I jumped into 4K HDR on an OLED panel last year and I have to say I've never seen such exquisite cinema, even when compared to modern theatres. I'm enjoying this renaissance and I'm glad I'm managing to catch dozens of films on 4K UHD BR. I'm sitting about 1.5 meters from a 65-inch panel and it's just extraordinary. The most surprising thing about the format is the quality of some of these old films, many of which just look completely mind-blowing especially with the character of their film grain. You know you're getting right back to the basics of falling in love with film when you come off a mesmerizing screening like Close Encounters of the Third Kind, or Alien or Blade Runner and come away feeling like you're seeing the film in a way you've never had a chance to--at the theatre. That's the true gift of 4K UHD BR paired with an OLED panel: it's allowed me to see some of my favorite films in an environment that is as close as I can get to the creator's vision. This format is all I need for the rest of my days. For those of you who haven't made the jump, you owe it to yourself as a cinephile to get in while the getting is good.
I see you too are properly sitting very close to your screen when viewing 4k discs, which is the point that many don't understand. Sit too far away and you can't see the improved resolution, so take advantage of 4k and sit as close as practical. I have a 55 inch screen and sit about 5 feet away for 4k titles, and move seating back a couple feet when watching standard hd/1080.
@@pete49327 only way to go. And you're right: sitting far away robs you of the majesty of the 4K experience. A tight small theatre also does wonder for sound. The inverse square law makes large areas poorer for sound quality.
My conclusion is still the same several years later and that is that if HDR had have been applied to standard Blu-ray then 4K wouldn't have been required at all. If we all had 25 foot wide screens at home it might be a different matter but we don't and therefore 4K on its own without HDR being exclusive to the format would have meant there was no point to the 4K home movie format. John.
Long time! Again really good video! Absolutely agree, the best part of 4K is the HDR which is alone enough to get the 4K disc. However there are instances as you mentioned where 4K trumps the Blu-ray. Le Mans 66 is the perfect example. As is IT chapter 2. Excellent sound on that one too. The one I’m most looking forward to is the Lord of the rings 4K which hopefully should be out 3rd December!
I saw Lord Of The Rings at the Odeon Leicester Square and the image quality was poor so it may be a disappointment. Quality at the cinema was in a decline by then so perhaps modern equipment will be able to fashion a better transfer. I hope so anyway. Good to hear from you again Umar. I hope to be able to increase my UA-cam output a little soon but I am still a little tied up with 'Code Name: R40' which I hope to conclude soon.
@@Andersljungberg Disney's Dolby Atmos tracks tend to be weak though depending on the title, but other studios do a great job with that or DTS:X. Some regular blu-rays also get Dolby Atmos.
Great review Mr. John. I really like your review style, It touches the authenticity of the film medium, very exciting and engaging to watch as a physical media lover+collector and a film tech geek like me. ☺️👍
Excellent video. I've been training my eyes to see the difference between 4K and Blu ray. The biggest difference is often that 4K seems to have the correct color timing as opposed to blu rays having an odd tint or the brightness turned up too high . And of course the added resolution and clarity is nice. I think I'm addicted to 4K discs
I find that Blu-rays that have been authored from the same 4K video master file as the 4K disc tend to look identical other than the colour and density which is of course, HDR. Given that around half the screens in the UK were running 2K video projectors until recently (and many of them still are) I think that tells us all we need to know about 2K and 4K video. If cinemas think they can get away with it then there is surely going to be little perceptible difference in definition that we can make out on our tiny home screens. Well, I've struggled to see any difference other than HDR for five years now anyway. John.
Thank you Steve. I'm hoping to add even more variety and interest as time goes on but it all depends on getting agreements from people and companies who do the work to produce the discs we enjoy or put the films on the big screens we love... such as the BFI IMAX but I suppose I can cross that one off the list now. John.
@@Edward135i It appears Sony and LG are still making players as well. I'm not sure about the quality difference between Panasonic and Sony, but Sony has an ES1100 model currently out.
I can certainly tell a difference, especially on older films that were originally shot on film. Newer digital films, there isn't as much of a noticeable difference since, a lot of times, the actual digital negatives are only 1080p.
Funnily enough I've just scrutinized the new Spider-Man film which is a 2K master but the 4K disc is immediately perceptibly superior. However, it's the HDR again and not the definition which really isn't that brilliant on either of them. Should make for an interesting review. John.
That's why I'm very selective of my 4k purchases and have only been going for 80s and 90s movies that I want. Well the releases that are actually good that is!
Great video John, and very interesting as always! :) I think there is a lot to consider for 4k, like if the movie was transferred from film, or digitally from a 2K DI or native 4K DI, and how much time and effort the studio has put into the mastering, whether the TV, UHD/Blu-ray player has digital upscaling or not, whether it is a digital stream or higher bitrate disk, the screen size and the quality of the TV or projector, and various other factors. Like you say, its diminishing returns vs blu-ray, but I think a lot of the value, as you also mention, are things other than the resolution alone, like HDR, higher peak brightness, wide colour gamut, Atmos soundtrack remastering, etc. Having much more capacity on the disk for more accurate colour and sound data. The difference isn't anywhere near VHS to DVD, or DVD to Blu-ray, and I think that we will be staying with 4K for a very, very long time, virtually no-one has TVs large enough, or rooms large enough to suit an 85"+ TV, for 8K to make a perceptible difference in sharpness and resolution, plus with more content streaming at lower quality I'm sure the online streaming companies are reluctant to consider 8K, and terrestrial TV is still mostly SD and moving to HD at a snails pace, let alone 4K broadcasts.
One of things I had in mind to say - but I did all this in one take so simply missed it - was that one of us enthusiasts needs to purchase a barn, put a 40ft wide screen in it and then compare Blu-ray to UHD Blu-ray because then I think we'd see a perceptible difference. Whatever the outcome, the quality offered for the home video disc today is something I would have thought unobtainable only ten years ago. I had some television people visit in 2008 as they wanted to purchase the rights to something I'd just completed (didn't let them have it though but that's another story) and they summed up television perfectly at that time: "Television is a broken format." I hadn't really thought about it until then but how right they were. The writing is on the wall and as the older generations pass on the increase in the take-up of on-line streaming and video on demand; something that was being looked at years ago by the broadcasters has now been done successfuly by completely new, forward thinking companies.
@@moviecollector5920 I would really love a barn or a garage to turn into a home theatre with a big screen! I think with the cinemas closing again its even more likely that more content will move online, which is a shame as I enjoy watching movies in a cinema environment on a huge screen, and much prefer to own a physical copy of my movie collection, rather than just perpetually paying to rent access to it.
@@nick1635 We may find that after we're out of the Covid-19 problem that people value a trip to the cinema again. Somehow I doubt it given some of the behaviour we've seen but I live in hope. The number of alcoholics in Britain has apparently gone up from something over 4 million to over 8 million since March so maybe owning physical products again will become popular rather than having a house devoid of belongings because you're out all the time and when you're in you simply watch television or spend spare time on social media. After all, enjoying movies in the home is far better for you than drinking yourself to death!!!
@@moviecollector5920 I do hope so! I would miss going to the cinema and taking the family as a treat. I do agree that peoples habits will probably change, maybe there will be fewer multiplexes and more 'boutique' cinemas when things get back to normal, if they ever do. Thats a sad statistic about an increase in alcoholics, I can believe it with the lack of social contact, furloughs, job losses, etc.
I am a bit late to the show as I saw this video now. As usual, a very nice review and a unique perspective on the 4K vs 2K malarkey. Nice to see that you have “Le Man 66” in your collection (One of my favourite guilty pleasures along with films like “Grand Prix” and “overdrive”). Keep up the good work.
And I have 'Grand Prix' and 'Overdrive' too. Both look fabulous on Blu-ray with 'Grand Prix' being just a little extra special owing to its 65mm/70mm origin. John.
There is something quite funny about watching a grown man with graying hair say "not something for us adults" about anything else while wearing a Star Wars sweatshirt. I guess like time is relative, some things are relative to the times.
I think you're on to something with this one. I've not watched many 4K discs yet but HDR seems to be the most noticeable difference. The bright areas on "The Rise Of Skywalker" really jumped out the screen when i watched it. The other 4K discs i've watched so far have been underwhelming.
@@alansmithee3336 Thank you Alan. I don't think I'll ever be afflicted with that 'growing up' problem... even though I'm sure a lot of people wish I would! John.
It's amazing how quickly all younger people looking at this will get there 🤔 but you never feel any different. Once a lover of film, your always a lover of film and especially physical media, I still like a decent presentation and no streaming issues 🤗
Great video! I'd say the biggest problem with judging HDR on a projector is that unless you have a high end model and an anamorphic lens, you're not getting anywhere near the peak brightness of the HDR standard, so it isn't going to have the same impact as watching HDR on an OLED or high end LCD TV.
You may well be right there Mr. Terminator Juice. The HDR seems to look identical on my Panasonic 40 inch (i.e about 35 inches wide) television. I think this is because I always set up my equipment to resemble film as closely as possible whereas most people have the brightness way higher. Good point though and the way a video looks generally does seem to vary on different systems. John.
I agree with you about HDR. I always amazed by how some people say that 4K HDR version of a movie is oversaturated if you comparing it to the 1080p SDR version. Wrong color; wrong white balance, they say. When I was a kid in 90s, I always watching movies in local cinema on a weekly basis. For me, the richness, the colour that comes from a 4K HDR movie is the closest thing to 35mm celluloid film that I remember. I guess since digital projecting is the new normal since 2010s, people are used to the low contrast, dull color, and clean digital movies.
I thought I'd replied to this Indra so my apologies if this one slipped through the net. Quite a few comments have reappeared in my list as unreplied lately so something appears to be amiss in my UA-cam account. HDR is the closest we've had to the filmic look on video but it does depend on the grader getting it right. It all seems to be a bit variable right now but maybe there will be some sort of accepted standard in the future. How that could be achieved though I really don't know. John.
Always gain a lot of information from your vlogs. I now buy the 4K version including the BluRay version. HMV and Zavvi have made my hobby more accessible with their ‘3 for £30’ 4K offers on some great films. I have Gemini Man in 3d as well, and the crypt scenes are actually not darker than the BluRay/4K on my projector.
I don't use Zavvi often... only once and I think that was for the Super 8 4K steelbook so there was no other option than Zavvi. HMV actually have physical shops though and that's why I always use them if I can because I think our towns and cities will be all the poorer if we lose them. After all, there's nothing else these days other than perhaps the odd minor record store dotted about here and there. Maybe ABBA will now regenerate an almost lost industry - well, we can all dream! The 3 for £30 deals have certainly enlarged my 4K collection... but depleted my bank account! John.
I find that my 4K Sony TV does a great job with Bluray content and movies often look "4K" when played vs HD streaming content. I'm guessing this has to do with it's super-sampling or AI up-scaling engine as the cont, and the fact that Blu-Ray content holds so much more color data and detail than anything HD on a streaming service.
I did run Blu-ray through a standard Blu-ray player as well as an upscaling 4K James and I still couldn't see much difference, if any. I need to repeat that sometime but I think our tiny home screens just aren't big enough for us to see any improvement in overall clarity. It must be there but if we can't pick it up, there's not really much point. And I think that's a major reason why HDR is only available on 4K discs because that is what is making the difference. John.
My 4k TV upscales my Blu-rays beautifully. I really can’t see the point shelling out more money for 4k at this moment in time. I agree it’s like audiophiles - unless you are willing to pay crazy money on a large top of the range TV to get marginal gains then it’s not really worth it. My upscaled fav films on Blu ray like no country for old men or Blade runner 2049 for example look crazy good anyway! How good do they have to look!!!
Having owned many blu rays and 4k blu rays as well as 1080p tv's and 4ktv's I can also give my positive opinions on the two formats: If you have a 4k TV or projector, the blu ray picture upscaling is fantastic. I know most modern movies shown in theaters are mastered in 2k but having them on a 4k cinema projector makes a great difference. 4K blu ray has 2 great features: the 4k image does look much sharper, especially for older film where they went back into the original negative and scanned a new clean 4k picture. HDR is a nice polish to the picture and can make your color depth look incredible.
Thank you for sharing your observations tundraportal. When I did this test I used a standard blu-ray player to test against the 4K but still could not see a perceptible difference (apart from HDR of course) but that's down to our tiny home screens. I think you're exactly right that a cinema projector, particularly on a massive screen, will make the extra sharpness and clarity of the 4K obvious. John.
@@moviecollector5920 If your not seeing any difference between a blu ray player and a 4k player (playing the same blu ray disc on both) then you need a good quality (high end) 4K player. Not all players are created equal, even if they are 4k players. There is absolutely no way a good blu ray player will be as good as a good 4K player, while playing the same blu ray disc. It's just impossible. Until the OPPO players stopped being made, they were the benchmark for 4k, now Panasonic has taken over somewhat, with their £800 - £1000 models. Someone might still be able to get an OPPO 205 for £3000 or so, if their very lucky on ebay. Mine cost £1500 when new and I dread the day i need to replace it. When I buy 4K films and they come with the blu ray disc, I give the blu ray to my mates, as they look rubbish compared too the 4K versions.
@@sirmalus5153 I need a bigger screen. Eight and a half feet wide isn't enough to show the difference and it's the same at cinemas which is why about half of all screens get away with 2K projection and why most videos shown in cinemas today are 2K. A better 4K player will also improve Blu-ray so don't believe all the sales patter, but I will get a better equipped Panny when one of my existing players gives up.
And sometimes a DVD will come along and still look amazing. Look at To Catch A Theif on DVD. I swear it looks like a bluray! There's a film that would look amazing on 4k.
Agreed. I saw a DVD titled 'Tommy's Honour' recently and that one was better than many Blu-rays too. Then again, I've just purchased 'Ruthless People' on DVD because I couldn't find it on Blu-ray and it looks dreadful! John.
Terrence Malick's New World offers a pretty exceptional picture on DVD. The question then becomes, "Do I want an exceptional looking DVD I can get used for $1-3 or do I want to spend $25-30 for the Criterion BR with all the bells and whistles? I went with the DVD. If I can get a deal on BR later, fine. But the DVD is more than serviceable.
Recently I've seen a few 4K releases where the UHD disc is perceptibly superior to the Blu-ray for definition. That wasn't happening a couple of years ago so it's quite a nice update and a bit of a surprise too after years of only being able to say the 4K is superior due to the High Dynamic Range. John.
Great topic John. At its best, 4K HDR does trump Blu-ray but there are some transfers where this is certainly not the case, the original Star Wars trilogy is a great example. I've come to the point where I can no longer watch the 4K HDR versions of these classic movies because they just seem so flat and dull (with their highly conservative HDR transfer) and the 4K resolution seems to accentuate the DNR making some scenes look horrible!!! I find the Blu-ray versions much more engaging and enjoyable.
I haven't seen the re-hashes of the original Star Wars since 1997 Shouwn. I don't like all the added in cartooning around the screen but I did think the Death Star attack was fabulous in the re-worked 97 version and would have made a good 400ft Super 8 extract. As it is I only ever watch these films in their original form on Super 8. None of them are the best Super 8 prints ever created but they are good and they are the unmolested, original films. John.
That's in a video I made last year about the ten best movies shot on video on 4K. It wasn't all shot on video but I included it anyway because it's so good all the way through. Best 4K to date is still Murder on the Orient Express owing to its modern, fine grain 65mm film stock. Still nothing matches large format film so anything released 70mm or genuine 15/70 IMAX are the top 4K releases. Top Gun: Maverick is very good though and that was shot entirely on video. John.
Thank you, sir, for another relaxing, thoughtful and measured presentation. You make me smile. Your man-cave is one of the best I have seen. Enjoy yourself with all your wonderful films and your fabulous enthusiasm. You help make the world a more colourful place and that makes me glad.
Thank you Douglas. We moved house just before last Christmas and while I'm not entirely happy with our current setup I'll get it completely sorted eventually. Having said that, I'm never entirely satisfied and I think that's a good way to be as it means I can always find an improvement somewhere. John.
Vista vision was used by ILM on the original Star Wars effects and beyond. Also to add to the 2k 4k debate these new disks are quite remarkable when you consider that very few cinemas have HDR projectors (digital) and how many are still running 2k projectors.
I'd been wondering about that Zig so thank you for clarifying. It must cost a fortune for a cinema video projector so I suppose the best the smaller venues can hope for is that a better model comes up for sale second hand. John.
@@moviecollector5920 Not like the old days when you could have a projector for decades and it would still be great. Though they are far more reliable to the point that there really isn't such a thing as a projectionist any more. Which is sad. The new laser projectors that some cinemas are starting to get are HDR as much as I can tell. Great channel. Love your set up. The automation is a lovely touch.
@@ZigUncut I got so jaded with the poor quality video projections that I rarely visit a cinema now unless I know a real film print is being screened. Thankfully 70mm has made a bit of a resurgence in recent years so film hasn't gone completely extinct. Some of the 35mm projectors were around from the 1920s and simply maintained and updated with better lenses and all the modern sound reading and decoding paraphernalia. A projection box used to be such a fascinating, magical place but now they're largely a push button bore. John.
@@moviecollector5920 Also the later, better, emulsions for the films didn't need any upgrade of the projectors. My appreciation goes to Graham Ritchie in NZ who is still keeping an Erneman II projector going at his home cinema and prefers the 35mm prints to any digital copies.
I think 77 inches is about five feet wide in reality. What I'd like to do is project a direct comparison 24 feet wide on the BFCC CinemaScope screen. If we can resurrect the BFCC and get a 4K projector capable of that size there then we'll all be able to find out once and for all how well Blu-ray stands up. It will be a lot of fun to do it so keep your fingers crossed. John.
I don’t get it, why would the screen size matter if the view distance ratio remains consistent. Are you getting so close that you are viewing content outside your effective field of view?
For me personally, I will only keep my Blu-ray copies if I have a reason to. Like whether there’s any special differences with the movie on Blu-ray itself compared to the 4K version, if the standard Blu-ray has special features and the 4K disc doesn’t or if the film is not on 4K at all. Other than that, I like to fully upgrade to 4K as much as possible. If the Blu-ray offers less content or is the same exact disc as the 4K, I just donate it to my local library and just keep the 4K. I just think that the 4K format is the closest and the best you can get to owning a digital theatrical print of the movie at home.
Just one thing to be aware of Vincent and that is the 4K fault which affects some discs. It seems to simply be an occasional manufacturing error but the upshot is that after a disc has been played the laser can exacerbate a minor flaw on the silver layer and the disc then starts to break down while sitting on the shelf. The problem overall is not as big as it first looked like it was going to be but out of about 50 4K discs I've repeated in the past six years or so, 5 of them have developed the fault. I only have to replace two more of them now but one of them is the APOLLO 11 documentary and that's rarely available cheaply so I may simply be sticking with the Blu-ray for that one. John.
The jump from DVD to Blu-Ray is evident. 4K is amazing, but we aren't all watching them on the same machines and screens, so our vision of these upgraded films aren't all the same. I've watched many 4K films, but I still find Baraka's transfer beyond them all. Shot in 70mm and scanned at 8K. It is incredible on Blu-Ray.
I haven't seen the Blu-ray of Baraka but I've heard quite a bit about it. It's the VistaVision principle David which means that the better the image quality you start with the better then end product even if it's on a lesser format. Murder on the Orient Express is the best video quality I've seen so far. I have seen a couple of 4K's recently that are perceptibly sharper to their Blu-ray equivalents so it's not only High Dynamic Range all the time. John.
Agree, people were expecting the kinda leap that was DVD to blu ray well IMHO anyway. Some 4K have really impressed me, eg , Ad Astra, 1917, Mortal engines, TENET,Jaws and Spartacus and especially Logan !( Brilliant ). But what has most impressed me about my New UHD player and Oled is upscaled blu ray HD 1080. 60% plus blu ray upscaled is so good no need to go 4k unless it's a great transfer. So I've got 500-550 blu rays but so far only 60 4k as it would be madness and an unnecessary waste of money to replace them all. PS enjoying your channel 👍
That's a good summary. I tested my standard Blu-ray player against upscaled Blu-ray and there was little or no perceptible difference there either. A test I will do again some time in the future. At the time of this test I think the 'Murder on the Orient Express' Blu-ray was better than any of the 4K discs I had at the time, other than 'Murder on the Orient Express' of course. It's still the best but 'Tenet' came pretty close. '1917' is very good too but sometimes too obviously manipulated video rather than film which marks it down a notch or two for me. Most of the time though, '1917' is exceptional. John.
I can see the HDR on 4K. watch 2001 in 4k and you'll love the shadows that previous discs cannot represent, so they up the brightness to make up for it.
Thank you for that advice. I shall pay attention to it next time I give 2001 a spin. Which could be any day with the number of times I watch that film! John.
Love your reviews and insights! I personally am seeing the difference in sharpness in 4ks over 2k bluerays. Bluerays tend to look soft, and of course the HDR colour. One issue that most people forget or don't think I about is the quality of our eyes at the viewing distance. So what I did was get a custom set of glasses cut for the distance I watch my 65" oled tv. I watch at about 2.25 .metres away and got the optom to maximise viewing clarity for this viewing distance, instead of far or short distances. Amazing how you can see the quality difference by upgrading your eyes. Just make sure you get a pair that are large enough to cover your periferal and does not have any blue light or coatings that filter the light. Worked for me :)
Thanks for that NIck. I have an eye test coming up so that may tell me something. Last time I was 20/10 but that was two years ago now and I know my close-up vision has gone a little. I think what is possibly happening on my system is that the image is so sharp on the video projector that any shortcomings are disguised (not quite the same on my 40 inch television as it's simply too small). But if I were to project two identical systems next to each other on the same sized screen I would see the difference, although it would be small. Similarly, a 30 foot wide screen would surely illustrate the extra detail of a genuine 4K disc. On the other hand, Murder On The Orient Express is so good that it may still be impossible to tell. HDR is the main difference on our tiny home screens and I suppose that's one reason why HDR has not been applied to Blu-ray.
I’ve got a good 4k Samsung TV and it upscales my Blu-rays beautifully. From what I’ve seen of 4k even with HDR I won’t be making an upgrade anytime soon.
I'm viewing on a Sony A80J OLED and a Panasonic UB820. The picture is fantastic, there are a lot of variables with equipment which all influence the final image. Settings can make a huge difference, lighting and I even found a damaged cable caused issues. I can second what others have said, sit very close to a 4K TV to view 4K material to see the benefits.
Or blow it up as big as possible with a video projector. I think we need at least 24 feet width to stand a chance of seeing a definite difference though and that corresponds to what is going on in cinemas because half of all studios in the UK are apparently still projecting in 2K. John.
From my understanding 4K isn't really 4K if we base the resolution from earlier years when it was called 720p, 1080p etc. I mean 4K in height is just the double of 1080p 2160p. In reality it's just 2K but that doesn't sound that cool. So 4K feels just like a PR move by the companies to make the consumer think it's four times better. Compare the resolution alone I see a very small difference. For me the big difference is HDR and Dolby Vision.
I’d disagree it’s absolutely not a PR move. Remember that your tv and player are up scaling the 1080p to 2160p. I absolutely agree that HDR is extremely important but with a good oled tv and a solid 4k player a well mastered 4k DI disc blows hd out of the water.
@@MistaFussichannel Yeah but what I mean is that 4K might imply the height is 4000 pixels like 1080 is 1080 pixels in height. Which I thought when I first heard the 4K label. Then to label it 2K doesn't sell the picture upgrade as well to the masses as if you label i 4K.
I noticed Interstellar 4K had this less sharp almost out of focus/smudgy quality that made it look like real life and not a simulacrum. Blu ray is very sharp but have noticed the micro contrast and detail on 4K to be jaw dropping at times. That said a decent blu ray is enough for most people. Has anyone done a ranking of best DVD/blu ray/4K transfers? A sort of Premier league table? It’s only fair to reward studios that actually bother to take the time to do it right. Jaws 4K is absolutely incredible btw.
Now that mention the best DVDs Mr. Holocaust, there are some amazing quality DVDs coming out these days. I saw a little known film called 'Tommy's Honour' on DVD a few months ago and it was like many Blu-rays. Agree about Jaws in 4K. A fabulous video transfer. John.
I think you need at least a 65" TV to really appreciate the difference in resolution. And even then, it depends on the transfer and the way it is filmed. A movie like Blade Runner really pops because, in addition to being a very high-quality source and excellent 4k scan, it has a lot of fine detail. Those tiny little windows in the giant buildings when you see the cityscape are much better defined in 4K. Especially since they were practical effects being filmed. It's not as impressive with CGI since CGI is only processed at 2K currently. All that said, it really is the color, sound and HDR that justifies the format the most.
Blade Runner is a great 4K disc. One of the top 35mm transfers I think and I should take another look at it. Well, you've given me an excuse now. It's easier to see the differences in image quality the bigger you go, that's for sure. Maybe if we can resurrect the BFCC we can really put the whole 2K vs. 4K to bed by doing direct comparisons on the 24ft wide screen. Alternatively we can hire the BFI IMAX and project them at 90 feet wide. John.
I was revisiting this video and I agree bluray can be good enough for all but the smallest subgroup of viewers. If they had HDR like you discussed, I am unsure 4K would be a thing for home consumers. With a well encoded Blu-ray at proper viewing distances the resolution bump to 4K would be very difficult to discern for the majority of people. Even at larger screen sizes, you should be further away so it doesn’t become too much of a screen size issue. Now if you are sitting so close that you can’t take in the whole picture on screen, then. That’s a different story.
I still don't think we'd be able to discern a difference most of the time Robert. I think I underestimated the quality of Blu-ray and making this video almost four years ago opened my eyes. However, put a 4K disc on a 24ft wide 'Scope screen and then compare it to the Blu-ray and we might see a whole different picture. Know anyone with a 24ft wide screen?.... oh yes, I have one sitting in the cupboard here. Maybe when we do another BFCC I should make the time within the programme for the day to do a 4K vs. 2K (ish) comparison on it. Thank you for looking at this video again and leaving a comment. It does still seem to get watched a bit so maybe it's a subject I should re-visit one day. John.
I watched Halloween 2 (1981) and Halloween 3 on 4K...... damn! I couldn't believe how much better H2 looked than the blu ray, Apocalypse Now Final Cut looks amazing in 4K as well.....holy shit.
It all depends on how good the film looked when it was shot Austin. That's down to several factors but primary of them is the negative stock. This is why genuine IMAX 15/70 films look better than anything else on 4K. John.
There is a great UA-cam channel that does short comparisons of movie releases showing comparative clips of each one in various releases; DVD, Bluray, 4K and variations/releases in between. Why is it I find the first Bluray releases from the early 2000s almost always more compelling than the DVDs before or any release after?? It seems like each iteration is just someone messinga around with the contrast buttons, and as for 4k well............one comaprison showed how you could now see the sweat on Tom Hank's cheeks in the Saving Private Ryan opening scenes. But was that the point of the movie? Would that make you cry more at the end? I sometimes think we can become overly wrapped up in technical perfection when the product is about emotional involvement. Oh yes I noticed for a movie expert your choice of Bluray player was quite simple and restrained. Can you recommend me a good one to buy on a budget, as I would like to start swapping some of my favourite movies to Bluray now. Bear in mind I hate most modern films and all my favourites tend to be made before the blue and orange hell inflicted upon us since 2003.
It was a little surprising to me how little perceptible difference there is sometimes from Blu-ray to 4K but we're viewing on tiny home screens so I think that's the limiting factor. Once I've got a 30 foot screen installed I'm sure I'll see a bigger difference! As for a Blu-ray player I stick with Panasonic because I remember all the problems with the format when it started and Panasonic were the only manufacturer who seemed to get to grips with it. Other than that, I prefer to have a player with all the audio connections on the back rather than just an HDMI which is not much use a lot of the time. It is possible to get little devices that break up the sound into different connectors so it's maybe not the biggest consideration but around £100 for a Panasonic Blu-ray with an optical audio connection so you can attach it to an older home cinema amplifier/receiver is probably what's required. For 4K it's a bit more of a minefield and more expensive so let me know if you plan to go down that route. John.
I prefer 2K BD mainly for the fact they release the new 4K restorations of films on 2K BDs anyway after the UHD releases or as a bonus disc. Also 2K just has a much larger catalogue of films and TV shows. Until 4K HDR OLED TVs becomes a lot more affordable I'll stick to 2K BD
Blu-ray is amazing and I underestimated it until the 4K discs came along. But 4K is better due to HDR... not always, but most of the time. Best way to enjoy either format is with a 4K video projector onto a white wall as big as you can get it. John.
DVD is still the biggest seller Alex. About 50% of the total disc market in fact. Blu-ray was a daft name and probably the biggest reason why it didn't take off. If it had have been called 'HDDVD' then everyone would have known what it was and not some incomprehensible new looking format that it seemed like you'd need computer skills to understand. John.
There is a difference and you can definitely see it!!! Especially as your TVs get larger under 42 inches it’s hard to see the difference but once you start getting into 50 and above you can see the difference.
I'm currently at 9 feet wide Michael but I estimate about 25 feet might make it obvious. I don't think a big enough telly exists... well, not for home use anyway. John.
I’m surprised you set the Panasonic to bright environment. This in my experience is the least accurate option and leads to washed out colours. Standard is perfect in a dark room in my opinion. Seems to be the most accurate. Great videos though!
It varies from disc to disc. I think Spider-Man is the one I've set lowest of all but a lot of them have to go on Light Environment so that the image isn't too blown out. Most do seem to be best on Bright although all our systems are different and what works best on one will not be the same on another. John.
Thank you for your very concise analysis of the 2K v 4K issue, and for mentioning - without entirely relying upon - the Your Mileage May Vary aspects when comparing peoples' home theatre setups. Soulds like it'll be 4K HDR where available.
Another excellent video John and, yes I too agree that Blu ray is an excellent format. I've only a dozen 4K discs and I'm generally a little disappointed when I view them. I'm the owner of a Panasonic UB700 and that hasn't a HDR button. Still I'm happy!
Roy has just made the very same comment below Ged. I'm amazed and I want to know how - or if - the HDR options can be accessed. A Few Good Men looks utter crap in places without adjusting the HDR Setting and so does Midway. All these discs are different as they're mastered by different people and some are mastered better than others in terms of HDR.
@@moviecollector5920 Not sure that I would be willing to buy a new machine... This can't be very old. PS. You know I'm car blind don't you... no interest at all , although I know they have four wheels!
@@13ged Ah, but everyone loves the Triumph TR7 so you can't duck out of that one! Roy Murphy has the same player as you and may purchase a later remote control to see if the HDR Setting option button works. Could be a good solution if successful.
I've been collecting horror films, and what I've found is that it's probably the worst return for experience. Yes there are super clear images, but some are way too clear. You start noticing more flaws that used to be covered by lower quality transfers. Some other ones just feel off with how clean they are. For example night of the living dead 4k by criterion is a great remaster. Though in terms of atmosphere I kinda miss my artifacts where I was watching something that was dragged through a gravel road. Those older ones felt like you were watching something old and historic. The remaster is so clean all me and my friend could comment on is how it looked like it was just filmed with modern equipment. It lacked a lot of the old home movie feel. Some Scream Factor 4ks like the friday the 13th have similar issues. Removing too much film sound just makes it too sterile. Modern and Special Effects, action films I think benefit well from hires more than older lower budget films I guess is what I see.
That's a good summary. Personally I like a film to look like a film and Night of the Living Dead in particular is a great Super 8 feature simply because it suits the gritty look of the print that was evidently used as master material. But going back to the camera negative for many films will make them look cleaner and more like a modern video production simply because prints were not struck from the original camera negative (apart from premiere house prints and 70mm blow-ups) so they will look cleaner due to them being a first generation copy. Mass 35mm prints are struck from the internegative which itself is taken from the interpositive. The interpositive is struck from the camera negative and used for colour grading etc. so you can see that a lot of potential film grain was introduced via this process. Go back to the camera negative and it's virtually eliminated. Sometimes it's not possible though because the negative has long gone or it's faded and perished beyond viable use. John.
@@moviecollector5920 My mom's cousins used to own a drive in theater outside of Pittsburgh. I was 9 by the the time they closed. Really regret not keeping any of the 35mm reels, but 9 year old me lacked foresight or space. They kept their copy of Night of the living dead and Dawn of the Dead though since they were extras in them. They used to show them double feature every October. I know that even for original mass 35 prints they were rough from being played for like 30 years, and had some patches from film tares; but it really was a different experience as a kid watching a horror film outdoors on a big screen around where it was filmed. I am thankful to have experienced it though because there are few people around my age who would get that experience; as their only experience had been home video transfers. I also think about how unique it is now. Like the film patch's and poops were unique to my first experience of the film and audio quality from the car stereo just will make it different from anyone else's experience who had seen a theater 35mm version. I do greatly appreciate the work done by Criterion. When you've seen nearly every transfer of a film it really becomes apparent how much work they put into restoring films. Though like I said it suffers from a digital sterile feel that makes it too modern. The best home video experience I feel is the 40th anniversary DVD. Aspects and noise kept in make if feel more like it's how he intended it to be viewed. Though Romero also supervised the early Criterion transfer despite passing before it's release. The 40th is leagues above the 30th anniversary edition that Russo oversaw which was originally for VHS rather than DVD and had really bad extra scenes put in. The 40th though doesn't have those garbage scenes in it, and took advantage of the DVD formats quality. Not to mention it has so much extra features which is sorely missed on modern bluray and 4k. Really I think it's sad that many blu ray and 4k will spout special features on their cover, but what they mean is the bare minimum of an audio commentary and maybe the theatrical trailer. I can't think of many films that include a documentary that has about the same runtime as the film.
@@hardcorehunter7162 Now I'm going to have to find a copy of that 40th anniversary edition because I completely missed it! Film splices, negative dust, specks of dirt and the odd scratch are all a part of film. But I did always appreciate seeing the premiere run prints taken from the negative that we used to enjoy at the top London cinemas. I think I got a bit spoilt there but I never went off Super 8 which because of its miniature size makes any bit of dust look massive upon projection. Any scratches are also enhanced due to the small size and the magnification once it's up there on the screen. It's all part of the fun though really. We didn't really ever have drive-in theatres over here. The weather tends to rule out things like that. I did screen Night of the Living Dead in the garden about 20 years ago though and that was creepy. John.
@@moviecollector5920 Thankfully they're not that rare, and can be found for under $10 on ebay. Drive In's are a fun experience, just harder to find these days. There are still enough in my area probably one every 45 miles. Though there are many states where they've gone extinct. Weather around pittsburgh isn't really ideal for outdoor theaters, but I guess everyone just got used to it. It's in the top 5 cities in the country for gloomy weather. It's a pretty common saying here rain or shine because I guess a lot of people from out of the area think things get canceled when it rains.
Another great review/comparison thank you. Clearly subjective though depending on equipment, settings, ones own colour balance and of course preference. I think the only reference is possibly something you mentioned in another review(s), and that is, 'as the director intended'. Interestingly, the 4K update of A Fistful of Dollars from Kino Lorber and the other two in the series don't use HDR, but they are very well done regardless with clear improvements. That said, I shown a family member 2014 & 2017 Blu-Ray versions of this film with horrible green & blue filter tints in that order, along with poor'ish lighting and what could be mistaken for a DVD, against the new crisp 4K release with clear blue skies, very good lighting and definition. They preferred the 2017 version -- go figure! 🤪
Several comments have praised the Dollars films on 4K on here which is quite surprising given the TechniScope origin. The 'TechniScope' name was a way of disguising the inferior 35mm format that was used which was half of normal 35mm. It probably illustrates how good film was and is that the 4K video discs are held in such high regard from such comparatively low quality shoots. It must have saved quite a bit of money though only using half the negative film stock so given who and where they were made, it's understandable. Imagine how they could have looked if shot full frame 'Scope 35mm. And you're right, all our equipment is different and will give slightly differing results. My tests did prove to me that there was little difference between 4K and 2K/Blu-ray and that difference was HDR. Now The Others has been released without HDR and still the 4K is perceptibly superior it's brought my conclusion from three years ago into question. I am using a different video projector most of the time now though. John.
In the Dollar 'The Man With No Name' Kino Lorber 4K trilogy, they apparently painstakingly colour balanced frame-by-frame. Do you think perhaps this might be considered a Manual HDR, or MHDR (heard it here first 😅)? A video from you on what is HDR, could be interesting?@@moviecollector5920
Excellent video mate. Im also into Rover cars, had a 216 gsi with honda engine and it always took me home. Kept it for 10 years. Dont have many 4k films, more blu rays but recently purchased 1917 and Spielbergs war of the worlds from hmv on their 2 for £30. Both very good but 1917 was excellent and worth getting. I also got the revenant 4k free with my panasonic ub800 4k player, highly recommend that film as well!
Funnily enough I just purchased 1917 in the same HMV deal as well and will really look forward to it now you've said how good it is. Got War of the Worlds a month or so back and have Revenant on Blu-ray. That Rover double disc has sold rather well but ten years ago it would have sold three times as many. That's the way the world is going I'm afraid. I'm being pressed to cover the Rover R8 series next which is the whole of the 200 range from beginning to end Take a look at www.triumphdvd.co.uk and you'll get an idea of what I do. Yes, I'm a British classic car enthusiast too and it's taken us across America to interview all the important people still with us and well as all over the UK. Been quite a ride. John.
@@moviecollector5920 Thanks, I will take a look at the website👍 As they say, great minds think alike😃. You wont be disappointed with 1917, much better than Dunkirk, it looked so good on my Oled screen. My projector is only 1080p full hd so unable to project 4k.
I've got multiple machines for just about every format William. I have a second UHD Blu-ray player in the living room so the standard Blu-ray player doesn't get used often now. It does handle multi-region DVD though so occasionally it's still pressed into use. And it's darned handy to check a standard Blu-ray without the 4K upscaling when you do a comparison video such as this one. John.
I've recently started double dipping some of my favourite films from my Blu Ray copies to the 4K copies and they look and sound so much better. The Picture Quality is outstanding! From 1080p to 4K, I can really notice the difference. 1080p is still excellent, but 4K is superior in every way.
That's HDR Cooper. If it were applied to standard Blu-ray they'd never have been able to sell the 4K format so that's why it was done. Unless there's a fundamental change I expect this is about as far as home video can be taken. The sound is usually identical unless there has been a remix into a later sound format such as Dolby Atmos. John.
I've recently seen your posts and find them really interesting. In this particular post I think you referred to changing the HD settings via the appropriate button on the Panny remote. This operation does not work on DV discs. Did you mean just non DV discs? This is sometimes a problem in itself for people with other makes of player (i.e. Sony) as not all disc covers give the HDR info.
Thank you David. I think that's the HDR button I was pointing out but it turns out it's not on the first generation Panasonic 4K players so you have to go through the menu system to put the HDR brightness up and down in those. I expect it's the same for other makes of player such as Sony. It does only function when a 4K disc with HDR is in the player so with any other disc if it's pressed nothing happens. John.
Dolby Atmos is on many new Blu-rays too now. But I do agree and I find I splash out on a 4K rather than a Blu-ray every time a title is available on both. John.
Great video John, been interested in your findings on this quandary! 🤔 very interesting specifications details 👍hmmm yeah HDR, can be the biggest benefit to a 4K presentation for sure!! 🤔👍I liked the information about your own Blu ray and how its not just a click of the fingers to get stuff together for a release! Very interesting 👌 hey many thanks for your kind words John!! 🤩🤩👍👍 yes I'm planning to do a 4k vs 2k video... going to select 2 titles to use 🤔🤔 also i thought our old friend Gemini Man might make an appearance 🤯🤣 ...I'm glad you got something out of Overdrive 👍obviously your love for cars might make this a better movie for you 🤔 👌excellent video John! Expect a video from me in about a week 🤩🤩🤩👍👍👍
To some extent, I would imagine the ability of a projector to focus would be a limiting factor. My home theatre projector is an older 1080p model, midrange at the time (though still several times the size of an office projector), and I'm pretty sure that I'm not even seeing a true 1080p image without being able to get perfect focus (a combination of uneven focus due to lens shift, and the limitations of my eyesight to judge focus on the distant screen while standing next to the projector, and perhaps the quality of the optics). So even if my projector had a 4K display element, it wouldn't make any difference due to the imperfect focus. But on a newer and more expensive projector, I'm sure it would matter more. It's interesting to see the debate about 4K versus HDR in the film world, because there's a similar debate in the gaming space. In gaming, higher resolutions mean lower framerates, and unlike in film, there is nothing desirable about lower framerates in games. So there is a debate over, what look better, 4K with standard dynamic range, or 1440p (2560x1440) with high dynamic range? And many people argue that the impact of good HDR is a much bigger difference than the diminishing returns of higher resolutions.
I hear what you're saying about focusing from distance Adam because at the British Film Collectors Conventions we were often about 40 yards from the screen and we needed binoculars. Sounds ridiculous, but true. Our Optoma projector is now three years old but it astounds me how quickly home video projection moved on and got to the current level. Quite amazing. Gaming has had a significant impact on the film industry - probably not always the most desirable impact in some respects but the gaming industry is another things that has moved on so quickly. I would have loved some of these near real life games when I was young but sadly I ran out of time to play any of them about 30 years ago and haven't touched any ever since. John.
If they would release Last of the Mohicans (1992) in 4K I'd buy a 4K television. I saw that movie in the theater and it's one of the most beautiful films I've ever seen. Some of the scenes are just breathtaking. There is a lot to what you say about diminishing returns as technology moves on. I remember the HUGE jump from VHS to DVD. It was astounding. Then we got Blu Ray which is noticeably better but the jump isn't as significant. Now 4K looks a little better but it's not enough to make you want to go crazy over it.
I agree about Last of the Mohicans. I also agree with your summary of where we are with modern technology. In other words ninline2000, we are in complete agreement. John.
Great video. Unfortunately I’m not versed in film and 35mm ect, it is something I would like to learn more about. Am I right in thinking 8k would be the closest to 35mm quality? Or is it the HDR Colour that gets us closer to 35mm? I have a BenQ projector and watching First Blood was magnificent, the HDR makes it night and day vs the Blu Ray.
I remember you getting the projector Danny. 35mm is estimated at about 6K I think but film is random grain so it's probably higher quality than that in reality. Negative stock would be a lot higher. Equivalence between video and film is difficult and it's all down to perceptions really. In that regard a home screen is going to look similar irrespective of 35mm film or video because we just don't have the room for big enough screens. I did mean to suggest that one of us needs to purchase a barn and stick a 40 foot screen in it just so we can really put all the different formats to the test but I forgot to say it. It is the HDR that makes the 4K discs superior (assuming it's been done correctly that is) and with that more lifelike colour it does make video look more like a film print. On home screens it is very close now between film and video.
@@moviecollector5920 Hi, and thanks for the videos, which I'm watching with interest. If 8k ever becomes a thing, with reasonable content availability, I would intend to upscale/double up to a 30ft diagonal. OK, not huge by commercial standards, but I'm blown away by my existing setup so Ive no doubt 4x screen area would be even more life affirming.
@@timalanthwaite4759 We do have a 24ft screen for the BFCC so if we can resurrect the film collectors conventions then I plan to put 4K to the test on that and see how it fares against Blu-ray. If that day ever comes then we will then all know if there is any merit to a home system of more than 4K. But if you do manage to get a 30ft setup in the meantime, I'm coming over!!! John.
@@moviecollector5920 And you'd be very welcome. Other than Widebottom Weekend I don't get out much, but would love to side by side film and video resolutions. Regards, Tim
I've been to TV stores so that statement I can say is completely wrong. images from 4K look much more natural. the grass. the skin. the tile. It is the irregularities in your skin that make your skin look natural. The details of your skin that you do not see on a 1080p TV
Most people just fool themselves as to quality of the format. When I was in the Army I took and passed the military flight physical which leans heavily on vision quality - In fact I had 20/10 vision(very rare. Point is 99% of y'all will never be able to see what I see (even so called experts). My conclusion - This guy is right - what y'all see has higher quality is mostly higher contrasts. That's it.
If you look at a snow pile 30 meters away, you can see a lot of details. If you try to take the picture with a mobile phone even if it has 20 megapixels, the details will at your best look blurry. NOTE without optical zoom
I decided to buy blu rays more and not 4k movies since my tv is a 55 inch 4k hdr and i can use the hdr to watch blu rays and sometimes the picture looks better plus i have noticed the bit rate on blu rays have come down less than 30 mbps over the last few years.
Thank you for watching so many of my videos Andrew. I am a much bigger fan of Blu-ray discs than I was thanks to looking at so many of them for this comparison video. 4K is marketed as the format of excellence but the truth is that much of the time you'd be hard pushed to tell the difference between a 4K disc and a 2K Blu-ray. John.
Thank you Super Collector Clark. I think the Star Wars sweatshirt was a EuroDisney purchase at Star Tours in 1992. If I could find somewhere still selling the exact same shirt I'd buy another but alas, I don't know of anyone selling them today. John.
I don't think many will disagree with you there Trojan. The quality of some of the best standard 35mm films is impressive enough but when you get into the larger formats, they're better than anything being shot on video today with a possible few exceptions. John.
I will disagree, I'm never going 4K I can not stand those ever present modern teal and orange colours applied to classic films too on the format oh my God, what a mess... Just not for me, it's also an issue for me on Blu-ray too very often, the format isn't really important here it's what the damn studios do to their films before release that's the problem.
I've never actually seen that film but if I recall correctly, it stars the same little girl from the 1994 remake of Miracle on 34th Street and she is brilliant. John.
Very interesting video. Could you offer any observations on disc rot (particularly with modern blu-ray discs)? PS happy to hear from anyone who has a disc library who may have experience. Thanks in advance.
I've only come across it on laser disc so far Max. It's the glue that binds the disc layers together where it eats through one or more of those layers. Some makes of disc are more prone to it than others. Something I have to be wary of because I do release DVDs and Blu-rays of my own historic British car documentaries and Falcon, JVC and Sony are the only manufacturers who have seen their products survive long term (100 year plus) soak tests. John.
@@maxanderson9187 Over time we may ascertain that specific disc labs are producing discs that are more prone to laser rot/disc rot so let's see how it develops and then perhaps we'll being to know which titles in our collections could be in danger. John.
Don't feel compelled to buy anything Bob please. My car documentaries are a bit in-depth so they're not for everyone but take a look at www.triumphdvd.co.uk and have a look at the preview on there. That might be enough as many of the interviewees are included along with plenty of looks at the cars. Tomorrow it's British Leyland day at Gaydon so guess where I'll be? John.
It's over two years since I looked at Speed but fortunately I did put a review up of that disc. I can't recall exactly but I'm pretty sure the 4K is better than the Blu-ray and it damned well should be as it has the all-important HDR which is what makes a video look more like film. Take a look at my review before buying though. John.
It depends, I normally would say yes, you can see a difference. Whether the presentation is better depends also ony personal taste. And the biggest factor is also the ratio of screen size and viewing distance.
And I also think Stefan, that the bigger the screen the easier it will be to gell the difference. Once I've got a 30 foot wide screen in my home I'll be able to give better informed opinions of each release. First I just need a much bigger home! John.
When I experimented with Blu Ray conversion to DVD format I noticed that the DVD had more quality potential than we usually were presented with. Recently I got the film "Another Round" on DVD instead of Blueray. You really had to doubt that it was "Only DVD" as the quality was premium. It seems to me that DVD has a quality in color and contrast that for instance streaming is lacking behind. Do you have any comments on DVD media of recent?
Yes Jens, I too have watched recently released DVDs and a few years ago I'd have sworn they were Blu-rays. 'Tommy's Honour' is probably the best I've seen in this regard. It all comes down to the master material so the better the master the better the end product. A side effect of the 4K market is that the studios are going back to the best master of all and this usually means the original camera negative. In terms of 35mm negatives, only 70mm blow-up prints and premiere prints (I think) ever came from the original camera negative so there weren't too many of us who saw film at its best. This is why the latest releases are now so good and why the older films - particularly those shot on large format negative stock such as 70mm or VistaVision - usually look better than the newer films that have been shot on video. I think you're the first person to mention this and my channel is a year old in a few days. Well done. John.
@@moviecollector5920 Thank you for the "Badge"! When HD started to come about, nobody were interested at first. I was very interested, so I had to go to an American news group to try and discuss HD material. I even started a group called AVCHD. This was the way I could make my own BR compatible material. Some of the discs I made does not play anymore. I bought an entire series on DVD, and transferred the original to a Blu-ray disc. Now I think that "Streaming" will conquer most of the Movie franchise. But I still buy both Blu-ray and 4K. I have just invested in an Epson EF-12 projector. I love it so much I could even cry by thinking about it!;-)
@@jenserikbech I worked at a the ITV governing body when I was starting out in the world and they developed C-MAC for the then forthcoming British Satellite Broadcasting. This was 1200 or 1250 lines and 16x9. That was the 1980s but no one was interesting and Sky killed it off pronto. I remember it as better in some respects than the present UHD as it perfected image clarity so much that presenters could wear stripy shirts and ties. Yes, that sort of thing is still a bit of an issue on video! John.
Murder on the orient express is a very good film and the 1974 version is my favorite. I have also seen Hercule Poirot - Murder on the orient express (TV episode 2010) and it's not as good as the movies but still worth a watch. It's a different take on the original story.
I too like the 1974 film but I never really got on with the television series. I don't know why. I hope the 'Death on the Nile' follow-up to 'Murder on the Orient Express' later this year looks as good as 'Orient Express'. Maybe we'll all get the chance to see it in genuine 70mm film projection. What a treat that should be.
You're going to be enjoying yourself when they come though wildmutationblu. I've just received an HMV email with a Japanese artwork version of John Carpenter's The Thing on Blu-ray which is jolly tempting. It's here if you haven't seen it: store.hmv.com/store/film-tv/blu-ray/the-thing-(hmv-exclusive)-japanese-artwork-series?sc_src=email_8222091&sc_lid=387040533&sc_uid=c4HT3WxLoB&sc_llid=266536&sc_eh=d1087e79e42d83a91&Email&Halloween+Mailer+-2020-10-27+20%3A00%3A00-Solus But maybe I'll wait until a 4K release comes along as I already have it on LaserDisc and DVD.
There is a video on youtube in which the author states the human eye can not perceive details higher than 1080HD, if that's true then perhaps that's the reason you can't see any difference in your tests?
An interesting concept. I expect the creator of that video is talking about our tiny home screens which may well be true but I can categorically confirm that it is not the case on bigger screens. A visit to a genuine IMAX cinema to see a 70mm IMAX film will confirm it to you if you have one you can get to. There aren't many left in the world now and most purporting to be IMAX are a watered down version showing video on smaller screens. 'Death on the Nile' is expected to be released in 70mm 2.2:1 in October so see if you can find a cinema screening that in 70mm and that should look somewhat better than a television image too. Great post and thank you. John.
It looks terrible in 2D Gary but I think the whole 120fps format surely means that there were 60fps for each eye. As a one-off novelty at a cinema in 3D using that approach it must have been memorable. I've seen liquid crystal 3D on an Omnimax screen and whilst the documentary showing was rather dull I've never forgotten it. Gemini Man would probably be similar and therefore unforgettable. But in 2D, forget it! John.
Great Video! New subscriber here! Always looking for information of the differences between media releases. So much dilution alot of companies create just to make a buck. Re-releasing movies without any meaningful upgrades just trying to sucker people into rebuying. Other companies do well and a true service to their audience. Consider a video that shows us sizing and medium (2kvs4Kvs35mmvs70mm, etc) differences thanks
Thank you DaRedeemerSpawn4. I've tried to include comparisons across the Blu-ray, the 4K and the 35mm where possible but it's not possibly to store hundreds of 35mm prints so having the same title to thread up and project on film is going to be a rarity. Did just that with the Alien review though. John.
I'm not completely sold on 4k yet, some movies I've seen look no better than the 2k version. Sometimes I feel the studio is just re - packaging a 2k movie in 4k package. I remember when DVD went mainstream back in '97, I thought it was incredible, then Blu ray hit the market after beating out hddvd, and Blu ray was a significant improvement over DVD, you didn't have to look that hard to see the difference... I was expecting to see that type of obvious difference going from Blu ray to 4k but not so imo. Some movies yes, they look quiet a bit better than Blu ray but many the difference is very subtle. So now I watch reviews from channels like this one before I buy. Maybe I bought into the over hype of 4k. Now one more thing I do notice is that Blu ray up converted to 4k looks really good on my projector!
Blu-ray was much better than we all though prior to 4K and now with the way films are mastered into 4K, the Blu-ray using the same master has been proven to be almost as good. HDR is often the only persceptible difference. And you're right about the studios upscaling 2K video because most special effects laden movies do just that. I actually tested from a standard Blu-ray player in this video and on a home screen the difference is still imperceptible - or almost imperceptible - at times. I need a 30 foot wide screen! A lot of DVDs back in 1997 and 1998 were copies of the LaserDisc masters so they weren't all as good as they could have been. John.
Also noticed you seem to be a fan of "Prince of Darkness" I would strongly suggest getting a 4K copy of that. What they did with that film is mind blowing.
If I haven't answered this already Darren (I thought I had but maybe I pressed ESC instead of ENTER). I do have Prince of Darkness and actually put a review up. One of my favourite John Carpenter films. John.
@@moviecollector5920 Like wise now I only just watched it first time on 4K in DTS:X on my 140" screen. Perhaps best I watched it the first time on this format vs the previous version. I am watching your video now on it.
If one had the necessary equipment such as a 35mm projector and a few reels of 35mm prints, a 4k vs 35mm film would make a good video. Even a 35mm filmstrip projector and a few still frames of a 4k bluray disc could be used to make the comparison.
I need to ask what type of television set you are using to look at these discs on. Do you have a 4K television set? Most of us do not of course so I don’t know that we would get the full affect of a 4K disc and of course we would have to buy a 4K DVD player and they may not all be equal so perhaps you can address both of these issues for us. Like the rest of your fans I really likeYour presentation style.
Well I don't tend to watch films on television Randel but the TV we have is a Panasonic 4K HDR and its best feature is the ability to connect to UA-cam and watch UA-cam just like television. We gave up on television when we had the digital switchover about ten years ago and that caused us to analyze what we actually watched - the end result was we watched the news and that was it. The standard of TV programming has dropped even further now so we won't ever be going back. But to answer your question, I run the discs via a 4K player that cost about £150 three years ago (much cheaper now) and the display is a video projector that cost £1500 three years ago. Unless you are going to purchase a rather massive television there is not much gain from 4K but usually the colour is better thanks to High Dynamic Range (Dolby Vision is the new offering down that same avenue now and some say it is superior) and so if you are thinking of going the 4K route I think a visit to a store that can demonstrate different options is advisable. Here in the UK that would be Richer Sounds which is where most of my equipment has come from over the years. They have an Optoma 4K projector now for under £1K which might be a nice little adventure for you. Simple to use and all you need is a white wall to project onto. I hope this helps. John.
A good test for seeing if your player/tv combo is 'up too snuff', is the cavern night club scene in SERENITY. If the picture is dark and hard to pick out details in the background, you need a better player and tv most likely. This scene was dark on several combo's, until i got myself a Sony AF8 OLED and an OPPO 205 4K player (playing the blu ray disc) Only then did this scene show properly. Another good test is the film ZULU on blu ray. If the faces of the actors look plasticky and false, you need to upgrade your player and tv combo. The faces now look natural on my OPPO and SONY.
Well I don't have Serenity but I have Zulu and the Super Technirama photography puts most 4K releases to shame. No plastic here. Many films should be too dark to see into the shadows - you're supposed to be peering into them. Apocalypse Now is the perfect example but I obviously don't know about Serenity having never seen it. I've no doubt my systems would be too dark for that scene you mention because I set them up to replicate film as closely as possible and that really means they're darker than most people would have them set. John.
@@moviecollector5920 That scene I mentioned in SERENITY, is really dark overall on other tv/player combo's. So much so it is really distracting not to be able to 'see' the actors properly, let alone the background of the cavern they are supposedly in. The scene was actually spoiling the film for a mate of mine, who is very fussy with things like that. He even thought the disc had a production fault on it at one point. Not untill he saw the scene on my set up did he relax and start saving for better equipment, rather than sell the disc in the hope a better version would come out one day. With my OPPO player, it even looked good on an old Panasonic PLASMA 37" I used to use (and keep as a spare tv) TV's and players are NOT created equal, I have come to learn and you do get what you pay for, sadly for my pocket!!.
@@sirmalus5153 That's certainly food for thought Sir Malus. One thing is for sure though, videos being released today are better than when it all started with VHS years ago. Although I never really liked the low quality it was amazing to be able to purchase a complete movie so cheaply to keep and watch again and again. What I think I'm saying is that we're almost expecting too much at times today. Modern video quality is amazing and I never would have thought it would be possible to be able to project a home video in such quality in the home. Now then, you'll have to check out The Hunt For Red October on 4K disc because that one is so dark that the only reason we know Sean Connery is in it is because we can hear him! John.
For this video I ran the Blu-ray discs in both a 1080 player and the 4K. Any difference was so slight that I struggled to see it. I'm sure it's there though. John.
Yes 4K is quite better especially in sci-fi movies. Star fields are much better and space ships are really looking brilliant with more clarity in movies like Star Wars and Star Trek in 4K. Also city scapes at night are more brilliant with much better clarity. Even down to the light reflecting in someone's eyes with pinpoint brilliancy. Most nature films are astounding as well such as BBC's Earth II and Blue Planet II. I just got Rocky Mountain Express a couple of weeks ago and was astounded at the 4K clarity of sweeping Canadian mountain scenery and the train sounds are thunderous. There have been a few disappointments however such as Ad Astra which has a few scenes that come off as a bit blurry but most do not disappoint in either the picture or the sound. I have a 55" Samsung 4K curved tv that I truly enjoy watching.
Ad Astra was mastered in 2K Daniel but it did look exceptionally good owing to it's Super 35 origins and HDR of course which is what is making the image look better than 2K on our tiny home screens. Star Wars was only ever released on Laser Disc with the same master used on a DVD as I recall. The re-hashed/butchered cuts have been released I suppose but they just ain't Star Wars! Yes, I've been a fan for way too long to want to watch the re-worked versions. Fortunately I have the original film in 'Scope on Super 8 so that's that. The original film was a masterpiece. The curved televisions are very nice. I don't tend to watch films on television any longer now that home video projection is so exceptionally good but I grew up with projectors so it was a natural progression and I even endured video projectors from years ago when they really were awful just so I could still project a favourite film that I only had on video. Times change but I will always love having a film on film even if sometimes they're not the best quality they could have been. John.
Even before seeing this, I had decided that I would buy 4k's if A: I didn't own the film on 1080p and really wanted it in my collection and B: if either the price was right (so waiting, with ice in my belly) or if the need to own was so great as to not care about cost, or C: if a reliable source said it was a must-own and the film was good.. I will joyfully keep watching my Blu-ray's and buy 4k's of things which I simply must have on that format.
That is pretty much what I was doing until starting this channel and people started asking me to review films I'd already purchased previously on other formats. It's a good way to collect without spending way too much. John.
I've only seen bits from both Keron. Clark Teddles shot a video of Baraka being screened in 70mm from the projection box a few months back. If you haven't seen that he got some good illustrative shots of how good it really looks in 70mm. John.
@@kgray041983 Well, if you ever hear of either of them being screened anywhere near you from a 70mm print then it should be worth the trip. 70mm films are the best on the home video format so imagine how good they'll look as they should be seen. 'Oppenheimer' is going to have a genuine IMAX and standard 70mm release this summer so that's another to keep an eye out for but make sure it's a large format film print before setting out otherwise you might as well wait for a home video release. John.
Sadly I cannot remember the movie, maybe it was SW TLJ, maybe, but when I went to my local theater a few years ago, they had the same title playing in both a regular theater and IMAX, and I swear, to my senses, the regular theater both looked and sounded better. I paid for an IMAX ticket so I stayed in the IMAX theater, but I truly believe the regular showing looked better.
Sounds like they were screening the same video presentation in both studios. I don't know that but it sounds like it to me. Film prints running across multiple studios were often the same print running through long tunnels into different booths and projectors and only a few minutes apart between each screening so it would make sense that a duplicate of the video they downloaded would be used twice or more. John.
Not jut the HDR, but the resolution is a huge difference, even on "just" a 55". Watching a good quality 4k transfer, stuff just pops off the screen unlike anything I've ever seen on standard 1080p.
Glad it works on your system Jay. I must try our ten foot wide screen to give it a more thorough comparison. Hopefully we'll resurrect the BFCC after the virus is dealt with so we can do the same test on the 24 foot wide screen. John.
You are the second person to mention that Gareth so it's looking promising. Apparently there is a genuine IMAX in Glasgow too so things aren't quite so bad in the UK after all. John.
@@moviecollector5920 Yes, there appears to be a few more than even I thought although a few big cities have yet to make the jump (Liverpool and Birmingham come to mind). Having seen 70mm Imax in Manchester, it makes quite an impact!
@@garethgreen9585 A few fellow film enthusiasts have left comments to say that they think Bradford has given up on IMAX film and are only showing video now. IMAX claim a ridiculously low compressed image size for their latest laser projectors to match what they usually screen on film (8K I think whereas film equates to around 50K) so it remains to be seen how good, or not, it really is. I don't go to cinemas any longer unless I know a film is running simply because I have seen so many poor quality video projections. Might as well wait and see a video at home if I can't see it on film at a cinema. John.
Yes, I think the name change was to add more significance in parts of the world where the Le Mans 24 Hour race is still a major sporting event. In the USA it's the Sebring 12 Hour but over here it's Le Mans. I think both film titles are pefect and hard to choose which is best. Irrespective, it's a great film with great images quality which proves that video can get up there with real film at times. Just lacks the spark of life that film grain gives but they'll crack that soon - Midway for example, with digital film grain. John.
Personally, I do prefer 4k over bluray, but I think that mostly comes down to the fact that they have to do a proper remaster to include HDR and because 4k TV's are unforgiving of simple upscaling, which a lot of early bluray presentations seemed to do. So with a decent remaster, older films especially, look much better. That being said I have some spectacular looking blurays, many of them would be (modern) tv shows as well. Absolutely stunning resolution and picture quality, sometimes with an almost HDR-like hue. I think you'll only ever notice resolution differences on very large screens. I have a 75" QLED and I can just make out the difference in a film like The Avengers. It's noticeable, but only just and I doubt I would have looking at it on my cheap 55" 4k. Also, I agree that certain films look different on people's different set ups - players and TV's. Ford V Ferrari looked spectacular on on mine as did Gemini Man (even though it has little re-watch value). Same with The Mule, it looked great. Other films like Jaws and Top Gun I found rather disappointing.
I don't know how wide these television measurements really are but at an approximation 75 inches must equate to about five feet wide. I'm watching somewhat bigger than that but I suppose by the very nature of a home cinema, I'm sitting further away. I have tried pressing my face up to the screen before though just to see if I can see a difference between Blu-ray and 4K but alas nothing obvious so far. Jaws should be one of the best 4Ks you've seen so something is going wrong there Jamie. Have you tried adjusting the HDR because what looks great on everyone elses system should look great on yours? Top Gun varies from system to system but it looks Top Notch on both of mine. It really shouldn't look as good as it does but it seems to agree with my system more than others. Mainly the superiority of that disc comes down to the colour spectrum but it may not look as good on other systems owing to the personal setup of each system. I always try to replicate the look of film as closely as possible which probably means I have things set darker than most people. John.
@@moviecollector5920 I can notice a subtle difference on some films but only when I've done a deliberate comparison - otherwise I'm told our eyes don't even see in 4k. I have a high-end Panasonic player which gives you an enormous amount of picture adjustment and I always make adjustments with each film I watch - I've tried reducing sharpness, adjusting the brightness, contrast, gamma, etc as well as HDR levels and even adding DNR sometimes. The HDR certainly does make a positive difference but in some films like Jaws the film grain seems to be exacerbated which is what bugs me. The end result is usually better than a previous bluray release, however. Some people love film grain but I don't, even though I accept it for the most part. To be fair I've made no such comparison with Top Gun, but perhaps I'm just expecting too much....? I'm not saying you're wrong at all, I've just had a different experience with some films - and perhaps you're right about diminishing returns with expensive, high-end equipment. I enjoy your passion and and I value your knowledge overall. What kind of screen are you using, out of curiosity?
@@jamied1579 Get all those sharpness and DNR options as low as they cango or preferably off. It could be that is messing up your 4K enjoyment of Jaws because I put a section of that on a couple of weeks ago to check it against one of the discs I was reviewing and it looked perfect. There will probably be some darker scenes in there where film grain is noticeable but otherwise you should have to look for it. I've included brief clips of all the HDR options and other related options in my Speed review so if you can make sense of the images I've snapped for that, see if they are the same options as yours and perhaps replicate the settings I have if possible. We watched Last Action Hero last night and, as expected, it's excellent. However, with HDR up full there was evident film grain but with it set for better overall contrast and colour (i.e. the HDR set to 'Light Environment') the film grain was almost imperceptible except for a few dark scenes and a couple of special effect composites. Whilst we have a ten foot wide screen in the living room this was only because we didn't have a wall to suit a big enough image at our previous home. That room was 10 feet and 3 inches wide so a ten foot roll down screen across the balcony doors and windows did the trick. We have a suitable wall in the dining room (that has been the cinema for the last 20 years) so that made things much cheaper and easier. Brilliant white matt emulsion is all that is required providing the surface is fairly flat to start with. I've detailed all of this in my home video tour video but the basic summary is to not get conned by salesman who insist an expensive screen is required for video projection because a wall was always preferred for projecting film at home and video is no different. John.
@@moviecollector5920 cheers. Generally I don't have the HDR and contrast/brightness up too high to avoid bringing out the grain and it tends to make people's faces over bright/contrasty. Sometimes I find it difficult to find the right balance. With other films it's not an issue. I usually reduce the sharpness when required but I may have to do that further. As I said I accept a certain level of grain in some films but I'll have a look at the settings you suggest. I've been meaning to watch Jaws again... Overall I think older films, 20 years old or older, look far better after a good 4k remastering, at least I appreciate them more than modern films in that regard. 2001, looks great, as does The Shining, Batman & Batman Returns, Grease, Groundhog Day. Lawrence of Arabia looked incredible, one of the best I've seen.... I appreciate you taking the time to talk with me.
@@jamied1579 I think a lot of us are having the same experience with HDR but most people wouldn't notice and just accept that a disc is 4K therefore it's better than anything that went before it. Seriously though, turn any 'Sharpen' option off or to its minimum setting because all that will be doing is messing up your projection or television image. A lot of the time it will create video noise that can be mistaken for film grain. Lawrence of Arabia was 70mm so if it hadn't have been one of the best 4K releases so far then the mastering would have had to have been a complete cods up! Now there's an expression I've not heard before! John.
If you can get your hands on one, test how well the XBox Series X and the Playstation 5 playback movies. My Xbox One S is my main machine and makes movies look quite good on a 1080p screen. Hopefully my wife will destroy my 48 inch screen so I can buy a much larger high quality UHD screen. Btw, do you ever discuss the difference between the manufacturers of high quality TVs?
Unfortunately I stopped playing video games almost 30 years ago so I'm not going to be able to help there. Perhaps someone else on here will see your comment and give you so me help or advice that I can't. Sorry about that. John.
Television is a Panasonic 4K HDR something or other. Blu-ray is a Panasonic - have two of those but different models. One is in the projection box and the other is attached to the telly in the living room. Optoma UHD550X is the video projector squashed in among all the film projectors. John.
Well I've had surround sound for 30 years now so I rather take it for granted a little. But I don't need to use the device to calibrate it as I've learned more than enough over the years to get the best out of a sound system. The video projector is an Optoma UHD550X and I've set it up to resemble projected film as closely as possible. All sorts of players are connected to the video projector but the 4K player is a Panasonic. Super 8 is a trio of Elmo GS1200's with differing lamps, the best being an HTI conversion that I used at the BFCCs for many years as it's the brightest image possible from Super 8. 35mm is a Chinese 1970s Ging Gan Shan Spectra 90. Don't use 16mm much in the cinema but it's a Bell and Howell something or the other. Sound is Pioneer THX amplification with Kef THX speakers. John.
@@jrnbakken4348 I have got quite a bit of information in the home cinema tour video but we'll move elsewhere one day and then I'll probably do something a bit more extensive. After all, I'll have to build a new home theatre from scratch then. John.
You're the first person to comment who actually seems to have seen it at a cinema in 3D so thank you for confirming it was incredible. I thought it would have been but such a shame it's so awful in 2D. John.
@@moviecollector5920 It's so cool that you responded! I just wanted to say that I only found your channel yesterday and I already love it! The first video I saw was the one about The Fifth Element (one of my favorite movies as well as yours!). It was very intriguing seeing the differences between 35mm and digital 4K. I hope you continue to do 4K and even regular Bluray movie reviews. I have already subscribed and I can't wait to binge watch the rest of your videos and then continue to look out for new reviews from you. Thank you! P.S. Some requests, if you ever have the time to review (no pressure!): The Wizard of Oz, The Fast & The Furious, Solo, Rogue One, Close Encounters of the Third Kind, Joker, and Lawrence of Arabia. Thanks again!
@@c0wg0d It looks like 4K reviews of Cinema Paradiso and Apocalypse Now are the next couple of reviews assuming the HMV delivery arrives as expected today. But The Wizard of Oz is a possiblity as a number of people have requested it. Because it's an original Technicolor and it looked fantastic on NTSC CAV LaserDisc I think I know how good it's going to be on 4K. If the Technicolor transfers as well as it did for The Ten Commandments then it should be a treat even if I don't particularly care for the film itself any longer... but that may change. I did mention how good the Close Encounters 4K is at the end of one of my early review videos but I don't remember whch. I have been thinking that sometime I may do a full-blown review of it sometime as it would be a good excuse to really go through it. Lawrence of Arabia isn't out here yet unless the Columbia Classics box is purchased and I can't afford that. But I think we all know that it was shot on 65mm so as long as the scan is at least average, it's going to be one of the best 4K discs so far. That's what it all comes down to but some reviewers don't know this and think exceptional transfers have been responsible. Jaws is one of the best but was 35mm - that is because they scanned the original negative at 6K and this does seem to have made the difference. This tells me that 6K is the comuter equivalent of full frame 35mm. John.
@@moviecollector5920 I also watched it in 3d in the theatre and it was a very nice image, however IMO it couldn't balance the lack in the storytelling - and I'm saying that as an Ang Lee fan...
@@botero It's such a shame that after all the effort that went into making a 3D film that worked that it is then released in 2D and looks so awful. It's all about money and the film studios are businesses, but I think Ang Lee and everyone else involved in Gemini Man will have suffered in their careers a little by this film being released in that format and the viewers being able to see it for what it is - a poor film that looks more like a cartoon than real life. John.
If it hadn't have been dinner time when I got it up (the video that is, not something else you might be thinking of!) I'd have given you a call to let you know you make an appearance. You literally 'pop up' on the screen!
Oh, Blurays are considered 2K? Somehow I assumed blurays were below that. I know that most standard theatres run 2K projection. Does that mean that, in terms of resolution, blurays are comparable or same to theater's projection?
Blu-ray is just below 2K I think but only because the television screen dimesions are slighly different to cinema screens. 2K at a cinema is why image quality at most cinemas is so awful compared to how it used to be with 35mm. John.
@@moviecollector5920 This is why I try my best to to see as much 35mm prints (or sometimes 16mm or 70mm) at my local cinematheque. But I often find that a lot of these older 35mm prints don't look as good because of its age and wear. I wish I had more opportunities to see brand new 35mm prints on the big screen :(
@@rch456789 Some release prints get a real beating but others survive almost completely intact. I have a few prints that are damaged but only by means of some missing frames in one or two locations. Rarely do they arrived scratched and badly beaten up. A lot depends on the maintenance of the projectors - low maintenance can scratch the hell out of a film. John.
I appreciate the extreme effort with Dunkirk, But i was close to sleeping during its screening. Total boredom, the one winning grace of the movie for myself was its fantastic orchestral score. Loved interstellar, i think it is Zimmerman's finest score, Others will no doubt disagree.
Might be worth trying Dunkirk again John. I have to admit that I watched it twice because I just didn't really get it first time around. Now I think it's wonderful. I also saw a six minute extract at the Waterloo IMAX and that was breathtaking. So it's a big screen film - 90 feet wide big screen to be accurate! John.
I can't really see the difference between them on my 55" OLED (where I have always immediately been able to tell between DVD and HD DVD/Blu-ray). However I figure getting the UHD are future proofing along with some QoL improvements. Not worth replacing your existing collection with (unlike the HD DVD and Blu-ray came out and the difference was night and day), but certainly worth making the default format of choice going forward. As there is a chance screen sizes will hit a point where there is also a visible difference too. Then HDR is the icing. But I'm just a pleb that knows nothing other than what I think rather than the full technical details of it all.
I'm hoping to put this to the test if we can resurrect the BFCC Michael because we have a 24ft wide screen for the conventions. I suspect it will still be a struggle to tell the difference and just the HDR that is noticeable. We'll see. John.
@@moviecollector5920 That would be cool to see. I will note however that upscaling technology has increased greatly since my exposure to "Full HD". I was watching some old DVDs the other week (stuff that will likely never get a HD release) and I was blown away by how good it looked via the upscaling. (Between the Xbox One X and the LG OLED this was just bog standard settings I made no changes with) With the diminishing returns, I can see it being perfectly plausible that a good Blu-ray with good upscaling could easily be indistinguishable to the naked eye from a UHD barring the HDR aspect.
I've seen a couple of DVDs lately that if I didn't know I would have sworn they had to be Blu-rays. 'Tommy's Honour' about the origins of golf is the one in particular I'm thinking of. Amazing quality. Mastering has improved over the years so that's got to be a major reason why DVD has also improved. John.
@@moviecollector5920 I have a Cambridge Blu-ray player and it upscales DVDs beautifully. On my Panasonic they still look great but slighty fuzzy right up close.
@@paulconway384 I haven't ever had anything Cambridge Audio Paul so that's good to know. I've stuck with Panasonic for anything Blu-ray related as they were the only manufacturer to really get to grips with the format early on which is odd when you think that Sony foisted it on us. John.
Years ago films used to have staggered international release dates so the prints could be shipped from one country to another. In more recent years video projection has all but removed that money saving requirement and now the responsibility is on each cinema to download the video to an array of hard drives. This means that the opportunity for pirates is diminished and there is little point in putting a region or zone on a disc release any longer. I'm sure other can add more to this so let's wait and see if anyone else has more information. John.
I jumped into 4K HDR on an OLED panel last year and I have to say I've never seen such exquisite cinema, even when compared to modern theatres. I'm enjoying this renaissance and I'm glad I'm managing to catch dozens of films on 4K UHD BR. I'm sitting about 1.5 meters from a 65-inch panel and it's just extraordinary. The most surprising thing about the format is the quality of some of these old films, many of which just look completely mind-blowing especially with the character of their film grain. You know you're getting right back to the basics of falling in love with film when you come off a mesmerizing screening like Close Encounters of the Third Kind, or Alien or Blade Runner and come away feeling like you're seeing the film in a way you've never had a chance to--at the theatre.
That's the true gift of 4K UHD BR paired with an OLED panel: it's allowed me to see some of my favorite films in an environment that is as close as I can get to the creator's vision. This format is all I need for the rest of my days. For those of you who haven't made the jump, you owe it to yourself as a cinephile to get in while the getting is good.
That's a damned good summing up Eric. Well done!
John.
I see you too are properly sitting very close to your screen when viewing 4k discs, which is the point that many don't understand. Sit too far away and you can't see the improved resolution, so take advantage of 4k and sit as close as practical. I have a 55 inch screen and sit about 5 feet away for 4k titles, and move seating back a couple feet when watching standard hd/1080.
@@pete49327 only way to go. And you're right: sitting far away robs you of the majesty of the 4K experience. A tight small theatre also does wonder for sound. The inverse square law makes large areas poorer for sound quality.
@@EricMalette Well stated!
I also love 4K Blu ray on my OLED. Nothing touches it.
Finally a proper objective review. I have always felt that 2k is good enough for home viewing. Thank you for your work.
My conclusion is still the same several years later and that is that if HDR had have been applied to standard Blu-ray then 4K wouldn't have been required at all. If we all had 25 foot wide screens at home it might be a different matter but we don't and therefore 4K on its own without HDR being exclusive to the format would have meant there was no point to the 4K home movie format. John.
Long time! Again really good video! Absolutely agree, the best part of 4K is the HDR which is alone enough to get the 4K disc. However there are instances as you mentioned where 4K trumps the Blu-ray. Le Mans 66 is the perfect example. As is IT chapter 2. Excellent sound on that one too. The one I’m most looking forward to is the Lord of the rings 4K which hopefully should be out 3rd December!
I saw Lord Of The Rings at the Odeon Leicester Square and the image quality was poor so it may be a disappointment. Quality at the cinema was in a decline by then so perhaps modern equipment will be able to fashion a better transfer. I hope so anyway. Good to hear from you again Umar. I hope to be able to increase my UA-cam output a little soon but I am still a little tied up with 'Code Name: R40' which I hope to conclude soon.
Do not forget Dolby Atmos. It is said that Disney only releases movies with Dolby Atmos in 4K
@@Andersljungberg Disney's Dolby Atmos tracks tend to be weak though depending on the title, but other studios do a great job with that or DTS:X. Some regular blu-rays also get Dolby Atmos.
Not just the HDR but the Dolby Atmos is a must!
Great review Mr. John. I really like your review style, It touches the authenticity of the film medium, very exciting and engaging to watch as a physical media lover+collector and a film tech geek like me. ☺️👍
Very kind of you to say so Krishna. Right from the outset I wanted to try to make people feel like they were in the cinema with me.
John.
Excellent video. I've been training my eyes to see the difference between 4K and Blu ray. The biggest difference is often that 4K seems to have the correct color timing as opposed to blu rays having an odd tint or the brightness turned up too high . And of course the added resolution and clarity is nice. I think I'm addicted to 4K discs
I find that Blu-rays that have been authored from the same 4K video master file as the 4K disc tend to look identical other than the colour and density which is of course, HDR. Given that around half the screens in the UK were running 2K video projectors until recently (and many of them still are) I think that tells us all we need to know about 2K and 4K video. If cinemas think they can get away with it then there is surely going to be little perceptible difference in definition that we can make out on our tiny home screens. Well, I've struggled to see any difference other than HDR for five years now anyway.
John.
@@moviecollector5920 I agree that HDR is the big difference for sure
This channel is the gift that keeps on giving! Covering content and reviews that actually matter and are interesting!! Kudos 🙌🏽
Thank you Steve. I'm hoping to add even more variety and interest as time goes on but it all depends on getting agreements from people and companies who do the work to produce the discs we enjoy or put the films on the big screens we love... such as the BFI IMAX but I suppose I can cross that one off the list now.
John.
Blu Ray is a very mature format with all of the major bugs in players and transfers solved. 4k is still playing some catch up.
That makes a lot of sense Forrest. Might steal that line in future!
John.
agreed, slowly getting there now though. There seems to be less upscales. Though there can be some brilliant upscales.
Let's face it. Boys don't ever grow up. They may look old, but inside, they are still 14 years old.
I agree with you, but hardly anyone even makes a UHD player anymore, the only really good ones still for sale are the Panasonic ones.
@@Edward135i It appears Sony and LG are still making players as well. I'm not sure about the quality difference between Panasonic and Sony, but Sony has an ES1100 model currently out.
I can certainly tell a difference, especially on older films that were originally shot on film. Newer digital films, there isn't as much of a noticeable difference since, a lot of times, the actual digital negatives are only 1080p.
Funnily enough I've just scrutinized the new Spider-Man film which is a 2K master but the 4K disc is immediately perceptibly superior. However, it's the HDR again and not the definition which really isn't that brilliant on either of them. Should make for an interesting review. John.
That's why I'm very selective of my 4k purchases and have only been going for 80s and 90s movies that I want. Well the releases that are actually good that is!
@@papa_sloth_gaming547 Many of the older restored films are fantastic on 4K. Jaws, Alien, Spartacus, Ten Commandments etc.
“Hoping they’ve got it right”. The five operative words in ANY and ALL formats.....
How true!
John.
Great video John, and very interesting as always! :) I think there is a lot to consider for 4k, like if the movie was transferred from film, or digitally from a 2K DI or native 4K DI, and how much time and effort the studio has put into the mastering, whether the TV, UHD/Blu-ray player has digital upscaling or not, whether it is a digital stream or higher bitrate disk, the screen size and the quality of the TV or projector, and various other factors. Like you say, its diminishing returns vs blu-ray, but I think a lot of the value, as you also mention, are things other than the resolution alone, like HDR, higher peak brightness, wide colour gamut, Atmos soundtrack remastering, etc. Having much more capacity on the disk for more accurate colour and sound data.
The difference isn't anywhere near VHS to DVD, or DVD to Blu-ray, and I think that we will be staying with 4K for a very, very long time, virtually no-one has TVs large enough, or rooms large enough to suit an 85"+ TV, for 8K to make a perceptible difference in sharpness and resolution, plus with more content streaming at lower quality I'm sure the online streaming companies are reluctant to consider 8K, and terrestrial TV is still mostly SD and moving to HD at a snails pace, let alone 4K broadcasts.
One of things I had in mind to say - but I did all this in one take so simply missed it - was that one of us enthusiasts needs to purchase a barn, put a 40ft wide screen in it and then compare Blu-ray to UHD Blu-ray because then I think we'd see a perceptible difference. Whatever the outcome, the quality offered for the home video disc today is something I would have thought unobtainable only ten years ago. I had some television people visit in 2008 as they wanted to purchase the rights to something I'd just completed (didn't let them have it though but that's another story) and they summed up television perfectly at that time: "Television is a broken format." I hadn't really thought about it until then but how right they were. The writing is on the wall and as the older generations pass on the increase in the take-up of on-line streaming and video on demand; something that was being looked at years ago by the broadcasters has now been done successfuly by completely new, forward thinking companies.
@@moviecollector5920 I would really love a barn or a garage to turn into a home theatre with a big screen! I think with the cinemas closing again its even more likely that more content will move online, which is a shame as I enjoy watching movies in a cinema environment on a huge screen, and much prefer to own a physical copy of my movie collection, rather than just perpetually paying to rent access to it.
@@nick1635 We may find that after we're out of the Covid-19 problem that people value a trip to the cinema again. Somehow I doubt it given some of the behaviour we've seen but I live in hope. The number of alcoholics in Britain has apparently gone up from something over 4 million to over 8 million since March so maybe owning physical products again will become popular rather than having a house devoid of belongings because you're out all the time and when you're in you simply watch television or spend spare time on social media. After all, enjoying movies in the home is far better for you than drinking yourself to death!!!
@@moviecollector5920 I do hope so! I would miss going to the cinema and taking the family as a treat. I do agree that peoples habits will probably change, maybe there will be fewer multiplexes and more 'boutique' cinemas when things get back to normal, if they ever do. Thats a sad statistic about an increase in alcoholics, I can believe it with the lack of social contact, furloughs, job losses, etc.
Not even the cinema shows uncompressed video. because not even the cinema can handle so many terabytes for a single movie
I am a bit late to the show as I saw this video now. As usual, a very nice review and a unique perspective on the 4K vs 2K malarkey. Nice to see that you have “Le Man 66” in your collection (One of my favourite guilty pleasures along with films like “Grand Prix” and “overdrive”). Keep up the good work.
And I have 'Grand Prix' and 'Overdrive' too. Both look fabulous on Blu-ray with 'Grand Prix' being just a little extra special owing to its 65mm/70mm origin. John.
There is something quite funny about watching a grown man with graying hair say "not something for us adults" about anything else while wearing a Star Wars sweatshirt. I guess like time is relative, some things are relative to the times.
Fair point. I don't think I'll ever grow up.
John.
@@moviecollector5920 You've got the right idea, John. I've seen what "growing up" can do to some people. I wouldn't recommend it. Great videos !
I think you're on to something with this one. I've not watched many 4K discs yet but HDR seems to be the most noticeable difference. The bright areas on "The Rise Of Skywalker" really jumped out the screen when i watched it. The other 4K discs i've watched so far have been underwhelming.
@@alansmithee3336 Thank you Alan. I don't think I'll ever be afflicted with that 'growing up' problem... even though I'm sure a lot of people wish I would!
John.
It's amazing how quickly all younger people looking at this will get there 🤔 but you never feel any different.
Once a lover of film, your always a lover of film and especially physical media,
I still like a decent presentation and no streaming issues 🤗
Great video! I'd say the biggest problem with judging HDR on a projector is that unless you have a high end model and an anamorphic lens, you're not getting anywhere near the peak brightness of the HDR standard, so it isn't going to have the same impact as watching HDR on an OLED or high end LCD TV.
You may well be right there Mr. Terminator Juice. The HDR seems to look identical on my Panasonic 40 inch (i.e about 35 inches wide) television. I think this is because I always set up my equipment to resemble film as closely as possible whereas most people have the brightness way higher. Good point though and the way a video looks generally does seem to vary on different systems. John.
I agree with you about HDR. I always amazed by how some people say that 4K HDR version of a movie is oversaturated if you comparing it to the 1080p SDR version. Wrong color; wrong white balance, they say. When I was a kid in 90s, I always watching movies in local cinema on a weekly basis. For me, the richness, the colour that comes from a 4K HDR movie is the closest thing to 35mm celluloid film that I remember. I guess since digital projecting is the new normal since 2010s, people are used to the low contrast, dull color, and clean digital movies.
I thought I'd replied to this Indra so my apologies if this one slipped through the net. Quite a few comments have reappeared in my list as unreplied lately so something appears to be amiss in my UA-cam account.
HDR is the closest we've had to the filmic look on video but it does depend on the grader getting it right. It all seems to be a bit variable right now but maybe there will be some sort of accepted standard in the future. How that could be achieved though I really don't know.
John.
Always gain a lot of information from your vlogs. I now buy the 4K version including the BluRay version. HMV and Zavvi have made my hobby more accessible with their ‘3 for £30’ 4K offers on some great films. I have Gemini Man in 3d as well, and the crypt scenes are actually not darker than the BluRay/4K on my projector.
I don't use Zavvi often... only once and I think that was for the Super 8 4K steelbook so there was no other option than Zavvi. HMV actually have physical shops though and that's why I always use them if I can because I think our towns and cities will be all the poorer if we lose them. After all, there's nothing else these days other than perhaps the odd minor record store dotted about here and there. Maybe ABBA will now regenerate an almost lost industry - well, we can all dream! The 3 for £30 deals have certainly enlarged my 4K collection... but depleted my bank account!
John.
I find that my 4K Sony TV does a great job with Bluray content and movies often look "4K" when played vs HD streaming content. I'm guessing this has to do with it's super-sampling or AI up-scaling engine as the cont, and the fact that Blu-Ray content holds so much more color data and detail than anything HD on a streaming service.
I did run Blu-ray through a standard Blu-ray player as well as an upscaling 4K James and I still couldn't see much difference, if any. I need to repeat that sometime but I think our tiny home screens just aren't big enough for us to see any improvement in overall clarity. It must be there but if we can't pick it up, there's not really much point. And I think that's a major reason why HDR is only available on 4K discs because that is what is making the difference.
John.
My 4k TV upscales my Blu-rays beautifully. I really can’t see the point shelling out more money for 4k at this moment in time. I agree it’s like audiophiles - unless you are willing to pay crazy money on a large top of the range TV to get marginal gains then it’s not really worth it. My upscaled fav films on Blu ray like no country for old men or Blade runner 2049 for example look crazy good anyway! How good do they have to look!!!
Having owned many blu rays and 4k blu rays as well as 1080p tv's and 4ktv's I can also give my positive opinions on the two formats:
If you have a 4k TV or projector, the blu ray picture upscaling is fantastic. I know most modern movies shown in theaters are mastered in 2k but having them on a 4k cinema projector makes a great difference.
4K blu ray has 2 great features:
the 4k image does look much sharper, especially for older film where they went back into the original negative and scanned a new clean 4k picture.
HDR is a nice polish to the picture and can make your color depth look incredible.
Thank you for sharing your observations tundraportal. When I did this test I used a standard blu-ray player to test against the 4K but still could not see a perceptible difference (apart from HDR of course) but that's down to our tiny home screens. I think you're exactly right that a cinema projector, particularly on a massive screen, will make the extra sharpness and clarity of the 4K obvious. John.
@@moviecollector5920 If your not seeing any difference between a blu ray player and a 4k player (playing the same blu ray disc on both) then you need a good quality (high end) 4K player. Not all players are created equal, even if they are 4k players.
There is absolutely no way a good blu ray player will be as good as a good 4K player, while playing the same blu ray disc. It's just impossible. Until the OPPO players stopped being made, they were the benchmark for 4k, now Panasonic has taken over somewhat, with their £800 - £1000 models.
Someone might still be able to get an OPPO 205 for £3000 or so, if their very lucky on ebay. Mine cost £1500 when new and I dread the day i need to replace it. When I buy 4K films and they come with the blu ray disc, I give the blu ray to my mates, as they look rubbish compared too the 4K versions.
@@sirmalus5153 I need a bigger screen. Eight and a half feet wide isn't enough to show the difference and it's the same at cinemas which is why about half of all screens get away with 2K projection and why most videos shown in cinemas today are 2K. A better 4K player will also improve Blu-ray so don't believe all the sales patter, but I will get a better equipped Panny when one of my existing players gives up.
And sometimes a DVD will come along and still look amazing. Look at To Catch A Theif on DVD. I swear it looks like a bluray! There's a film that would look amazing on 4k.
Agreed. I saw a DVD titled 'Tommy's Honour' recently and that one was better than many Blu-rays too. Then again, I've just purchased 'Ruthless People' on DVD because I couldn't find it on Blu-ray and it looks dreadful!
John.
Terrence Malick's New World offers a pretty exceptional picture on DVD.
The question then becomes, "Do I want an exceptional looking DVD I can get used for $1-3 or do I want to spend $25-30 for the Criterion BR with all the bells and whistles? I went with the DVD. If I can get a deal on BR later, fine. But the DVD is more than serviceable.
It's available on 4k digital if you're interested
»Us adults that never grow up» Fantastic
Ho ho - and to finish the line I started, "we just get older!" John.
Thanks for sharing your views, John, comparing these two formats.
Recently I've seen a few 4K releases where the UHD disc is perceptibly superior to the Blu-ray for definition. That wasn't happening a couple of years ago so it's quite a nice update and a bit of a surprise too after years of only being able to say the 4K is superior due to the High Dynamic Range.
John.
Great topic John. At its best, 4K HDR does trump Blu-ray but there are some transfers where this is certainly not the case, the original Star Wars trilogy is a great example. I've come to the point where I can no longer watch the 4K HDR versions of these classic movies because they just seem so flat and dull (with their highly conservative HDR transfer) and the 4K resolution seems to accentuate the DNR making some scenes look horrible!!! I find the Blu-ray versions much more engaging and enjoyable.
I haven't seen the re-hashes of the original Star Wars since 1997 Shouwn. I don't like all the added in cartooning around the screen but I did think the Death Star attack was fabulous in the re-worked 97 version and would have made a good 400ft Super 8 extract. As it is I only ever watch these films in their original form on Super 8. None of them are the best Super 8 prints ever created but they are good and they are the unmolested, original films.
John.
The best image and sound quality 4K disc I’ve watched to date is - Lucy - absolutely amazing.
That's in a video I made last year about the ten best movies shot on video on 4K. It wasn't all shot on video but I included it anyway because it's so good all the way through. Best 4K to date is still Murder on the Orient Express owing to its modern, fine grain 65mm film stock. Still nothing matches large format film so anything released 70mm or genuine 15/70 IMAX are the top 4K releases. Top Gun: Maverick is very good though and that was shot entirely on video. John.
Thank you, sir, for another relaxing, thoughtful and measured presentation. You make me smile. Your man-cave is one of the best I have seen. Enjoy yourself with all your wonderful films and your fabulous enthusiasm. You help make the world a more colourful place and that makes me glad.
Thank you Douglas. We moved house just before last Christmas and while I'm not entirely happy with our current setup I'll get it completely sorted eventually. Having said that, I'm never entirely satisfied and I think that's a good way to be as it means I can always find an improvement somewhere.
John.
Vista vision was used by ILM on the original Star Wars effects and beyond.
Also to add to the 2k 4k debate these new disks are quite remarkable when you consider that very few cinemas have HDR projectors (digital) and how many are still running 2k projectors.
I'd been wondering about that Zig so thank you for clarifying. It must cost a fortune for a cinema video projector so I suppose the best the smaller venues can hope for is that a better model comes up for sale second hand.
John.
@@moviecollector5920 Not like the old days when you could have a projector for decades and it would still be great. Though they are far more reliable to the point that there really isn't such a thing as a projectionist any more. Which is sad. The new laser projectors that some cinemas are starting to get are HDR as much as I can tell. Great channel. Love your set up. The automation is a lovely touch.
@@ZigUncut I got so jaded with the poor quality video projections that I rarely visit a cinema now unless I know a real film print is being screened. Thankfully 70mm has made a bit of a resurgence in recent years so film hasn't gone completely extinct.
Some of the 35mm projectors were around from the 1920s and simply maintained and updated with better lenses and all the modern sound reading and decoding paraphernalia. A projection box used to be such a fascinating, magical place but now they're largely a push button bore.
John.
@@moviecollector5920 Also the later, better, emulsions for the films didn't need any upgrade of the projectors. My appreciation goes to Graham Ritchie in NZ who is still keeping an Erneman II projector going at his home cinema and prefers the 35mm prints to any digital copies.
Great reviews! I agree with you about HDR. I think 2K still holds up, though when when getting to 77" or bigger I do see a markable difference.
I think 77 inches is about five feet wide in reality. What I'd like to do is project a direct comparison 24 feet wide on the BFCC CinemaScope screen. If we can resurrect the BFCC and get a 4K projector capable of that size there then we'll all be able to find out once and for all how well Blu-ray stands up. It will be a lot of fun to do it so keep your fingers crossed. John.
I don’t get it, why would the screen size matter if the view distance ratio remains consistent. Are you getting so close that you are viewing content outside your effective field of view?
For me personally, I will only keep my Blu-ray copies if I have a reason to. Like whether there’s any special differences with the movie on Blu-ray itself compared to the 4K version, if the standard Blu-ray has special features and the 4K disc doesn’t or if the film is not on 4K at all. Other than that, I like to fully upgrade to 4K as much as possible. If the Blu-ray offers less content or is the same exact disc as the 4K, I just donate it to my local library and just keep the 4K. I just think that the 4K format is the closest and the best you can get to owning a digital theatrical print of the movie at home.
Just one thing to be aware of Vincent and that is the 4K fault which affects some discs. It seems to simply be an occasional manufacturing error but the upshot is that after a disc has been played the laser can exacerbate a minor flaw on the silver layer and the disc then starts to break down while sitting on the shelf. The problem overall is not as big as it first looked like it was going to be but out of about 50 4K discs I've repeated in the past six years or so, 5 of them have developed the fault. I only have to replace two more of them now but one of them is the APOLLO 11 documentary and that's rarely available cheaply so I may simply be sticking with the Blu-ray for that one. John.
The jump from DVD to Blu-Ray is evident. 4K is amazing, but we aren't all watching them on the same machines and screens, so our vision of these upgraded films aren't all the same. I've watched many 4K films, but I still find Baraka's transfer beyond them all. Shot in 70mm and scanned at 8K. It is incredible on Blu-Ray.
I haven't seen the Blu-ray of Baraka but I've heard quite a bit about it. It's the VistaVision principle David which means that the better the image quality you start with the better then end product even if it's on a lesser format. Murder on the Orient Express is the best video quality I've seen so far. I have seen a couple of 4K's recently that are perceptibly sharper to their Blu-ray equivalents so it's not only High Dynamic Range all the time. John.
Agree, people were expecting the kinda leap that was DVD to blu ray well IMHO anyway.
Some 4K have really impressed me, eg , Ad Astra, 1917, Mortal engines, TENET,Jaws and Spartacus and especially Logan !( Brilliant ).
But what has most impressed me about my New UHD player and Oled is upscaled blu ray HD 1080.
60% plus blu ray upscaled is so good no need to go 4k unless it's a great transfer.
So I've got 500-550 blu rays but so far only 60 4k as it would be madness and an unnecessary waste of money to replace them all.
PS enjoying your channel 👍
That's a good summary. I tested my standard Blu-ray player against upscaled Blu-ray and there was little or no perceptible difference there either. A test I will do again some time in the future.
At the time of this test I think the 'Murder on the Orient Express' Blu-ray was better than any of the 4K discs I had at the time, other than 'Murder on the Orient Express' of course. It's still the best but 'Tenet' came pretty close. '1917' is very good too but sometimes too obviously manipulated video rather than film which marks it down a notch or two for me. Most of the time though, '1917' is exceptional.
John.
I can see the HDR on 4K. watch 2001 in 4k and you'll love the shadows that previous discs cannot represent, so they up the brightness to make up for it.
Thank you for that advice. I shall pay attention to it next time I give 2001 a spin. Which could be any day with the number of times I watch that film!
John.
Love your reviews and insights!
I personally am seeing the difference in sharpness in 4ks over 2k bluerays.
Bluerays tend to look soft, and of course the HDR colour.
One issue that most people forget or don't think I about is the quality of our eyes at the viewing distance.
So what I did was get a custom set of glasses cut for the distance I watch my 65" oled tv.
I watch at about 2.25 .metres away and got the optom to maximise viewing clarity for this viewing distance, instead of far or short distances.
Amazing how you can see the quality difference by upgrading your eyes.
Just make sure you get a pair that are large enough to cover your periferal and does not have any blue light or coatings that filter the light.
Worked for me :)
Thanks for that NIck. I have an eye test coming up so that may tell me something. Last time I was 20/10 but that was two years ago now and I know my close-up vision has gone a little. I think what is possibly happening on my system is that the image is so sharp on the video projector that any shortcomings are disguised (not quite the same on my 40 inch television as it's simply too small). But if I were to project two identical systems next to each other on the same sized screen I would see the difference, although it would be small. Similarly, a 30 foot wide screen would surely illustrate the extra detail of a genuine 4K disc. On the other hand, Murder On The Orient Express is so good that it may still be impossible to tell. HDR is the main difference on our tiny home screens and I suppose that's one reason why HDR has not been applied to Blu-ray.
I’ve got a good 4k Samsung TV and it upscales my Blu-rays beautifully. From what I’ve seen of 4k even with HDR I won’t be making an upgrade anytime soon.
Blu-ray is fabulous so you're making the right decision there JR. When your telly packs up is the time to get into 4K. John.
I'm viewing on a Sony A80J OLED and a Panasonic UB820. The picture is fantastic, there are a lot of variables with equipment which all influence the final image. Settings can make a huge difference, lighting and I even found a damaged cable caused issues. I can second what others have said, sit very close to a 4K TV to view 4K material to see the benefits.
Or blow it up as big as possible with a video projector. I think we need at least 24 feet width to stand a chance of seeing a definite difference though and that corresponds to what is going on in cinemas because half of all studios in the UK are apparently still projecting in 2K. John.
From my understanding 4K isn't really 4K if we base the resolution from earlier years when it was called 720p, 1080p etc. I mean 4K in height is just the double of 1080p 2160p. In reality it's just 2K but that doesn't sound that cool. So 4K feels just like a PR move by the companies to make the consumer think it's four times better. Compare the resolution alone I see a very small difference. For me the big difference is HDR and Dolby Vision.
I think you've hit the nail on the head.
John.
I’d disagree it’s absolutely not a PR move. Remember that your tv and player are up scaling the 1080p to 2160p. I absolutely agree that HDR is extremely important but with a good oled tv and a solid 4k player a well mastered 4k DI disc blows hd out of the water.
@@MistaFussichannel Yeah but what I mean is that 4K might imply the height is 4000 pixels like 1080 is 1080 pixels in height. Which I thought when I first heard the 4K label. Then to label it 2K doesn't sell the picture upgrade as well to the masses as if you label i 4K.
I noticed Interstellar 4K had this less sharp almost out of focus/smudgy quality that made it look like real life and not a simulacrum. Blu ray is very sharp but have noticed the micro contrast and detail on 4K to be jaw dropping at times. That said a decent blu ray is enough for most people. Has anyone done a ranking of best DVD/blu ray/4K transfers? A sort of Premier league table? It’s only fair to reward studios that actually bother to take the time to do it right. Jaws 4K is absolutely incredible btw.
Now that mention the best DVDs Mr. Holocaust, there are some amazing quality DVDs coming out these days. I saw a little known film called 'Tommy's Honour' on DVD a few months ago and it was like many Blu-rays.
Agree about Jaws in 4K. A fabulous video transfer.
John.
I think you need at least a 65" TV to really appreciate the difference in resolution. And even then, it depends on the transfer and the way it is filmed. A movie like Blade Runner really pops because, in addition to being a very high-quality source and excellent 4k scan, it has a lot of fine detail. Those tiny little windows in the giant buildings when you see the cityscape are much better defined in 4K. Especially since they were practical effects being filmed. It's not as impressive with CGI since CGI is only processed at 2K currently. All that said, it really is the color, sound and HDR that justifies the format the most.
Blade Runner is a great 4K disc. One of the top 35mm transfers I think and I should take another look at it. Well, you've given me an excuse now. It's easier to see the differences in image quality the bigger you go, that's for sure. Maybe if we can resurrect the BFCC we can really put the whole 2K vs. 4K to bed by doing direct comparisons on the 24ft wide screen. Alternatively we can hire the BFI IMAX and project them at 90 feet wide.
John.
I was revisiting this video and I agree bluray can be good enough for all but the smallest subgroup of viewers. If they had HDR like you discussed, I am unsure 4K would be a thing for home consumers. With a well encoded Blu-ray at proper viewing distances the resolution bump to 4K would be very difficult to discern for the majority of people. Even at larger screen sizes, you should be further away so it doesn’t become too much of a screen size issue. Now if you are sitting so close that you can’t take in the whole picture on screen, then. That’s a different story.
I still don't think we'd be able to discern a difference most of the time Robert. I think I underestimated the quality of Blu-ray and making this video almost four years ago opened my eyes. However, put a 4K disc on a 24ft wide 'Scope screen and then compare it to the Blu-ray and we might see a whole different picture. Know anyone with a 24ft wide screen?.... oh yes, I have one sitting in the cupboard here. Maybe when we do another BFCC I should make the time within the programme for the day to do a 4K vs. 2K (ish) comparison on it.
Thank you for looking at this video again and leaving a comment. It does still seem to get watched a bit so maybe it's a subject I should re-visit one day.
John.
I watched Halloween 2 (1981) and Halloween 3 on 4K...... damn! I couldn't believe how much better H2 looked than the blu ray, Apocalypse Now Final Cut looks amazing in 4K as well.....holy shit.
It all depends on how good the film looked when it was shot Austin. That's down to several factors but primary of them is the negative stock. This is why genuine IMAX 15/70 films look better than anything else on 4K. John.
"not something for us adults or those adults that never grow up..." you got it
I might get old but I don't expect I'll ever grow up.
There is a great UA-cam channel that does short comparisons of movie releases showing comparative clips of each one in various releases; DVD, Bluray, 4K and variations/releases in between. Why is it I find the first Bluray releases from the early 2000s almost always more compelling than the DVDs before or any release after?? It seems like each iteration is just someone messinga around with the contrast buttons, and as for 4k well............one comaprison showed how you could now see the sweat on Tom Hank's cheeks in the Saving Private Ryan opening scenes. But was that the point of the movie? Would that make you cry more at the end? I sometimes think we can become overly wrapped up in technical perfection when the product is about emotional involvement.
Oh yes I noticed for a movie expert your choice of Bluray player was quite simple and restrained. Can you recommend me a good one to buy on a budget, as I would like to start swapping some of my favourite movies to Bluray now. Bear in mind I hate most modern films and all my favourites tend to be made before the blue and orange hell inflicted upon us since 2003.
It was a little surprising to me how little perceptible difference there is sometimes from Blu-ray to 4K but we're viewing on tiny home screens so I think that's the limiting factor. Once I've got a 30 foot screen installed I'm sure I'll see a bigger difference!
As for a Blu-ray player I stick with Panasonic because I remember all the problems with the format when it started and Panasonic were the only manufacturer who seemed to get to grips with it. Other than that, I prefer to have a player with all the audio connections on the back rather than just an HDMI which is not much use a lot of the time. It is possible to get little devices that break up the sound into different connectors so it's maybe not the biggest consideration but around £100 for a Panasonic Blu-ray with an optical audio connection so you can attach it to an older home cinema amplifier/receiver is probably what's required. For 4K it's a bit more of a minefield and more expensive so let me know if you plan to go down that route. John.
I prefer 2K BD mainly for the fact they release the new 4K restorations of films on 2K BDs anyway after the UHD releases or as a bonus disc. Also 2K just has a much larger catalogue of films and TV shows. Until 4K HDR OLED TVs becomes a lot more affordable I'll stick to 2K BD
Blu-ray is amazing and I underestimated it until the 4K discs came along. But 4K is better due to HDR... not always, but most of the time. Best way to enjoy either format is with a 4K video projector onto a white wall as big as you can get it. John.
Why do you think new movies are still coming out on dvd when blu ray and 4k blu ray has been out for awhile now ?
DVD is still the biggest seller Alex. About 50% of the total disc market in fact. Blu-ray was a daft name and probably the biggest reason why it didn't take off. If it had have been called 'HDDVD' then everyone would have known what it was and not some incomprehensible new looking format that it seemed like you'd need computer skills to understand.
John.
There is a difference and you can definitely see it!!! Especially as your TVs get larger under 42 inches it’s hard to see the difference but once you start getting into 50 and above you can see the difference.
I'm currently at 9 feet wide Michael but I estimate about 25 feet might make it obvious. I don't think a big enough telly exists... well, not for home use anyway. John.
I’m surprised you set the Panasonic to bright environment. This in my experience is the least accurate option and leads to washed out colours. Standard is perfect in a dark room in my opinion. Seems to be the most accurate. Great videos though!
It varies from disc to disc. I think Spider-Man is the one I've set lowest of all but a lot of them have to go on Light Environment so that the image isn't too blown out. Most do seem to be best on Bright although all our systems are different and what works best on one will not be the same on another. John.
Thank you for your very concise analysis of the 2K v 4K issue, and for mentioning - without entirely relying upon - the Your Mileage May Vary aspects when comparing peoples' home theatre setups. Soulds like it'll be 4K HDR where available.
Thank you for taking the time to comment Steve. Much appreciated.
John.
Another excellent video John and, yes I too agree that Blu ray is an excellent format. I've only a dozen 4K discs and I'm generally a little disappointed when I view them. I'm the owner of a Panasonic UB700 and that hasn't a HDR button. Still I'm happy!
Roy has just made the very same comment below Ged. I'm amazed and I want to know how - or if - the HDR options can be accessed. A Few Good Men looks utter crap in places without adjusting the HDR Setting and so does Midway. All these discs are different as they're mastered by different people and some are mastered better than others in terms of HDR.
@@moviecollector5920 Not sure that I would be willing to buy a new machine... This can't be very old.
PS. You know I'm car blind don't you... no interest at all , although I know they have four wheels!
@@13ged Ah, but everyone loves the Triumph TR7 so you can't duck out of that one! Roy Murphy has the same player as you and may purchase a later remote control to see if the HDR Setting option button works. Could be a good solution if successful.
I've been collecting horror films, and what I've found is that it's probably the worst return for experience. Yes there are super clear images, but some are way too clear. You start noticing more flaws that used to be covered by lower quality transfers. Some other ones just feel off with how clean they are. For example night of the living dead 4k by criterion is a great remaster. Though in terms of atmosphere I kinda miss my artifacts where I was watching something that was dragged through a gravel road. Those older ones felt like you were watching something old and historic. The remaster is so clean all me and my friend could comment on is how it looked like it was just filmed with modern equipment. It lacked a lot of the old home movie feel. Some Scream Factor 4ks like the friday the 13th have similar issues. Removing too much film sound just makes it too sterile. Modern and Special Effects, action films I think benefit well from hires more than older lower budget films I guess is what I see.
That's a good summary. Personally I like a film to look like a film and Night of the Living Dead in particular is a great Super 8 feature simply because it suits the gritty look of the print that was evidently used as master material. But going back to the camera negative for many films will make them look cleaner and more like a modern video production simply because prints were not struck from the original camera negative (apart from premiere house prints and 70mm blow-ups) so they will look cleaner due to them being a first generation copy. Mass 35mm prints are struck from the internegative which itself is taken from the interpositive. The interpositive is struck from the camera negative and used for colour grading etc. so you can see that a lot of potential film grain was introduced via this process. Go back to the camera negative and it's virtually eliminated. Sometimes it's not possible though because the negative has long gone or it's faded and perished beyond viable use.
John.
@@moviecollector5920 My mom's cousins used to own a drive in theater outside of Pittsburgh. I was 9 by the the time they closed. Really regret not keeping any of the 35mm reels, but 9 year old me lacked foresight or space. They kept their copy of Night of the living dead and Dawn of the Dead though since they were extras in them. They used to show them double feature every October. I know that even for original mass 35 prints they were rough from being played for like 30 years, and had some patches from film tares; but it really was a different experience as a kid watching a horror film outdoors on a big screen around where it was filmed. I am thankful to have experienced it though because there are few people around my age who would get that experience; as their only experience had been home video transfers. I also think about how unique it is now. Like the film patch's and poops were unique to my first experience of the film and audio quality from the car stereo just will make it different from anyone else's experience who had seen a theater 35mm version.
I do greatly appreciate the work done by Criterion. When you've seen nearly every transfer of a film it really becomes apparent how much work they put into restoring films. Though like I said it suffers from a digital sterile feel that makes it too modern. The best home video experience I feel is the 40th anniversary DVD. Aspects and noise kept in make if feel more like it's how he intended it to be viewed. Though Romero also supervised the early Criterion transfer despite passing before it's release. The 40th is leagues above the 30th anniversary edition that Russo oversaw which was originally for VHS rather than DVD and had really bad extra scenes put in. The 40th though doesn't have those garbage scenes in it, and took advantage of the DVD formats quality. Not to mention it has so much extra features which is sorely missed on modern bluray and 4k. Really I think it's sad that many blu ray and 4k will spout special features on their cover, but what they mean is the bare minimum of an audio commentary and maybe the theatrical trailer. I can't think of many films that include a documentary that has about the same runtime as the film.
@@hardcorehunter7162 Now I'm going to have to find a copy of that 40th anniversary edition because I completely missed it!
Film splices, negative dust, specks of dirt and the odd scratch are all a part of film. But I did always appreciate seeing the premiere run prints taken from the negative that we used to enjoy at the top London cinemas. I think I got a bit spoilt there but I never went off Super 8 which because of its miniature size makes any bit of dust look massive upon projection. Any scratches are also enhanced due to the small size and the magnification once it's up there on the screen. It's all part of the fun though really.
We didn't really ever have drive-in theatres over here. The weather tends to rule out things like that. I did screen Night of the Living Dead in the garden about 20 years ago though and that was creepy.
John.
@@moviecollector5920 Thankfully they're not that rare, and can be found for under $10 on ebay. Drive In's are a fun experience, just harder to find these days. There are still enough in my area probably one every 45 miles. Though there are many states where they've gone extinct. Weather around pittsburgh isn't really ideal for outdoor theaters, but I guess everyone just got used to it. It's in the top 5 cities in the country for gloomy weather. It's a pretty common saying here rain or shine because I guess a lot of people from out of the area think things get canceled when it rains.
Another great review/comparison thank you. Clearly subjective though depending on equipment, settings, ones own colour balance and of course preference. I think the only reference is possibly something you mentioned in another review(s), and that is, 'as the director intended'. Interestingly, the 4K update of A Fistful of Dollars from Kino Lorber and the other two in the series don't use HDR, but they are very well done regardless with clear improvements.
That said, I shown a family member 2014 & 2017 Blu-Ray versions of this film with horrible green & blue filter tints in that order, along with poor'ish lighting and what could be mistaken for a DVD, against the new crisp 4K release with clear blue skies, very good lighting and definition. They preferred the 2017 version -- go figure! 🤪
Several comments have praised the Dollars films on 4K on here which is quite surprising given the TechniScope origin. The 'TechniScope' name was a way of disguising the inferior 35mm format that was used which was half of normal 35mm. It probably illustrates how good film was and is that the 4K video discs are held in such high regard from such comparatively low quality shoots. It must have saved quite a bit of money though only using half the negative film stock so given who and where they were made, it's understandable. Imagine how they could have looked if shot full frame 'Scope 35mm.
And you're right, all our equipment is different and will give slightly differing results. My tests did prove to me that there was little difference between 4K and 2K/Blu-ray and that difference was HDR. Now The Others has been released without HDR and still the 4K is perceptibly superior it's brought my conclusion from three years ago into question. I am using a different video projector most of the time now though.
John.
In the Dollar 'The Man With No Name' Kino Lorber 4K trilogy, they apparently painstakingly colour balanced frame-by-frame. Do you think perhaps this might be considered a Manual HDR, or MHDR (heard it here first 😅)? A video from you on what is HDR, could be interesting?@@moviecollector5920
Excellent video mate. Im also into Rover cars, had a 216 gsi with honda engine and it always took me home. Kept it for 10 years. Dont have many 4k films, more blu rays but recently purchased 1917 and Spielbergs war of the worlds from hmv on their 2 for £30. Both very good but 1917 was excellent and worth getting. I also got the revenant 4k free with my panasonic ub800 4k player, highly recommend that film as well!
Funnily enough I just purchased 1917 in the same HMV deal as well and will really look forward to it now you've said how good it is. Got War of the Worlds a month or so back and have Revenant on Blu-ray.
That Rover double disc has sold rather well but ten years ago it would have sold three times as many. That's the way the world is going I'm afraid. I'm being pressed to cover the Rover R8 series next which is the whole of the 200 range from beginning to end Take a look at www.triumphdvd.co.uk and you'll get an idea of what I do. Yes, I'm a British classic car enthusiast too and it's taken us across America to interview all the important people still with us and well as all over the UK. Been quite a ride.
John.
@@moviecollector5920 Thanks, I will take a look at the website👍 As they say, great minds think alike😃. You wont be disappointed with 1917, much better than Dunkirk, it looked so good on my Oled screen. My projector is only 1080p full hd so unable to project 4k.
silly question, why do you have a old blu-ray player and a Panasonic dp-ub420?, the UB420 will play both formats.
I've got multiple machines for just about every format William. I have a second UHD Blu-ray player in the living room so the standard Blu-ray player doesn't get used often now. It does handle multi-region DVD though so occasionally it's still pressed into use. And it's darned handy to check a standard Blu-ray without the 4K upscaling when you do a comparison video such as this one. John.
@@moviecollector5920 I've totally forgotten about the 4k upscaler.
I've recently started double dipping some of my favourite films from my Blu Ray copies to the 4K copies and they look and sound so much better. The Picture Quality is outstanding! From 1080p to 4K, I can really notice the difference. 1080p is still excellent, but 4K is superior in every way.
That's HDR Cooper. If it were applied to standard Blu-ray they'd never have been able to sell the 4K format so that's why it was done. Unless there's a fundamental change I expect this is about as far as home video can be taken.
The sound is usually identical unless there has been a remix into a later sound format such as Dolby Atmos.
John.
I've recently seen your posts and find them really interesting. In this particular post I think you referred to changing the HD settings via the appropriate button on the Panny remote. This operation does not work on DV discs. Did you mean just non DV discs? This is sometimes a problem in itself for people with other makes of player (i.e. Sony) as not all disc covers give the HDR info.
Thank you David. I think that's the HDR button I was pointing out but it turns out it's not on the first generation Panasonic 4K players so you have to go through the menu system to put the HDR brightness up and down in those. I expect it's the same for other makes of player such as Sony. It does only function when a 4K disc with HDR is in the player so with any other disc if it's pressed nothing happens.
John.
Also you get the Dolby Atmos sound with the 4k's so better audio emmersion. 4k all day unfortunatley now, where possible.
Dolby Atmos is on many new Blu-rays too now. But I do agree and I find I splash out on a 4K rather than a Blu-ray every time a title is available on both.
John.
@@moviecollector5920 indeed.
Great video John, been interested in your findings on this quandary! 🤔 very interesting specifications details 👍hmmm yeah HDR, can be the biggest benefit to a 4K presentation for sure!! 🤔👍I liked the information about your own Blu ray and how its not just a click of the fingers to get stuff together for a release! Very interesting 👌 hey many thanks for your kind words John!! 🤩🤩👍👍 yes I'm planning to do a 4k vs 2k video... going to select 2 titles to use 🤔🤔 also i thought our old friend Gemini Man might make an appearance 🤯🤣 ...I'm glad you got something out of Overdrive 👍obviously your love for cars might make this a better movie for you 🤔 👌excellent video John! Expect a video from me in about a week 🤩🤩🤩👍👍👍
To some extent, I would imagine the ability of a projector to focus would be a limiting factor. My home theatre projector is an older 1080p model, midrange at the time (though still several times the size of an office projector), and I'm pretty sure that I'm not even seeing a true 1080p image without being able to get perfect focus (a combination of uneven focus due to lens shift, and the limitations of my eyesight to judge focus on the distant screen while standing next to the projector, and perhaps the quality of the optics). So even if my projector had a 4K display element, it wouldn't make any difference due to the imperfect focus. But on a newer and more expensive projector, I'm sure it would matter more.
It's interesting to see the debate about 4K versus HDR in the film world, because there's a similar debate in the gaming space. In gaming, higher resolutions mean lower framerates, and unlike in film, there is nothing desirable about lower framerates in games. So there is a debate over, what look better, 4K with standard dynamic range, or 1440p (2560x1440) with high dynamic range? And many people argue that the impact of good HDR is a much bigger difference than the diminishing returns of higher resolutions.
I hear what you're saying about focusing from distance Adam because at the British Film Collectors Conventions we were often about 40 yards from the screen and we needed binoculars. Sounds ridiculous, but true. Our Optoma projector is now three years old but it astounds me how quickly home video projection moved on and got to the current level. Quite amazing.
Gaming has had a significant impact on the film industry - probably not always the most desirable impact in some respects but the gaming industry is another things that has moved on so quickly. I would have loved some of these near real life games when I was young but sadly I ran out of time to play any of them about 30 years ago and haven't touched any ever since.
John.
If they would release Last of the Mohicans (1992) in 4K I'd buy a 4K television. I saw that movie in the theater and it's one of the most beautiful films I've ever seen. Some of the scenes are just breathtaking. There is a lot to what you say about diminishing returns as technology moves on. I remember the HUGE jump from VHS to DVD. It was astounding. Then we got Blu Ray which is noticeably better but the jump isn't as significant. Now 4K looks a little better but it's not enough to make you want to go crazy over it.
I agree about Last of the Mohicans. I also agree with your summary of where we are with modern technology. In other words ninline2000, we are in complete agreement.
John.
We won't be getting a 4k of that film since Disney isn't interested in restoring such old films.
Great video. Unfortunately I’m not versed in film and 35mm ect, it is something I would like to learn more about. Am I right in thinking 8k would be the closest to 35mm quality? Or is it the HDR Colour that gets us closer to 35mm? I have a BenQ projector and watching First Blood was magnificent, the HDR makes it night and day vs the Blu Ray.
I remember you getting the projector Danny. 35mm is estimated at about 6K I think but film is random grain so it's probably higher quality than that in reality. Negative stock would be a lot higher. Equivalence between video and film is difficult and it's all down to perceptions really. In that regard a home screen is going to look similar irrespective of 35mm film or video because we just don't have the room for big enough screens. I did mean to suggest that one of us needs to purchase a barn and stick a 40 foot screen in it just so we can really put all the different formats to the test but I forgot to say it. It is the HDR that makes the 4K discs superior (assuming it's been done correctly that is) and with that more lifelike colour it does make video look more like a film print. On home screens it is very close now between film and video.
Cheers John 👍🏼
@@moviecollector5920 Hi, and thanks for the videos, which I'm watching with interest. If 8k ever becomes a thing, with reasonable content availability, I would intend to upscale/double up to a 30ft diagonal. OK, not huge by commercial standards, but I'm blown away by my existing setup so Ive no doubt 4x screen area would be even more life affirming.
@@timalanthwaite4759 We do have a 24ft screen for the BFCC so if we can resurrect the film collectors conventions then I plan to put 4K to the test on that and see how it fares against Blu-ray. If that day ever comes then we will then all know if there is any merit to a home system of more than 4K. But if you do manage to get a 30ft setup in the meantime, I'm coming over!!!
John.
@@moviecollector5920 And you'd be very welcome. Other than Widebottom Weekend I don't get out much, but would love to side by side film and video resolutions. Regards, Tim
If you sit close enough, then yes.
I'll press my face to the screen next time Kevin!
John.
@@moviecollector5920 ah that breaks the cardinal rule in our house - no one touches the screen!
@@kevinsoutham Good point!
I've been to TV stores so that statement I can say is completely wrong. images from 4K look much more natural. the grass. the skin. the tile. It is the irregularities in your skin that make your skin look natural. The details of your skin that you do not see on a 1080p TV
Most people just fool themselves as to quality of the format. When I was in the Army I took and passed the military flight physical which leans heavily on vision quality - In fact I had 20/10 vision(very rare. Point is 99% of y'all will never be able to see what I see (even so called experts). My conclusion - This guy is right - what y'all see has higher quality is mostly higher contrasts. That's it.
Interestingly Sue, up until a few years ago I had 20/10 vision (getting old now) so you may have something there.
John.
You can probably see much more than what is in the image information in the movie
If you look at a snow pile 30 meters away, you can see a lot of details. If you try to take the picture with a mobile phone even if it has 20 megapixels, the details will at your best look blurry. NOTE without optical zoom
I decided to buy blu rays more and not 4k movies since my tv is a 55 inch 4k hdr and i can use the hdr to watch blu rays and sometimes the picture looks better plus i have noticed the bit rate on blu rays have come down less than 30 mbps over the last few years.
Thank you for watching so many of my videos Andrew. I am a much bigger fan of Blu-ray discs than I was thanks to looking at so many of them for this comparison video. 4K is marketed as the format of excellence but the truth is that much of the time you'd be hard pushed to tell the difference between a 4K disc and a 2K Blu-ray. John.
Hello from Japan!! Love your channel✨
I also love your Star Wars sweatshirt!! Would you happen to know where we can get one?
Thank you Super Collector Clark. I think the Star Wars sweatshirt was a EuroDisney purchase at Star Tours in 1992. If I could find somewhere still selling the exact same shirt I'd buy another but alas, I don't know of anyone selling them today. John.
HDR main feature for me. Old films shot on film can look great in 4k
I don't think many will disagree with you there Trojan. The quality of some of the best standard 35mm films is impressive enough but when you get into the larger formats, they're better than anything being shot on video today with a possible few exceptions. John.
I will disagree, I'm never going 4K I can not stand those ever present modern teal and orange colours applied to classic films too on the format oh my God, what a mess... Just not for me, it's also an issue for me on Blu-ray too very often, the format isn't really important here it's what the damn studios do to their films before release that's the problem.
You ought to get Matilda 4k (1997 and only in steelbook). It looks amazing on anybody's TV. It only takes 10 days to get it from America.
I've never actually seen that film but if I recall correctly, it stars the same little girl from the 1994 remake of Miracle on 34th Street and she is brilliant. John.
Very interesting video. Could you offer any observations on disc rot (particularly with modern blu-ray discs)? PS happy to hear from anyone who has a disc library who may have experience. Thanks in advance.
I've only come across it on laser disc so far Max. It's the glue that binds the disc layers together where it eats through one or more of those layers. Some makes of disc are more prone to it than others. Something I have to be wary of because I do release DVDs and Blu-rays of my own historic British car documentaries and Falcon, JVC and Sony are the only manufacturers who have seen their products survive long term (100 year plus) soak tests.
John.
@@moviecollector5920 Thanks for the perspective. Very informative :) Appreciate it
@@moviecollector5920 I never considered it may be manufacturer-specific
@@maxanderson9187 Over time we may ascertain that specific disc labs are producing discs that are more prone to laser rot/disc rot so let's see how it develops and then perhaps we'll being to know which titles in our collections could be in danger.
John.
Please let us know how to Purchase the Doc you are creating "R40". I would love to purchase it.
Don't feel compelled to buy anything Bob please. My car documentaries are a bit in-depth so they're not for everyone but take a look at www.triumphdvd.co.uk and have a look at the preview on there. That might be enough as many of the interviewees are included along with plenty of looks at the cars. Tomorrow it's British Leyland day at Gaydon so guess where I'll be? John.
Hi John Is it right choice to Buy Speed on 4k disc since it's 1995 movie your suggestions please since iam having bluray now
It's over two years since I looked at Speed but fortunately I did put a review up of that disc. I can't recall exactly but I'm pretty sure the 4K is better than the Blu-ray and it damned well should be as it has the all-important HDR which is what makes a video look more like film. Take a look at my review before buying though.
John.
It depends, I normally would say yes, you can see a difference. Whether the presentation is better depends also ony personal taste. And the biggest factor is also the ratio of screen size and viewing distance.
And I also think Stefan, that the bigger the screen the easier it will be to gell the difference. Once I've got a 30 foot wide screen in my home I'll be able to give better informed opinions of each release. First I just need a much bigger home! John.
When I experimented with Blu Ray conversion to DVD format I noticed that the DVD had more quality potential than we usually were presented with. Recently I got the film "Another Round" on DVD instead of Blueray. You really had to doubt that it was "Only DVD" as the quality was premium. It seems to me that DVD has a quality in color and contrast that for instance streaming is lacking behind. Do you have any comments on DVD media of recent?
Yes Jens, I too have watched recently released DVDs and a few years ago I'd have sworn they were Blu-rays. 'Tommy's Honour' is probably the best I've seen in this regard. It all comes down to the master material so the better the master the better the end product. A side effect of the 4K market is that the studios are going back to the best master of all and this usually means the original camera negative. In terms of 35mm negatives, only 70mm blow-up prints and premiere prints (I think) ever came from the original camera negative so there weren't too many of us who saw film at its best. This is why the latest releases are now so good and why the older films - particularly those shot on large format negative stock such as 70mm or VistaVision - usually look better than the newer films that have been shot on video.
I think you're the first person to mention this and my channel is a year old in a few days. Well done.
John.
@@moviecollector5920 Thank you for the "Badge"! When HD started to come about, nobody were interested at first. I was very interested, so I had to go to an American news group to try and discuss HD material. I even started a group called AVCHD. This was the way I could make my own BR compatible material. Some of the discs I made does not play anymore. I bought an entire series on DVD, and transferred the original to a Blu-ray disc.
Now I think that "Streaming" will conquer most of the Movie franchise. But I still buy both Blu-ray and 4K. I have just invested in an Epson EF-12 projector. I love it so much I could even cry by thinking about it!;-)
@@jenserikbech I worked at a the ITV governing body when I was starting out in the world and they developed C-MAC for the then forthcoming British Satellite Broadcasting. This was 1200 or 1250 lines and 16x9. That was the 1980s but no one was interesting and Sky killed it off pronto. I remember it as better in some respects than the present UHD as it perfected image clarity so much that presenters could wear stripy shirts and ties. Yes, that sort of thing is still a bit of an issue on video!
John.
Murder on the orient express is a very good film and the 1974 version is my favorite. I have also seen Hercule Poirot - Murder on the orient express (TV episode 2010) and it's not as good as the movies but still worth a watch. It's a different take on the original story.
I too like the 1974 film but I never really got on with the television series. I don't know why. I hope the 'Death on the Nile' follow-up to 'Murder on the Orient Express' later this year looks as good as 'Orient Express'. Maybe we'll all get the chance to see it in genuine 70mm film projection. What a treat that should be.
I've just ordered another 4 4k movies @ HMV after watching your view. Thank you. Oh!, I then bought Overdrive on Amazon for £4.64 as I love cars.
You're going to be enjoying yourself when they come though wildmutationblu. I've just received an HMV email with a Japanese artwork version of John Carpenter's The Thing on Blu-ray which is jolly tempting. It's here if you haven't seen it: store.hmv.com/store/film-tv/blu-ray/the-thing-(hmv-exclusive)-japanese-artwork-series?sc_src=email_8222091&sc_lid=387040533&sc_uid=c4HT3WxLoB&sc_llid=266536&sc_eh=d1087e79e42d83a91&Email&Halloween+Mailer+-2020-10-27+20%3A00%3A00-Solus But maybe I'll wait until a 4K release comes along as I already have it on LaserDisc and DVD.
@@moviecollector5920 I already have "The Thing" on blu-ray steelbook. I'll wait to get it on 4k. Thank you for your suggestion.
There is a video on youtube in which the author states the human eye can not perceive details higher than 1080HD, if that's true then perhaps that's the reason you can't see any difference in your tests?
An interesting concept. I expect the creator of that video is talking about our tiny home screens which may well be true but I can categorically confirm that it is not the case on bigger screens. A visit to a genuine IMAX cinema to see a 70mm IMAX film will confirm it to you if you have one you can get to. There aren't many left in the world now and most purporting to be IMAX are a watered down version showing video on smaller screens. 'Death on the Nile' is expected to be released in 70mm 2.2:1 in October so see if you can find a cinema screening that in 70mm and that should look somewhat better than a television image too.
Great post and thank you. John.
@@moviecollector5920 Managed to find the video I was talking about for your info. Cheers for the reply. ua-cam.com/video/VxNBiAV4UnM/v-deo.html
@@mustangj0hn Yep, it's tiny home screens he's talking about... The IMAX is safe!!!
I’m 70 and loved Gemini Man in 3D Blu-ray.
It looks terrible in 2D Gary but I think the whole 120fps format surely means that there were 60fps for each eye. As a one-off novelty at a cinema in 3D using that approach it must have been memorable. I've seen liquid crystal 3D on an Omnimax screen and whilst the documentary showing was rather dull I've never forgotten it. Gemini Man would probably be similar and therefore unforgettable. But in 2D, forget it!
John.
Great Video! New subscriber here!
Always looking for information of the differences between media releases. So much dilution alot of companies create just to make a buck. Re-releasing movies without any meaningful upgrades just trying to sucker people into rebuying. Other companies do well and a true service to their audience.
Consider a video that shows us sizing and medium (2kvs4Kvs35mmvs70mm, etc) differences thanks
Thank you DaRedeemerSpawn4. I've tried to include comparisons across the Blu-ray, the 4K and the 35mm where possible but it's not possibly to store hundreds of 35mm prints so having the same title to thread up and project on film is going to be a rarity. Did just that with the Alien review though.
John.
I'm not completely sold on 4k yet, some movies I've seen look no better than the 2k version. Sometimes I feel the studio is just re - packaging a 2k movie in 4k package. I remember when DVD went mainstream back in '97, I thought it was incredible, then Blu ray hit the market after beating out hddvd, and Blu ray was a significant improvement over DVD, you didn't have to look that hard to see the difference... I was expecting to see that type of obvious difference going from Blu ray to 4k but not so imo. Some movies yes, they look quiet a bit better than Blu ray but many the difference is very subtle. So now I watch reviews from channels like this one before I buy. Maybe I bought into the over hype of 4k. Now one more thing I do notice is that Blu ray up converted to 4k looks really good on my projector!
Blu-ray was much better than we all though prior to 4K and now with the way films are mastered into 4K, the Blu-ray using the same master has been proven to be almost as good. HDR is often the only persceptible difference. And you're right about the studios upscaling 2K video because most special effects laden movies do just that. I actually tested from a standard Blu-ray player in this video and on a home screen the difference is still imperceptible - or almost imperceptible - at times. I need a 30 foot wide screen!
A lot of DVDs back in 1997 and 1998 were copies of the LaserDisc masters so they weren't all as good as they could have been.
John.
Also noticed you seem to be a fan of "Prince of Darkness" I would strongly suggest getting a 4K copy of that. What they did with that film is mind blowing.
If I haven't answered this already Darren (I thought I had but maybe I pressed ESC instead of ENTER). I do have Prince of Darkness and actually put a review up. One of my favourite John Carpenter films.
John.
@@moviecollector5920 Like wise now I only just watched it first time on 4K in DTS:X on my 140" screen. Perhaps best I watched it the first time on this format vs the previous version. I am watching your video now on it.
@@darrenorange2982 Apart from at the cinema Darren, it has never looked so good.
John.
If one had the necessary equipment such as a 35mm projector and a few reels of 35mm prints, a 4k vs 35mm film would make a good video. Even a 35mm filmstrip projector and a few still frames of a 4k bluray disc could be used to make the comparison.
I did something similar to this in my Alien review Jerry. I plan to do the same with The Fifth Element and possibly a few others so stand by.
John.
I need to ask what type of television set you are using to look at these discs on. Do you have a 4K television set? Most of us do not of course so I don’t know that we would get the full affect of a 4K disc and of course we would have to buy a 4K DVD player and they may not all be equal so perhaps you can address both of these issues for us. Like the rest of your fans I really likeYour presentation style.
Well I don't tend to watch films on television Randel but the TV we have is a Panasonic 4K HDR and its best feature is the ability to connect to UA-cam and watch UA-cam just like television. We gave up on television when we had the digital switchover about ten years ago and that caused us to analyze what we actually watched - the end result was we watched the news and that was it. The standard of TV programming has dropped even further now so we won't ever be going back. But to answer your question, I run the discs via a 4K player that cost about £150 three years ago (much cheaper now) and the display is a video projector that cost £1500 three years ago. Unless you are going to purchase a rather massive television there is not much gain from 4K but usually the colour is better thanks to High Dynamic Range (Dolby Vision is the new offering down that same avenue now and some say it is superior) and so if you are thinking of going the 4K route I think a visit to a store that can demonstrate different options is advisable. Here in the UK that would be Richer Sounds which is where most of my equipment has come from over the years. They have an Optoma 4K projector now for under £1K which might be a nice little adventure for you. Simple to use and all you need is a white wall to project onto.
I hope this helps.
John.
A good test for seeing if your player/tv combo is 'up too snuff', is the cavern night club scene in SERENITY. If the picture is dark and hard to pick out details in the background, you need a better player and tv most likely. This scene was dark on several combo's, until i got myself a Sony AF8 OLED and an OPPO 205 4K player (playing the blu ray disc) Only then did this scene show properly.
Another good test is the film ZULU on blu ray. If the faces of the actors look plasticky and false, you need to upgrade your player and tv combo. The faces now look natural on my OPPO and SONY.
Well I don't have Serenity but I have Zulu and the Super Technirama photography puts most 4K releases to shame. No plastic here. Many films should be too dark to see into the shadows - you're supposed to be peering into them. Apocalypse Now is the perfect example but I obviously don't know about Serenity having never seen it. I've no doubt my systems would be too dark for that scene you mention because I set them up to replicate film as closely as possible and that really means they're darker than most people would have them set. John.
@@moviecollector5920 That scene I mentioned in SERENITY, is really dark overall on other tv/player combo's. So much so it is really distracting not to be able to 'see' the actors properly, let alone the background of the cavern they are supposedly in. The scene was actually spoiling the film for a mate of mine, who is very fussy with things like that. He even thought the disc had a production fault on it at one point.
Not untill he saw the scene on my set up did he relax and start saving for better equipment, rather than sell the disc in the hope a better version would come out one day. With my OPPO player, it even looked good on an old Panasonic PLASMA 37" I used to use (and keep as a spare tv) TV's and players are NOT created equal, I have come to learn and you do get what you pay for, sadly for my pocket!!.
@@sirmalus5153 That's certainly food for thought Sir Malus. One thing is for sure though, videos being released today are better than when it all started with VHS years ago. Although I never really liked the low quality it was amazing to be able to purchase a complete movie so cheaply to keep and watch again and again. What I think I'm saying is that we're almost expecting too much at times today. Modern video quality is amazing and I never would have thought it would be possible to be able to project a home video in such quality in the home. Now then, you'll have to check out The Hunt For Red October on 4K disc because that one is so dark that the only reason we know Sean Connery is in it is because we can hear him! John.
Maybe a stupid question, but is the blue-ray upscaled to 4k or is it standard 1080p?
For this video I ran the Blu-ray discs in both a 1080 player and the 4K. Any difference was so slight that I struggled to see it. I'm sure it's there though.
John.
Yes 4K is quite better especially in sci-fi movies. Star fields are much better and space ships are really looking brilliant with more clarity in movies like Star Wars and Star Trek in 4K. Also city scapes at night are more brilliant with much better clarity. Even down to the light reflecting in someone's eyes with pinpoint brilliancy. Most nature films are astounding as well such as BBC's Earth II and Blue Planet II. I just got Rocky Mountain Express a couple of weeks ago and was astounded at the 4K clarity of sweeping Canadian mountain scenery and the train sounds are thunderous. There have been a few disappointments however such as Ad Astra which has a few scenes that come off as a bit blurry but most do not disappoint in either the picture or the sound. I have a 55" Samsung 4K curved tv that I truly enjoy watching.
Ad Astra was mastered in 2K Daniel but it did look exceptionally good owing to it's Super 35 origins and HDR of course which is what is making the image look better than 2K on our tiny home screens. Star Wars was only ever released on Laser Disc with the same master used on a DVD as I recall. The re-hashed/butchered cuts have been released I suppose but they just ain't Star Wars! Yes, I've been a fan for way too long to want to watch the re-worked versions. Fortunately I have the original film in 'Scope on Super 8 so that's that. The original film was a masterpiece.
The curved televisions are very nice. I don't tend to watch films on television any longer now that home video projection is so exceptionally good but I grew up with projectors so it was a natural progression and I even endured video projectors from years ago when they really were awful just so I could still project a favourite film that I only had on video. Times change but I will always love having a film on film even if sometimes they're not the best quality they could have been.
John.
Even before seeing this, I had decided that I would buy 4k's if A: I didn't own the film on 1080p and really wanted it in my collection and B: if either the price was right (so waiting, with ice in my belly) or if the need to own was so great as to not care about cost, or C: if a reliable source said it was a must-own and the film was good.. I will joyfully keep watching my Blu-ray's and buy 4k's of things which I simply must have on that format.
That is pretty much what I was doing until starting this channel and people started asking me to review films I'd already purchased previously on other formats. It's a good way to collect without spending way too much. John.
have you ever watch baraka and samsara on bluray 70mm you should do a review on them
I've only seen bits from both Keron. Clark Teddles shot a video of Baraka being screened in 70mm from the projection box a few months back. If you haven't seen that he got some good illustrative shots of how good it really looks in 70mm.
John.
@@moviecollector5920 I had them on bluray on a 43inch 1080p screen
@@kgray041983 Well, if you ever hear of either of them being screened anywhere near you from a 70mm print then it should be worth the trip. 70mm films are the best on the home video format so imagine how good they'll look as they should be seen. 'Oppenheimer' is going to have a genuine IMAX and standard 70mm release this summer so that's another to keep an eye out for but make sure it's a large format film print before setting out otherwise you might as well wait for a home video release. John.
I was very lucky to see Dunkirk in 70mm! But now the theater I saw it in has sadly closed.
That is sad. I think a few cinemas have gone during this Covid-19 disaster. John.
What panasonic 4k player you got john, It looks like Panasonic dP UB820 👍🏻, I have the UB450 but thinking of upgrading maybe
It's the UB400 Ron. Optical sound output was why I got that model.
@@moviecollector5920 brilliant picture quality these panasonics 👍🏻
Sadly I cannot remember the movie, maybe it was SW TLJ, maybe, but when I went to my local theater a few years ago, they had the same title playing in both a regular theater and IMAX, and I swear, to my senses, the regular theater both looked and sounded better. I paid for an IMAX ticket so I stayed in the IMAX theater, but I truly believe the regular showing looked better.
Sounds like they were screening the same video presentation in both studios. I don't know that but it sounds like it to me. Film prints running across multiple studios were often the same print running through long tunnels into different booths and projectors and only a few minutes apart between each screening so it would make sense that a duplicate of the video they downloaded would be used twice or more.
John.
Not jut the HDR, but the resolution is a huge difference, even on "just" a 55". Watching a good quality 4k transfer, stuff just pops off the screen unlike anything I've ever seen on standard 1080p.
Glad it works on your system Jay. I must try our ten foot wide screen to give it a more thorough comparison. Hopefully we'll resurrect the BFCC after the virus is dealt with so we can do the same test on the 24 foot wide screen.
John.
I do believe Manchester Imax also has the ability to display 70mm Imax.
You are the second person to mention that Gareth so it's looking promising. Apparently there is a genuine IMAX in Glasgow too so things aren't quite so bad in the UK after all. John.
@@moviecollector5920 Yes, there appears to be a few more than even I thought although a few big cities have yet to make the jump (Liverpool and Birmingham come to mind). Having seen 70mm Imax in Manchester, it makes quite an impact!
@@garethgreen9585 A few fellow film enthusiasts have left comments to say that they think Bradford has given up on IMAX film and are only showing video now. IMAX claim a ridiculously low compressed image size for their latest laser projectors to match what they usually screen on film (8K I think whereas film equates to around 50K) so it remains to be seen how good, or not, it really is. I don't go to cinemas any longer unless I know a film is running simply because I have seen so many poor quality video projections. Might as well wait and see a video at home if I can't see it on film at a cinema. John.
Le Mans 66 was called Ford vs Ferrari here in the States
Yes, I think the name change was to add more significance in parts of the world where the Le Mans 24 Hour race is still a major sporting event. In the USA it's the Sebring 12 Hour but over here it's Le Mans. I think both film titles are pefect and hard to choose which is best. Irrespective, it's a great film with great images quality which proves that video can get up there with real film at times. Just lacks the spark of life that film grain gives but they'll crack that soon - Midway for example, with digital film grain.
John.
@@moviecollector5920 I agree it was a great movie in any case.
Interesting review. All the best.
My most recent video 'Unbreakable' has the most definite difference between a Blu-ray and a 4K disc that I've yet seen.
Personally, I do prefer 4k over bluray, but I think that mostly comes down to the fact that they have to do a proper remaster to include HDR and because 4k TV's are unforgiving of simple upscaling, which a lot of early bluray presentations seemed to do. So with a decent remaster, older films especially, look much better.
That being said I have some spectacular looking blurays, many of them would be (modern) tv shows as well. Absolutely stunning resolution and picture quality, sometimes with an almost HDR-like hue.
I think you'll only ever notice resolution differences on very large screens. I have a 75" QLED and I can just make out the difference in a film like The Avengers. It's noticeable, but only just and I doubt I would have looking at it on my cheap 55" 4k.
Also, I agree that certain films look different on people's different set ups - players and TV's. Ford V Ferrari looked spectacular on on mine as did Gemini Man (even though it has little re-watch value). Same with The Mule, it looked great. Other films like Jaws and Top Gun I found rather disappointing.
I don't know how wide these television measurements really are but at an approximation 75 inches must equate to about five feet wide. I'm watching somewhat bigger than that but I suppose by the very nature of a home cinema, I'm sitting further away. I have tried pressing my face up to the screen before though just to see if I can see a difference between Blu-ray and 4K but alas nothing obvious so far.
Jaws should be one of the best 4Ks you've seen so something is going wrong there Jamie. Have you tried adjusting the HDR because what looks great on everyone elses system should look great on yours?
Top Gun varies from system to system but it looks Top Notch on both of mine. It really shouldn't look as good as it does but it seems to agree with my system more than others. Mainly the superiority of that disc comes down to the colour spectrum but it may not look as good on other systems owing to the personal setup of each system. I always try to replicate the look of film as closely as possible which probably means I have things set darker than most people.
John.
@@moviecollector5920 I can notice a subtle difference on some films but only when I've done a deliberate comparison - otherwise I'm told our eyes don't even see in 4k.
I have a high-end Panasonic player which gives you an enormous amount of picture adjustment and I always make adjustments with each film I watch - I've tried reducing sharpness, adjusting the brightness, contrast, gamma, etc as well as HDR levels and even adding DNR sometimes. The HDR certainly does make a positive difference but in some films like Jaws the film grain seems to be exacerbated which is what bugs me. The end result is usually better than a previous bluray release, however. Some people love film grain but I don't, even though I accept it for the most part. To be fair I've made no such comparison with Top Gun, but perhaps I'm just expecting too much....?
I'm not saying you're wrong at all, I've just had a different experience with some films - and perhaps you're right about diminishing returns with expensive, high-end equipment.
I enjoy your passion and and I value your knowledge overall. What kind of screen are you using, out of curiosity?
@@jamied1579 Get all those sharpness and DNR options as low as they cango or preferably off. It could be that is messing up your 4K enjoyment of Jaws because I put a section of that on a couple of weeks ago to check it against one of the discs I was reviewing and it looked perfect. There will probably be some darker scenes in there where film grain is noticeable but otherwise you should have to look for it. I've included brief clips of all the HDR options and other related options in my Speed review so if you can make sense of the images I've snapped for that, see if they are the same options as yours and perhaps replicate the settings I have if possible.
We watched Last Action Hero last night and, as expected, it's excellent. However, with HDR up full there was evident film grain but with it set for better overall contrast and colour (i.e. the HDR set to 'Light Environment') the film grain was almost imperceptible except for a few dark scenes and a couple of special effect composites.
Whilst we have a ten foot wide screen in the living room this was only because we didn't have a wall to suit a big enough image at our previous home. That room was 10 feet and 3 inches wide so a ten foot roll down screen across the balcony doors and windows did the trick. We have a suitable wall in the dining room (that has been the cinema for the last 20 years) so that made things much cheaper and easier. Brilliant white matt emulsion is all that is required providing the surface is fairly flat to start with. I've detailed all of this in my home video tour video but the basic summary is to not get conned by salesman who insist an expensive screen is required for video projection because a wall was always preferred for projecting film at home and video is no different.
John.
@@moviecollector5920 cheers. Generally I don't have the HDR and contrast/brightness up too high to avoid bringing out the grain and it tends to make people's faces over bright/contrasty. Sometimes I find it difficult to find the right balance. With other films it's not an issue. I usually reduce the sharpness when required but I may have to do that further.
As I said I accept a certain level of grain in some films but I'll have a look at the settings you suggest. I've been meaning to watch Jaws again...
Overall I think older films, 20 years old or older, look far better after a good 4k remastering, at least I appreciate them more than modern films in that regard. 2001, looks great, as does The Shining, Batman & Batman Returns, Grease, Groundhog Day. Lawrence of Arabia looked incredible, one of the best I've seen....
I appreciate you taking the time to talk with me.
@@jamied1579 I think a lot of us are having the same experience with HDR but most people wouldn't notice and just accept that a disc is 4K therefore it's better than anything that went before it. Seriously though, turn any 'Sharpen' option off or to its minimum setting because all that will be doing is messing up your projection or television image. A lot of the time it will create video noise that can be mistaken for film grain.
Lawrence of Arabia was 70mm so if it hadn't have been one of the best 4K releases so far then the mastering would have had to have been a complete cods up! Now there's an expression I've not heard before! John.
If you can get your hands on one, test how well the XBox Series X and the Playstation 5 playback movies. My Xbox One S is my main machine and makes movies look quite good on a 1080p screen. Hopefully my wife will destroy my 48 inch screen so I can buy a much larger high quality UHD screen. Btw, do you ever discuss the difference between the manufacturers of high quality TVs?
Unfortunately I stopped playing video games almost 30 years ago so I'm not going to be able to help there. Perhaps someone else on here will see your comment and give you so me help or advice that I can't. Sorry about that. John.
What digital projector do you use?
Optoma UHD550X. It's over three years old now but still up there with the best I think. With single chip DLPs anyway. John.
What equipment do you use in terms of a 4K blu ray player and your television?
Television is a Panasonic 4K HDR something or other. Blu-ray is a Panasonic - have two of those but different models. One is in the projection box and the other is attached to the telly in the living room. Optoma UHD550X is the video projector squashed in among all the film projectors.
John.
What is your setup when it comes to projector and player? (Full set-up as well) Do have it calibrated?
Well I've had surround sound for 30 years now so I rather take it for granted a little. But I don't need to use the device to calibrate it as I've learned more than enough over the years to get the best out of a sound system. The video projector is an Optoma UHD550X and I've set it up to resemble projected film as closely as possible. All sorts of players are connected to the video projector but the 4K player is a Panasonic. Super 8 is a trio of Elmo GS1200's with differing lamps, the best being an HTI conversion that I used at the BFCCs for many years as it's the brightest image possible from Super 8. 35mm is a Chinese 1970s Ging Gan Shan Spectra 90. Don't use 16mm much in the cinema but it's a Bell and Howell something or the other. Sound is Pioneer THX amplification with Kef THX speakers.
John.
@@moviecollector5920 you should make an video about your setup one day, next time you update it! 👍
@@jrnbakken4348 I have got quite a bit of information in the home cinema tour video but we'll move elsewhere one day and then I'll probably do something a bit more extensive. After all, I'll have to build a new home theatre from scratch then.
John.
Gemini Man in 3D at the theater was indeed incredible to watch.
You're the first person to comment who actually seems to have seen it at a cinema in 3D so thank you for confirming it was incredible. I thought it would have been but such a shame it's so awful in 2D.
John.
@@moviecollector5920 It's so cool that you responded! I just wanted to say that I only found your channel yesterday and I already love it! The first video I saw was the one about The Fifth Element (one of my favorite movies as well as yours!). It was very intriguing seeing the differences between 35mm and digital 4K. I hope you continue to do 4K and even regular Bluray movie reviews. I have already subscribed and I can't wait to binge watch the rest of your videos and then continue to look out for new reviews from you. Thank you!
P.S. Some requests, if you ever have the time to review (no pressure!): The Wizard of Oz, The Fast & The Furious, Solo, Rogue One, Close Encounters of the Third Kind, Joker, and Lawrence of Arabia. Thanks again!
@@c0wg0d It looks like 4K reviews of Cinema Paradiso and Apocalypse Now are the next couple of reviews assuming the HMV delivery arrives as expected today. But The Wizard of Oz is a possiblity as a number of people have requested it. Because it's an original Technicolor and it looked fantastic on NTSC CAV LaserDisc I think I know how good it's going to be on 4K. If the Technicolor transfers as well as it did for The Ten Commandments then it should be a treat even if I don't particularly care for the film itself any longer... but that may change. I did mention how good the Close Encounters 4K is at the end of one of my early review videos but I don't remember whch. I have been thinking that sometime I may do a full-blown review of it sometime as it would be a good excuse to really go through it. Lawrence of Arabia isn't out here yet unless the Columbia Classics box is purchased and I can't afford that. But I think we all know that it was shot on 65mm so as long as the scan is at least average, it's going to be one of the best 4K discs so far. That's what it all comes down to but some reviewers don't know this and think exceptional transfers have been responsible. Jaws is one of the best but was 35mm - that is because they scanned the original negative at 6K and this does seem to have made the difference. This tells me that 6K is the comuter equivalent of full frame 35mm.
John.
@@moviecollector5920 I also watched it in 3d in the theatre and it was a very nice image, however IMO it couldn't balance the lack in the storytelling - and I'm saying that as an Ang Lee fan...
@@botero It's such a shame that after all the effort that went into making a 3D film that worked that it is then released in 2D and looks so awful. It's all about money and the film studios are businesses, but I think Ang Lee and everyone else involved in Gemini Man will have suffered in their careers a little by this film being released in that format and the viewers being able to see it for what it is - a poor film that looks more like a cartoon than real life. John.
The human eye is really something, huh.
It truly is. But "you're gonna' need a bigger screen!"
Just saw this pop up...... I'm going in!!!! 🤩🤩👍👍.....
If it hadn't have been dinner time when I got it up (the video that is, not something else you might be thinking of!) I'd have given you a call to let you know you make an appearance. You literally 'pop up' on the screen!
Oh, Blurays are considered 2K? Somehow I assumed blurays were below that.
I know that most standard theatres run 2K projection. Does that mean that, in terms of resolution, blurays are comparable or same to theater's projection?
Blu-ray is just below 2K I think but only because the television screen dimesions are slighly different to cinema screens. 2K at a cinema is why image quality at most cinemas is so awful compared to how it used to be with 35mm.
John.
@@moviecollector5920 This is why I try my best to to see as much 35mm prints (or sometimes 16mm or 70mm) at my local cinematheque. But I often find that a lot of these older 35mm prints don't look as good because of its age and wear.
I wish I had more opportunities to see brand new 35mm prints on the big screen :(
@@rch456789 Some release prints get a real beating but others survive almost completely intact. I have a few prints that are damaged but only by means of some missing frames in one or two locations. Rarely do they arrived scratched and badly beaten up. A lot depends on the maintenance of the projectors - low maintenance can scratch the hell out of a film.
John.
I appreciate the extreme effort with Dunkirk,
But i was close to sleeping during its screening.
Total boredom, the one winning grace of the movie for myself was its fantastic orchestral score.
Loved interstellar, i think it is Zimmerman's finest score,
Others will no doubt disagree.
Might be worth trying Dunkirk again John. I have to admit that I watched it twice because I just didn't really get it first time around. Now I think it's wonderful. I also saw a six minute extract at the Waterloo IMAX and that was breathtaking. So it's a big screen film - 90 feet wide big screen to be accurate!
John.
I can't really see the difference between them on my 55" OLED (where I have always immediately been able to tell between DVD and HD DVD/Blu-ray). However I figure getting the UHD are future proofing along with some QoL improvements. Not worth replacing your existing collection with (unlike the HD DVD and Blu-ray came out and the difference was night and day), but certainly worth making the default format of choice going forward. As there is a chance screen sizes will hit a point where there is also a visible difference too. Then HDR is the icing.
But I'm just a pleb that knows nothing other than what I think rather than the full technical details of it all.
I'm hoping to put this to the test if we can resurrect the BFCC Michael because we have a 24ft wide screen for the conventions. I suspect it will still be a struggle to tell the difference and just the HDR that is noticeable. We'll see.
John.
@@moviecollector5920 That would be cool to see. I will note however that upscaling technology has increased greatly since my exposure to "Full HD". I was watching some old DVDs the other week (stuff that will likely never get a HD release) and I was blown away by how good it looked via the upscaling. (Between the Xbox One X and the LG OLED this was just bog standard settings I made no changes with)
With the diminishing returns, I can see it being perfectly plausible that a good Blu-ray with good upscaling could easily be indistinguishable to the naked eye from a UHD barring the HDR aspect.
I've seen a couple of DVDs lately that if I didn't know I would have sworn they had to be Blu-rays. 'Tommy's Honour' about the origins of golf is the one in particular I'm thinking of. Amazing quality. Mastering has improved over the years so that's got to be a major reason why DVD has also improved.
John.
@@moviecollector5920 I have a Cambridge Blu-ray player and it upscales DVDs beautifully. On my Panasonic they still look great but slighty fuzzy right up close.
@@paulconway384 I haven't ever had anything Cambridge Audio Paul so that's good to know. I've stuck with Panasonic for anything Blu-ray related as they were the only manufacturer to really get to grips with the format early on which is odd when you think that Sony foisted it on us. John.
Why 4K UHD blu-ray is always region free?
Years ago films used to have staggered international release dates so the prints could be shipped from one country to another. In more recent years video projection has all but removed that money saving requirement and now the responsibility is on each cinema to download the video to an array of hard drives. This means that the opportunity for pirates is diminished and there is little point in putting a region or zone on a disc release any longer.
I'm sure other can add more to this so let's wait and see if anyone else has more information.
John.
@Simon Dann Different distributors have different rights across the three zones I suppose Simon. John.