Matilda Lloyd - Goedicke: Concert Etude Op 49 - Trumpet and Piano
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- Опубліковано 23 лип 2017
- Matilda Lloyd (trumpet) performs Goedicke: Concert Etude Op 49 - Trumpet and Piano.
Making Music Young Artists Concert. Conway Hall, London, Sunday 25 June 2017. Audio by Jim Unwin.
Visit www.makingmusic.org.uk for more about Making Music.
I’m sure she doesn’t need criticism from UA-cam... She’s an amazing musician and is capable of realizing her own strengths and weaknesses in her work. Amazing performance.
Nobody talks about how pianist handled this tempo very well. Good job!
Very nice! Really good pianist
As someone who accompanied a trumpet player on this etude, this was literally my go-to recording. Killer playing, and maybe I can play the part like this too one day?
I just accompanied a young soloist on this piece, and I can verify that it is a killer piano part!
Трубачи даже не догадываются как это сложно. Гонят и гонят, а пианист пальцы себе ломает. Гедике, конечно, не в себе был когда это написал для пианиста. Интересно он сам играл это?
Соло не пианиста)
I’m a “leisurely” trumpet player, and thought this an impressive rendition. I remember hacking through this piece for a district band audition in high school. This was definitely performed beyond my abilities!
I thought she nailed it. I also don't think there were issues with inconsistent tempo. Remember, this an early Modernist era piece, done in a Romantic style - tempo is allowed to fluctuate based on interpretation of the artist. I'm fully of the belief that her tempo shifts were done on purpose and well within her right to do so. Very very nicely done on a difficult piece of music.
Guys, just leave her alone, I think she already understood the inconsistent tempo, doesn't matter besides that she is fantastic, and a good technicue!
But her technique isn't great, because she's going wayy too fast
Is there really any need to critique her performance tho?
If y’all are really critiquing her on technique and tempo than you don’t understand the concept of musicality, stretching phrases especially in the quasi cantabile section displays an ability to make the music your own. So please don’t speak on this ladies name again thank you
@@noahmeserve9165 let's hear you play it memorized.
Also the tempo does vary a lot in this piece
I’m a sophomore in high school and this is one of the three options for solo competition. 💀
UPDATE: I got a Division 1 on it 😁
Ouch
Im not American so idk what i would be but i have to play this as well and eventually i just cant double tongue. My lips get too sore
Congrats! A is good isnt it?
Im Not American so i Dont know…
I'm a sophomore in high school and my band director just gave this to me. I'm gonna be busy for 4 months
Haha I have 2 months I’m crying
I’m a junior in the same situation. this is my first time listening to this and it struck fear into my heart. looks like I have 2 months left to live as well 😭😭
yup i’m a junior in high school and my band director gave this to me and i have to perform it in march and idk if i’ll make it out of this one alive🥲🤡
y’all, i hope i can bring you guys back.. IM RECORDING MINE TOMMORROW AND THE RUNS ARE KICKING MY ASS THIS IS NOT GOOd
how did it go
Makes me want to pick my trumpet back up after 10 years...I may not have ever been an amazing player, but damn I enjoyed playing.
Why is everyone mad at how fast it is? If I could play it anywhere near that speed I would
It was too fast for the person playing, even the finale was garbled.
@@250ICON still impressive
The “slow” parts are mostly ritandos. Not necessarily dragging. Some parts were a little inconsistent but nothing wrong with it
@@250ICON doubt you're better
I played this, as a 16 year old junior in high school at contest, and at the same speed. I remember the judge's comments: "You took speed as your primary concern with this piece. And although you only barely cracked two notes, you sacrificed everything for speed. Amazing dexterity!" Score: 84 (2nd division). In those days we had to have our solos memorized. It's one's own interpretation, and a decent judge/human being doesn't downgrade a high school student's rating because the judge doesn't agree with tempo. Harry Zimmer, (judge) you bastard, I still remember you from this experience from 1967, Solo & Ensemble contest, held at Mundelein H.S., Illinois. You might cheat on your friends, business associates, and some cheat on their spouse, but YOU NEVER CHEAT A KID, Harry...NEVER!
Ronald Picker I had an experience similar to this as well last year with my solo and ensemble, I went group 1 and my piano player unfortunately had an unlikely event happen the day before my performance so I had to resort to a piano play along track specifically made for the piece and the judge said “First of all great tonguing, however the tempo was too fast, you didn’t mess anything up it was just too fast and therefore lacks musicianship and if it was the right tempo I would have given you a Gold”. I got a silver medal that day.
@@theswinginswan4138 Don't let it get you down. Here's more: After I graduated high school, I auditioned for, and got into the best of the 4 bands at the University of Illinois as a FRESHMAN, playing 2nd trumpet, progressed to 1st trumpet, won the University's Brass Jury Award as a junior, won the Harding Award for highest achievement in bands, and was president of the band my last year, not to mention a tuition scholarship for all 4 years. This same terrible judge on the day of that same high school contest also gave my high school trumpet playing stand partner (fellow sat 1st chair ahead of me in high school...a naturally gifted player) a 2nd division; score 89. The piece my buddy played was SO difficult the music department in my high school couldn't find a pianist ( high school of 2200 students) who could play the accompaniment! So my buddy had to play it unaccompanied... he got an 89 from the same judge. The judge's comment...I can't give you a 1st division because you had no accompanist. Well, my buddy went on to direct the jazz band and give private lessons at a major university, as a graduate student, after having completed 4 years as a leading trumpeter at Northwestern University. He chose jazz over classical His first job was playing in Woody Hermann's band, and he ended his playing career as solo trumpet with Frank Sinatra's band. He has recorded a couple CD's (soloist/small group) in the area of jazz/fusion, which sold commercially. FYI: An even better "fast" rendition of Concert Etude is on the you tube menu to the right by the Alan International Ensemble. It's played by an older Asian male trumpeter, with greater musicality and accuracy than Matilda Lloyd's rendition. It's all a matter of personal interpretation. Even the greatest conductors, past and present can't decide unanimously how to play the first 4 notes, of Beethoven's 5th symphony! :) Good Luck in the future.
@@theswinginswan4138 P.S. The trumpet player's name in the Alan International Ensemble is Alan MacDonald.
One time. My band went to compition. They played a hard peice like college level (middle school band) and one of the judges put such a low score Becuase it was so hard. But the entire band played it good
I am playing this at 15. Or I will be by the time solo en samble rolls around. Wish me luck.
Rodney’s World your middle school band did not play a college band piece. The difference between hs and ms is a big jump. Don’t let your director lie to you
Not sure I could still do it now, but I started this at about 60-70% speed for a competition in high school, aimed and eventually got to this speed, as it was written. Much like other comments here, the judges commented that the quality was more important than playing it up to speed and were pleased I took it at an appropriate pace. It's nice to see a video on the youtubes going the intended (if slightly varying) speed, at least.
my band teacher told us to listen to this and like a minute in i completely forgot i was doing an assignment and thought i was just in some _very_ weird place in youtube.
Sound so good great player period...😊😊
Девушка сыграла просто нереально, очень красиво и точно. Без «киксов»не обошлось, но на них можно даже не обращать внимание. Аплодирую стоя 👏👏👏
I wish I was this good my god so effortless
I tried to play this for solo and ensemble competitions in high school, and listening to this, I find myself saying, "so THAT'S what it's supposed to sound like!" Very VERY well done. And suddenly I remember how much I hated trying to play that infernal thing.
My director wants me to play this 😅.
@@deathblossom1153 You will do well. I think I got a "1" (top rating) so even an oaf like me could play it acceptably by high school standards; I just got no joy out of it. If you shoved a trumpet in my face these days, I'd probably happily play Pazu's song from "Castle in the Sky"; not very challenging, but it's catchy.
Played so effortless
Not quite, not flawless, but light and fast.
She makes art
You’re so good !!! Well done !!!!!❤️
Despite the tempo changes I really enjoyed it. Very impressive and very good played!👏
very "well" played*
Not quite my tempo
Practice some more! 🤣🤣🤣
Just how I wish to play it, but how the hell does she double-tongue at that speed?! Pretty impressive I must say.
She might tripe tongue 🤷♂️
@@yoitsfragsy3793 You can’t triple tongue in-time straight 16ths, double tonguing at 160 isn’t too challenging.
@@durkerr3221 yea ig but you gotta perfect it I still haven’t 😅 getting good progress tho!
Superb!!! Great job 👍
Много играла Этюд с разными исполнителями. Это исполнение великолепно.
Отличная техника, лёгкость, весьма интересная кода.
Браво.
Brava! Very well done!
Wow. i’m
playing this as my grade 8 piece and she plays it insane
how 8th grade piece, the double tonguing is insane
@@abbycarrasco1597 most likely toned down version.
@@abbycarrasco1597 last year i did it in grade 8 and the double tounging was fine for me just had to get used to it
Was finna play this for my 7th grade piece but director never told me when it was (‘: now I’m playing it in the 11th grade
@@bigdaddydickmigue5107 yea lol playing it as a side piece i played petite piece concertante for my solo now im playing this 8th grade year lol
Very fine performance.
“Not quite my tempo”
-Angry Fletcher Man
Amazing
Beautiful
Bravo! Phantastisch!
Simply Amazing! I loved it!
Clean,with good temp and mood!Good!
Freshman in high school have to play this for solo and ensemble💀
Bro same 💀
That is how fast a famous trumpeter Timofey Dokshizer played this Etude...Brava!
Super
wonderful interpretation of this piece. light, playful energy and lovely sound. makes it more than just overplayed standard rep--turns it into original art. congratulations !!!
Bravoo I'm from Macedonia celal Agusev..
sometimes i have fever dreams and hear this.
This was too slow, listen to it at 200% speed, you will see God.
Lol
Que coisa mais linda e competente. Tenho um longo caminho no trompete.
Not even a joke it was too fast for my internet connection to handle
I laughed so much, thank you haha
So good
I love you!!!
Sehr gut gespielt!
very nice....
good job
Excellent, was moved by the playing. Looks like a Schilke mouthpiece
I had a friend playing this one time and at the time I thought he was playing a fast cumbia or merengue song 😂
Ай да Матильда! Кто может сравниться с ней!!!)
Wow !! What virtuosity !!
Очень музыкально, выразительно и виртуозно, аплодирую стоя!
woah too fast
She made an artistic choice as the artist that she is, and sounds fantastic with her choice. None of her playing was hindered by the speed she played this piece, and if she is happy with the choice that she made that is all that matters.
yeah, but some pieces are meant to be played faster than what it should be like festive overture. it sounds great, but sometimes playing something fast doesn't make it better
It sounded like on the two A’s of the main part she cut off the second A little bit a bunch of times
Slow it down coach
krishna palani yes, her playing was hindered by the speed. Listen closely. It was too fast.
People, people, just leave the girl alone will you, she sounds great!
Better than me!
It was too rushed, multiple cracks on low notes. And didn’t show the composers way of how it should be played.
No kidding she is amazing
@@justgalacticmusic7729 have u recently talked to Goedicke?
I played this a lot over the years mini years ago. This is the tempo that I chose. Maybe I did a little faster. Some of the attacks are a little rough. I would recommend to anyone who is interested to seek out the performance by Leonard Smith, which was in my mind the urtext for this piece
god i played this as a solo i practiced so much and the day i had to play it i got a 2 WHEN IT DESERVED A 1
If you got a 2 you deserved a 2. 1 is superior and 2 is excellent. You were excellent at playing it and that’s better than most
This woman is God.
Amazing, and very beautiful woman.
Congratulations!
Nobody gaf about inconsistent tempo, honey that's called being expressive.
jacob pagan i’ll see you in this comment section
All the new trumpet highschoolers are gathering here lol
If only I could double tongue😔😔
You can if you practice it
It’s easy
@@jonahhicks747 I've learned since then :))
@@DiegoGarcia-ue6rt 👏👏👏
11th and this is one of my two solo options. Send help
I’m 10th grade and this is one of my three options 💀
Me aged 13 being given this bc they overestimated me
@@alchemicalresponsibility4015 be glad! it's fucking awesome when you get something and you can't even slightly play it at first, but you work to play it and you improve BIG TIME.
There is no doubt that she has remarkable ability. At the same time the criticisms here are very valid. A player of her caliber would have easily pulled off a much more impactful performance if she (as many have pointed out) took it slower to avoid the many tiny mistakes made as a result of dialing the tempo up to 11.
That depends on the audience as far as impactful. Teachers etc. would agree with you that taking it slower to make it clean would far superior. However for general audiences, they might be more 'wowed' by the spectacle of it being fast, because they don't notice all the imperfections.
sheesh!
Amazing technique, but incredible tempo, it is on the lower side of presto, Goedicke writes Allegro molto. She is at about 164. I understand it is easier for the trumpet player if it's faster, but on the other hand...
what a weird thing to say
Nah cos I started working on this for an upcoming competition but I cant go that fast :') I'm only going about 138 bpm
Круто. Правда я с её темпом не разобрался.
Cool. True, I did not understand her pace
Классная
テンポのことコメントしてる人いるけどそんなに早いか？？？？素敵だと思うけどな。でもピアノの人はこのテンポで弾けるのすごい😂😂
ことみ hahaha🥐
Wtf did this guy say
@@chikentenderz24 idk he speaking Spanish or sumn
My dude I SPEAK Spanish lmao that’s nothing close to it
@@chikentenderz24 hey uhhhh. That's the joke dumbass
再生速度ちゃんと標準だよな...？
標準ってなんだっけ...
Stellar talent, great player. She clearly understands most aspects of the piece and seems to communicate well with the piano. However, the tempi are woefully inconsistent. There are so many spots where the eighth notes are rushed. The key to playing this piece properly is maintaining the tempo. It is the one thing not open to interpretation. I still have yet to hear one recording online that interprets the "Pesante" line appropriately. Players do not seem to grasp what Goedicke intended for the trumpet player with that remarkable writing.
Hahahaha shut up, you square! It's music. The tempo doesn't have to be perfectly consistent for it to be enjoyable. This is a fantastic performance of this piece! I don't think she needs your mansplaining on how to play it properly. Come out with a recording that can compare to hers and then you'll have something to say. Pssh…
Phil Smith has a FANTASTIC interpretation of the pesante section on the channel Clugae Brass Consort. You should check out!
How would you know what Goedicke intended though
How would I know? A teacher of one of my trumpet instructors knew Goedicke personally, and he passed down the proper interpretation to him... and then to me. My own private students have consistently scored high on this particular piece, because there are correct and incorrect ways to interpret the piece. To say it doesn't matter is artistically irresponsible.
@@GettingItDone but if it’s interpretation then maybe it’s just how one person wants it to sound like. The purpose of an interpretation (in music) is to play it how you see fit.
Nice job! A bit fast. "Maybe," interpretation is an artist thing. The piano had a bit of trouble keeping up with her at times. She did a nice job all in all.🎺 That tempo by the way is consistent with the way I played it. I used a cornet instead of trumpet. I like the softer sound.
ไม่นะ ดุริยางค์ทหารอากาศใช้เพลงนี้สอบบบบบบ
"Too fast" Well she's the one headlining the NTC at the age of 24, so, obviously she's doing something right. Lemme know when y'all are headlining for thousands of trumpet players! Until then, shes got us all beat
Exactly!
I get to play this by memory at solo and ensemble. That is going to be fun I might not bc I don't think I will make state anyway I will try next year tho I'm only a freshman.
Did you make it? You could also try the Hummel concerto 1st movement or Caprice by Joseph Turrin, both very fun pieces
Очаровательная женщина
Egy kis kurzusom még ráférne szegénykére,de mégis jobb lenne,ha abbahagyná szerintem
You missed the ritarando
Dude what the heck the tempo changes are intentional it’s a solo open for interpretation :/
speed
Bravo pour votre 1er prix au concours international de Rouen
Quite a competent player is she outstanding well hmmm i'm not a fan, Alison Balsom Tina Ting Helseth are on a different planet, there are lots of good female players now which is fantastic to see have we got a female Marsalis or Nakariakov not yet but i'm wating in anticipation...
ENVY ALL OVER THE COMMENTS😅😅😅😅😅
tempo?
About 176
@@allyboyd3700 Thank you.
@@allyboyd3700 should be about 164
The owner of this video might consider putting all negative into the trash as they’re clearly JEALOUS. Bravx divx!
Is it just me or is that mouthpiece way too big for a standard bb trumpet
Yh it does look kinda weird
ついていけん
Pretty young too...shit
FREAK.... Let's see how FAST we can rush through.
I think it's great when you can play this tempo. But when music turns into sport, it annoys me. I would play it a little slower.
too harsh
way too fast
But around the speed that many well known soloist now play it.
still she's running away from the piano.. poor pianist having a hard time
That's the adrenalin kicking in. She probably rehearsed this a tad slower.
I´think that is too fast for her, and is forced too so the sound I think that it would be better if the tempo were more low.....
Tempo was very inconsistent and double tounging was sloppy at all state solo i wouldve given this a 70/10p fo just the solo. Many cracks in low notes were heard very easily.
chubbylilnative tempo is a matter of relativity. It was in a relative range and conducted the right feeling behind the music. That's what music is all about. Technique is the half of it. Only half I believe
Бардак, а не исполнение!
Way too fast. Pitty.
There needs to be compromise between soloist and accompanist for how fast you're taking it. The accompanist on this sounds like he's rushing every sixteenth passage and having a really hard time keeping up. The soloists breathing patterns get WAY off and the sound production tends to suffer because it's just WAY too fast. Is it impressive? Yes. She showed ability, but not musicality. Goedicke never intended for it to go that fast. He wanted the Slavic gusto that every other composer from that region had at the time, Not a flight of the bumblebee equivalent for trumpet. Taking things slower doesn't mean you're not a good player, it tends to make things more musical. It lost all pulse when on the cantible parts it dropped a solid 20 clicks and then jerked back into the fast tempo. Double tonguing on the F#-B° arpeggiated section noticably dropped in tempo. That's one of the hardest passages in the piece. If you can only take that line at a certain tempo, keep the whole song in a 5bpm (at most) range of THAT tempo. Room for error on both sides. It keeps you from jumping your tempo all over the place throughout the piece and makes it flow a whole lot better.
"Goedicke never intended for it to go that fast." And he told you this personally? That's why music (and quite literally every form or art) is personal and open to interpretation. You don't have to agree with her choices, but don't tell her she's wrong.
@@ZugVader exactas