I play a flu, and from watching your videos and loving Barry Harris it has given me a whole new expression that's only comes out of me. Thank you from within.
Yeah, once I sat down and just started playing nothing but triads, experimenting with every combination of inversions and basic triad progressions, then I really started to learn and train my ear. I took about 2 years just exploring as many possible combinations. And afterwards I could see there actually isn't very many.... There's a lot, but not as many as you would think. Now I've been doing 7ths for a few years. Advanced theory and harmony.
This is another great lesson. I've been looking for movement concepts and your explanations and demonstrations of Barry Harris ' major 6th diminished scale approach are really clear. Thanks!
Firstly, thank you very much. Your channel is one of my favourites as well as some others on this subject. What I enjoyed about this video is at 4:00 when you mentioned that you sometimes like to start with some tension. i know there are no 'rules; in music but I often ask myself if it is ok to begin with tension and I am glad you mentioned it. On that note I think some videos on original composition would be great. For example, when do you switch to minor6diminished / dom7diminished / dom7b5 diminished scales and whats your thought process in your left and right hand selections Also perhaps looking at a player like Robert Glasper and looking to achieve that ;sound; by applyng Barry;s techniques! A big ask but I think this sort of lesson with some explanations on our choices would benefit those of us who don't read sheet music but fully understand the theory and come from a composition standpoint rather than playing already existing songs
can barry's principles be somehow usefully applied to non jazz contexts? for example, to more pop oriented progressions like Gm-F-Dm-Eb or something like that?
So alternatively, we can say its an augmented Maj 7 chord that resolves to its Major 6 and on minor we can also call it a Minor with it Major 7/9th chord then resolve to minor 6th. Great teaching Sir, Big Ups👍🏾
@@JazzSkills thanks, Shan! I generally leave comments to remember things I might miss. I did not know the dim6 scale was so central to jazz. Watching your videos has been mind expanding. I might buy the membership in a month or two.
The more I hear this stuff the more vanilla 13b9 in the Dominant sounds. It used to sound exotic to me before I really started listening and practicing.
Here are my other Barry Harris videos
ua-cam.com/play/PL2GT-F7_oAbkEGy3Sm5jjoowPJLGs6Zzd.html
I play a flu, and from watching your videos and loving Barry Harris it has given me a whole new expression that's only comes out of me. Thank you from within.
Wow, thank you!
Shan, your Barry Harris serie is one of the best things youtube ever had.
This!!! This is the sound I've been searching for this whole time in my own playing. Wonderful video sir.
Best teacher ever.🌹
Bless you
You are doing a great job passing on Barry Harris' knowledge down to us. You are part of great historic writing!
This is pot of gold right here! Thanks for sharing
My pleasure!
Took me a little while to get into your approach, but I LOVE this little lessons now man.
Yeah, once I sat down and just started playing nothing but triads, experimenting with every combination of inversions and basic triad progressions, then I really started to learn and train my ear.
I took about 2 years just exploring as many possible combinations. And afterwards I could see there actually isn't very many.... There's a lot, but not as many as you would think.
Now I've been doing 7ths for a few years. Advanced theory and harmony.
Really great content. You deserve 100K subscribers.
This is another great lesson. I've been looking for movement concepts and your explanations and demonstrations of Barry Harris ' major 6th diminished scale approach are really clear. Thanks!
Amazing lessons...appreciate you sharing
Thank you and I hope you are enjoying playing.
Fantastic! Please continue sharing the knowledge🎼
Thanks for this Sean. Really enjoying your channel!
Glad you enjoy it and welcome aboard!
Nice concept, thank you Shan!
Glad you liked it!
@@JazzSkills I loved it!
Thank you for sharing this!
My pleasure!
Really really enjoyed it
Your sound is very good. Great video
Very useful information
another UA-camr I can really learn from... yaayyyy
Sweet lesson! Really enjoy this stuff
Thanks Jordan! Glad you have you on board.
Thanx, Sean🌹🌹🌹🌹
Love this!
Excellent explanation
for Dm to G7 is sometimes play DF(spread)GBbC#E to DF FACD. the Edim over Dmin gives you kind the Dmharm vibe instead of Dmmelodic. i like it too
Very very beautiful and interesting
cheers,, well liked, @ 'no 22 and in 2020 plus 2,, =ing 2022,, great lesson ,,one love
GENIOUS!!!!!!!!!
Firstly, thank you very much. Your channel is one of my favourites as well as some others on this subject.
What I enjoyed about this video is at 4:00 when you mentioned that you sometimes like to start with some tension.
i know there are no 'rules; in music but I often ask myself if it is ok to begin with tension and I am glad you mentioned it.
On that note I think some videos on original composition would be great.
For example, when do you switch to minor6diminished / dom7diminished / dom7b5 diminished scales and whats your thought process in your left and right hand selections
Also perhaps looking at a player like Robert Glasper and looking to achieve that ;sound; by applyng Barry;s techniques!
A big ask but I think this sort of lesson with some explanations on our choices would benefit those of us who don't read sheet music but fully understand the theory and come from a composition standpoint rather than playing already existing songs
Thanks!
Ciaooooooo
Fantastica lezione.
Ciao!
can barry's principles be somehow usefully applied to non jazz contexts? for example, to more pop oriented progressions like Gm-F-Dm-Eb or something like that?
So basically Wham! - Last Christmas
So alternatively, we can say its an augmented Maj 7 chord that resolves to its Major 6 and on minor we can also call it a Minor with it Major 7/9th chord then resolve to minor 6th.
Great teaching Sir, Big Ups👍🏾
We could only say that if the C6 is in root position so I prefer to use the scale as it has more possibilities.
Thanks for watching and big ups :)
5:40 "won't do anything special on these chords"..proceeds to add b9 13 on G7. Which are actually in the scale.
Should probably have said, "won't *teach* anything special on these chords".
@@JazzSkills thanks, Shan! I generally leave comments to remember things I might miss. I did not know the dim6 scale was so central to jazz. Watching your videos has been mind expanding. I might buy the membership in a month or two.
The more I hear this stuff the more vanilla 13b9 in the Dominant sounds. It used to sound exotic to me before I really started listening and practicing.
At 10:17 there's a B+ over G which is just Eb borrowed from the dim6 scale. 9b13 chord.