Chris Eldridge - How to PICK FASTER on Acoustic Guitar - Killer Tips!

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  • Опубліковано 25 чер 2024
  • #guitarlesson #chriseldridge #flatpickinglesson
    A couple weeks ago, I met and studied with world-renowned flatpicking genius Chris Eldridge, nicknamed Critter. In this video, I review Chris' extraordinary career in bluegrass and beyond, and I share two of his killer guitar tips that'll help YOU gain speed and accuracy.
    You'll also go behind-the-scenes at Chris Thile's Acousticamp, with rare fly-on-the-wall footage from Chris' Grammy-award-winning Progressive Bluegrass group Punch Brothers and his all-star Traditional Bluegrass group Mighty Poplar.
    ▶ TAKE CRITTER'S BLUEGRASS GUITAR COURSE◀
    artistworks.com/guitar-lesson...
    ⏰ Timestamps
    0:00 - Meeting and learning from Chris Eldridge - 2 Killer Tips
    0:45 - Guitar Discoveries theme
    0:53 - Who is Chris Eldridge? World-class flat-picker
    1:16 - Punch Brothers (incl. live clip of "Jungle Bird")
    2:00 - Mighty Poplar (incl. rehearsal of "Chico River")
    3:17 - Chris' duo with Julian Lage
    3:36 - Grammy and other awards
    4:05 - Chris Eldridge's Bluegrass Guitar Course
    4:39 - Killer Tip for Speed and Accuracy #1
    5:22 - Killer Tip for Speed and Accuracy #2
    5:45 - Pick Stroke Theory examples
    6:31 - Example: Solo from "I've Just Seen a Face"
    7:37 - Practicing Pick Stroke Theory (strumming + Single notes)
    8:30 - Being conscious of Critter's tips
    9:00 - How YOU can learn more from Critter
    Robert Cassard shares guitars, gear and tips to make you a better musician.
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    Hi, my name is Robert Cassard. Thank you for watching, liking and subscribing.
    I am a lifelong guitar player, singer-songwriter, producer, and music fanatic. I create Guitar and Recording Discoveries videos to share the pure joy of music - shortcuts to help you play guitar, sing, record and sound great doing it. I learn the hard way so you don’t have to!
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КОМЕНТАРІ • 12

  • @graciebee6554
    @graciebee6554 Місяць тому +1

    Great vid thanks

  • @MarkRobinsonMusic
    @MarkRobinsonMusic 9 місяців тому +1

    Great video, Robert. I love the way you give all of the fascinating background information, but more, that you're helping others out here to grow 👍🏻

    • @RobertCassard
      @RobertCassard  9 місяців тому

      I appreciate that, Mark! I get as much joy and excitement from sharing musical discoveries (artists) as I do from sharing tips and tricks. Thanks for watching and leaving a positive comment - helps keep me going!

  • @alessandrastievano4823
    @alessandrastievano4823 9 місяців тому +1

    Grazie Robert, always precious! Ciao

  • @michaelgao8621
    @michaelgao8621 9 місяців тому +1

    Hi Robert, I always make songs alone by myself and I made parallel parking song to teach some permit drivers by using DADGAD tuning: Maybe I will teach you one day, I will be teaching you one day and day.
    Do you make&write your own songs every year?

    • @RobertCassard
      @RobertCassard  9 місяців тому

      Hi Michael - I'd love to hear your parallel parking song! I love alternate tunings like DADGAD, and I've done quite a few videos about them. Here's one where I sing and play Bob Dylan's Blowin' in the Wind in DADGAD, by using a partial capo that raises it one whole step to EBEABE. ua-cam.com/video/k6cgzYGL4ag/v-deo.htmlsi=ZvUqQYkUOnsJC7nt
      As for writing songs, I wrote my first in 1972 (!) and I've never stopped. Here's the opening track from my recent EP Life Inside. It's a chant called "Om," and it features 10 of my own voice layered into a choir: ua-cam.com/video/_kaVwrY3ytY/v-deo.htmlsi=XK752bXfvKSZIwuZ

  • @user-qc9is9rl7u
    @user-qc9is9rl7u 9 місяців тому +1

    Please make a vid with Julian's teaching experience

    • @RobertCassard
      @RobertCassard  9 місяців тому

      I’m working on that! Might take a week or two but I will definitely post one soon

  • @WilRockQ
    @WilRockQ 3 місяці тому +1

    Only thing is you explain pick stroke theory by saying it makes alternate picking easier then you use an example where you don't alternate pick

    • @RobertCassard
      @RobertCassard  3 місяці тому

      I chose that solo specifically because it isn't a typical down-up-down-up-down-up melodic line. In cases like this, where very specific beats are accented and only certain phrases or notes require alternate picking, using pick stroke theory to keep the pick moving makes it feel and sound more fluid.