! Mine kept developing and changing, I'm 34 now, and it still changes!
I have a wide range but if you shorten it down to just usable range, it's a lot less impressive. Full range is about G1 - A4 - Bb5 - G#6. But if you just go by usable range it's, C#2 - E4 - F#5.
It's more than enough to sing every contemporary song out there
Cheers!
I just learned how to belt in my mix. It’s very hard because I talk and sing naturally from D2-C3, but on good vocal days im supporting up to F5 in mixed with vibrato, break at G4, and have all from C4-F4 mainly supported. It’s the consistency in my mixed to belt with RESONANCE i struggle with. I need help
What helped me with that is proper vowel modification and a lighter tonal intent.
I got 2 other short videos in my channel, one about the cry mode and one about vowel modification, that tries to explain the quick basis of what helped me with that.
Lmk if that helps you and what else could I do to help ya!
I came here looking for advice on baritone horn, a brass instrument or the bari sax. To my misfortune. 😂😂😂😅😅😅
Hahaha!