Bravo! The piece Fem seems here to sound finally well. One has to hear and enjoy a lot of african music to realy find a good interpretation for this piece. Most of the pianists play it too fast. And make it too round. It should be agressive. And cool, relaxed in a way. In my modest opinion :)
Hello! I have to do an analysis about four movement "Der Zauberlehrling" and i beg if you could send to me the score, i can´t find it anywhere. Thanks!!
super; though it's sad to get to this level at around 11-12 minute, when music stops being beautiful and even the mawkish pettiness of it's language itself starts to be inspid, that's where one has to point themself to the classical idiom and single emplacement of form.
Wow. This is right up there with the best Ligeti etude interpretations. Absolutely phenomenal work on these brutally difficult pieces!
As someone wrote before, best interpretation I've heard since Pierre Laurent Aimard! You are great!
02:21 Fém
05:23 Vertige
08:24 Der Zauberlehrling
10:22 En suspens
12:35 Entrelacs
15:19 L'escalier du diable
19:58 Coloana Infinită
Thank you very much!
Masterful performances as usual. Bravo
Bravo! The piece Fem seems here to sound finally well. One has to hear
and enjoy a lot of african music to realy find a good interpretation for
this piece. Most of the pianists play it too fast. And make it too
round. It should be agressive. And cool, relaxed in a way.
In my modest opinion :)
Excellent performance!
This is brilliant! And you're forgiven for the lack of 14A!
excellent. particularly vertige, escalier du diable.
Bravo!!
02:21 Fém
05:23 Vertige
08:24 Der Zauberlehrling
10:22 En suspens
12:35 Entrelacs
15:19 L'escalier du diable
19:58 Coloana Infinită
quălity stűff!
Hello! I have to do an analysis about four movement "Der Zauberlehrling" and i beg if you could send to me the score, i can´t find it anywhere. Thanks!!
chufiification Hello, you can find the score in pdf file in the piano forum of pianostreet.com site. hope it helps :)
Stephane Mavel You only get 3 pieces for free.
super; though it's sad to get to this level at around 11-12 minute, when music stops being beautiful and even the mawkish pettiness of it's language itself starts to be inspid, that's where one has to point themself to the classical idiom and single emplacement of form.