You kinda said it in the end but one big thing about going to any school is getting a lot of contacts and relationships to people who you'll be working with in the future.
sorry to be so off topic but does any of you know of a trick to get back into an instagram account?? I was stupid lost the password. I would appreciate any help you can offer me!
In a nutshell: 1.- Learn Nashville Chord System. 2.- Learn to set up amp and using fx pedals. 3.- Learn to use Social Media 4.- Learn recording and producing techniques. 5.- Learn to play a second instrument.
Great top 5 Rhett, the social media thing is definitely top of the list. My top 5 is a lot less sophisticated: 1. Tune your guitar EVERY TIME before you play. 2. Turn your level down at rehearsal so you can hear the vocals, and then do listen to the vocals. 3. Learn to play in time, 95% of what you'll ever do is comp, shredding is a lot less useful than being able to play a I V Vi IV in impeccable time ALL THE TIME. 4. Learn to sing basic backing vocals, 50% more gigs guaranteed. 5. Be on time, be reliable, don't be the guy/gal with an attitude. Rock on!
I'm finding you're an excellent teacher; VERY clear and effective. Usually performers don't make good teachers, and not all teachers are effective at it. Thank you for your videos.
As a songwriter/guitarist who actually hires players to perform and record my tunes here's what I look for (in no particular order).. ...Putting aside the basics - play well, get a good sound, play what's appropriate for the song etc, good to work with etc, these are priorities for me - 1. Can sing backup - incredibly important that at least one person in the band can add some backup vocals when wanted or needed 2. Has a home recording set up - I've been able to negotiate playing & recording packages, at reduced rates, with musicians who play live with me and also have their own professional recording setup for me to make demos and even full recordings 3. Can play more than one instrument, or at least credibly fake doing so...I own a banjo and a mandolin which I provide for players, so they don't even necessarily have to own one...It really helps me fill out the sound or add some variety when someone can double on another instrument during the set or on a recording - Note to guitarists - buy and learn to play a lap steel guitar...They are incredibly versatile and can add a whole range of colors and sounds to a set or a recording...They can also be picked up pretty cheap 5. Knows some music theory...I use a lot of alternate tunings which in turn means I use some unusual chords that I myself don't even know what they are...it really helps if someone in the band can decipher what the chords and chord progressions are - more or less - and then know what to play and/or communicate that to other people in the band 6. Musical imagination/Good aesthetic taste - This would be #1 if I was ranking these points...Most of the people I've played with have been very good players, but not all of them had good musical imaginations or good taste...A fair few relied on cliched parts and licks that sounded like a lot of other people or played things that really didn't fit the vibe of the tune...I stick with the ones who put some thought and imagination into their parts, solos etc and have good taste.... 7. Listens to the lyrics - One of the favorite guitarists I play with ALWAYS asks for a copy of the lyrics of all the tunes in advance...You can't know what a song is really about if you have no idea what the lyrics are...As a rule I now give lyric sheets as chord charts to all the people I'm playing with - it really helps... Sorry this is so horribly long, but I thought it was an interesting topic from the perspective of someone who actually hires and pays musicians to play with them...Great vid Rhett!
Anyone who rejects social media as a tool for growing their professional network is a fool. I'm just a hobbyist musician, but my professional career is in data visualization and web design. I got my current job because of the work I post and share on my social media handles. If I can get work because of what someone saw on Twitter, so can you. Your web presence is the first and best way to make an impression on potential employers or clients.
Oh my god, yes! I'm a hobbyist, but I post about my playing constantly on my Facebook and Instagram. Even with getting ready to release a solo EP project I worked on, an online presence is HUGE especially if you (plural generalization) need to interact and connect with people. So many people I come across online talk about how they want to be known for their music, yet when I ask them if they have any material online, it's always an excuse of "Oh, nothing online," "I don't want people to steal my stuff," and so on.
@@MarcoRaaphorst I feel that - I completely support pushing for better laws to protect privacy and allow users to monetize their rights as currency. We're in a weird space at the moment, hopefully we see an improvement with the proliferation of privacy laws like those seen in California.
@P S Hey, that's good for you! For some people it might be a time suck, so I get it. At the end of the day, all of us spend our time on digital spaces most of the day - it's best to have a presence where the people are. There's a reason EVERY brand has an IG, a Facebook account, a UA-cam channel, etc. I don't know your personal goals or story, but I can assure almost anyone in any industry - having a social media presence to promote your work or talents is, 99% of the time, a net positive. The world is also trending more and more in that direction. Word of mouth travels even faster on the web.
@@tomseiple3280 Yes. And with everything thats going on in the world it definitely moving more and more in that direction. There is less live work and venues out there probably more than any other time at this point in time.
I go to the Atlanta Institute of Music & Media now in 2020! I remember learning the Nashville Number system with Vitali! And Steve preaches about tone a lot. Awesome video!
Good video, thanks. You mentioned it briefly but I'd say learn to sing. I'm a decent guitar player and a decent singer- Not great at either but good enough to be the lead guitarist plus sing on 5 or 6 songs in a gig. It's a great confidence booster, puts you front and centre when you do sing lead and it also puts you in a bit more of a powerful position when it comes to deciding what songs to cover. Even if you don't think you're very good, you can always get better with practice and my theory is that 90% of people can get good enough to be at least competent at it.
Awesome video!!! In 1983 after leaving Berklee in Boston by 2000 I was playing, elect guitar, bass guitar, acoustic guitar, drum kit, fiddle, keys, vocals managing lights and running sound. I got totally burned out and am just getting back into it. Equipment has advanced like crazy. My Morley DOD effects pedals and tray seem like antiques.
You need to be able to maintain your instrument at a rudimentary level and make adjustments on the spot. Electric guitars are fairly tough when it comes to humidity and temperature swings but it’s vital that they are kept intonated and the strings ring free on all frets. Acoustic instruments need to be temperature controlled and humidified. Quick adjustments aren’t a thing on them.
Even older music, sure we remember the interesting chord progression from the Beatles and such, but the vast majority of pop, rock and country music has always been harmonically simple.
Not that I think it could be effectively taught in school, but people/social skills are ridiculously important! I can’t tell you how many artists I’ve run across that just can’t figure out how to adapt to social situations and respond to social cues, etc. Be someone that people WANT to make music with/hire.
As someone who is graduating from Berklee with a Bachelors of Music Business I agree with most of this. For 5 years I’ve been making a full living in music from teaching, recording and performing. I think the Nashville # system depends on your region. In the NYC area we just go off Roman numerals a la Jazz studies. The Nashville system is a little different but the same overall concept, but instead when written down, we use the classical method of uppercase for chords that have the major third and lowercase numerals that have the minor third, and then the rest as normal on a lead sheet. It all stems from Roman numbers analysis of classical music. Definitely important to learn, just different naming systems. Yes on setting up and crafting tones. Though I feel these days most people have access to a lot more gear for less and are doing it on their own. A multi fx pedal will cost you $200-500 tops and help start you in crafting your tone which is awesome. Some schools offer tone courses like Berklee which is awesome. The focus on this (and recording) depends on your major. 2 year/4 year and certification programs will vary vastly for sure. All 4 year music schools require piano, AIM is a bit different but I understand why they didn’t focus on it since it’s a certificate program. I think all serious musicians should learn the 5 things you mentioned. In school AND out of school these are life skills for musicians looking for a career in music for sure. I’d like to add that your ability to adapt is important too. If the band you’re hired for uses in ears and goes direct, don’t expect your own monitor wedge and a 4x12 cab to be okay. If you’re hired for a theater gig don’t bring a huge amp. If you’re hired for a jazz session you better know the standards. Making a hang is super crucial as well. I’ve seen people kicked from gigs infront of my eyes for not knowing the music ahead of time, having the wrong gear, being rude to the MD/owner, being late (don’t even bother coming back), or showing up without your own gear 😂 You gotta act like you want the gig, otherwise there’s someone right down the road ready to fill in and do it better. Great video Rhett. Your content keeps getting better and better. You should teach a video course soon as your videography is really impressive as well. THATS something they don’t teach in music school for sure.
That's the truth. And programming drums can be tedious. At least all you really need to do are the fills. Once you get the groove down you can copy/paste a lot...
Rhett, I agree with everything you said - solid advice, especially about social media and learning to play other instruments like bass. I would add one more thing for bands - don't depend on the sound guy or gal at the club to give you your best sound for the room. One of the band members needs to do a real sound check by going out where the audience is and listen for balance and volume. Make sure you can really hear the lyrics. Don't turn everything up to eleven or until your ears bleed. I've heard so many good bands with great original songs sound like garbage because of excessive volume and no balance. I've been in situations where we've followed a band and they sounded great from outside the club than inside. You have to have patience and learn diplomacy when dealing with the house sound person but it pays off. Otherwise you might as well be playing with crappy equipment because the audience sure won't know the difference.
I've been playing 35 years. I am truly thankful for how you and so many others so selflessly share these pillars of information in today's formats.... Thanks for all you share.. Most.People have no idea that the hour on stage would not exist without the countless hours behind the scenes and the absolute dedication to one's craft..
Tone Course is an absolute must. I have gone through it twice just to get all of the nuggets of knowledge. Money very well spent...as opposed that "cool pedal" that now sits on your shelf.
@@whichadrian Nashville session musicians were the first people to pioneer and use the system exclusively for sessions/gigs. It was developed by Neal Matthews in the late 50s, and has been adopted by other musicians since its inception.
great advices! HOWEVER, I would love to add to your list of things is to understand and know how to repair your gear. it helped me a lot in countless ways! to more great videos!
Hey Rhett, I´m new to your channel and have been a guitar player for many years, I also play flute and play around with the piano all self taught. Music isn´t my career but my passion . Years ago (in the 90´s ) I had a basic recording setup, a Fostex 4 track (2 channel)tape recorder.Which I used and mastered , I jammed around a bit but my career as a chef took off and as you probably know its what pays the bills.Music fell behind.Fortunately this last year I´ve rediscovered my talents and have had time to use them !! Now I´ve moved into the digital age and am learning little by little. I´ve set up a little home studio .Your videos are great and honest.Thank you . I´m taking a lot from them and learning a bit more about music each day .Keep up the good work. Also I´d like to add I´m not sure if its relevant but since picking up the guitar again after almost 10 years not playing my maturity as a person has made me a more conscience player more methodical more in the moment.Maybe its bullshit but I have more control more feel ,better tone???? Anyways sorry to ramble .Dude you rock !!
That's why when you shout out the chords, you gotta throw in the "as in" statement, i.e. - "B as in Bog!", "C as in Cog!", "D as in Dog!", "G as in Gog!" It's so simple!
I'm glad you hit on being a business. I would add as a touring or studio musician you need to know how to keep track of your expenses and what you're responsible for as far as taxes, how to take care of receiving income. More importantly don't be afraid to ask other working musician what they do to take care of their money. Money messes up every business. Most businesses fail after 5 years because of money issues. Thx Rhett 😊.
Rhett, this is an excellent video with tons of great information. I've been a musician for 40+ years and this is some of the best advice I every received. This is a class all by itself! Thanks!
I graduated in 2018 from a music industry program and I couldn't agree more! We had fairly thorough instruction on pro tools, but never got anything on amps/tone/pedals. I learned how to develop my tone with the help of other local guitarist
Wanna throw this out for anyone doubting. I live in a Oklahoma. One of my bands got added to a fest in Blackpool England, twice because if Instagram just after we released our first record. Our label had nothing to is with it. We just posted weekly and tagged someone who worked at the fest.
OMG RHETT! You have learned so much over your few years in the music business. It makes me grateful I'm only learning to play guitar for my own pleasure, I don't have enough years left to learn all that other stuff! Well done, and keep learning my friend, your dedication and work ethic is admirable. 👍👏
I don't play any instrument, but this video talking about communication and speaking in a common language, and making your notes, in the same way, is very cool. Thanks.
Great stuff! I feel lucky that at my music school our guitar department head decided that we (being in Alberta) needed to do a unit of country guitar and the Nashville number system. Likewise, we had to learn some basic bass and walking bass lines. But those were new ideas at the time, and a solid 30 years of students had gone through without studying those things. And the rest of your thoughts are spot on!
My first instrument was harmonica. I got my first Marine Band from Santa as a kid. Since I was really into singing along to old records, this was a way I could also play a long. I especially enjoyed playing the horn parts in old tracks like "Blue Berry Hill" or "Shake Rattle and Roll". When you mentioned second instruments... I remembered that bass is my second, guitar my third. I'm dusting off my harps and plugging in a Bullet this weekend. It's been too long. Thanks for reminding me.
What an incredibly informative, educational, and interesting video! Thank you Rhett for taking the time to put all this together. I appreciate it very much! It really helps! 😎👍
A suggestion for a video: best metro locations to base your music profession from. Include a discussion on if it is even necessary to be in proximity to an urban music center or just how feasible it is to practice your trade of grid with just a good internet connection and decent local talent.
Great inputs! For me, all my music learning is self taught starting out 20yrs ago with a guitar, few books, online tabs printed. And indeed after the longest time I realised the numbering, the decades spent figuring out sound, the gory details of a daw. Wish I had the advice starting out...
as a video editor, I just love the way you do those delayed video cuts or I guess they call them L cuts. I don’t see anybody else doing that and it’s pretty cool.
I *totally* agree with all the stuff you mention except the numbering system. I can't help but think if someone goes to college for music they *have* to learn a numbering system. The Nashville numbering is a little different than what you demonstrated with Roman Numerals which is or _should_ be taught in college. No? Doesn't the Nashville system use Arabic numbers instead of Roman Numerals in conjunction with unique symbols as I guide on what to do, walk up or down to the next chord, etc.? Love your vids. Great channel. Good stuff. I also listen to your podcast.
Thanks for the explanation of the Nashville number system. I may have misunderstood but it seems like I've heard a lot of people say that the first chord is the "1" chord. This is true in many instances but as you demonstrated, not always. I generally transcribe things in whatever key has the fewest accidentals. It's much simpler to think of Bm to E7 as a ii-V in A than a Im to IV7 in B.
Great advises. I would like to add that at recording sound part: basics of DAW, basics of how use plugins/hardware effects the main thing good musician should focus (spend more time then learning shortcuts) is how get great sound into DAW. One of the main parts: -focus on emotion you try to capture -contour you tone (amp+guitar+hands) based on emotion you try to archive (see previous) -how to get right amount of reverb from room, how place microphone -never ever think “We’ll fix it in post”!!! -Try get desired sound right after microphone without plugins. If you feel the need of compression-try find a way to sound without it that is still acceptable. It you need eq the. ask yourself-why, and try to find a way to eq before microphone of change mic position And after recording and basic mixing-try sound on cheap speakers in a bad uncoated room-if it sounds right- the it will be ok at any speakers. 99% of people would not hear any recordings on more than built in smartphone speakers in small window holding phone vertically, so music and performance should be so good, so it will sound great even on horrible speakers. Check it out-try to listen Victor Wooten masterclass on a smartphone speaker, and still, bass guitar sound somehow great, even on smartphone that cannot play any low frequencies!!! Even very easy music parts can be enhanced by performance (Nile Rodgers Talks 'Get Lucky' on youtube)
Rhett Shull that was very informing and reinforcing. Another thing I have never seen taught is proper posture and technique. I was having problems back about 20 years ago till I got my hands on "The principles of correct practice" by Jamey Andreas. Had to relearn and over come a lot of bad habits even quit playing for a whole year cause of some chronic pain related to poor technique. So I make it a point with my students early on how to have good posture when practicing or playing.
Great tips. As an educator, I have been focussing on these real-world skills for about a decade. I also really appreciated your honest show of gratitude for what you learned at your school, while at the same time you considered how it could be even more relevant . Thanks!
Rhett, this may have been one of your most helpful videos. Also, I can't believe they didn't teach the Nashville number system! As always, thanks for the wisdom and very well done videos.
I'd like to point oit that there's a difference between studio recording techniques and running live sound. While there's overlap where gear is concerned, these two specific audio engineering applications are ideally studied separately (concurrently when possible). As musicians who want to create, we might gravitate more toward studio work, but there's value in having some knowledge of mixing for stage monitors and for front of house P.A. systems.
One of the things that no one teaches (that should be common sense, but sadly isn't) is basic gig etiquette. 1. Don't show up to the gig 10 minutes before start time - intentionally missing the sound check. 2. When the club owner asks for something, DON'T IGNORE THEM!!! 3. Bring backups for your backups!!! (Strings, cables, picks, slides, tuners, 9v batteries, capos, etc.) 4. Dress like a professional. (Not every gig is a punk rock gig) 5. Keep your significant others off of the stage.
And, while this one probably doesn't need to be said as much these days, don't show up to the gig loaded, or get there while you're on the clock. Keep your personal habits separate from your job.
I love what you said about being a proficient multi-instrumentalist. I got my Music Ed degree focusing on trumpet, but over the years playing in bands I got proficient on primarily guitar, bass, drums, and keys to a lesser extent. I've made way more money playing guitar and bass than I have as a trumpet player. It's also made me a way better music teacher. Most of us can play all the band and orchestra instruments at least well enough to teach beginners, but very few folks know about jazz guitar voicings, can demonstrate a halftime shuffle or a jazz waltz to a more advanced drum student, etc etc etc. My all-around rhythm section chops have served me so much more as a middle and high school band teacher than being really good at one brass or woodwind instrument ever has.
Great video! I think every point you make is great. Every part of this (except for social media, I suppose) could be described as ear training; you need to be able to HEAR how chord progressions work, what "good tone" is, how to play in a song, in a band, what eq and compression do, how to record yourself; it's all ear training. Also, about recording, everyone who wants to should be able and encouraged to learn it regardless of instrument. Same for learning another instrument. Thanks for another great video!
Wow what an informational video in great advice I saved this video to go back on when I need it this particular video makes you hunger for knowledge if you want to make a living as a musician so thank you
Love all your vids, but this is by faaar my favorite. I’ve been playing around here and there, but this feels like that “secret knowledge” I’ve always wished I had. Working on these things will make me a better, and more sought after musician. Thank you for sharing.
Great vid!(as always) I play and teach at the music academy in Esbjerg, Denmark and have been talking to my students on these topics.... I would like to add two things that new players need to know: “Be on time and be Well prepared!” (PS a little “constructive critsism”: When you talked about the harmonized major scale, but gave an example using the mixolydian, it might confuse someone, who’s not that experienced...)
I didn't go to a music school, but these 5 things u mentioned i picked up along the way have increased my chances of being hired IMMENSELY. Especially the engineering part. Also the second instrument part. I wouldn't be able to be where i am now without these skills. im sure some people that are watching this is like "ok i know some of these i just need to focus on my playing more", but i highly recommend that u guys take these seriously, at least to a level where these things wouldn't be a drag for you. You will know this is true.
Learning other instruments is a great suggestion. I play guitar, bass, cello, violin and the bagpipes. Another useful tip is to forge good working relationships with the other session musicians you work with. If they’re on a job & they need a guitarist, they’ll remember you and recommend you. And you’ll return the favour when the opportunity arises.
Het Rhett, I always thought less was more while playing guitar because as you may know guitar players love to over play so yes maybe a bass would calm me down on guitar playing. I love keyboards to because it also helps to mello out a song, cool advice. Thank you for sharing your video.
About the 2nd instrument... I'm a guitar player, and there was this one time when I played the bass in a party, a thing that I focused to highlight the drum lines and back up the guitar, with a guitar mind, i guess, soo one young guy approached me at the end to congratulate me for my playing, saying that that was the most impressive bass guitar playing he ever heard !! So yeah lol I assume 2nd instrument issue is appreciated after all.
Great video. I'm convinced if I went more into tone as a young man, I would've been much more marketable. Classical harmony usually teaches Figured Bass, which is about the same as the Nashville System. I'm surprised you didn't run into it at school.
RSVP to tomorrow's Backstage Live show HERE!
ua-cam.com/video/fgfwX_w0KG4/v-deo.html&ab_channel=RhettShull
Do a Doors case study
You kinda said it in the end but one big thing about going to any school is getting a lot of contacts and relationships to people who you'll be working with in the future.
Rhett you have the perfect rock star name 😄👍
sorry to be so off topic but does any of you know of a trick to get back into an instagram account??
I was stupid lost the password. I would appreciate any help you can offer me!
@Carson Cohen Instablaster =)
In a nutshell:
1.- Learn Nashville Chord System.
2.- Learn to set up amp and using fx pedals.
3.- Learn to use Social Media
4.- Learn recording and producing techniques.
5.- Learn to play a second instrument.
3.b - Learn how to create clickbait titles.
Idk... but in Switzerland the „Nashville chordsystem“ gets reached at higher level music schools (not conservatory level but below...)
@@walkingonoldtracks i think that is true for the whole of Europe.
Thanks for this you saved me 20 slooooww minutes. I feel like this could have been presented so much better
Great top 5 Rhett, the social media thing is definitely top of the list. My top 5 is a lot less sophisticated: 1. Tune your guitar EVERY TIME before you play. 2. Turn your level down at rehearsal so you can hear the vocals, and then do listen to the vocals. 3. Learn to play in time, 95% of what you'll ever do is comp, shredding is a lot less useful than being able to play a I V Vi IV in impeccable time ALL THE TIME. 4. Learn to sing basic backing vocals, 50% more gigs guaranteed. 5. Be on time, be reliable, don't be the guy/gal with an attitude. Rock on!
Great list!
Great advice Rhett. Never too late to go “back to school” on this stuff.
Keith! Right? You're never too old to "go to school." Even if it's non-school schooling.
I'm finding you're an excellent teacher; VERY clear and effective. Usually performers don't make good teachers, and not all teachers are effective at it. Thank you for your videos.
As a songwriter/guitarist who actually hires players to perform and record my tunes here's what I look for (in no particular order).. ...Putting aside the basics - play well, get a good sound, play what's appropriate for the song etc, good to work with etc, these are priorities for me -
1. Can sing backup - incredibly important that at least one person in the band can add some backup vocals when wanted or needed
2. Has a home recording set up - I've been able to negotiate playing & recording packages, at reduced rates, with musicians who play live with me and also have their own professional recording setup for me to make demos and even full recordings
3. Can play more than one instrument, or at least credibly fake doing so...I own a banjo and a mandolin which I provide for players, so they don't even necessarily have to own one...It really helps me fill out the sound or add some variety when someone can double on another instrument during the set or on a recording
- Note to guitarists - buy and learn to play a lap steel guitar...They are incredibly versatile and can add a whole range of colors and sounds to a set or a recording...They can also be picked up pretty cheap
5. Knows some music theory...I use a lot of alternate tunings which in turn means I use some unusual chords that I myself don't even know what they are...it really helps if someone in the band can decipher what the chords and chord progressions are - more or less - and then know what to play and/or communicate that to other people in the band
6. Musical imagination/Good aesthetic taste - This would be #1 if I was ranking these points...Most of the people I've played with have been very good players, but not all of them had good musical imaginations or good taste...A fair few relied on cliched parts and licks that sounded like a lot of other people or played things that really didn't fit the vibe of the tune...I stick with the ones who put some thought and imagination into their parts, solos etc and have good taste....
7. Listens to the lyrics - One of the favorite guitarists I play with ALWAYS asks for a copy of the lyrics of all the tunes in advance...You can't know what a song is really about if you have no idea what the lyrics are...As a rule I now give lyric sheets as chord charts to all the people I'm playing with - it really helps...
Sorry this is so horribly long, but I thought it was an interesting topic from the perspective of someone who actually hires and pays musicians to play with them...Great vid Rhett!
Where can I buy your music?
Anyone who rejects social media as a tool for growing their professional network is a fool. I'm just a hobbyist musician, but my professional career is in data visualization and web design. I got my current job because of the work I post and share on my social media handles. If I can get work because of what someone saw on Twitter, so can you. Your web presence is the first and best way to make an impression on potential employers or clients.
Oh my god, yes! I'm a hobbyist, but I post about my playing constantly on my Facebook and Instagram. Even with getting ready to release a solo EP project I worked on, an online presence is HUGE especially if you (plural generalization) need to interact and connect with people. So many people I come across online talk about how they want to be known for their music, yet when I ask them if they have any material online, it's always an excuse of "Oh, nothing online," "I don't want people to steal my stuff," and so on.
@@MarcoRaaphorst I feel that - I completely support pushing for better laws to protect privacy and allow users to monetize their rights as currency. We're in a weird space at the moment, hopefully we see an improvement with the proliferation of privacy laws like those seen in California.
@P S Hey, that's good for you! For some people it might be a time suck, so I get it. At the end of the day, all of us spend our time on digital spaces most of the day - it's best to have a presence where the people are. There's a reason EVERY brand has an IG, a Facebook account, a UA-cam channel, etc. I don't know your personal goals or story, but I can assure almost anyone in any industry - having a social media presence to promote your work or talents is, 99% of the time, a net positive. The world is also trending more and more in that direction. Word of mouth travels even faster on the web.
@@tomseiple3280 Yes. And with everything thats going on in the world it definitely moving more and more in that direction. There is less live work and venues out there probably more than any other time at this point in time.
Always great lesson!!
Woah, it's the man himself
Thanks Tomo!!
@TomoFujitaMusic you watch twooba and Rhett Shull??
Definitely agree with all of this. Excellent advice 😁
+ being a nice person and a listener. Amazing how important this is.
I go to the Atlanta Institute of Music & Media now in 2020! I remember learning the Nashville Number system with Vitali! And Steve preaches about tone a lot. Awesome video!
We actually learn this in Music school in Norway!
Good video, thanks. You mentioned it briefly but I'd say learn to sing. I'm a decent guitar player and a decent singer- Not great at either but good enough to be the lead guitarist plus sing on 5 or 6 songs in a gig. It's a great confidence booster, puts you front and centre when you do sing lead and it also puts you in a bit more of a powerful position when it comes to deciding what songs to cover. Even if you don't think you're very good, you can always get better with practice and my theory is that 90% of people can get good enough to be at least competent at it.
Some Derek Sivers advice: when you’re first starting out, say yes to every gig because you never know which could be your lottery ticket!
As someone in tech, I love seeing a Derek Sivers reference in a music related UA-cam channel.
Hear hear. I learned every style I could wrap my head and hands around, just so I'd never have to turn down a gig.
And the experience is priceless... however painful it might be.
The fact that you recommended other DAWs over your sponsorship is why I watch your channel
Awesome video!!! In 1983 after leaving Berklee in Boston by 2000 I was playing, elect guitar, bass guitar, acoustic guitar, drum kit, fiddle, keys, vocals managing lights and running sound. I got totally burned out and am just getting back into it. Equipment has advanced like crazy. My Morley DOD effects pedals and tray seem like antiques.
Dude, i really like your "no bullshit" talks. Everything you said just makes sense.
You need to be able to maintain your instrument at a rudimentary level and make adjustments on the spot. Electric guitars are fairly tough when it comes to humidity and temperature swings but it’s vital that they are kept intonated and the strings ring free on all frets.
Acoustic instruments need to be temperature controlled and humidified. Quick adjustments aren’t a thing on them.
You are a plethora of practical music knowledge man. Thank you for sharing your wisdom.
The Nashville Numbers system will also make you quickly realize how few different chord progressions there actually are in most modern music.
thank you for the insight
Exactly
Exactly. This is this is this, just all in diff keys.
@@Chuck-Bob some keys are way better than others :)
Even older music, sure we remember the interesting chord progression from the Beatles and such, but the vast majority of pop, rock and country music has always been harmonically simple.
Not that I think it could be effectively taught in school, but people/social skills are ridiculously important! I can’t tell you how many artists I’ve run across that just can’t figure out how to adapt to social situations and respond to social cues, etc. Be someone that people WANT to make music with/hire.
As someone who is graduating from Berklee with a Bachelors of Music Business I agree with most of this. For 5 years I’ve been making a full living in music from teaching, recording and performing.
I think the Nashville # system depends on your region. In the NYC area we just go off Roman numerals a la Jazz studies. The Nashville system is a little different but the same overall concept, but instead when written down, we use the classical method of uppercase for chords that have the major third and lowercase numerals that have the minor third, and then the rest as normal on a lead sheet. It all stems from Roman numbers analysis of classical music. Definitely important to learn, just different naming systems.
Yes on setting up and crafting tones. Though I feel these days most people have access to a lot more gear for less and are doing it on their own. A multi fx pedal will cost you $200-500 tops and help start you in crafting your tone which is awesome. Some schools offer tone courses like Berklee which is awesome. The focus on this (and recording) depends on your major. 2 year/4 year and certification programs will vary vastly for sure. All 4 year music schools require piano, AIM is a bit different but I understand why they didn’t focus on it since it’s a certificate program.
I think all serious musicians should learn the 5 things you mentioned. In school AND out of school these are life skills for musicians looking for a career in music for sure.
I’d like to add that your ability to adapt is important too. If the band you’re hired for uses in ears and goes direct, don’t expect your own monitor wedge and a 4x12 cab to be okay. If you’re hired for a theater gig don’t bring a huge amp. If you’re hired for a jazz session you better know the standards. Making a hang is super crucial as well. I’ve seen people kicked from gigs infront of my eyes for not knowing the music ahead of time, having the wrong gear, being rude to the MD/owner, being late (don’t even bother coming back), or showing up without your own gear 😂
You gotta act like you want the gig, otherwise there’s someone right down the road ready to fill in and do it better.
Great video Rhett. Your content keeps getting better and better. You should teach a video course soon as your videography is really impressive as well. THATS something they don’t teach in music school for sure.
"Trying to not sound like a guitar player playing bass..." The struggle is real.
Man! The pitfalls of performing all the parts by yourself in a home studio. I am so NOT a drummer.
Drums are really hard to sound good on if you're not a drummer.
That's the truth. And programming drums can be tedious. At least all you really need to do are the fills. Once you get the groove down you can copy/paste a lot...
@@jeffjones1143 Not to mention velocities, swells, etc in an attempt to humanise the machine
this line cracked me up! implies (what we all know) that it is noticeable - and probably not desired...
Remember when Rhett told us about that gig he had where his pedal board didn’t work and he had to play straight through the amp 😬
Rhett, I agree with everything you said - solid advice, especially about social media and learning to play other instruments like bass. I would add one more thing for bands - don't depend on the sound guy or gal at the club to give you your best sound for the room. One of the band members needs to do a real sound check by going out where the audience is and listen for balance and volume. Make sure you can really hear the lyrics. Don't turn everything up to eleven or until your ears bleed. I've heard so many good bands with great original songs sound like garbage because of excessive volume and no balance. I've been in situations where we've followed a band and they sounded great from outside the club than inside. You have to have patience and learn diplomacy when dealing with the house sound person but it pays off. Otherwise you might as well be playing with crappy equipment because the audience sure won't know the difference.
My second instrument is my custom shop skinflute, and I have mastered that little beast.
Thanks dude...a 2nd instrument definitely opens up a muscians abilities & comprehension of how things fit together...
I've been playing 35 years. I am truly thankful for how you and so many others so selflessly share these pillars of information in today's formats.... Thanks for all you share.. Most.People have no idea that the hour on stage would not exist without the countless hours behind the scenes and the absolute dedication to one's craft..
This is cool. Im about to finish my first quarter at AIMM doing guitar. I do feel that styles are important too.
Tone Course is an absolute must. I have gone through it twice just to get all of the nuggets of knowledge. Money very well spent...as opposed that "cool pedal" that now sits on your shelf.
Fantastic information! I would also propose that 'time' is every players responsibility... not just something relegated to the drummer. Thanks!
I've been using Nashville Number System for years without knowing it was named like this....
For me, this was a complete revelation, not knowing about it, and ironically I somehow knew what a 2 was, what a 4 and a 5 was.
tf does nashville gotta do with this
@@TotalEvo7 if you have a good ear you will make all sorts of these discoveries when connecting theory to music.
@@t3hgir I agree, man. I've been born with a perfect ear (I'm one of the few that have it), but man, these revelations are mind blowing
@@whichadrian Nashville session musicians were the first people to pioneer and use the system exclusively for sessions/gigs. It was developed by Neal Matthews in the late 50s, and has been adopted by other musicians since its inception.
Excellent info! I will add make sure you show up on time with your gear in working order. Sound check is not rehearsal. Be pleasant.
That delay pedal at 7:40 is handmade in my city , Athens ,Greece !!! 🙂🙂🙂
great advices!
HOWEVER, I would love to add to your list of things is to understand and know how to repair your gear. it helped me a lot in countless ways!
to more great videos!
Hey Rhett, I´m new to your channel and have been a guitar player for many years, I also play flute and play around with the piano all self taught. Music isn´t my career but my passion . Years ago (in the 90´s ) I had a basic recording setup, a Fostex 4 track (2 channel)tape recorder.Which I used and mastered , I jammed around a bit but my career as a chef took off and as you probably know its what pays the bills.Music fell behind.Fortunately this last year I´ve rediscovered my talents and have had time to use them !! Now I´ve moved into the digital age and am learning little by little. I´ve set up a little home studio .Your videos are great and honest.Thank you . I´m taking a lot from them and learning a bit more about music each day .Keep up the good work. Also I´d like to add I´m not sure if its relevant but since picking up the guitar again after almost 10 years not playing my maturity as a person has made me a more conscience player more methodical more in the moment.Maybe its bullshit but I have more control more feel ,better tone???? Anyways sorry to ramble .Dude you rock !!
That's why when you shout out the chords, you gotta throw in the "as in" statement, i.e. - "B as in Bog!", "C as in Cog!", "D as in Dog!", "G as in Gog!"
It's so simple!
What if that is the singer calling out chords, it takes too much time, stick to what is simpler and standardized.
@@MysterD515 it's a joke, see how they rhyme? It makes it harder to follow.
@@MysterD515 Don’t take the internet too seriously.
Lmao
I think we could jam together...
Great video! How to network, volunteer and using other skills like studio contruction are also helpful.
Sonic fingerprint, gotta love it, and I gotta love that guitar. I don't watch your videos all the time but when I do, I drink it all in
One of the best videos that I've seen on youtube! Thank you Rhett.
Yeah definitely! . . . Fantastic stuff man! . . . How does this guy not have a million subscribers!?
Great channel! . . . Appreciate you dude. 👏
I'm glad you hit on being a business. I would add as a touring or studio musician you need to know how to keep track of your expenses and what you're responsible for as far as taxes, how to take care of receiving income. More importantly don't be afraid to ask other working musician what they do to take care of their money. Money messes up every business. Most businesses fail after 5 years because of money issues. Thx Rhett 😊.
Rhett, this is an excellent video with tons of great information. I've been a musician for 40+ years and this is some of the best advice I every received. This is a class all by itself! Thanks!
Ooft! what's that semi-hollow with a p90 at 5:13 and 8:30? It's absolutely stunning!
Did a little searching - Appears to me it is a Wide Sky P125 Cutaway - gorgeous guitar!
@@The_Stappin Thank you!!
I graduated in 2018 from a music industry program and I couldn't agree more! We had fairly thorough instruction on pro tools, but never got anything on amps/tone/pedals. I learned how to develop my tone with the help of other local guitarist
Wanna throw this out for anyone doubting.
I live in a Oklahoma. One of my bands got added to a fest in Blackpool England, twice because if Instagram just after we released our first record. Our label had nothing to is with it. We just posted weekly and tagged someone who worked at the fest.
Thanks!Just sent this to my 12 yr old guitar player son. Never too early to learn from folks who’ve been there and done it🙏
OMG RHETT! You have learned so much over your few years in the music business. It makes me grateful I'm only learning to play guitar for my own pleasure, I don't have enough years left to learn all that other stuff! Well done, and keep learning my friend, your dedication and work ethic is admirable. 👍👏
I don't play any instrument, but this video talking about communication and speaking in a common language, and making your notes, in the same way, is very cool. Thanks.
Great stuff! I feel lucky that at my music school our guitar department head decided that we (being in Alberta) needed to do a unit of country guitar and the Nashville number system. Likewise, we had to learn some basic bass and walking bass lines. But those were new ideas at the time, and a solid 30 years of students had gone through without studying those things. And the rest of your thoughts are spot on!
My first instrument was harmonica.
I got my first Marine Band from Santa as a kid. Since I was really into singing along to old records, this was a way I could also play a long. I especially enjoyed playing the horn parts in old tracks like "Blue Berry Hill" or "Shake Rattle and Roll".
When you mentioned second instruments... I remembered that bass is my second, guitar my third.
I'm dusting off my harps and plugging in a Bullet this weekend.
It's been too long.
Thanks for reminding me.
3:03... Not necessarily the same key but the same chord progression for chili peppers"snow (hey oh)"
Great insight Rhett. Good pointers about second instrument, and daw. l
What an incredibly informative, educational, and interesting video!
Thank you Rhett for taking the time to put all this together. I appreciate it very much! It really helps! 😎👍
A suggestion for a video: best metro locations to base your music profession from. Include a discussion on if it is even necessary to be in proximity to an urban music center or just how feasible it is to practice your trade of grid with just a good internet connection and decent local talent.
Great inputs! For me, all my music learning is self taught starting out 20yrs ago with a guitar, few books, online tabs printed. And indeed after the longest time I realised the numbering, the decades spent figuring out sound, the gory details of a daw. Wish I had the advice starting out...
Thank you so much Rhett! such of helpful video, very good to know all this things.
as a video editor, I just love the way you do those delayed video cuts or I guess they call them L cuts. I don’t see anybody else doing that and it’s pretty cool.
Deep in heart, I'm lonely.....
Love that tune. Old enough to remember it then it was new.
You are spot on! One thing, very, very important, your personality! Be humble 👍
I *totally* agree with all the stuff you mention except the numbering system. I can't help but think if someone goes to college for music they *have* to learn a numbering system. The Nashville numbering is a little different than what you demonstrated with Roman Numerals which is or _should_ be taught in college. No? Doesn't the Nashville system use Arabic numbers instead of Roman Numerals in conjunction with unique symbols as I guide on what to do, walk up or down to the next chord, etc.? Love your vids. Great channel. Good stuff. I also listen to your podcast.
Definitely watching tomorrow's show!
This is a Master Class ! Thank You ! Invaluable take aways ... yes !
Suggestion: do a video on how you create your videos. They are really well put together!
Thanks for the explanation of the Nashville number system. I may have misunderstood but it seems like I've heard a lot of people say that the first chord is the "1" chord. This is true in many instances but as you demonstrated, not always. I generally transcribe things in whatever key has the fewest accidentals. It's much simpler to think of Bm to E7 as a ii-V in A than a Im to IV7 in B.
Great advises.
I would like to add that at recording sound part: basics of DAW, basics of how use plugins/hardware effects the main thing good musician should focus (spend more time then learning shortcuts) is how get great sound into DAW.
One of the main parts:
-focus on emotion you try to capture
-contour you tone (amp+guitar+hands) based on emotion you try to archive (see previous)
-how to get right amount of reverb from room, how place microphone
-never ever think “We’ll fix it in post”!!!
-Try get desired sound right after microphone without plugins. If you feel the need of compression-try find a way to sound without it that is still acceptable. It you need eq the. ask yourself-why, and try to find a way to eq before microphone of change mic position
And after recording and basic mixing-try sound on cheap speakers in a bad uncoated room-if it sounds right- the it will be ok at any speakers. 99% of people would not hear any recordings on more than built in smartphone speakers in small window holding phone vertically, so music and performance should be so good, so it will sound great even on horrible speakers. Check it out-try to listen Victor Wooten masterclass on a smartphone speaker, and still, bass guitar sound somehow great, even on smartphone that cannot play any low frequencies!!! Even very easy music parts can be enhanced by performance (Nile Rodgers Talks 'Get Lucky' on youtube)
As always, great video, and thanks for posting it. Look forward to live video of your band.
Rhett Shull that was very informing and reinforcing. Another thing I have never seen taught is proper posture and technique. I was having problems back about 20 years ago till I got my hands on "The principles of correct practice" by Jamey Andreas. Had to relearn and over come a lot of bad habits even quit playing for a whole year cause of some chronic pain related to poor technique. So I make it a point with my students early on how to have good posture when practicing or playing.
Ordering my bass now!
Great tips. As an educator, I have been focussing on these real-world skills for about a decade. I also really appreciated your honest show of gratitude for what you learned at your school, while at the same time you considered how it could be even more relevant . Thanks!
Awesome advice! Thanks for your great channel! Rawk on!
Rhett, this may have been one of your most helpful videos. Also, I can't believe they didn't teach the Nashville number system! As always, thanks for the wisdom and very well done videos.
Your guitars are so well intonated! Great video as usual Rhett!
I'd like to point oit that there's a difference between studio recording techniques and running live sound. While there's overlap where gear is concerned, these two specific audio engineering applications are ideally studied separately (concurrently when possible). As musicians who want to create, we might gravitate more toward studio work, but there's value in having some knowledge of mixing for stage monitors and for front of house P.A. systems.
One of the things that no one teaches (that should be common sense, but sadly isn't) is basic gig etiquette.
1. Don't show up to the gig 10 minutes before start time - intentionally missing the sound check.
2. When the club owner asks for something, DON'T IGNORE THEM!!!
3. Bring backups for your backups!!!
(Strings, cables, picks, slides, tuners, 9v batteries, capos, etc.)
4. Dress like a professional. (Not every gig is a punk rock gig)
5. Keep your significant others off of the stage.
And, while this one probably doesn't need to be said as much these days, don't show up to the gig loaded, or get there while you're on the clock. Keep your personal habits separate from your job.
Lol. The last one broke my sobriety.
However, very good point.
6. Bring duct tape
@@evanduquette your #6 falls under my #3 with the "etc." 😎😎😎
@@robbirose7032 lol or have some discipline
I love what you said about being a proficient multi-instrumentalist. I got my Music Ed degree focusing on trumpet, but over the years playing in bands I got proficient on primarily guitar, bass, drums, and keys to a lesser extent. I've made way more money playing guitar and bass than I have as a trumpet player. It's also made me a way better music teacher. Most of us can play all the band and orchestra instruments at least well enough to teach beginners, but very few folks know about jazz guitar voicings, can demonstrate a halftime shuffle or a jazz waltz to a more advanced drum student, etc etc etc. My all-around rhythm section chops have served me so much more as a middle and high school band teacher than being really good at one brass or woodwind instrument ever has.
Thanks Rhett...great content
Great video! I think every point you make is great. Every part of this (except for social media, I suppose) could be described as ear training; you need to be able to HEAR how chord progressions work, what "good tone" is, how to play in a song, in a band, what eq and compression do, how to record yourself; it's all ear training. Also, about recording, everyone who wants to should be able and encouraged to learn it regardless of instrument. Same for learning another instrument. Thanks for another great video!
Wow what an informational video in great advice I saved this video to go back on when I need it this particular video makes you hunger for knowledge if you want to make a living as a musician so thank you
Love all your vids, but this is by faaar my favorite. I’ve been playing around here and there, but this feels like that “secret knowledge” I’ve always wished I had. Working on these things will make me a better, and more sought after musician. Thank you for sharing.
Great vid!(as always) I play and teach at the music academy in Esbjerg, Denmark and have been talking to my students on these topics.... I would like to add two things that new players need to know: “Be on time and be Well prepared!” (PS a little “constructive critsism”: When you talked about the harmonized major scale, but gave an example using the mixolydian, it might confuse someone, who’s not that experienced...)
What guitar is that at 8:36? That is pretty amazing looking! 😍
Thank you Rhett ... so what I need to get where I want to be !!!
I thinks that's one of your best informative videos yet! Great job! 👍🏽👍🏽👍🏽
I didn't go to a music school, but these 5 things u mentioned i picked up along the way have increased my chances of being hired IMMENSELY. Especially the engineering part. Also the second instrument part. I wouldn't be able to be where i am now without these skills. im sure some people that are watching this is like "ok i know some of these i just need to focus on my playing more", but i highly recommend that u guys take these seriously, at least to a level where these things wouldn't be a drag for you. You will know this is true.
Learning other instruments is a great suggestion. I play guitar, bass, cello, violin and the bagpipes. Another useful tip is to forge good working relationships with the other session musicians you work with. If they’re on a job & they need a guitarist, they’ll remember you and recommend you. And you’ll return the favour when the opportunity arises.
Rhett thanks for the valuable information you share... it's priceless. Wishing you all the success in life buddy. Cheers!!!
I'm not a working musician but I love these videos of yours. Great advice explained well.
Het Rhett, I always thought less was more while playing guitar because as you may know guitar players love to over play so yes maybe a bass would calm me down on guitar playing. I love keyboards to because it also helps to mello out a song, cool advice. Thank you for sharing your video.
New guitar? That thing is gorgeous!
Excellent advice. Two other areas: sensitivity and ego...
Please take these bullet points and do a class on each one ! Good stuff..
thank you man! re Nashville harmonized major scale: deafening sound of dots connecting in my head! major leap forward! (now for the minor...)
Great video - inspiring me to improve in these areas!
Some really good advice here...thanks!
Glad to join your channel Rhett. Seen you often with Rick. Thank you so much for this video. Keep em rollin ✌🏽☺️🖖🏽👽
This video is 100% gold! Learn from a professional, not a professor!
About the 2nd instrument... I'm a guitar player, and there was this one time when I played the bass in a party, a thing that I focused to highlight the drum lines and back up the guitar, with a guitar mind, i guess, soo one young guy approached me at the end to congratulate me for my playing, saying that that was the most impressive bass guitar playing he ever heard !! So yeah lol I assume 2nd instrument issue is appreciated after all.
Btw that was the best ever feedback I have got so far in my life haha
So you “Geddy Lee’d” it...good job!!
@@johnkruton9708 I guess, at least for that one person. LOL
Great video. I'm convinced if I went more into tone as a young man, I would've been much more marketable. Classical harmony usually teaches Figured Bass, which is about the same as the Nashville System. I'm surprised you didn't run into it at school.
Glad I stumbled across your channel very informative thanks brother!
Man thanks so much for this, and that guitar you have in the thumbnail is gorgeous 🎸👍