Eight on 3 and Nine on 2 by Robert Marino - DoubleBeats
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- Опубліковано 4 чер 2016
- Percussion Duo DoubleBeats (Ni Fan & Lukas Böhm) plays Eight on 3 and Nine on 2 by Robert Marino.
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The percussion duo "DoubleBeats“ was founded in 2012 by Ni Fan (China) and Lukas Böhm (Germany) during their studies at the 'Hanns Eisler' Academy of Music Berlin and became one of the internationally most successful percussion ensembles. Currently, as part of their postgraduate studies, the duo is artistically supervised by prof. Li Biao, prof. Franz Schindlbeck, prof. Rainer Seegers and pianist prof. Jonathan Aner - as the first percussion ensemble in chamber music worldwide.
DoubleBeats interprets both early and contemporary music. Their repertoire reaches from Bach via Piazolla up to Bartók and contains numerous adaptions and commissionary compositions for traditional as well as modern instruments.
www.doublebeats.com
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Difficult not to be deeply impressed listening to Ni Fan & Lukas Böhm . . . Robert Marino is creating some of the more innovative percussion writing that I’ve heard. Thank you all so very much. If there are influences from Basque regions, and Txalaparta music, then double-thanks to the composer. (Please look me up should you come to Scotland)
Yo this vid actually uses dynamics!!
That bass drum sounds absolutely amazing
Thanks Mike! It's an Aural by Marcus Landauer: aural.at
I love this interpretation because it makes the rhythms much more clear to the listener and you can tell you really had to be super clean and intentional. Incredible job
Amazing timing! It is hard to imagine that this is humanly possible
I love this slower tempo. Usually it's so fast that people fake their way through the hairy parts but you guys were super clean. Maybe the best interpretation I've seen yet.
Trevor Woodward it is the best version
It doesnt matter if it was taken slow those Splits were so damn clean.
Wonderful use of dynamics
Brilliant!
Very enjoyable. Thank you for this
I started watching this while taking a break from working through a slow-paced tutorial video on something unrelated (that's the setup). As I was watching, I was marveling at their speed and accuracy, then wondering why everyone was saying their tempo was slow. Do people play this even faster? That's when I realized I had playback set at 1.5x speed. Still a joy to listen to at regular speed :)
The given tempo by the composer is faster, but we prefer a slower performance for the benefit of accuracy. Thanks for commenting!
@@DoubleBeatsPercussionDuo Definitely no criticism in my comment, by the way, you two are great!
This is the best recording of this piece I've seen! Nice!
고맙습니다
Outstanding
I love this, best version of this I've seen, and it's musical, unlike so many others. There's just sounded like banging sticks as hard and fast as they could, it gave me a heads he, but this version sounds so much nicer and musical. Ignore those dislikes they're ether haters or have no music comprihintion
This is easily the best performance I've seen of this piece. The tempos are for me, perfect. Tasteful and readable unlike many of the other recordings. Thank you so much for your performance! May I ask what sticks are being used?
Thanks for your kind words, we're happy that you like our performance!
We're using handmade sticks by Claus Weißerth. Unfortunately he has no website, but you can reach him out via eMail: weisserth.claus@arcor.de!
Xx8 32Ace lol I was gonna ask the same question
I prefer the Kevin Hanrahan upload, but this was still slick!
Too much echo, and inferior timing. DoubleBeats is by far the best performance of this piece ever.
Holy shit that was nutty
Great video! what sticks are you using?
Dear Derek, thanks for your Message! We're using handmade sticks by Claus Weißerth. Unfortunately he has no website, but feel free to contact him via eMail: weisserth.claus@arcor.de!
What stands do you guys use for the Roto-Toms? My friend and I are working on this piece, and we can only find stands for 3 roto toms. Any recommendations?
Hi Brendan! We actually just cut the original Remo-Stand...but you can order single stands here for example: kolberg.com/produkte/kombistaendersystem/kombistaender-fuer-instrumente-und-schlaegel/staender-fuer-trommeln/staender-fuer-rototoms/6451/kombistaender-fuer-1-rototom?c=2638
Is that the hammer from Mahler no. 6 in the back??
you mean this one? ua-cam.com/video/gw3s9a2uPkU/v-deo.html
;) Yes!
what kind of sticks/mallets are you using in the recording?
Dear Derek, thanks for your message! We're using handmade sticks by Claus Weißerth. Unfortunately he has no website, but you can reach him out via eMail: weisserth.claus@arcor.de!
Hey yall what type of sticks did yall use
Hi Riley! For this recording we used sticks from the "Rebonds" series by Claus Weißerth: weisserth-percussion.de
Doing Today
There were quite a few tics in the rudimental split parts on the bongos but those are very exposed. Great composition.
What kind of kick drum and head are they using?
Dear Noah, thanks for your interest! We used an Aural-Bass Drum with REMO Fiberskyn Ambassador for this video production.
DoubleBeats (Percussion-Duo) thank you!
Solid performance but the editing is entirely too busy.
something new....but for me it's not this piece.
its really slow for my taste
Dear Parker, thanks for your comment! You're right, it's slower than written by Marino. But in our opinion, it's the fastest possible tempo to still unterstand rhythm and structure.
I would have to agree with the slower tempo, although it's slightly slower than written I think this is by far the most musical approach to this piece I've seen. Far too often I see people perform it and there is no clarity or musicality to it.
Parker Stockford i felt that it was to slow too...until at 3:09 i heard how clean those split flams sounded.